
Joseph Kosinski wants Tom Cruise and Brad Pitt to star in 'F1' and 'Days of Thunder' crossover
Cruise and Pitt have collaborated only once on the 1994 horror fantasy film 'Interview with the Vampire'.

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Pink Villa
6 hours ago
- Pink Villa
Is Brad Pitt Planning on Marrying Ines de Ramon? Source Reveals How 'Serious' Actor is Amid Angelina Jolie Divorce
Brad Pitt's personal life has often made headlines in the past years, and now, too, his romance with Ines de Ramon is in the news. The actor stepped in at the NYC premiere of F1 with his girlfriend, and the duo looked very much in love as they posed for the cameras. Following their big moment in the public domain, the source close to the couple revealed that they are quite 'serious' about each other. However, Pitt, who has found love again after two failed marriages, is said to not be planning a wedding with de Ramon yet. Brad Pitt is in a good place with Ines de Ramon Brad Pitt and Ines de Ramon reportedly got together in 2022, following the actor's separation from his ex-wife, Angelina Jolie. The duo sparked romance rumors after making an appearance at the Wolfs movie premiere together. Amid the couple's relationship making headlines, an insider revealed to the media portal that while the duo is 'serious' and committed, Pitt said 'he won't marry again.' The source also went on to reveal, 'Generally, he's in a pretty good place. He's happy and everything is going super well with Ines. She's been really great for him. She's very cool, very relaxed.' Meanwhile, the new reports about Pitt and Ines come amid the actor preparing to face Jolie in court. The Mr. and Mrs. Smith co-stars, who were married for five years, will have a legal showdown over their winery, Chateau Miraval. Brad Pitt to face Angelina Jolie in court Brad Pitt and Angelina Jolie owned the shares in the property together while they were married. Following the split, the exes still hold their shares in the winery. In 2021, however, the Maria actress wrote to her ex-husband that she wanted out of it. Despite trying to buy out Jolie initially, Pitt filed a lawsuit claiming that the actress did not keep her promise. The former partners were in an agreement that none of the duo would sell their shares without informing the other. The actor mentioned in his filing that Jolie sold her stake to the Stoli Group without consulting him. According to the media reports, the trial date has not been decided upon yet, but it is confirmed to go on for two weeks.


India Today
8 hours ago
- India Today
Tom Cruise celebrates 35 years of Days of Thunder, supports Brad Pitt's F1 release
Actor Tom Cruise is celebrating 35 years of his popular racing film 'Days of Thunder' and also showed support for Brad Pitt's latest racing movie 'F1'. At the same time, he hinted at the possibility of teaming up with Pitt for a film in the shared a series of nostalgic photos on X and wrote, 'I always love the fun and adrenaline of a racing film. Today marks two racing milestones for my friend Jerry Bruckheimer, the release of 'F1' and the 35 year anniversary to the day of our collaboration with the great Tony Scott on 'Days of Thunder' (sic).'advertisementHe concluded, 'Incredible to look back on this film today, and congratulations to Jerry, Brad, Joe and the whole 'F1' team on their release! (sic)' Meanwhile, 'F1' director Joseph Kosinski, who previously directed Cruise in 'Top Gun: Maverick', revealed in a GQ Magazine UK interview that he is already dreaming up a sequel - one that would bring Cruise and Pitt together in a 'Days of Thunder–F1' crossover. Cruise played racecar driver Cole Trickle in the 1990 film, and Kosinski is keen to blend that legacy into his new racing Joseph Kosinski had once planned a film with Tom Cruise and Brad Pitt, similar to 'Ford v Ferrari', where both stars would do their own racing stunts. But the studio didn't approve the budget, and the film was later made by James Mangold with Christian Bale and Matt Damon in the lead. advertisement Though Cruise and Pitt haven't shared screen space since 1994's 'Interview With the Vampire', the two remain friends. Cruise even made an appearance at the 'F1' premiere in London, posing with Pitt. Speaking to E! News, Pitt recently expressed his interest in acting, with Cruise again jokingly adding, 'I'm not gonna hang my ass off airplanes and shit like that.'Joseph Kosinski's 'F1' hit theatres on June 27. The film features Brad Pitt as a retired 'F1' champion who returns to the track to save a struggling team and honour his former teammate's legacy. With high-octane racing sequences and an emotional storyline, the movie appeals to both 'F1' enthusiasts and general audiences.- EndsTrending Reel


Indian Express
12 hours ago
- Indian Express
F1: Brad Pitt, Joseph Kosinski reminds what going to the movies is all about
In a world too eager to draw lines between 'cinema' and 'content,' there's something liberating about watching a film that unapologetically blurs them. F1: The Movie is that film. It screeches into the cultural conversation like a perfectly timed overtake — sleek, loud, emotionally resonant, and utterly commercial. But most importantly, it reminds us why we fell in love with going to the movies in the first place. Yes, it's a popcorn flick. But perhaps, it's time we act as if it's a bad thing. There's a particular kind of snobbery that often trails behind the phrase 'popcorn movie.' It suggests something frivolous, temporary, even intellectually disposable. As if real cinema can only happen in quiet conversations, long takes, or prestigious festival halls. But anyone who's ever clutched their armrest during a climactic car chase or felt goosebumps rise as the score swelled in a packed auditorium knows that what commercial cinema offers is no less sacred. As I walked out of my IMAX show of F1, heart racing, breath caught somewhere between awe and adrenaline, I was entertained, sure, but I was also revived. It was a visceral reminder that spectacle, when done with care and vision, is not the enemy of art. It is art. When we talk about blockbusters – real, heart-thumping, stadium-filling blockbusters – we have to start with Tom Cruise. The man has never pretended to chase awards. The Academy's recent decision to honour him with a career-first Honorary Oscar is less about a golden statue and more a belated acknowledgment of something much bigger: Cruise doesn't just make movies. He fights for them. He was one of the first global stars to urge people back to theatres when the COVID-19 pandemic was at its peak –– even flying to London to support Christopher Nolan's Tenet. That was less about promotion and more about preservation. Cruise, more than a star, has always been a patron of the big screen. His last major commercial success, Top Gun: Maverick, was described by Spielberg as the film that 'saved Hollywood's a**.' That wasn't hyperbole, it was history. But Cruise didn't do it alone. Director Joseph Kosinski, who returned after the elegant dogfights of Maverick, now turns his eye to the tarmac. In F1, Kosinski cements his place as the next great architect of big-budget cinema –– one who understands that spectacle without soul is just noise. Kosinski doesn't just choreograph speed, he composes with it. His action sequences aren't stitched together in the edit, they're scored like symphonies. There's rhythm. Tension. Payoff. Somewhere along the way, 'popcorn movie' became shorthand for something unserious. But what if that label isn't an insult, but an invitation? I've argued against this kind of cinema myself. I've scoffed at Minecraft making millions. I've raised eyebrows at Animal dominating the box office. But then, F1 hit me like a memory I didn't know I'd misplaced. It brought me back to Ta Ra Rum Pum, a racing drama that might not rank high in Bollywood's pantheon but, for me, was where it all began. I rooted for Saif Ali Khan's RV. I sang the title track. I felt something. Maybe I've always had a thing for racing films. Or maybe racing films just know how to tap into something primal: motion, momentum, meaning. There is a strange, beautiful alchemy that happens in a dark theatre. The communal gasps. The silence that falls before the final lap. The vibration of engines that you feel in your ribcage. That can't be replicated on a phone. It's not supposed to be. F1 is a reminder of why we gather in the dark –– why we still need those towering screens and that cavernous sound, and why the theatrical experience isn't dead, just dormant, waiting for the right ignition. And F1 is nothing if not a push-start for cinema. Let's retire the old dichotomy: that art belongs at Cannes and commerce belongs at the box office. History has proven otherwise. From Jaws to Titanic, The Dark Knight to Avatar, and now Maverick to F1—blockbusters can have brains, and heart, and soul. F1 doesn't just make the case for popcorn movies. It makes them personal again. It proves that emotional depth and mass appeal aren't contradictions—they're co-drivers. Beneath the rubber, the smoke, the turbocharged glitz, there's philosophy. Time. Obsession. Mortality. A meditation on the human need to chase, to risk, to move. Blockbusters like F1 don't dumb us down. They lift us up. They unite us, move us, and yes, sell us popcorn. And maybe – just maybe – that's exactly what movies are meant to do.