
Anthea Turner, 65, reveals she was reluctant to go on a first date with her millionaire fiancé Mark Armstrong, 59, because she feared she'd have to pay
Anthea Turner has revealed she didn't want to meet up with her younger date because she feared she would have to pay for it.
The TV personality, 65, who is now engaged to millionaire business Mark Armstrong, has spoken about her initial concerns about going on the first date.
Speaking to Lizzie Cundy, Anthea opened up about her engagement and how the couple first met - which was down to Lizzie herself.
Lizzie said: 'You're engaged, I won't say thanks to me...', to which Anthea admitted that their relationship was down to Lizzie.
The former WAG added: 'You didn't want to go on the date.'
Discussing her reasoning, Anthea admitted: 'I said I didn't want to go on the date, he was a bit younger than me and I'm not paying.
'And you said, yes you are and I'm coming with you. And that was it.'
When asked if there was going to be wedding bells soon, Anthea said: 'We will sort this out, we've got to sort it out and we fully intend to. But we keep going on holiday! We're just having honeymoon after honeymoon.'
Elsewhere in the chat, Anthea and Lizzie discussed her many trips abroad and even broached the idea of Anthea and Mark hosting a travel show.
Lizzie said: 'Are you going to do a travel show together. You did wish you were here!'
Anthea replied: : I did, I used to do about 24 locations a year. 24 different destinations, I didn't like all of them. I love travelling and Mark does as well. We're good travellers together.'
Lizzie added: 'This might be a good idea, a travel show. Judith chalmers!'
While Anthea said: 'Well yes I took over from the great Judith Chalmers on Wish You Were Here when she retired. Which I was very proud of. Social media is fabulous because it gives us an opportunity to travel, to work with travel companies. Or for instance in Tanzania I worked with the tourist board.'
Anthea previously revealed she didn't think she was 'glam enough' Mark
Twice married Anthea has been engaged to the businessman since 2019 following their whirlwind romance.
But their was a point, the broadcaster, who famously presented BBC's Blue Peter between 1992 and 1994, nearly ditched their first date entirely.
Anthea said that if it wasn't for match maker Lizzie, who introduced the couple to one another, she would never have even turned up to the dinner because she thought Mark was 'too young' for her.
'I saw some pictures and I was thought "Ooh Gorgeous!" but he was younger than me and his background had been in events, clubs, he did the club awards and things like that.
'And I thought "No, no, no he's going to want something glamorous, that's not me. I wasn't going, she [Lizzie] told Mark that I was desperate to see him and then she couldn't get me there so she said "Right, I'm coming with you".
'So she arranged a dinner. I was intrigued by this man. And he seemed to be lavish and give me a lot of attention', Anthea admitted.
Recalling his proposal during a romantic trip to Italy, she told HELLO: 'I had a hunch. It was all very quick (we were engaged within just a few months of meeting),'
'But when you are older it does tend to move a bit quicker because 'when you know, you know' and there is no point in messing around is there?!'.
The couple postponed their wedding in November 2022.
They previously delayed the nuptials due to covid restrictions, the death of both parties beloved mothers and an eye injury that left her 'moments from going blind'.
Anthea told the Daily Mail's Richard Eden that the lavish nuptials would now be taking place in Italy saying: 'We're definitely going to do it next year!'
It comes after the TV veteran has offered her fans advice on how to survive divorce in her new book, after going through two failed marriages.
She was previously married to ex-husband Grant Bovey for 13 years, but the couple split after he cheated on her with a woman half her age in 2013.
Anthea's first marriage was to her manager, former DJ Peter Powell, in 1990, with the couple splitting up eight years later.
She shared advice on how to have a healthy divorce, including three main tips: 'Ditch blame, put the kids first, and avoid lawyers for as long as you can.'
Anthea also wrote alongside the Instagram video earlier this year: 'Divorce is always a tricky subject and no 2 are exactly the same. I was like a rabbit it the headlights and everyone seemed to have advice'.
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The Guardian
6 minutes ago
- The Guardian
Charli xcx at Glastonbury review – a thrilling hostile takeover by a pop star at the peak of her powers
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BBC News
23 minutes ago
- BBC News
Charli, Neil Young and Scissor Sisters give Glastonbury goosebumps
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Using up the festival's entire smoke machine budget, she was alone on stage all night, but in constant motion - a mesmerising blur of hip-rolls, hair tosses, stomach crunches and opened her set with a mash-up of 360 and Von Dutch, two of the the standout track from last summer's culture-swallowing Brat album, as the record's logo burst into flames behind her - indicating that she's slowly coming to terms with leaving it rumours that she'd bring out a host of special guests, Lorde doesn't appear to duet on Girl, So Confusing, and Billie Eilish is missing from the number one smash, Guess. The only famous face we got was Gracie Abrams, who appeared on the big screens to perform the "Apple dance" that went viral on TikTok last year. Fans were momentarily disappointed, but nothing could detract from the insolent, messy glory of tracks like Club Classics or Sympathy Is A Knife. 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Young always seems to get great pleasure from playing that particular song, and it was mesmerising to ended the set with Tear Your Hatred Down, a savage takedown of politicians and the war machine, that contrasts the idealism of the 1960s with the cruelties of the modern world. Both as a protest song and a lament for human nature, it was a powerful way to end a peerless set. 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A huge star at home, she'd never had a Top 40 album in this country until she released the Elton John collaboration Who Believes In Angels this her early afternoon slot, she won the crowd over with a gorgeous cover of Radiohead's Fake Plastic Trees, and prompted a few tears with the acoustic ballad You Without Me, which depicts her daughter's rocky teenage the end of the set, she was on the receiving end of a supportive chant of "olé, olé, olé"."It's official," Carlile beamed. "I have now played the greatest festival on earth… And it only took me to 44 years old to do it." Jade drew a huge crowd to the Woodsies stage, displaying her 17 years of pop experience with a slick, high concept set full of pop bangers; including a thrilling medley of songs from her old band, Little Raye got one of the day's biggest audiences at the Pyramid Stage. Backed by a miniature orchestra, she put a jazzy spin on hits like You Don't Know Me, Oscar Winning Tears and her award-winning psychodrama singer played the same stage just two years ago, near the bottom of the bill, before her career enjoyed a remarkable turnaround that culminated in a record haul of six Brit Awards."When I came out here I was so nervous," said the singer, who'd earlier admitted her voice was "a bit croaky"."Now I feel so up home at here and I don't want to leave." 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The day had a share of controversy, courtesy of rap trio Kneecap and punk-rap band Bob Vylan, after their performances on the West Holts say they are assessing videos of comments made by both acts, who criticised the UK government and Israel's actions in Gaza during consecutive, politically-charged hit back at Kier Starmer in politically-charged setGovernment condemns Glastonbury chants aired live on BBC There was drama on The Other Stage - the festival's second-biggest arena - after Deftones had to pull out due to illness.A quick ring around the site fixed the gap in the schedule, with UK rap supremo Skepta putting on an impromptu performance. "No crew, no production but I am ready to shut Glastonbury down," he posted on social media, ahead of the show. "Victory lap time." He was preceded by Mercury Prize winners Ezra Collective, whose life-affirming jazz and Afrobeat grooves got a helping hand from special guests including Loyle Carner and Sasha by drummer Femi Koleoso, they brought a carnival atmosphere to the field, with the audience making space for each other to sway, shake and generally flail their limbs as the sun set over Worthy Farm."You practice your whole life for just one second that might feel like that," beamed Koleoso as he came off stage. "Sometimes we're in these really negative bubbles where it's like, we all hate each other, we're all divided. But sometimes you just need to go to Glastonbury and see that that's a myth."Love for one another and respect for each other and our neighbours, it does exist, and it's a special thing to be the soundtrack to that."The festival continues on Sunday with performances from Rod Stewart, Chic, Wolf Alice, Joy Crookes and Pyramid Stage headliner Olivia Rodrigo.


Telegraph
24 minutes ago
- Telegraph
Neil Young, Glastonbury Festival, review: A reverent display of classic rock
To no one's great surprise, there were no explosions, fireworks, articulated platforms, interactive screens, confetti or special effects at Neil Young's Glastonbury headline set. Nor, to give credit to the 79-year-old rocker, were there any of the pre-recorded backing tracks and fake vocals so ubiquitous in modern live productions. There was just an old man and his accomplished four-piece band The Chrome Hearts alternately making a heck of a grungy distorted racket, or playing acoustic campfire ballads with sweet, shaky harmonies. His first song, Sugar Mountain, contained a lovely, wheezy harmonica solo and tender vocals. His second song, Be The Rain, went on for 10 minutes raging about the environment and contained a wildly distorting guitar solo that no one in the band seemed to have any idea where it was headed, including Young who was playing it. The stocky old star in the raggy check shirt and trucker cap switched between these two poles all night, and didn't seem to give much of a damn what anyone made of it. He looked like he was enjoying himself, in any case. This is what all rock festivals used to be like, before modern day screens and blockbuster productions, and it was kind of refreshing: five men (it was usually men back in the day) who've barely dressed for the occasion stirring up an electric storm of distorted guitar stomps, revelling in their ability to conjure wild solos on the spot. 'Rock and roll will never die,' Young wailed during a long, feedbacky version of Hey Hey, My My, but the evidence was very much against him. This is like a last gasp of a fading art form, played to a receptive crowd but not a massive one. The youngsters had dispersed around the festival to see new generation pop heroes. Charli XCX drew a bigger crowd than Young at the overpacked Other Stage, breakout US rap singer Doechi was killing it on the West Holts stage and they were turning people away from camp disco pop entertainers the Scissor Sisters at the Woodsies marquee. Young entertained the faithful but when he was tuning his guitar between songs you could have heard a pin drop. In a rare production moment they summoned a keyboard that descended from overhead to play Like A Hurricane, and acted like they had just broken the fourth wall in an act of outrageous showcraft. It was kind of silly but who cares when you are listening to a band of supreme musicians find their way through one of the all time great rock songs as if they are discovering it for the first time. The staging may have been plain, but the playing was fantastic. Harvest Moon was gorgeous. The Needle and the Damage Done was moving. Rockin In The Free World was an absolute blast. It was a genuinely great Neil Young set, filled with classic songs, played and sung with passion and panache. And lots of distortion. Give me that over Charli XCX miming or the 1975 posturing on stage every time.