
Demna bows out at Balenciaga with star-studded Paris catwalk show
The austere Haute Couture Autumn/Winter 2025 collection featured women modelling garments in mostly black and white with exaggerated shoulders and padded hips, while men wore oversized jackets and trousers so long they gathered on the floor.
The use of male models was a typically convention-breaking move from the showman, with Couture Week usually dedicated to handcrafted, one-of-a-kind creations for female celebrities and VIPs.
Veteran French actor Isabelle Huppert also made an appearance on the catwalk as did 1990s supermodel Eva Herzigova.
The designer from the war-torn region of Abkhazia in Georgia, who is known by a single name, has made regular headlines at the Paris-based Spanish heritage brand during his decade in charge with his $2,000 "Ikea" bag and a $1,800 so-called "trash pouch".
Demna was also behind a much-criticised 2023 advertising campaign that appeared to reference child abuse, leading to a rebuke from billionaire Kering CEO Francois-Henri Pinault, who watched Wednesday's show with his wife Salma Hayek.
Fellow designer Franck Sorbier, who presented his own collection inspired by Inca culture on Wednesday, praised Demna's impact on Balenciaga in an interview with AFP.
"It's a brand that has managed to find its footing again, that forged its own path and succeeded in returning to the forefront of fashion -- which was far from guaranteed, given that there were many attempts along the way, and not all of them worked," Sorbier said backstage.
Demna appeared at the end of his show to acknowledge the applause while wearing a black hoodie and cap paired with combat trousers.
Big shoes
Later on Wednesday, Belgian designer Glenn Martens was also set to find himself in the spotlight for his first collection for Maison Margiela, following his appointment in January to succeed British designer John Galliano.
Martens has big shoes to fill, with the house's last couture show under the eccentric Galliano in January 2024 considered a huge success by critics.
The day also saw Dutch duo Viktor & Rolf and Hong Kong's Robert Wun, as well as France's Sorbier unveil their latest work.
Wun drew inspiration from the world of cinema and theatre for his spectacular show at the Theatre du Chatelet, which opened with a model with dramatic bloodied lips wearing a thick white dress adorned with red handprint stains.
Viktor & Rolf once again used humour in their collection, featuring 15 pairs of eccentric black dresses, full of pleats and layers of fabric -- tulle, crinoline and more -- in a style reminiscent of 19th-century gowns.
Downturn
The luxury and fashion industry as a whole is suffering a downturn in sales due to weaker demand in China, fears about inflation and global instability.
Having multiplied sales at Balenciaga over his decade in charge, Demna's next task of reviving the flagging fortunes of under-performing Gucci is seen as a huge challenge.
Shares in luxury conglomerate Kering, which owns both Balenciaga and Gucci, fell around 12 percent on the day his nomination was announced in March and have sunk further since.
Some analysts have questioned whether Demna's recipe for success at Balenciaga -- which leant heavily on provocation and showmanship -- can be replicated at the more classic Italian house, which generates most of Kering's profits.
He was seen as having returned to a winning combination on Wednesday with Kardashian, a friend and brand ambassador.
The duo attended the Met Gala in 2021 together dressed in his head-to-toe black shrouds which obscured their faces.
"If Demna and Kardashian were good at one thing, it was making headlines," wrote fashion bible Vogue.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


France 24
3 hours ago
- France 24
AI-powered tour brings Anne Frank's story to life in Amsterdam
In 2025, using Artificial Intelligence, a new immersive guided tour traces the route of this Amsterdam icon through the city, offering an interactive smartphone reconstruction of the Dutch Jewish experience under Nazi occupation. "We created this product to bring Anne Frank closer to more people," said Moti Erdeapel, director of CityFans, the tourism-tech firm behind the project. "The Anne Frank House, the museum, is a very small place and it has limited capacity, so a lot of people come here and get disappointed because they didn't get to visit Anne Frank," he said. Each year, more than one million tourists visit the narrow house and annex where the Jewish girl and her family hid from the Nazis for two years. To visit the place where Anne Frank wrote her famous diary, visitors must book six weeks in advance. Tickets sell out fast. All that is required for the virtual tour is a mobile phone and a pair of headphones. A unique code grants access to a seven-kilometre (four-mile), 12-stop route. An audio narrative guides the visitor, along with lifelike animations generated by AI using data from the Anne Frank Institute, the city of Amsterdam and the Holocaust museum. 'Incredible people' "We tried to dig up stories that maybe most people don't really know but are incredible, people that really risked their lives to save children and to smuggle them out of the Nazis' hands into hiding," Erdeapel said. One stop features the former home of Miep Gies, the Dutch Catholic who helped hide the Frank family. Her face is brought to life using archive photographs and digital animation. In the De Pijp district, the tour reveals that a coffeeshop now occupies the site of the former Koco ice cream parlour. Run by German-Jewish refugees, the shop helped spark the only protest in Amsterdam against Nazi persecution of Jews -- a demonstration that was violently crushed. "One of the things that make it close to heart is not only that it's such an important story for Amsterdam, but also for me personally, coming from a family of Holocaust survivors," said Erdeapel, who is of Polish and Hungarian Jewish descent. "My grandparents survived the Holocaust, a lot of the family members did, and I grew up with these stories about the Holocaust and about people that didn't make it back," said the 45-year-old Amsterdam resident. Though he stresses the importance of museums and the diary, Erdeapel sees this guided tour as a way to tell Anne Frank's story to a new, tech-savvy generation. "It's really important that we do good research and we work on storytelling and there's a human aspect to the creation," he said. "If you have a deep process to develop this product, I think AI is just going to make things more beautiful and exciting and immersive for everyone." Around 107,000 Dutch Jews and refugees were deported during World War II. Of these, 102,000 -- including Anne Frank -- were killed, roughly 75 percent of the pre-war Jewish population.


France 24
5 hours ago
- France 24
Humanoid robot says not aiming to 'replace human artists'
The ultra-realistic robot, one of the most advanced in the world, is designed to resemble a human woman with an expressive, life-like face, large hazel eyes and brown hair cut in a bob. The arms though are unmistakably robotic, with exposed metal, and can be swapped out depending on the art form it is practicing. Late last year, Ai-Da's portrait of English mathematician Alan Turing became the first artwork by a humanoid robot to be sold at auction, fetching over $1 million. But as Ai-Da unveiled its latest creation -- an oil painting entitled "Algorithm King", conceived using artificial intelligence -- the humanoid insisted the work's importance could not be measured in money. "The value of my artwork is to serve as a catalyst for discussions that explore ethical dimensions to new technologies," the robot told AFP at Britain's diplomatic mission in Geneva, where the new portrait of King Charles will be housed. The idea, Ai-Da insisted in a slow, deliberate cadence, was to "foster critical thinking and encourage responsible innovation for more equitable and sustainable futures". 'Unique and creative' Speaking on the sidelines of the United Nations' AI for Good summit, Ai-Da, who has done sketches, paintings and sculptures, detailed the methods and inspiration behind the work. "When creating my art, I use a variety of AI algorithms," the robot said. "I start with a basic idea or concept that I want to explore, and I think about the purpose of the art. What will it say?" The humanoid pointed out that "King Charles has used his platform to raise awareness on environmental conservation and interfaith dialog. I have aimed this portrait to celebrate" that, it said, adding that "I hope King Charles will be appreciative of my efforts". Aidan Meller, a specialist in modern and contemporary art, led the team that created Ai-Da in 2019 with artificial intelligence specialists at the universities of Oxford and Birmingham. He told AFP that he had conceived the humanoid robot -- named after the world's first computer programmer Ada Lovelace -- as an ethical arts project, and not "to replace the painters". Ai-Da agreed. There is "no doubt that AI is changing our world, (including) the art world and forms of human creative expression", the robot acknowledged. But "I do not believe AI or my artwork will replace human artists". Instead, Ai-Da said, the aim was "to inspire viewers to think about how we use AI positively, while remaining conscious of its risks and limitations". Asked if a painting made by a machine could really be considered art, the robot insisted that "my artwork is unique and creative". © 2025 AFP


France 24
19 hours ago
- France 24
Demna bows out at Balenciaga with star-studded Paris catwalk show
The final collection from the 44-year-old -- who is switching to fellow Kering-owned brand Gucci -- was watched by celebrities from Nicole Kidman to Katy Perry. The austere Haute Couture Autumn/Winter 2025 collection featured women modelling garments in mostly black and white with exaggerated shoulders and padded hips, while men wore oversized jackets and trousers so long they gathered on the floor. The use of male models was a typically convention-breaking move from the showman, with Couture Week usually dedicated to handcrafted, one-of-a-kind creations for female celebrities and VIPs. Veteran French actor Isabelle Huppert also made an appearance on the catwalk as did 1990s supermodel Eva Herzigova. The designer from the war-torn region of Abkhazia in Georgia, who is known by a single name, has made regular headlines at the Paris-based Spanish heritage brand during his decade in charge with his $2,000 "Ikea" bag and a $1,800 so-called "trash pouch". Demna was also behind a much-criticised 2023 advertising campaign that appeared to reference child abuse, leading to a rebuke from billionaire Kering CEO Francois-Henri Pinault, who watched Wednesday's show with his wife Salma Hayek. Fellow designer Franck Sorbier, who presented his own collection inspired by Inca culture on Wednesday, praised Demna's impact on Balenciaga in an interview with AFP. "It's a brand that has managed to find its footing again, that forged its own path and succeeded in returning to the forefront of fashion -- which was far from guaranteed, given that there were many attempts along the way, and not all of them worked," Sorbier said backstage. Demna appeared at the end of his show to acknowledge the applause while wearing a black hoodie and cap paired with combat trousers. Big shoes Later on Wednesday, Belgian designer Glenn Martens was also set to find himself in the spotlight for his first collection for Maison Margiela, following his appointment in January to succeed British designer John Galliano. Martens has big shoes to fill, with the house's last couture show under the eccentric Galliano in January 2024 considered a huge success by critics. The day also saw Dutch duo Viktor & Rolf and Hong Kong's Robert Wun, as well as France's Sorbier unveil their latest work. Wun drew inspiration from the world of cinema and theatre for his spectacular show at the Theatre du Chatelet, which opened with a model with dramatic bloodied lips wearing a thick white dress adorned with red handprint stains. Viktor & Rolf once again used humour in their collection, featuring 15 pairs of eccentric black dresses, full of pleats and layers of fabric -- tulle, crinoline and more -- in a style reminiscent of 19th-century gowns. Downturn The luxury and fashion industry as a whole is suffering a downturn in sales due to weaker demand in China, fears about inflation and global instability. Having multiplied sales at Balenciaga over his decade in charge, Demna's next task of reviving the flagging fortunes of under-performing Gucci is seen as a huge challenge. Shares in luxury conglomerate Kering, which owns both Balenciaga and Gucci, fell around 12 percent on the day his nomination was announced in March and have sunk further since. Some analysts have questioned whether Demna's recipe for success at Balenciaga -- which leant heavily on provocation and showmanship -- can be replicated at the more classic Italian house, which generates most of Kering's profits. He was seen as having returned to a winning combination on Wednesday with Kardashian, a friend and brand ambassador. The duo attended the Met Gala in 2021 together dressed in his head-to-toe black shrouds which obscured their faces. "If Demna and Kardashian were good at one thing, it was making headlines," wrote fashion bible Vogue.