logo
Cynthia Erivo is Jesus: Here's the Hollywood Bowl 2025 lineup, led by ‘Jesus Christ Superstar'

Cynthia Erivo is Jesus: Here's the Hollywood Bowl 2025 lineup, led by ‘Jesus Christ Superstar'

From wicked to saintly, Cynthia Erivo seems to do it all. The singer and actor has been tapped to play Jesus in the musical 'Jesus Christ Superstar' at the Hollywood Bowl — part of the 2025 season lineup announced Tuesday by the Los Angeles Philharmonic.
Erivo, who is nominated for an Oscar for her powerhouse lead performance in 'Wicked,' will star in a production directed and choreographed by Tony Award winner Sergio Trujillo.
This 'Superstar' marks the return of a summer musical at the Bowl after a hiatus sparked by the COVID-19 shutdown in 2020.
'We missed the musicals for a few years, and I think that one is a good one to return with,' said L.A. Phil President and Chief Executive Kim Noltemy, adding that it took a while for the organization to regain its sea legs after the pandemic. 'Whether it be staffing or psychological transition, we needed time to get back up to running like the machine we can be when everything's going well.'
This summer will be Gustavo Dudamel's 16th and penultimate season at the Bowl before he passes his baton and leaves to become music and artistic director of the New York Philharmonic in 2026. Noltemy said that much of the season is organized to highlight Dudamel's work, including performances featuring composers, musicians and music close to his heart.
'We're really trying to make sure that everything he's doing is really special, unique and incredible,' Noltemy said. 'Because we don't have that many more chances to work with him in this big way.'
Dudamel will conduct eight performances in August with the L.A. Phil and Venezuela's Simón Bolívar Symphony Orchestra. Of special note is Dudamel's return to Mahler's First Symphony, which he performed in 2009 during his debut as music director. This time around, the symphony will be performed along with Erich Wolfgang Korngold's Violin Concerto featuring Norwegian violinist Vilde Frang.
This season will mark the Bolívar's first return to Los Angeles since 2018, as the orchestra joins Dudamel in a program of dances from around the world, including Maurice Ravel's 'Boléro.' That night, pianist Yuja Wang will perform Tchaikovsky's Piano Concerto No. 1.
The Bolívar also will join Dudamel and the L.A. Phil for Tchaikovsky's Fourth Symphony. Two L.A. Phil commissions will open that night: Ricardo Lorenz's 'Todo Terreno' and the world premiere of Arturo Márquez's Concerto for Trumpet No. 2 featuring Pacho Flores.
Another evening of note finds Korean pianist Seong-Jin Cho performing alongside Dudamel and the L.A. Phil for an evening devoted to the compositions of Ravel and Duke Ellington.
Actor and singer Hugh Jackman is slated to kick off the season with performances of hits from 'The Greatest Showman,' 'The Music Man' and more. The Hollywood Bowl Orchestra will join Jackman along with conductor Thomas Wilkins and members of Youth Orchestra Los Angeles, better known as YOLA. The gala will raise funds for music education initiatives at the L.A. Phil.
The Hollywood Bowl Jazz Festival will be replaced this year by the Blue Note Jazz Festival. Late last year, the venerable New York venue opened a branch in Hollywood, and Blue Note announced a partnership with the L.A. Phil. Its inaugural festival will feature headliners Grace Jones, Willow and De La Soul.
No Bowl season would be complete without the movies, and this year finds another celebration of legendary film composer John Williams, 93. 'Jaws' in concert with the L.A. Phil will be conducted by David Newman and coincides with the 50th anniversary of Steven Spielberg's summer blockbuster. Dudamel will lead the orchestra in 'Jurassic Park' live in concert, marking another of Williams' iconic scores.
The Bowl lineup has plenty of headliners to picnic with, including John Legend, Cyndi Lauper, John Fogerty, Josh Groban, Charlie Wilson, the Alabama Shakes, Rick Springfield and Diana Ross.
'Everyone wants to support Gustavo,' Noltemy said of the lineup. 'He's so beloved. And being part of his last years here, I think, moves a lot of the artists.'
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

One preschooler's wild graduation dream is sparking joy for millions
One preschooler's wild graduation dream is sparking joy for millions

Yahoo

timean hour ago

  • Yahoo

One preschooler's wild graduation dream is sparking joy for millions

When 5-year-old Collins walked across the stage at her preschool graduation in Tennessee, her parents expected the usual answer. Maybe 'teacher.' Maybe 'doctor.' Something sweet and safe. Instead, she took the mic, smiled widely, and proudly declared:'When I grow up, I want to be a wicked witch.' The auditorium erupted in laughter. Her mom, Kelsey Grimm, who was recording the moment from the audience, froze. 'I wanted to crawl under the seats at first,' she told Newsweek. 'And felt like I needed to explain that we aren't doing any witchcraft or anything weird at home. She just loves the Wicked movie.' Related: Viral TikTok shows toddler melting hearts with train greetings It turns out, Collins' unexpected career path was inspired by her deep love for the musical-turned-movie. 'She knows the entire soundtrack and loved the movie, becoming obsessed with Elphaba and Glinda,' Kelsey said. 'This is where she got the idea to become a wicked witch.' Grimm, a recording artist, had been excited to introduce her daughter to Wicked, a favorite of her own. But she didn't expect it to shape Collins' preschool graduation speech—or go viral. She posted the clip to Instagram with the caption: The moment resonated immediately. Within a day, the video had over 27 million views and nearly a million likes. Parents in the comments celebrated Collins' confidence and imagination—and shared their own kids' off-the-wall graduation dreams. @sooooopsnakes – 'My kid during pre-k grad said they wanted to be a robber and steal people's money ' @caelennoelle – 'Last year, Reagan said, 'a mermaid queen' after all the other girls said 'mom' or 'teacher' .'' @stephaniegoodfellow – 'I wanted to be American…lol I thought it was a job everyone was proud to be …….I'm Canadian.' One commenter, @her_greythoughts, summed it up perfectly:'Protect her. May this spark never fade away.' That spark—the willingness to dream out loud, even if it's unexpected—is part of what makes moments like these so powerful. Especially at an age where kids haven't yet learned to filter their answers to fit what adults might expect. Related: 'This could have been an email': Toddler's priceless reaction to meeting baby sister goes viral There's also something deeply relatable in Grimm's moment of panic: the instinct to explain or soften our kids' quirks when they don't land quite the way we hoped. But in a culture that sometimes values perfection over play, Collins' clarity was a reminder that joy, imagination, and confidence can come in the most delightfully wicked forms. As Grimm put it simply:'Everyone loved her and thinks she's hysterical.' And maybe that's all we really want as parents—not perfectly rehearsed lines, but moments of truth, even when they come with a cackle.

Godzilla Fest 2025
Godzilla Fest 2025

San Francisco Chronicle​

time2 hours ago

  • San Francisco Chronicle​

Godzilla Fest 2025

The Balboa Theatre's annual Godzilla Fest returns with 20 kaiju (giant monster) films, from the 1954 original to 2023's astounding Oscar-winning 'Godzilla Minus One,' over three days beginning Friday, July 18. What started as an allegory for the atomic age in the fest's first film, 'Gojira' (4 p.m. Friday), released in the United States in a re-edited dubbed version called 'Godzilla' in 1956, has gone on to address monstrous issues. Among the weighty topics Godzilla has taken on: The Cold War and the desire for world peace in 1965's 'Invasion of the Astro-Monster' (7 p.m. Friday), environmentalism (1971's 'Godzilla vs. Hedorah,' 2:30 p.m. Saturday), genetic tampering and junk science (1989's 'Godzilla vs. Biollante,' 4 p.m. Sunday), postwar and pact-traumatic stress ('Godzilla Minus One,' 6:30 p.m. Saturday and Sunday). But occasionally, there's no message at all, just monsters going at it (1973's 'Godzilla vs. Megalon,' noon Saturday). Want the most bang for your buck? Try 1968's 'Destroy All Monsters' (noon Sunday), which features no less than 11 kaijus, including Godzilla, Mothra, Rodan and King Ghidorah. Sometimes Godzilla is the villain, sometimes he's the hero. Some of the films are campy, others are darkly serious. But they contain rage, arrogance, tenderness, destruction, reinvention, treachery, family, ingenuity and a desire for the greater good. In other words, the monsters are ourselves. — G. Allen Johnson

Celine Song Says Audiences Are ‘Scared' of Taking Rom-Coms Seriously Due to ‘Misogyny'
Celine Song Says Audiences Are ‘Scared' of Taking Rom-Coms Seriously Due to ‘Misogyny'

Yahoo

time4 hours ago

  • Yahoo

Celine Song Says Audiences Are ‘Scared' of Taking Rom-Coms Seriously Due to ‘Misogyny'

Celine Song is speaking out on how rom-coms are written off by critics and audiences alike. The Oscar-nominated filmmaker was asked by the Southampton Playhouse Artistic Director Eric Kohn why there are fewer rom-coms made today (although Song's sophomore film 'Materialists' is decidedly not one of them). Song told the Southampton Playhouse that the lack of romance genre films is in part due to 'misogyny,' specifically by deeming the features merely 'chick flicks.' 'There has been this diminishing of the genre by calling them 'chick flicks,'' Song said. 'I think about this in terms of what I'd consider the middle class of movies. Either you can make a movie for so much money that you have to make so much money back, or the movie is being made for festivals under $2 million where it's for some people and the goal is to go through the journey of accolades and all those other things.' More from IndieWire Ari Aster Says 'We Have No Say' in How AI Will Impact the World: It's 'Already Too Late' How Victoria Mahoney's Groundbreaking 'Star Wars' Directing Gig Guided Her Work on 'The Old Guard 2' She continued, 'Generally speaking, there are so few movies that fit into whatever category mine is. It's a theatrical film, not for streaming. It's an R-rated romantic dramedy and not based on a book. It's an original story. It has these great actors in it and the genre has been historically dismissed as chick flick.' That dismissal is in part due to the patriarchal undermining of films that are largely written and directed by women; Song also stated that people are also fearful of examining their own relationship to the idea of love, which is at the (literal) heart of the rom-com genre. 'A few reasons, one of which is misogyny. But there's another part of it. Romance is something that we're all embarrassed to be obsessed with,' Song said. 'OK, fine, it's a chick flick. That's often said as if it's not a serious movie. I always think, well, that's sad in a couple of ways. You're saying chicks are not serious people. Secondly, it's not the concern of serious people to think about love and dating. But serious people do it, too. They're very troubled by love and dating. Ask any serious person. And so it's a genre that is dismissed. People are scared of it. […] True love is a difficult thing for people. When I say it, adults look at me like I'm Santa Claus. But true love is the only thing that is real. I don't know why true love is any less real than a Birkin bag or a Maserati. True love has endured throughout time. It's a thing that is so ancient.' Song cited how the American way of looking at (and for) love is starkly different from other cultures' approaches to courtship and self-worth. 'As a Canadian, as a bit of an outsider, I see the way that Americans think of themselves as merchandise that is built into the DNA of the country,' Song said, with the theme of people as 'merchandise' being throughout the aptly-titled 'Materialists.' 'My actors were so beautifully attuned to this,' Song said of the cast, which consists of Dakota Johnson, Pedro Pascal, and Chris Evans. 'Who [better] understands 'I'm not merchandise, I'm a person' than Chris, Dakota, and Pedro. Pedro gets treated like he's 'The Mandalorian' and Chris gets treated like Captain America. He's a different person. Dakota was in '50 Shades of Grey.' Talk about objectification!' She added, 'They wanted to do this movie not because it's a fun rom-com. They get offered rom-coms all the time. They wanted to make this particular movie with me because they wanted to talk about the way we brutalize ourselves and don't treat ourselves like real people. Only when we're people are we actually capable of love.' Best of IndieWire Guillermo del Toro's Favorite Movies: 56 Films the Director Wants You to See 'Song of the South': 14 Things to Know About Disney's Most Controversial Movie Nicolas Winding Refn's Favorite Films: 37 Movies the Director Wants You to See

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store