Mariah Carey Confirms Release Date For 16th Album ‘Here For it All'
Carey shared the news on her Instagram Monday morning, sharing a brief snippet of her vocals on what seems to be the album's title track. Here For It All marks Carey's first album since 2018's Caution, which released through Sony's Epic Records and debuted at Number 5 on Billboard's 200 Albums chart.
More from The Hollywood Reporter
Bruce Springsteen Joins Zach Bryan for Surprise Appearance at New Jersey Concert
Chris Martin Jokes About Kiss-Cam Scandal at First Coldplay Concert Since Video Went Viral
Travis Scott's 'JackBoys 2' Tops Chart, Ends Justin Bieber's Six-Album Streak of No. 1 Debuts
Back in June, Carey had disclosed that she signed a multi-album deal with Larry Jackson's independent music company Gamma, and she subsequently released the album's lead single 'Type Dangerous,' which debuted at 95 on Billboard's Hot 100 and marked her first non-holiday single to hit the chart since 2017. She debuted the song at the BET Awards.
View this post on Instagram
A post shared by Mariah Carey (@mariahcarey)
'It's a cultural shift, and I'm excited to be part of something that honors legacy while pushing boundaries,' Carey told Forbes of her Gamma partnership and her next album. 'This next chapter is about owning my narrative and creating freely on my own terms.'
'Type Dangerous' was co-written by Anderson .Paak and was accompanied by a Joseph Kahn-directed music video featuring a cameo from Mr. Beast.
Best of The Hollywood Reporter
From 'Party in the U.S.A.' to 'Born in the U.S.A.': 20 of America's Most Patriotic (and Un-Patriotic) Musical Offerings
Most Anticipated Concert Tours of 2025: Beyoncé, Billie Eilish, Kendrick Lamar & SZA, Sabrina Carpenter and More
Hollywood's Most Notable Deaths of 2025
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Fox News
2 minutes ago
- Fox News
Teens increasingly turning to AI for friendship as national loneliness crisis deepens
A new study shows that a third of American teenagers prefer chatting with artificial intelligence companions over having real friends. Common Sense Media's report, titled "Talk, Trust, and Trade-Offs: How and Why Teens Use AI Companions," revealed that the most widespread uses of AI are aged 13-17. The report explained further that the "use of AI companions is not a niche interest, but rather mainstream teen behavior" and that teens "find conversations with AI companions to be as satisfying or more satisfying than those with real-life friends." "AI companions are emerging at a time when kids and teens have never felt more alone," Common Sense Media Founder and CEO James P. Steyer said in the press release. "This isn't just about a new technology — it's about a generation that's replacing human connection with machines, outsourcing empathy to algorithms, and sharing intimate details with companies that don't have kids' best interests at heart. Our research shows that AI companions are far more commonplace than people may have assumed — and that we have a narrow window to educate kids and families about the well-documented dangers of these products." Although nearly half of teens used AI companions as a tool, the report also stated that 33% of teens use AI companions for social interactions and emotional support. For example, teens would use them for living out relationships, emotional support, role-playing, romantic interactions and friendship. A writer at Daze who cited the study raised awareness about the loneliness epidemic among young people and that it could lead to an invasion of privacy. "Some teenagers are telling AI their most intimate problems and secrets, which poses another problem – it's not a good idea to entrust this information to tech companies, some of whom have an extremely lax approach to data privacy. Would you really want Sam Altman or Elon Musk to have access to the contents of your teenage diary?" James Greig wrote in Daze. He added that it underscores a "larger crisis of youth loneliness" as teenagers stopped hanging out at malls and going to the movies, "which has corresponded with rising rates of depression and anxiety." "Being able to speak to an AI companion might alleviate the feeling of loneliness, and some people may find it helpful, but if it's becoming a replacement for socializing in the real world, then it risks entrenching the problem," Greig added.
Associated Press
2 minutes ago
- Associated Press
Tom Lehrer, song satirist and mathematician, dies at 97
LOS ANGELES (AP) — Tom Lehrer, the popular song satirist who lampooned marriage, politics, racism and the Cold War, then largely abandoned his music career to return to teaching math at Harvard and other universities, has died. He was 97. Longtime friend David Herder said Lehrer died Saturday at his home in Cambridge, Massachusetts. He did not specify a cause of death. Lehrer had remained on the math faculty of the University of California at Santa Cruz well into his late 70s. In 2020, he even turned away from his own copyright, granting the public permission to use his lyrics in any format, without any fee in return. A Harvard prodigy (he had earned a math degree from the institution at age 18), Lehrer soon turned his very sharp mind to old traditions and current events. His songs included 'Poisoning Pigeons in the Park,' 'The Old Dope Peddler' (set to a tune reminiscent of 'The Old Lamplighter'), 'Be Prepared' (in which he mocked the Boy Scouts) and 'The Vatican Rag,' in which Lehrer, an atheist, poked at the rites and ceremonies of the Roman Catholic Church. (Sample lyrics: 'Get down on your knees, fiddle with your rosaries. Bow your head with great respect, and genuflect, genuflect, genuflect.') Accompanying himself on piano, he performed the songs in a colorful style reminiscent of such musical heroes as Gilbert and Sullivan and Stephen Sondheim, the latter a lifelong friend. Lehrer was often likened to such contemporaries as Allen Sherman and Stan Freberg for his comic riffs on culture and politics and he was cited by Randy Newman and 'Weird Al' Jankovic among others as an influence. He mocked the forms of music he didn't like (modern folk songs, rock 'n' roll and modern jazz), laughed at the threat of nuclear annihilation and denounced discrimination. But he attacked in such an erudite, even polite, manner that almost no one objected. 'Tom Lehrer is the most brilliant song satirist ever recorded,' musicologist Barry Hansen once said. Hansen co-produced the 2000 boxed set of Lehrer's songs, 'The Remains of Tom Lehrer,' and had featured Lehrer's music for decades on his syndicated 'Dr. Demento' radio show. Lehrer's body of work was actually quite small, amounting to about three dozen songs. 'When I got a funny idea for a song, I wrote it. And if I didn't, I didn't,' Lehrer told The Associated Press in 2000 during a rare interview. 'I wasn't like a real writer who would sit down and put a piece of paper in the typewriter. And when I quit writing, I just quit. ... It wasn't like I had writer's block.' He'd gotten into performing accidentally when he began to compose songs in the early 1950s to amuse his friends. Soon he was performing them at coffeehouses around Cambridge, Massachusetts, while he remained at Harvard to teach and obtain a master's degree in math. He cut his first record in 1953, 'Songs by Tom Lehrer,' which included 'I Wanna Go Back to Dixie,' lampooning the attitudes of the Old South, and the 'Fight Fiercely, Harvard,' suggesting how a prissy Harvard blueblood might sing a football fight song. After a two-year stint in the Army, Lehrer began to perform concerts of his material in venues around the world. In 1959, he released another LP called 'More of Tom Lehrer' and a live recording called 'An Evening Wasted with Tom Lehrer,' nominated for a Grammy for best comedy performance (musical) in 1960. But around the same time, he largely quit touring and returned to teaching math, though he did some writing and performing on the side. Lehrer said he was never comfortable appearing in public. 'I enjoyed it up to a point,' he told The AP in 2000. 'But to me, going out and performing the concert every night when it was all available on record would be like a novelist going out and reading his novel every night.' He did produce a political satire song each week for the 1964 television show 'That Was the Week That Was,' a groundbreaking topical comedy show that anticipated 'Saturday Night Live' a decade later. He released the songs the following year in an album titled 'That Was the Year That Was.' The material included 'Who's Next?' ponders which government will be the next to get the nuclear bomb ... perhaps Alabama? (He didn't need to tell his listeners that it was a bastion of segregation at the time.) 'Pollution' takes a look at the then-new concept that perhaps rivers and lakes should be cleaned up. He also wrote songs for the 1970s educational children's show 'The Electric Company.' He told AP in 2000 that hearing from people who had benefited from them gave him far more satisfaction than praise for any of his satirical works. His songs were revived in the 1980 musical revue 'Tomfoolery' and he made a rare public appearance in London in 1998 at a celebration honoring that musical's producer, Cameron Mackintosh. Lehrer was born in 1928, in New York City, the son of a successful necktie designer. He recalled an idyllic childhood on Manhattan's Upper West Side that included attending Broadway shows with his family and walking through Central Park day or night. After skipping two grades in school, he entered Harvard at 15 and, after receiving his master's degree, he spent several years unsuccessfully pursuing a doctorate. 'I spent many, many years satisfying all the requirements, as many years as possible, and I started on the thesis,' he once said. 'But I just wanted to be a grad student, it's a wonderful life. That's what I wanted to be, and unfortunately, you can't be a Ph.D. and a grad student at the same time.' He began to teach part-time at Santa Cruz in the 1970s, mainly to escape the harsh New England winters. From time to time, he acknowledged, a student would enroll in one of his classes based on knowledge of his songs. 'But it's a real math class,' he said at the time. 'I don't do any funny theorems. So those people go away pretty quickly.' ___ Former Associated Press writer John Rogers contributed to this story. Rogrers retired from The AP in 2021.
Bloomberg
2 minutes ago
- Bloomberg
Tom Lehrer, Harvard's Satiric, Melodic Mathematician, Dies at 97
Tom Lehrer, the Harvard-educated mathematician whose brief side gig as one of America's favorite satirical composers captured in tune some of the anxieties and absurdities of the 1950s and 1960s, has died, according to the New York Times. He was 97. Lehrer died on Saturday at his home in Cambridge, Massachusetts, the Times said, citing a friend of Lehrer's, David Herder.
