BBC Announces Immediate Changes After Glastonbury Controversy
Over the weekend, punk rap duo Bob Vylan made headlines when, during their Glastonbury set, they led the crowd in a chant of 'death to the IDF', referring to Israel's army, which was broadcast live on BBC iPlayer.
Shortly afterwards, the band's conduct was slammed by both the BBC and Glastonbury's organisers, while prime minister Keir Starmer was among those raising questions about how the moment wound up being broadcast.
On Thursday afternoon, the BBC released a fresh statement, which began: 'We fully understand the strength of feeling regarding Bob Vylan's live appearance at Glastonbury on the BBC.
'We deeply regret that such offensive and deplorable behaviour appeared on the BBC and want to apologise to our viewers and listeners and in particular the Jewish community. We are also unequivocal that there can be no place for antisemitism at, or on, the BBC.
'It is clear that errors were made both in the lead-up to and during Bob Vylan's appearance. We think it's important to set out some of the detail around the streaming of this performance.'
The statement went on to outline that Bob Vylan were one of seven acts deemed to have been 'high risk' before Glastonbury began broadcasting in a risk assessment process, all of whom were 'deemed suitable for live streaming with appropriate mitigations'.
It was also pointed out that during the broadcast of Bob Vylan's set, two different content warnings appeared on screen, although the BBC said the decision not to cut the feed was an 'error'.
'Given the failings that have been acknowledged we are taking actions to ensure proper accountability for those found to be responsible for those failings in the live broadcast,' they said, before outlining 'immediate changes to livestreaming music events'.
As of now, the BBC says:
Avon and Somerset Police have said they are launching a criminal investigation following performances by both Bob Vylan and Kneecap on Saturday.
Earlier this week, Bob Vylan members Bobby and Bobbie Vylan insisted in a joint statement: 'We are not for the death of Jews, Arabs or any other race or group of people. We are for the dismantling of a violent military machine. A machine whose own soldiers were told to use 'unnecessary lethal force' against innocent civilians waiting for aid. A machine that has destroyed much of Gaza.'
In reference to the group Palestine Action – which MPs voted on Wednesday to proscribe – and fellow Glastonbury performers Kneecap, the duo continued: 'We, like those in the spotlight before us, are not the story. We are a distraction from the story. And whatever sanctions we receive will be a distraction.
'The government doesn't want us to ask why they remain silent in the face of this atrocity. To ask why they aren't doing more to stop the killing. To feed the starving. The more they talk about Bob Vylan, the less they spend answering for their criminal inaction.
'We are being targeted for speaking up. We are not the first. We will not be the last. And if you care for the sanctity of human life and freedom of speech, we urge you to speak up, too.'
Bob Vylan Frontman Speaks Out After Band Is Dropped From Manchester Music Festival
Police Open Criminal Investigation After Bob Vylan And Kneecap's Glastonbury Sets
'We Are Not The Story': Bob Vylan Speak Out After Glastonbury Set Sparks Criminal Investigation
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
21 minutes ago
- Yahoo
The Sandman Season 2, Volume 1 Finale: Dream Spills Family Blood, Setting Up a ‘Spectacular' Run of Final Episodes, EP Says
Heads up: The first half of The Sandman's second season ends with the normally stoic Dream bent in half and sobbing over the choices he's made. In a minute, we'll talk with showrunner Allan Heinberg about how the events of the Season 2, Volume 1 finale set Dream and his siblings up for some serious badness when Volume 2 arrives later this month. But first, a quick recap of Episode 6, 'Family Blood.' More from TVLine Ironheart Boss Explains That Fight Set at a White Castle, 'One of the Truest Midwest Things You Could Do!' Nine Perfect Strangers' Finale Leaves the Door Open for Season 3 - Do You Hope to See It Return? The Sandman EP Allan Heinberg Details Neil Gaiman's Involvement in Season 2 The hour begins with Dream contacting Lady Johanna Constantine in the late 1700s to ask for her help: He needs her to go to Paris and retrieve the disembodied head of his son, Orpheus, which has ended up confiscated by Maximilien Robespierre during his Reign of Terror. Robespierre is convinced that the head is an object of 'superstition and decadence,' and he wants it destroyed. So he throws Johanna in prison until his men locate where she's hidden her contraband: in a pile consisting of the noggins of Robespierre's other victims. Just when it looks like all is lost, Orpheus opens his mouth and begins singing a song so powerful it causes all the other dead heads to join in. Robespierre and his men are transfixed, frozen to the spot as Johanna grabs Orpheus and slips away. (The song, we also learn, spurred the French people to put an end to Robespierre's reign soon after.) After successfully ferrying Orpheus to a temple where he will be kept safe for all eternity — because he can't die, remember? — Johanna asks Dream for her payment, and when we return to the present, we see that he granted it: She was buried near Orpheus' temple after she died. Dream asks Orpheus where Destruction has been hiding all this time, and it turns out that he's been holed up on an island near Orpheus' temple — because he knew his brother was trying to stay as far away from Orpheus as possible. We learn that Destructions' scrying pool was responsible for all the carnage they'd encountered along the way (Ishtar, etc.) Destruction then says he won't return with his siblings; destruction will continue to happen, regardless, and he doesn't want it to be his fault. So he takes his sword, entrusts Barnabas to Delirium's care (or maybe the other way around), and tells Dream to remember that he left out of love for humankind. 'Love is the only good reason to do anything,' he adds. Then Dream returns to Orpheus' island, alone, and grants his son's wish: He kills Orpheus with a powerful and bloody punch to the middle of his face. After, he comes home to the Dreaming and washes Orpheus' blood off his hands, crying as he does so. In the hour's final scene, we see the three Fates, hanging out and knitting. Two of them seem inclined to give Dream a little leeway, but one makes it clear that she's ready to hold him accountable for spilling family blood. 'Got to finish sometime,' she says, grabbing a pair of scissors and cutting some yarn in decisive fashion as the episode goes to black. When I spoke with showrunner Allan Heinberg, he said Dream's inner journey this season is just getting underway. Read on to hear his thoughts on what's ahead when Volume 2 starts streaming on Thursday, July 24. TVLINE | This is quite a reckoning for Morpheus this season, right? He is grappling with stuff that I feel like he didn't think all that much about in the first HEINBERG | Absolutely. So much of the first season was about his reaction to his captivity and his rage. He was so righteous in [the idea of] he's a victim. He was going to fix things, even with the Corinthian. It wasn't an inward journey. It was very much a 'I've been away and I'm going to put my house in order' journey, and I think he came out of it with an increased appreciation for Lucienne's contribution. And I think Death offered him some perspective. Season 1 humanized him to the degree that his journey toward empathy was just sort of starting… It had never occurred to him that he's the villain in the Nada story, that he acted dishonorably. And it's his pride and his ego that dictates the trip back to Hell, more than anything else. Even when he says to Nada, 'Now I rescued you from Hell, will you marry me?,' he's still not getting it.[Laughs] He's still not thinking about things from her point of view… You're right: We're peeling away the layers. Because the Orpheus stuff cuts even deeper with him. And then once he makes the decision he makes at the end of Episode 6, the back half of the season becomes a fundamental question of 'Who am I, and what is important to me?' You know? And 'What am I fighting for, in the back half? Am I fighting for my ego? Am I fighting for my kingdom?' He's definitely fighting in the back half. I can't wait for you to see Tom's [Sturridge, who plays Dream] work in the back half. It's truly spectacular. Now it's your turn. Grade both the episode and Season 2, Volume 1 via the polls below, then hit the comments with your thoughts! Best of TVLine Mrs. Maisel Flash-Forward List: All of Season 5's Futuristic Easter Eggs Yellowjackets Recap: The Morning After Yellowjackets Recap: The First Supper
Yahoo
21 minutes ago
- Yahoo
Giant wooden animal puppet parade wows city
A parade of life-sized wooden safari animal puppets has wowed crowds in Manchester as it passed through the city. The Herds aims to symbolise the animals' flight from climate disaster, according to The Walk Productions, which is behind the large scale public art. The elephants, giraffes, antelope, and lions are made from upscaled or recyclable cardboard and plywood. They arrived in the city just after 18:00 BST and will move to Heywood and Leigh in subsequent days. The animals began their 12,400m (20,000km) journey in Kinshasa in the Democratic Republic of the Congo in April and are now moving north through European towns and cities. Volunteers in each area take on the role of puppeteers. The parade made its way through Cathedral Gardens, Corporation Street and Market Street. Rochelle Dodson and Eva Barker were impressed by the puppetry. Ms Dodson said: "It was wonderful - the movement was realistic especially with the fact they are made out of cardboard. "The giraffes eyes really looked at you." Ms Barker added: "I thought it was great – not sure I was aware of a message." Danielle who came with her daughter Poppy to watch the spectacle said: "I thought it was great - I just like the intricate details on the chimpanzees." She said it was so entertaining but she thought the eco-friendly message was not particularly clear. "I think they should have had some information or someone telling that story – if you look it up it is a beautiful message," she said. "It was really funny there was a guy with a dog on his shoulder who said 'this is great but what is it all about?'" Poppy added: "They are really big and the puppet people are so hard working." Debbie, who came with her three children, Patti, Gracie and Kit was amazed by the experience. "The puppets were incredible - I really liked the way they were moving," she said. "When they came towards us it was unbelievable." Daughter Pattie added; "I thought they were really cool - I really liked the zebras." Once The Herds leaves Greater Manchester, it will next travel through Scandinavia to the Arctic Circle. The Herds parade marked the start of Manchester International Festival, which first took place in 2007. The Walk Productions also created in 2019 the journey of Little Amal, a 12ft high puppet of a Syrian refugee child. Listen to the best of BBC Radio Manchester on Sounds and follow BBC Manchester on Facebook, X, and Instagram. You can also send story ideas via Whatsapp to 0808 100 2230. The Herds: 'Being a puppeteer is really difficult' The Herds: How the giant animal puppets are made Little Amal team launch climate change puppet project
Yahoo
36 minutes ago
- Yahoo
Ringo Starr says he asked Sam Mendes for changes to Beatles biopic script
The director of the forthcoming Beatles biopic had his work cut out for him, as far as Ringo Starr was concerned. The legendary rock & roll group's drummer had plenty of notes for the Sam Mendes-helmed movie project. Starr, one of two surviving members of the Fab Four, says he met with the Oscar winning director in April to discuss the four-part film. Starr, played in the films by Irish actor Barry Keoghan, took particular umbrage with the depiction of his marriage to his first wife Maureen Starkey Tigrett in the script. He told the New York Times that he went over the script for his installment line-by-line and offered Mendes 'extensive notes' in an effort to get the story closer to the real thing. 'He had a writer — very good writer, great reputation, and he wrote it great, but it had nothing to do with Maureen and I,' the 85-year-old explained, without naming the chosen screenwriter. 'That's not how we were. I'd say, 'We would never do that.'' The couple were married in 1965 and had three children before splitting in 1975. She died in 1994 from leukemia. The star is now 'much more satisfied with how he's depicted in the script' and wishes Mendes 'peace and love.' Joseph Quinn plays George Harrison, Harris Dickinson portrays John Lennon and Paul Mescal stars as Paul McCartney in the yet-to-be-titled films, currently being referred to as 'The Beatles — A Four Film Cinematic Event.' Award-winning writers Jez Butterworth, Peter Straughan and Jack Thorne are attached to the project, expected to hit theaters in 2028.