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Rag Mayur, the accidental actor

Rag Mayur, the accidental actor

Tell us how it all began.
I started with theatre while juggling multiple roles — writing, directing, and even working as a film critic for six to seven years. I had all this energy and love for cinema but didn't know how to channel it. I was also working an IT job at the time. In 2016, I made a short film titled Rama Kanavemira, which unexpectedly went viral with over two million views. That gave me the clarity that acting was where I truly belonged. I stopped writing, focused on acting, joined theatre workshops, and began auditioning for films like Mahanati and Dear Comrade — wherever I saw potential in the directors. Then came Cinema Bandi. I first acted in the demo version, but usually, demo actors don't make it to the final film. Thankfully, Raj & DK insisted we continue and that became my first major break. The response was overwhelming. We got messages from Malaysia, Pakistan, Sri Lanka... we had to use Google Translate to read the reviews! It finally felt like I had arrived.
You've often mentioned Tharun Bhascker as a dream collaborator in your earlier interviews. What was that experience like?
None of my interviews are complete without mentioning Tharun Bhascker, and rightly so. Cinema Bandi brought a niche following, but Keedaa Cola made me recognisable even among auto drivers and cabbies. After Cinema Bandi, Tharun messaged me on Instagram and that alone felt surreal. I had auditioned for Ee Nagaraniki Emaindi and was rejected, but five years later, I got Keedaa Cola. He's incredibly humble, encouraging, and believes in creative freedom. After two ad films, he called me in for Keedaa Cola, and that became one of my most cherished projects.
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A film doesn't need a known face; content should be the only draw: Raj B Shetty
A film doesn't need a known face; content should be the only draw: Raj B Shetty

Time of India

time7 hours ago

  • Time of India

A film doesn't need a known face; content should be the only draw: Raj B Shetty

Raj B Shetty When the trailer for the upcoming Kannada movie Su from So , directed by JP Thuminad, dropped, a mysterious scene sparked speculation that Raj B Shetty might be acting in it. However, the actor-director, whose production house is making the film, confirmed that he isn't. This decision was quite intentional. 'The whole point was not to rely on my face to bring audiences,' he revealed in an interview with Bangalore Times . 'In the Kannada film industry, there's this dependency on star power to draw crowds. I don't think that's a healthy trend, not for any actor, especially not for a known one. I don't call myself a star, but people do recognise me. It's hardly an achievement for recognised faces to fill theatres. I believe that real success happens when new faces can bring people in; that's when we can truly experiment. So, for this film, I wanted to take a risk and let the content be the only draw for the audience,' he said. Excerpts: Our bar for content has been raised, filtered by countless excellent productions. This shift means our perception of what's good, bad, or merely acceptable is constantly evolving. Now we expect something new and fresh whenever we go to the theatre Raj B Shetty 'This film was genuinely funny to us, and that's why we know audiences will enjoy it' Su From So is a Kannada supernatural comedy-drama centred on a comedy of errors, Raj explains, and adds, 'It's about the wrong people in the wrong situation doing what they believe is right, even though we, the audience, know it's wrong. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Even Beautiful Women Have Their 'Oops' Moments Read More Undo We've all encountered such individuals, and unfortunately, we can relate because we often do the same, making assumptions and doing things we shouldn't. From a distance, that's what makes life a comedy. The film isn't about people trying to be brave; it's about realising they're the biggest cowards.' 'The experience [of making the film] was fun. I believe if a film is genuinely funny to us, the makers, it will be genuinely funny to the audience as well,' he says. 'It's truly wonderful to see people being proud of where they come from' Set in a village near Mangaluru, the film embodies a new wave of rooted stories coming from Kannada cinema. But Raj is quick to say that this isn't a trend; it's a fundamental shift in storytelling. 'More rooted films today signify an attitude shift. People are saying, 'No, this is who we are. These are our stories.' That's the attitude we're seeing. In the past, we often felt deeply insecure about our identities. But now, we're able to showcase who we are – our flaws and our strengths – and that's being embraced, not just across Karnataka, but nationwide. That's because, deep down, everyone is the same. People have their unique cultures, ideas, and customs, but fundamentally, we're all human beings,' he remarks. 'We need to nurture mid-budget films' Despite prevailing industry pessimism about the viability of mid-budget films, Raj shares that he is a staunch advocate for nurturing diverse stories and new talent. 'When I talk to people, most aren't as hopeful as I am. They say mid-budget films are dead, and only star-driven or big-budget movies will work. The idea is that people don't want to watch films in theatres anymore. But that mindset will only lead to generic, monotonous, and repetitive films in a few years. Then what? Where will you go? Because you haven't nurtured mid-budget films, there are no native alternatives, and no new talent is coming into cinema.' 'That's why I wanted to make a film with all new people. Yes, it's a challenge, but it's not a true win for the industry if we don't try.' He believes that for Kannada cinema to thrive, it must offer a variety of films, moving beyond a single type of content. 'Content is the only reason [audiences come to theatres],' he says. 'And there should be a variety of cinema coming from the industry. It shouldn't be stagnant; it shouldn't be only one kind of content. There should be commercial films like Devil or Toxic , which actually serve wider audiences. But there should also be films like Su From So , which will attract people who want films that engage, are fun, and still have substance.' The monotonous tone of our storytelling will actually chase people away. A lot of promises with no deliverance has been our signature for a very long time. I think that needs to change, so we need to work together Raj B Shetty 'We need to create content that can be celebrated in theatres as well as on OTT' 'Our bar for content has been raised, filtered by countless excellent productions. This shift means our perception of what's good, bad, or merely acceptable is constantly evolving. Now we expect something new and fresh whenever we go to the theatre,' says Raj. Addressing a common complaint among filmmakers, Raj argues that OTT platforms aren't killing cinema, but rather are forcing the industry to elevate its craft. 'Many filmmakers believe that because of OTT, cinema is dying down or that because of theatres, we don't have OTT. But, again, it all comes down to content. The shift that people are noticing is that, before, mediocre films used to sell in cinema halls. Now the filtration is so hard. Even though a filmmaker might not recognise it as mediocre, people are recognising it as mediocre and slamming it right then and there.' 'I believe that cinema can transcend borders if quality is achieved' He addresses the 'pan-India' buzzword, asserting that true widespread appeal comes not from generic content, but from deeply rooted, high-quality storytelling. 'Kantara became pan-Indian organically – it wasn't made to be pan-India. Currently, people are watching films simply because they are good, and that's the only real 'pan-Indian' content. I really believe that cinema can transcend borders if quality is achieved. People won't watch a film if it is not good, even in your own territory – even your family won't watch a bad film. This has been the truth always. I don't focus on making generic subjects which will slowly turn out to go pan-India. I believe in making the films which are rooted, which are authentic, whether they go pan India or not,' he says.

Rag Mayur, the accidental actor
Rag Mayur, the accidental actor

New Indian Express

time2 days ago

  • New Indian Express

Rag Mayur, the accidental actor

Tell us how it all began. I started with theatre while juggling multiple roles — writing, directing, and even working as a film critic for six to seven years. I had all this energy and love for cinema but didn't know how to channel it. I was also working an IT job at the time. In 2016, I made a short film titled Rama Kanavemira, which unexpectedly went viral with over two million views. That gave me the clarity that acting was where I truly belonged. I stopped writing, focused on acting, joined theatre workshops, and began auditioning for films like Mahanati and Dear Comrade — wherever I saw potential in the directors. Then came Cinema Bandi. I first acted in the demo version, but usually, demo actors don't make it to the final film. Thankfully, Raj & DK insisted we continue and that became my first major break. The response was overwhelming. We got messages from Malaysia, Pakistan, Sri Lanka... we had to use Google Translate to read the reviews! It finally felt like I had arrived. You've often mentioned Tharun Bhascker as a dream collaborator in your earlier interviews. What was that experience like? None of my interviews are complete without mentioning Tharun Bhascker, and rightly so. Cinema Bandi brought a niche following, but Keedaa Cola made me recognisable even among auto drivers and cabbies. After Cinema Bandi, Tharun messaged me on Instagram and that alone felt surreal. I had auditioned for Ee Nagaraniki Emaindi and was rejected, but five years later, I got Keedaa Cola. He's incredibly humble, encouraging, and believes in creative freedom. After two ad films, he called me in for Keedaa Cola, and that became one of my most cherished projects.

‘Yatra Naryastu' from ‘Paradha' gets released, creates buzz
‘Yatra Naryastu' from ‘Paradha' gets released, creates buzz

Hans India

time3 days ago

  • Hans India

‘Yatra Naryastu' from ‘Paradha' gets released, creates buzz

Director Praveen Kandregula, who made a mark with Cinema Bandi, is returning with an emotionally intense and culturally rooted film titled Paradha. Produced by the acclaimed duo Raj and DK—best known for The Family Man—the film is jointly backed by Vijay Donkada, Sreenivasulu PV, and Sridhar Makkuva under the Ananda Media banner. Starring Anupama Parameswaran in a powerful lead role, Paradha also features Darshana Rajendran, Sangitha, and Rag Mayur in significant parts. The film is slated for a theatrical release on August 22. To mark the announcement, the makers unveiled the film's first single, Yatra Naryastu. Composed by Gopi Sundar, the track is a tribute to the resilience and divinity of women. Vanamali's meaningful lyrics combined with Anurag Kulkarni's stirring vocals create an emotionally charged and spiritually rich experience. The visuals accompanying the song are poignant — featuring Anupama in a white saree, exuding grief and strength as she undergoes a painful village tradition, while her family mourns silently. The scenes reflect the emotional and societal challenges faced by women in rural communities. The film's poster, featuring Anupama draped in a traditional saree with a goddess idol in the backdrop, hints at the film's spiritual undertone and female-led narrative. The promotional content so far has been met with an enthusiastic response. Paradha promises a blend of cultural authenticity, emotional depth, and a strong message on women's empowerment. The cinematography is handled by Mridul Sujit Sen, with editing by Dharmendra Kakarala. Expectations are high as Praveen Kandregula collaborates with Raj and DK for a story rooted in tradition yet relevant to contemporary conversations.

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