
Artists, Architecture, Beaches. This French Town Has it All, Except Crowds.
On a hot Sunday morning in July, my sister Adèle and I walked through the narrow entrance to the Villa Noailles in Hyères, the beautiful French medieval town perched above the sea and lying almost midway between Marseilles to the west and St.-Tropez to the east. We were en route to meet Jean-Pierre Blanc, the director of the villa, for a tour around the extraordinary Modernist house, designed by the French architect Robert Mallet-Stevens in the early 1920s.
I had long wanted to visit Hyères to see the concrete-and-glass house. It was commissioned by Charles and Marie-Laure de Noailles, a superbly glamorous, deep-pocketed aristocratic pair who were friends and patrons of Jean Cocteau, Salvador Dalí, Pablo Picasso and Man Ray (who immortalized the villa in his 1929 film, 'Mystères du Château de Dé') and seemingly every other member of the early 20th-century avant-garde.
So when I heard that a Parisian acquaintance had moved to the town, and was renting out rooms in a lovely house she had bought almost next door to the Villa Noailles, I immediately booked for my husband and myself, suggesting to Adele that she join us.
Want all of The Times? Subscribe.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Washington Post
an hour ago
- Washington Post
At Hermès, woven leather and quiet confidence set the tone for Paris menswear
PARIS — While much of Paris Fashion Week chased spectacle, Hermès chose a different path. On Saturday, artistic director Véronique Nichanian unveiled a Summer 2026 men's collection that spoke in a language of quiet strength, deep craft and calm luxury. Models walked beneath soaring mirrors in sharply cut jackets, high-waisted woven leather trousers, and sleeveless tops — pieces that fused house tradition with a modern, easy sensuality.
Yahoo
2 hours ago
- Yahoo
At Hermès, woven leather and quiet confidence set the tone for Paris menswear
PARIS (AP) — While much of Paris Fashion Week chased spectacle, Hermès chose a different path. On Saturday, artistic director Véronique Nichanian unveiled a Summer 2026 men's collection that spoke in a language of quiet strength, deep craft and calm luxury. Models walked beneath soaring mirrors in sharply cut jackets, high-waisted woven leather trousers, and sleeveless tops — pieces that fused house tradition with a modern, easy sensuality. Nichanian's colors were cool and exact: coffee, slate, taupe and beige, each one a lesson in subtlety. There was no shouting here, only precision. What made the collection powerful was its restraint. Where others go wide, Hermès goes narrow —offering tailored silhouettes and a sense of order when the rest of fashion is busy making noise. Fine leather, featherlight silks, and bandanas with a whisper of fringe reminded the crowd that true luxury is about touch, not flash. Nichanian's playful touches — zigzag motifs, the wink of an unbuttoned shirt, a glint of silver hardware — kept things human, not stiff. It was a masterclass in how to make classic codes feel new, even radical, simply by refusing to chase trends. In a season marked by designer shake-ups and economic jitters, Hermès stood alone: confident, focused, and unwilling to compromise. As Nichanian took her bow to cheers, she sent a clear message — at Hermès, luxury is about the pleasure of the wearer, not the applause of the crowd. Thomas Adamson, The Associated Press Sign in to access your portfolio

Associated Press
2 hours ago
- Associated Press
At Hermès, woven leather and quiet confidence set the tone for Paris menswear
PARIS (AP) — While much of Paris Fashion Week chased spectacle, Hermès chose a different path. On Saturday, artistic director Véronique Nichanian unveiled a Summer 2026 men's collection that spoke in a language of quiet strength, deep craft and calm luxury. Models walked beneath soaring mirrors in sharply cut jackets, high-waisted woven leather trousers, and sleeveless tops — pieces that fused house tradition with a modern, easy sensuality. Nichanian's colors were cool and exact: coffee, slate, taupe and beige, each one a lesson in subtlety. There was no shouting here, only precision. What made the collection powerful was its restraint. Where others go wide, Hermès goes narrow —offering tailored silhouettes and a sense of order when the rest of fashion is busy making noise. Fine leather, featherlight silks, and bandanas with a whisper of fringe reminded the crowd that true luxury is about touch, not flash. Nichanian's playful touches — zigzag motifs, the wink of an unbuttoned shirt, a glint of silver hardware — kept things human, not stiff. It was a masterclass in how to make classic codes feel new, even radical, simply by refusing to chase trends. In a season marked by designer shake-ups and economic jitters, Hermès stood alone: confident, focused, and unwilling to compromise. As Nichanian took her bow to cheers, she sent a clear message — at Hermès, luxury is about the pleasure of the wearer, not the applause of the crowd.