
US suspends nuclear equipment exports to China amid escalating trade war: Report
The US and China agreed on May 12 to roll back triple digit, tit-for-tat tariffs for 90 days, but the truce between the two biggest economies quickly went south, with the US claiming China reneged on terms related to rare earth elements, and China accusing the US of "abusing export control measures" by warning that using Huawei Ascend AI chips anywhere in the world violated US export controls. After Thursday's call, further talks on key issues were expected.advertisementThe US Department of Commerce did not respond to a request for comment on the nuclear equipment restrictions. On May 28, a spokesperson said the department was reviewing exports of strategic significance to China."In some cases, Commerce has suspended existing export licenses or imposed additional license requirements while the review is pending," the spokesperson said in a statement. The Chinese Embassy in Washington did not immediately respond to a request for comment.US nuclear equipment suppliers include Westinghouse and Emerson EMR.N. Westinghouse, whose technology is used in over 400 nuclear reactors around the world, and Emerson, which provides measurement and other tools for the nuclear industry, did not respond to requests for comment.The suspensions affect business worth hundreds of millions of dollars, two of the sources said.They also coincide with Chinese restrictions on critical metals threatening supply chains for manufacturers worldwide, especially America's Big Three automakers.Reuters could not determine whether the new restrictions were tied to the trade war, or if and how quickly they might be reinstated. Department of Commerce export licenses typically run for four years and include authorized quantities and values.But many new restrictions on exports to China have been imposed in the last two weeks, according to sources, and include license requirements for a hydraulic fluids supplier for sales to China.advertisementOther license suspensions went to GE Aerospace for jet engines for China's COMAC aircraft, sources said.The U.S. also now requires licenses to ship ethane to China, as Reuters reported first last week. Houston-based Enterprise Product Partners EPD.N said Wednesday that its emergency requests to complete three proposed cargoes of ethane to China, totaling some 2.2 million barrels, had not been granted.Enterprise said a May 23 requirement for a license to sell butane to China, in addition to the ethane, was subsequently withdrawn. Dallas-based Energy Transfer said it was notified on Tuesday about the new ethane licensing requirement, and planned to apply and file for an emergency authorization.Other sectors that have been hit with new restrictions include companies that sell electronic design automation software such as Cadence Design Systems CDNS.O.
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Economic Times
25 minutes ago
- Economic Times
Move over China: iPhones for America now mostly assembled in India, confirms Apple CEO Tim Cook
Getty Images Apple CEO Tim Cook Apple CEO Tim Cook confirmed on Thursday that the majority of iPhones sold in the United States in the past quarter were manufactured in India, signaling a major shift in the company's global supply chain, reported TOI. China, once Apple's dominant manufacturing hub, is now producing primarily for non-US to the TOI report, Cook told analysts after Apple's quarterly earnings call, 'There hasn't been a change to that, which is the vast majority of the iPhone sold in the US or the majority, I should say have a country of origin of India.'The Apple chief added that while India leads iPhone production for the US, Vietnam is the primary source for other Apple products such as MacBooks, iPads, and Apple he said, continues to manufacture most Apple products destined for other international markets. '...the products for other international countries, the vast majority of them are coming from China,' Cook said. This disclosure comes amid criticism from former US President Donald Trump, who earlier this year expressed dissatisfaction over Apple's shift toward Indian manufacturing. 'I had a little problem with Tim Cook... I said to him, my friend, I am treating you very good... but now I hear you are building all over India. I don't want you building in India,' Trump had remarked during his May visit to Doha. Smartphones and electronics, however, remain exempt from the new 25% US tariffs on Indian goods announced earlier this focus on India also extends to its domestic market. Cook said the company continues to see strong revenue growth in India, driven by iPhone sales. 'We saw an acceleration of growth around the world in the vast majority of markets we track... and we had June quarter revenue records in more than two dozen countries and regions, including the US, Canada, Latin America, Western Europe, the Middle East, India, and South Asia," TOI quoted him as saying. India is among Apple's fastest-growing markets, and the company plans to expand its retail footprint in the said iPhone sales grew in every region, with double-digit growth in emerging markets including India, Brazil, South Asia, and the Middle East. Addressing concerns around tariffs, Cook said, 'For the June quarter, we incurred approximately $800 million of tariff-related costs. For the September quarter... we estimate the impact to add about $1.1 billion to our costs.' However, he added that these numbers could vary depending on future tariff policy changes. (With inputs from TOI)


Hindustan Times
27 minutes ago
- Hindustan Times
Abracadabra: The Victoria and Albert museum has opened its vaults
It's a bit like a department store, except it is about the size of 30 basketball courts. The V&A East Storehouse is spread across three floors. (Photo by Hufton + Crow) And instead of groceries, there are slices of history on the shelves: a 16th-century Japanese suit of armour; 600-year-old ceramics; wedding dresses from the 1930s. This is the newly opened V&A East Storehouse. In an effort more than 10 years in the making, an old warehouse has been redesigned by the renowned American studio Diller Scofidio + Renfro. The Storehouse is now an array of vast, airy galleries, spread across three storeys, each level arranged around a striking 20-metre-high central atrium. All the 250,000-plus artefacts stored here are visible to visitors, placed either within transparent wrapping or behind thin glass, often in partially dismantled crates, all lined up on long metal shelves. The V&A wanted to reimagine what a museum could be, and give viewers a 'backstage pass' to what really goes on inside one, Tim Reeve, deputy director and chief operating officer at the Victoria and Albert Museum, has said. Many of the artefacts are so massive, they haven't been exhibited in decades. These include: An exquisite 15th-century carved and gilded wooden ceiling from the now-lost Torrijos Palace near Toledo in Spain. A 1930s all-wood Kaufmann Office, designed by American architect Frank Lloyd Wright for Edgar J Kaufmann, a Pittsburgh-based department-store owner. A full-scale Frankfurt Kitchen designed by Austrian architect Margarete Schütte-Lihotzky, which transformed kitchen design in the 20th century. The 15th-century carved and gilded wooden ceiling from the lost Torrijos Palace in Spain. (Photo by David Parry / PA Media) Curated mini-exhibits sprinkled across the space, meanwhile, currently include swatches of fabric from across Africa, sculptural shoes by Zaha Hadid, a Piaggio scooter customised by Daniel Libeskind, and Jain sculptures in sandstone. These exhibits will change from time to time. There's more. As part of V&A's Order an Object initiative, visitors can go online to pick from a list of artefacts, book a (free) appointment, and then turn up at the appointed time to have the object/s unpacked so they can look at them, touch them (in many cases), and learn more about them from museum staff. Even without such an appointment, the space offers plenty of inside access. In one of the galleries, for instance, visitors can watch the regular goings-on of such a repository, as technicians pack away newly acquired works, conservators unbox items to check on them and others work to restore artefacts. Shelf life What does it do to the artefact-viewer relationship, when an institution reinvents itself in this manner? Museums are working to cater to new generations that have instant, digital access to diverse information, says Anupam Sah, director of the Anupam Heritage Lab and former head of art conservation, research and training at Mumbai's Chhatrapati Shivaji Maharaj museum (CSMVS). An Order an Object appointment underway at V&A East Storehouse. (Photo by Bet Bettencourt) The result has been a host of virtual reality (VR) and augmented reality (AR) experiments; 3D reconstructions; interfaces inspired by videogames; even exhibits on youth icons such as Taylor Swift (the V&A and Museum of Arts and Design in New York have each had one). The Storehouse is a particularly interesting approach because it meets the need for a dramatically new interface while staying true to the primary functions of a museum — the collection and care of artefacts, and outreach and education, Sah says. It serves the purpose of generating curiosity and a sense of a niche experience, because these are objects that have rarely been displayed. The space is made less intimidating by its casual, Ikea-like design. And the idea that one can book an appointment and have someone unbox and explain an artefact places the visitor at par with a researcher, connoisseur or patron, completely reinventing this relationship. To meet these goals so seamlessly, using only existing holdings, is quite a feat, Sah says. A view of conservators at work at V&A East Storehouse. (Photo by David Parry / PA Media) Revised roadMAP The idea of visible storage can be traced, incidentally, to the Canadian anthropologist Audrey Hawthorn and his work at the Museum of Anthropology at University of British Columbia, in the 1970s. Back then, the aim was to democratise access to national treasures. Now, it is to draw the public in and highlight the continued relevance of the museum as an institution. Along these lines, the Metropolitan Museum of Art in New York, Boijmans Van Beuningen in Rotterdam, Smithsonian American Art Museum in Washington and Louvre-Lens in Lens, France, have all opened up parts of their storage to the public. A similar effort is unfolding in India, at the Museum of Art and Photography (MAP) in Bengaluru. Two of its storage floors are open to visitors. One houses more than 340 objects ranging from textiles and horse jewellery to cigarette cards, while the other has more than 250 metal sculptures. The periodic exhibitions held at the museum innovate with an eye on high levels of engagement too, says Arnika Ahldag, director of curation and exhibition at MAP. An ongoing exhibition on the Modernist Ram Kumar, for instance, includes the simple addition of a wooden desk. Here, visitors can flip through books about the artist, place handwritten letters by him on a lightbox in order to view them more clearly, and even write a letter to themselves or leave one behind for the next visitor. 'We always try to locate an immediate point of resonance with the visitor, so that the works feel accessible without compromising their complexity,' says Ahldag. The beauty of this is that, once you move away from the idea of objects in a glass case, the room for innovation is immense. 'And that's a good thing,' Ahldag adds. 'We need different kinds of museums for different kinds of audiences.' (Entry to both V&A East Storehouse and the MAP museum is free)


Indian Express
27 minutes ago
- Indian Express
Karnataka HC quashes gag order on online media channel over Dharmasthala case reports
The Karnataka High Court on Friday quashed a gag order on Mangaluru-based online media channel Kudla Rampage related to its reports on the Dharmasthala 'secret burials' case. 'The concerned court, at the threshold and without the benefit of adversarial hearing, has ventured to grant a sweeping mandatory injunction, a relief which ordinarily ought to await the culmination of the trial,' Justice M Nagaprasanna said, remanding the matter to the lower court to be heard afresh. The court also came down strongly on some of the reasoning in the gag order. 'The impugned order though spanning multiple pages, conspicuously lacks the foundational reason……the order may span pages, but spanning pages has not depicted application of mind. It is application of mind that is required, in a reasoned order, and not application of ink,' Justice Nagaprasanna added. The Additional City Civil and Sessions Court in Bengaluru had on July 18 granted an ex parte injunction to delete 8,812 links related to the Dharmasthala burials case. The injunction was based on a petition filed by Harshendra Kumar D, brother of BJP MP D Veerendra Heggade and secretary of the Shri Dharmasthala Manjunatheshwara Educational Society. The channel's counsel, A Velan, had argued that an injunction, which was doubtful at the closing stages of the case, had been granted in the interlocutory stage itself, and said that this was violative of the Civil Procedure Code (CPC). Arguing that it was a case of restraint on freedom of speech, he further pointed out that there was no reasoning behind passing a 'John Doe' order in this case. John Doe orders are orders where a defendant is unknown. Velan also asserted that the order, in a matter of public importance, was creating a perpetual gag order on future speakers. Representing Harshendra Kumar, senior advocate Udaya Holla argued that the petition by Kudla Rampage was not permissible under Article 227 of the Constitution, as the petitioner had not availed the remedy under the CPC to vacate the order. He also stated that the high court had twice directed the channel to be banned, stating that in a case which was being investigated, it was producing defamatory content projecting Kumar to be guilty and creating defamatory content. The bench stated that the injunction at this stage had the character of a final order, explaining, 'The impugned order…while ostensibly couched as an interim measure, in truth and effect, partakes the character of a final determination.' The bench also pointed out multiple Supreme Court precedents with regard to the type of reasoning required for passing an ex parte order or interim injunction in such cases. The court also clarified that 'John Doe' or 'Ashok Kumar orders', as they are known in India, ought to be granted only with great caution, observing that the current order was wide enough that any voice against Kumar, his family or the location of the incident would be caught in it. The court added, 'The order speaks of prohibition of defamatory statements. Not one word of what kind of statements are defamatory for the Court to pass the aforequoted order is found in the order.' The court then quashed the ex parte order as far as it pertains to Kudla Rampage.