
Fuji GFX100RF Review: Two Weeks with a $9,000 Camera
is an enthusiast-level camera that comes packed with some fantastic features It does offer great on-device filtering options, as well as a lot of time-saving features for photographers to test new shot compositions
The device isn't super comfortable to hold for long periods of time though
As someone who works primarily as a cinematographer rather than a photographer, I was curious to see what the AUD$8,688 Fuji GFX100RF, an apparently revolutionary camera, was all about. I had the camera for just two weeks and, up to that point, had never really used a Fujifilm system.
Despite the short testing period, the experience was eye-opening.
It'd be remiss of me not to point out that this camera is one of Fuji's most refined. The Medium format (44x33mm) 102MP sensor is one of the best fixed lenses I've ever used at 35mm (28mm equiv) F4 with leaf shutter, a speedy subject autofocus and built-in ND filter. Compared to competitors, it's smaller, cheap and potentially more enjoyable to use. It is lacking in a few areas, but we'll get there.
I trialled the camera for video – a decision that in hindsight wasn't optimal. The footage came out overly contrasty, and it didn't blend well with my main cam, the Sony A7IV. Still, the exercise was valuable and gave me an appreciation for what the GFX is and isn't built for. With 4k video up to 30fps, it isn't a bad camera for video, but it definitely feels like something that was added to the camera 'just cause'.
In short, this is a basic review of a very complex camera, approached from a filmmaker's perspective. I spent a good portion of my time not just testing the specs, but answering: 'what does that actually mean to me, a novice photographer?'
Tech Specs
Brand Fujifilm Model GFX100RF Type Medium Format Digital Camera Image Sensor 43.8mm x 32.9mm Effective Pixels 102 million pixels Image Processing Engine X-Processor 5 Battery Fujifilm Li-ion Battery NP-W235 (included) Battery Life Approx. 820 shots Weight 735g Price AUD$8,688
Scroll horizontally to view full table
The Aspect Dial of the Fuji GFX100RF | Image: Beatrix Boon/Man of Many
The Good: Innovative Ways to Make Photography More Exciting
Aspect Ratio Dial
I absolutely love that the Fuji GFX100RF has a physical aspect ratio dial above the screen – rare to have something that changes the aspect ratio at all, a hark back to old film cameras. And not just having it in the menu, but being able to physically change it on a dial is next level satisfying. It's not just a novelty though, and forces you to compose more intentionally and creatively.
It also offers nine crop options and gives live previews in a few ways: through black borders, bounding boxes, or translucent overlays. And if you change your mind? The camera saves the full RAW file underneath, so you can revert or reprocess later: a trick the Fuji keeps using through its feature-set, and which I grew to love for how easily it allowed me to experiment.
Crop Zoom
This feature was surprisingly useful. One push of the crop zoom lever effectively turns your lens into a 'full-frame' camera with a 35mm equivalent (at f/4). While you lose some image quality with the deeper crops, the ability to previsualise different focal lengths without swapping lenses was both practical and creatively inspiring.
Again, the RAW remains untouched, which means JPEG previews become ways to rethink shot composition and new ideas without going through the ritual of swapping bits and pieces out, one by one. It genuinely sped up the process, which was a welcome boon.
Testing the ND Filter of the Fuji GFX100RF | Image: Beatrix Boon/Man of Many
Testing the ND Filter of the Fuji GFX100RF | Image: Beatrix Boon/Man of Many
ND Filter and Film Simulation
Though video isn't the GFX100RF's strong suit, I appreciated the built-in 4-stop ND filter, a big plus for anyone coming from the video world. As someone who also hasn't played around a tonne with Fuji's film simulation modes… I can wholeheartedly say because of this, I am now a Fuji convert.
The GFX100RF comes stock with 20 'film simulation' modes, which effectively allow you to recreate certain types of Fujifilm film stocks. If you want something to look like it was shot on Classic film, or on the new REALA ACE style, which is based on Fuji's colour-negative film, there's a setting for that.
You can also make your own simulation settings, which I played around with to make my own 'recipes' and was really happy with the results overall. As someone who does not enjoy editing my photos, this unlocked the ability to create striking and unique images without spending ages behind my laptop.
Considering this was my first time using these modes, I chose a pretty good camera to start with it. The extremely high quality output gave me free reign to play, and make mistakes.
The Fuji GFX100RF | Image: Beatrix Boon/Man of Many
The Bad: Practical World Oversights
Build & Handling
The GFX100RF body is not the most comfortable to hold, it's a little too flat. And its size, while small for its category, is still not quite small enough to forget about. Plus, adding the lens hood with its adapter adds a good amount of depth to the thing. Considering this would be mainly a travel cam for people, that isn't great. It is definitely stylish, but sometimes practicality has to come before that.
In-Body Stabilisation
In my experience, while the Fuji has some great in-body stabilisation, I think the Leica Q3 wins out here. That camera features some impressive optical image stablisation that does a good job at minimising camera shake, which the Fuji doesn't quite manage to compete with… Maybe it's because I pushed it too hard in low light without a tripod for stability.
To be fair, it is quite a bit better than others in its price range, with the Leica coming in at about AUD$11,000.
The Fuji GFX100RF | Image: Beatrix Boon/Man of Many
Man of Many's Final Verdict
The Fuji GFX100RF is a deeply inspiring creative tool that has users in mind from the get-go. High image quality, aspect ratio dial, crop zooms and its renowned film simulations make this camera worth buying for anyone deep into the hobby.
Are there better medium format cameras? Yes, but at much higher price points, which isn't necessarily what budding or intermediate photographers like myself are looking for. It's the easiest camera I've ever used, and created some of the most impressive shots I've ever taken.

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Man of Many
3 days ago
- Man of Many
Fuji GFX100RF Review: Two Weeks with a $9,000 Camera
The Fujifilm GFX100RF is an enthusiast-level camera that comes packed with some fantastic features is an enthusiast-level camera that comes packed with some fantastic features It does offer great on-device filtering options, as well as a lot of time-saving features for photographers to test new shot compositions The device isn't super comfortable to hold for long periods of time though As someone who works primarily as a cinematographer rather than a photographer, I was curious to see what the AUD$8,688 Fuji GFX100RF, an apparently revolutionary camera, was all about. I had the camera for just two weeks and, up to that point, had never really used a Fujifilm system. Despite the short testing period, the experience was eye-opening. It'd be remiss of me not to point out that this camera is one of Fuji's most refined. The Medium format (44x33mm) 102MP sensor is one of the best fixed lenses I've ever used at 35mm (28mm equiv) F4 with leaf shutter, a speedy subject autofocus and built-in ND filter. Compared to competitors, it's smaller, cheap and potentially more enjoyable to use. It is lacking in a few areas, but we'll get there. I trialled the camera for video – a decision that in hindsight wasn't optimal. The footage came out overly contrasty, and it didn't blend well with my main cam, the Sony A7IV. Still, the exercise was valuable and gave me an appreciation for what the GFX is and isn't built for. With 4k video up to 30fps, it isn't a bad camera for video, but it definitely feels like something that was added to the camera 'just cause'. In short, this is a basic review of a very complex camera, approached from a filmmaker's perspective. I spent a good portion of my time not just testing the specs, but answering: 'what does that actually mean to me, a novice photographer?' Tech Specs Brand Fujifilm Model GFX100RF Type Medium Format Digital Camera Image Sensor 43.8mm x 32.9mm Effective Pixels 102 million pixels Image Processing Engine X-Processor 5 Battery Fujifilm Li-ion Battery NP-W235 (included) Battery Life Approx. 820 shots Weight 735g Price AUD$8,688 Scroll horizontally to view full table The Aspect Dial of the Fuji GFX100RF | Image: Beatrix Boon/Man of Many The Good: Innovative Ways to Make Photography More Exciting Aspect Ratio Dial I absolutely love that the Fuji GFX100RF has a physical aspect ratio dial above the screen – rare to have something that changes the aspect ratio at all, a hark back to old film cameras. And not just having it in the menu, but being able to physically change it on a dial is next level satisfying. It's not just a novelty though, and forces you to compose more intentionally and creatively. It also offers nine crop options and gives live previews in a few ways: through black borders, bounding boxes, or translucent overlays. And if you change your mind? The camera saves the full RAW file underneath, so you can revert or reprocess later: a trick the Fuji keeps using through its feature-set, and which I grew to love for how easily it allowed me to experiment. Crop Zoom This feature was surprisingly useful. One push of the crop zoom lever effectively turns your lens into a 'full-frame' camera with a 35mm equivalent (at f/4). While you lose some image quality with the deeper crops, the ability to previsualise different focal lengths without swapping lenses was both practical and creatively inspiring. Again, the RAW remains untouched, which means JPEG previews become ways to rethink shot composition and new ideas without going through the ritual of swapping bits and pieces out, one by one. It genuinely sped up the process, which was a welcome boon. Testing the ND Filter of the Fuji GFX100RF | Image: Beatrix Boon/Man of Many Testing the ND Filter of the Fuji GFX100RF | Image: Beatrix Boon/Man of Many ND Filter and Film Simulation Though video isn't the GFX100RF's strong suit, I appreciated the built-in 4-stop ND filter, a big plus for anyone coming from the video world. As someone who also hasn't played around a tonne with Fuji's film simulation modes… I can wholeheartedly say because of this, I am now a Fuji convert. The GFX100RF comes stock with 20 'film simulation' modes, which effectively allow you to recreate certain types of Fujifilm film stocks. If you want something to look like it was shot on Classic film, or on the new REALA ACE style, which is based on Fuji's colour-negative film, there's a setting for that. You can also make your own simulation settings, which I played around with to make my own 'recipes' and was really happy with the results overall. As someone who does not enjoy editing my photos, this unlocked the ability to create striking and unique images without spending ages behind my laptop. Considering this was my first time using these modes, I chose a pretty good camera to start with it. The extremely high quality output gave me free reign to play, and make mistakes. The Fuji GFX100RF | Image: Beatrix Boon/Man of Many The Bad: Practical World Oversights Build & Handling The GFX100RF body is not the most comfortable to hold, it's a little too flat. And its size, while small for its category, is still not quite small enough to forget about. Plus, adding the lens hood with its adapter adds a good amount of depth to the thing. Considering this would be mainly a travel cam for people, that isn't great. It is definitely stylish, but sometimes practicality has to come before that. In-Body Stabilisation In my experience, while the Fuji has some great in-body stabilisation, I think the Leica Q3 wins out here. That camera features some impressive optical image stablisation that does a good job at minimising camera shake, which the Fuji doesn't quite manage to compete with… Maybe it's because I pushed it too hard in low light without a tripod for stability. To be fair, it is quite a bit better than others in its price range, with the Leica coming in at about AUD$11,000. The Fuji GFX100RF | Image: Beatrix Boon/Man of Many Man of Many's Final Verdict The Fuji GFX100RF is a deeply inspiring creative tool that has users in mind from the get-go. High image quality, aspect ratio dial, crop zooms and its renowned film simulations make this camera worth buying for anyone deep into the hobby. Are there better medium format cameras? Yes, but at much higher price points, which isn't necessarily what budding or intermediate photographers like myself are looking for. It's the easiest camera I've ever used, and created some of the most impressive shots I've ever taken.


Man of Many
23-06-2025
- Man of Many
New Balance's ABZORB 2000 is Already a Sold Out Success, But It's Just Warming Up
By Ben McKimm - News Published: 23 June 2025 Share Copy Link Readtime: 3 min Every product is carefully selected by our editors and experts. If you buy from a link, we may earn a commission. Learn more. For more information on how we test products, click here. Charlotte Lee is a veteran designer behind some of New Balance's best sneakers, and it's looking like she's onto another sold-out success with the ABZORB 2000 (AUD$260). Her greatest hits include the WRPD Runner, 530, 1000, and viral 1906L sneaker loafer, but she spent three times longer designing the ABZORB 2000 than a typical New Balance lifestyle sneaker. With a sold-out first release on 12th of June 2025, it's looking like it was time well spent. This new futuristic model takes off from where the James Lee and Yue Wu designed New Balance 9060 left off. That 'retrofuturism' 9060 sneaker appeared out of thin air and emerged as a successful model for the brand, and while it's hard to dismiss how much it has done for changing the narrative around chunky dad shoes, the ABZORB 2000 walks a different path with a hoast of futuristic touches. It looks to channel a little too much Nike Air Max Scorpion at first glance, but this is all New Balance. Lee turned to abandoned NB technology known as ABZORB SBS for inspiration, but it's not the only piece of technology. She also leaned on the virutal reality tool 'Gravity Sketch' to look at the model in 3D and bring intricate details to areas of the shoe, best seen in the screen-printed upper that serves a function by reducing the amount of TPU waste that would traditionally go into a design like this. Let's take a closer look! New Balance ABZORB 2000 | Image: Supplied / New Balance The launch colour—Still Water with Blue Agate—is a highlight, but as Riley Jones from WWD rightly pointed out, it looks like it's out of a video game. 'We wanted something that felt futuristic and progressive but still rooted in our DNA,' said Paul Kaseumsouk, general manager of lifestyle inline and speed at New Balance, in an interview with Footwear News. 'It's about evolving the brand's aesthetic without losing what makes it distinct. You can still find subtle nods to our heritage in the detailing and craftsmanship, but the overall design was meant to break the mold and signal a bold step forward.' Interestingly, this is the first 2000s-inspired silhouette for Lee. 'I was like, 'Is this really the right shoe for me to be doing?' And actually everyone got to saying, 'Yeah, because you're taking a new spin on it, keep on going,'' she said in an interview with WWD. 'Then at the end, I kind of stood back and was like, 'Wow. Yeah, OK.'' New Balance ABZORB 2000 | Image: Supplied / New Balance New Balance ABZORB 2000 | Image: Supplied / New Balance New Balance ABZORB 2000 | Image: Supplied / New Balance New Balance ABZORB 2000 | Image: Supplied / New Balance While it's unconventional design is the obvious drawcard, maybe the most impressive thing about the New Balance ABZORB 2000 was its roll-out. No big names, stars, celebrities, influencers. It was simply shared in a post by Brazilian stylist Gustavo Soares to his 10,000 followers before it was picked up by sneaker publishers and later in Milan Design Week in partnership with retailer Slam Jam. The next move, however, will be bigger. Chicago's Joe Freshgoods is cooking up an all-over pink pair, and while details are scarce, expect to see more of these during the upcoming Paris Fashion Week from Tuesday June 24th to Sunday June 29th 2025. Stay tuned for more collaborations of the New Balance A and GR colourways to roll-out as the ABZORB 2000 hits retailers and online stores around the world in the coming months. New Balance ABZORB 2000 | Image: Supplied / New Balance


West Australian
19-06-2025
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Telegram CEO Pavel Durov reveals plans to pass down multi-billion-dollar fortune to 100-plus kids
Pavel Durov, the founder and CEO of messaging app Telegram has revealed who will inherit his multi-billion-dollar fortune. Mr Durov recently drafted his will, making provision for over 100 children — but they won't get a cent for another 30 years, he revealed in an interview with French magazine Le Point . The app founder is worth $13.9 billion (AUD$21.4b), according to the Bloomberg Billionaires Index. 'I want them to live like normal people, to build themselves up alone, to learn to trust themselves, to be able to create, not to be dependent on a bank account,' he told the publication. Mr Durov, 40, added that he has six children who were conceived naturally with three different partners, along with at least another 100 children he has fathered through sperm donations. 'The clinic, where I started donating sperm 15 years ago to help a friend, told me that more than 100 babies had been conceived this way in 12 countries,' he said. Given his current net worth and an estimated 106 children, each child would stand to inherit approximately $131 million. 'I want to specify that I make no difference between my children: there are those who were conceived naturally and those who come from my sperm donations,' he told the publication. 'They are all my children and will all have the same rights! I don't want them to tear each other apart after my death.' Mr Durov is not the only tech billionaire to have fathered a surprising number of children. Tesla founder and billionaire, Elon Musk, is also an enthusiastic advocate of spreading his genes, welcoming 14 children with four different women since 2002. Over the years, he has been vocal about his desire to have more children to increase the birth rate. In 2021, he claimed that there are 'not enough people' in the world, expressing concern for civilisation if people don't have large families. 'I think one of the biggest risks to civilisation is the low birth rate,' the Tesla CEO said at an event hosted by the Wall Street Journal. 'Please look at the numbers. If people don't have more children, civilisation is going to crumble, mark my words.' It is not yet known how Musk will divide his fortune.