
'F1 The Movie' Review: Brad Pitt-starrer speed drama is predictable yet enjoyable
Let's not pretend this film wasn't going to turn heads. Brad Pitt behind the wheel of a Formula 1 car? Sign me up twice.
Directed by Top Gun: Maverick maestro Joseph Kosinski, F1 The Movie takes the same "strap-you-in-and-launch-you" energy from fighter jets to Formula cars. The camera work is thrilling — viscerally shot, impossibly intimate — and yes, Apple Studios built a custom lens just for this. Because why settle for a GoPro when you can flex your trillion-dollar budget?
Pitt plays Sonny Hayes, a once-great racer whose career crashed and burned — literally — after an accident in the 1990s. Now he's coaxed back to mentor a struggling team owned by his old-time friend Ruben Cervantes, played with glorious chaos by Javier Bardem. The team's first-choice driver is an ambitious rookie, Joshua Pearce (a solid, understated Damson Idris).
At one point in the film, he asks Sonny, "When was the last time you won an F1 race?". Pitt brings Hayes' cheeky personality to life, saying, "Same as you."
The story, while fictional, draws inspiration from real events — most notably the harrowing 1990 crash of Irish F1 driver Martin Donnelly, which ended his racing career. Hayes' comeback arc echoes Donnelly's tragedy-turned-legacy, adding a touch of grounded pathos beneath all the horsepower.
And if the setup sounds familiar, that's because it is. Rocky Balboa, Creed, Ford v Ferrari, someone's midlife crisis — it's all here. But what F1 lacks in originality, it makes up for in swagger.
And swagger it has. Shot across real F1 Grand Prix weekends — yes, during actual races — the film blends fiction and reality so seamlessly that at some point you stop noticing the difference. Brad even trained in the cockpit himself, which isn't surprising. If there's one thing he loves more than acting, it's reminding us he can do anything. Speaking of someone who can do anything, Tom Cruise and Pitt were all up for bromance at the film's European premiere in London.
Oh, and did I mention Brad Pitt actually drove a real F1-modified car? Not just for the cameras — properly. Lewis Hamilton, a seven-time F1 champion, who's also a producer on the film, even gave him props for learning the ropes. I guess when you're Brad Pitt, your hobbies include casually conquering elite motorsport.
But let's be clear: while Pitt does drive, he doesn't do all the daredevil work. Unlike Cruise, who regularly flirts with gravity and health insurance policies, Pitt isn't about to hang from planes or take part in complex track manoeuvres. In fact, when asked at the Mexico premiere if he'd ever do a film with Cruise again (after Interview with the Vampire in 1994), Pitt agreed, as long as he's required to stay grounded and not hang off airplanes and "sh**" like that.
Anyway, let's also talk about Javier Bardem, because the man delivers. Playing the team's flamboyant, half-crazed but fully-invested owner, he brings a chaotic warmth to the film. He struts between delusion and genius like he's on a fashion runway in Milan, and honestly? He deserves his own spin-off.
Then there's Kerry Condon, the team's technical director, and the film world's first lady technical director — sharp as a torque wrench, with just enough romantic tension opposite Pitt to give the movie a pulse when the engines aren't roaring. In a way, she's the film's heart — and occasionally its comic relief. Her character adds much-needed grounding to all the testosterone flying around and keeps from turning the into a glorified F1 promotional video with a Spotify playlist
Speaking of which: that soundtrack? We know Hans Zimmer never disappoints. And then there are assists from Doja Cat, Tiësto, Ed Sheeran, and more. Maybe it is all part of a larger plan: to make F1 'cool' again. The sport has always had its fans, sure, but this movie aims to pull it out of the paddock and into pop culture's fast lane. And it might actually work.
But here's where the tires start to skid a little.
At over 2.5 hours, F1 overstays its welcome. In a time of 90-minute attention spans and two-screen viewing habits, this runtime feels excessive. And while it's easy on the eyes and ears, there's no denying the film sometimes plays like a very expensive Formula 1 commercial — there are logos and brands everywhere.
Watch the trailer below:
The plot, while well-executed, is also quite predictable. To reiterate, you've seen this story before: the fallen star, the rising rookie, the climactic redemption lap. So it is clear that you don't come for the surprises — you come for the spectacle.
And that spectacle makes this film a love letter to the sport, shot across real Grand Prix circuits during the 2023–24 season. You name it — Silverstone, Suzuka, Spa, Hungaroring, and yes, Yas Marina in Abu Dhabi — it's all in there. The scenes at Yas Marina, especially under those glowing floodlights, look like a music video sponsored by jet fuel. You can practically smell the desert heat and burning rubber through the screen.
Cameos from real-life racers like Max Verstappen, Hamilton, and other grid regulars blur the line between fiction and documentary. But not everyone will be lured in by the scent of gasoline and glory. If you don't care about cars and the sport, this might feel like a glossy, overlong sports ad. Yet for anyone who's ever watched a race, or just appreciates a well-oiled action machine (on screen or off), F1 hits the gas hard.
Verdict
A roaring, ridiculously good-looking joyride with just enough heart to keep it human. Brad Pitt leads, but Bardem, Condon, and the entire production crew ensure this isn't just a vanity vehicle — it's a turbocharged thrill fest for film lovers and F1 fanatics alike. It is a must-watch in IMAX, and if you want to experience it twice, like me, then make sure the second time is in 4DX.
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The National
29 minutes ago
- The National
James Gunn's Superman influences: What to watch and read before film hits cinemas
When James Gunn's Superman soars into cinemas on July 10, the skies above Metropolis won't be the only thing getting a second look. The film doesn't just reboot the world's most recognisable superhero – it launches a whole new chapter for DC, one that's aiming to mix reverence with reinvention. With David Corenswet donning the cape and flanked by Rachel Brosnahan, Nicholas Hoult, Skyler Gisondo, Nathan Fillion and Wendell Pierce, Gunn's take already feels distinct – familiar, but not safe. And if the early trailers are anything to go by, it's clear the filmmaker is wearing his influences proudly on his sleeve. Gunn has never been shy about the stories that shaped him, and this Superman seems stitched together from decades of comics, cinema and Saturday morning serials. So whether you're a diehard fan scanning each frame for deep cuts, or a newcomer wondering where to begin, here's a guide to what to read and watch before Superman lands. Superman #1 Published in 1939 by DC Comics (then called National Comics), the cover of Superman #1 is one of the most memorable images in comic book history. Drawn by Joe Shuster, it features Superman lifting a green car above his head while people flee in panic, capturing the excitement and novelty of the character. During the production of the film, Gunn shared the image of the cover on social media, hinting that he was taking the character back to his roots. This particular influence – which presents him as a hopeful, grounded figure – runs counter to more recent Superman depictions, especially Henry Cavill's dark and brooding loner in director Zack Snyder's films. All-Star Superman All-Star Superman is a critically acclaimed 12-issue series published between 2005 and 2008, written by Grant Morrison and illustrated by Frank Quitely. It offers an emotionally resonant portrayal of Superman as he confronts his impending death, brought on by overexposure to solar radiation. The story balances warmth, wit and imagination, celebrating both his humanity and his extraordinary powers. James Gunn has frequently cited the series as a major influence on the film, and its impact is already evident in the released footage. This version of Superman, while far stronger than his enemies, is also vulnerable – relying at times on help from his loyal dog Krypto and the robotic assistants in his Fortress of Solitude. Superman: The Animated Series Inspired by the success of Batman: The Animated Series, Superman: The Animated Series is a celebrated part of the DC Animated Universe created by Bruce Timm and Paul Dini. Airing from 1996 to 2000, the show presents a thoughtful version of Superman, blending action with strong storytelling, exciting animation and emotional depth. The the new film's trailers reveal glimpses of the show's distinct Art Deco style, especially in the architecture and feel of Metropolis. The animated series was also instrumental in introducing many characters in the Superman universe to a wider audience, including Brainiac and Darkseid. Superman: The Mad Scientist Released in 1941, Superman: The Mad Scientist was the first of the Fleischer Studios' animated shorts – and marked the Man of Steel's official screen debut. Just ten minutes long, the short sees Superman saving Metropolis from a deranged inventor armed with a destructive energy cannon. Despite its brevity, the animation captures Superman's powers with striking clarity – from bending steel to deflecting projectiles mid-air. It also helped define the Art Deco aesthetic now closely associated with Metropolis, setting a visual tone that continues to influence the character's world. This version of Superman is stoic and unwavering – a figure of near-mythic strength who doesn't falter, even in the face of danger. Quietly, it laid the foundation for how generations would come to see him. Kingdom Come Kingdom Come is a landmark 1996 graphic novel set in a dystopian future of the DC Universe, written by Mark Waid and illustrated by Alex Ross. It follows an older Superman who emerges from self-imposed exile to confront a new generation of reckless, morally ambiguous heroes and villains. Celebrated for its mature and philosophical take on superhero mythology, the story explores themes of legacy, power and responsibility. Ross's hyper-realistic painting style has previously influenced the look of Zack Snyder's DC films – but in Gunn's case, it's the costume designs from Kingdom Come that appear to inform the aesthetic of his Superman. Smallville Smallville aired from 2001 to 2011, chronicling the formative years of Clark Kent before he officially becomes Superman. Framed as a coming-of-age story, the series follows a young Clark as he grapples with friendships, school and the growing weight of his destiny. The show also reimagined Lex Luthor as a complex and conflicted character, portrayed memorably by Michael Rosenbaum. His performance has had a lasting impact – including on Nicholas Hoult, who plays Lex in James Gunn's upcoming film. Speaking to Rosenbaum on a podcast, Hoult credited the actor as his first introduction to the character. 'I think the first ever Lex I saw was you. I love your portrayal – it's the best,' he said. 'You inhabit him with such depth and charm. And that ability to switch, which makes him dangerous and formidable – I just loved what you did.' Top Gun: Maverick At first glance, Top Gun: Maverick – the legacy sequel to the 1986 film directed by Joseph Kosinski and starring Tom Cruise – might not seem like an obvious influence on a Superman film. But its groundbreaking aerial cinematography has left a clear mark. Speaking to the press earlier this year, James Gunn explained that capturing Superman in flight posed a major technical challenge. To overcome it, the production borrowed techniques from Top Gun: Maverick, particularly its innovative use of drones. 'We took a lot from films like Top Gun: Maverick,' Gunn said. 'We shot much of our action with actual drones flying in and around Superman and the people he's flying with – The Engineer and whoever else he's fighting up in the air.' Much of that was done on soundstages using next-generation drones piloted by some of the world's top operators, allowing Gunn to bring a visceral realism to Superman's aerial sequences. Justice League Unlimited Justice League Unlimited is the follow-up to the acclaimed Justice League animated series, and widely regarded as one of the finest explorations of the DC Universe on screen. Expanding the original roster, the show introduced a wide range of heroes – including Green Arrow, Black Canary, The Question and Huntress – while deepening the philosophical and moral themes that defined its predecessor. James Gunn has confirmed via a post on X that the series has been a key influence on the interconnected DC universe he is building – with Superman as its foundation. That influence is already visible in the trailers, which reveal the inclusion of characters such as Mister Terrific, Hawkgirl, Green Lantern and Metamorpho – all staples of the Justice League Unlimited ensemble. Much like the animated series, Gunn's approach appears to prioritise character dynamics and ideological tension over spectacle alone – suggesting a Superman film that may be as much about the team around him as the man himself.


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3 hours ago
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Your Love and Relationship Horoscope for June 29th, 2025
The stars predict romantic sparks for today's sun signs. Find daily astrological predictions for all sun signs for June 29th. We recommend reading the horoscopes for your rising sign. Aries Love Horoscope When a relationship is over, it is liberating to take a step toward the past. It is now time to take this feeling of closure and use it as a source of motivation to grow. Take this time to work on yourself and the happiness that comes with it. On the contrary, you should not overlook or neglect your obligations or duties. If there is something important that needs to be done as soon as possible, then it is better not to make any plans. Taurus Love Horoscope You might miss the thrill of new love or feel bored with your current relationship. However, don't despair! The recipe for happiness is to infuse your lifestyle with some creativity. Find a new approach to meet people and express yourself. It doesn't have to be the same old things. 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