Karl slams Triple J over brutal snub
On Saturday from 10am, Triple J will unveil its Hottest 100 of Australian songs that have ruled the airwaves across the country over the past five decades. Karl Stefanovic was outraged his duet with Keli Holiday didn't make the cut for the Hottest 100 of Australian Songs. Supplied Credit: Supplied He threatened to come into the Triple J studio and recreate the music video to nab the top spot. Supplied Credit: Supplied
Speaking on Today, Triple J morning host Lucy Smith and comedian Adam Spencer were running through the Australian hits that could potentially wind up in the top 10, including classics from Cold Chisel, Kylie Minogue, Gotye and Powderfinger.
However, there was one notable song missing from the list, Stefanovic told the radio hosts.
'I think Australian music changed tectonically towards the end of last year,' he said, offering up his 'tip on the No.1 song in the Hottest 100 Aussies of all time'. The video clip went viral last year. Supplied Credit: Supplied
The song in question was his bizarre collab with music duo Peking Duk, who in 2024 teamed up with Stefanovic for a cover of Dolly Parton and Kenny Rogers' 1983 hit Islands in the Stream for his 50th birthday.
The wild video features a tanned Stefanovic alongside Peking Duk's lead singer Keli Holiday (AKA Adam Hyde) with their shirts undone, loaded up with gold chains and bopping to the beat in front of a wind machine, complete with guyliner. Stefanovic joked that his song 'tectonically' changed Australian music. Supplied Credit: Supplied Maybe he'll grab the spot in the next round. Supplied Credit: Supplied
'Shame on you Triple J,' he said. 'How was (Islands in the Stream) not on the list?'
The Triple J hosts were flummoxed as they watched the clip play on screen and Stefanovic offer up his best Fabio impression.
'Lucy, this is the real reason we brought you in,' the hosts laughed. 'It's an interrogation.' Then Smith made an extraordinary offer.
'Karl, you can take out No.1 if you will appear in the studio, oiled up like that (with your) shirt undone,' she suggested.
While Stefanovic seemed interested in taking up the offer, he instead decided to recreate the viral clip in the Today studio.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
The Age
an hour ago
- The Age
Where was Helen Reddy's I am Woman on the Hottest 100?
I was lucky enough to enjoy Saturday's journey through Australian music, with two of my grown-up children on a road trip to the Blue Mountains. To celebrate 50 years of being on air, Triple J invited listeners to vote on the 10 best Australian songs. After 2.65 million people voted, including yours truly, the result was a nostalgic playlist, The Hottest 100 Australian Songs. As we drove, it stirred fond memories of their childhood and my youth. After lunch, as number 56, Jimmy Barnes' Working Class Man played, my daughter showed me an Instagram reel shared by @sherelmoodyfemicidewatch. It was footage of well-known Australian rap artist, Fortay, who has decided to try his hand at stand-up comedy. The reel was from a recent performance at Zhivago nightclub in Adelaide, where he addressed any feminists who might be in the audience: 'If the power grid goes down, you bitches are in trouble. You better start behaving yourself. Stop protesting. Stop trying to cancel my concerts. 'Cause once the power grids go down … 'cause I tell you what…' At this point the men in the audience jollied him along. 'Fortay's comin round!' one called out. Encouraged, Fortay continued: 'The men in this crowd are gonna be doin' what we want with you.' I typed ferociously in the comment section, trying to be concise and powerful, but knowing, in my escalating anger, that I was a voice in the wilderness. Because, in reality, no one is going to cancel Fortay. His threats of violence will continue to be condoned and this will help to sustain a culture that kills one woman a week in our country. How do I know Fortay will not be cancelled? My life spans the second and third waves of feminism and is taking me into the next, but misogyny does not die; it just reinvents itself. Now it looks like a tattooed rapper with street cred, or a YouTuber, or an angry incel, or a 'Christian' American president. After the wave of anger subsided, we continued to enjoy the afternoon of music nostalgia, counting down towards the top 10: the best ever, most loved, most powerful, most iconic Australian songs. So far, we'd heard anthems like Treaty by Yothu Yindi at number 36, a still unfulfilled promise that resonates with as much relevance as ever. I was surprised that we had not yet heard Helen Reddy's feminist anthem, I Am Woman, which became a soundtrack to the women's liberation movement worldwide, and whose lyrics – 'Hear me roar' – have been part of the vernacular for female empowerment for more than 50 years. But I assumed its significance would be satisfyingly recognised in the top 10. The bangers kept coming: Powderfinger, the Angels and AC/DC. Paul Kelly made a well-deserved appearance at No. 9 and Cold Chisel at numbers 8 and 7! Missy Higgins and The Veronicas edged in at 4 and 3, and finally Hilltop Hoods' Nosebleed Section at No. 2 and INXS's Never Tear us Apart at No. 1. Great songs. But still no Helen Reddy. It was over, and I Am Woman was not listed as even one of the best 100 Australian songs. It was a democratic process, and I am not disputing the results, but it made me wonder why our feminist anthem was overlooked. 'I am woman, hear me roar'. These words have become idiomatic in the English language, emblematic of equality, resistance, of breaking down patriarchal structures that disempower women. It would seem that a war cry is needed more now than ever when misogyny is rearing its ugly head through legitimised channels.
Sydney Morning Herald
an hour ago
- Sydney Morning Herald
Where was Helen Reddy's I am Woman on the Hottest 100?
I was lucky enough to enjoy Saturday's journey through Australian music, with two of my grown-up children on a road trip to the Blue Mountains. To celebrate 50 years of being on air, Triple J invited listeners to vote on the 10 best Australian songs. After 2.65 million people voted, including yours truly, the result was a nostalgic playlist, The Hottest 100 Australian Songs. As we drove, it stirred fond memories of their childhood and my youth. After lunch, as number 56, Jimmy Barnes' Working Class Man played, my daughter showed me an Instagram reel shared by @sherelmoodyfemicidewatch. It was footage of well-known Australian rap artist, Fortay, who has decided to try his hand at stand-up comedy. The reel was from a recent performance at Zhivago nightclub in Adelaide, where he addressed any feminists who might be in the audience: 'If the power grid goes down, you bitches are in trouble. You better start behaving yourself. Stop protesting. Stop trying to cancel my concerts. 'Cause once the power grids go down … 'cause I tell you what…' At this point the men in the audience jollied him along. 'Fortay's comin round!' one called out. Encouraged, Fortay continued: 'The men in this crowd are gonna be doin' what we want with you.' I typed ferociously in the comment section, trying to be concise and powerful, but knowing, in my escalating anger, that I was a voice in the wilderness. Because, in reality, no one is going to cancel Fortay. His threats of violence will continue to be condoned and this will help to sustain a culture that kills one woman a week in our country. How do I know Fortay will not be cancelled? My life spans the second and third waves of feminism and is taking me into the next, but misogyny does not die; it just reinvents itself. Now it looks like a tattooed rapper with street cred, or a YouTuber, or an angry incel, or a 'Christian' American president. After the wave of anger subsided, we continued to enjoy the afternoon of music nostalgia, counting down towards the top 10: the best ever, most loved, most powerful, most iconic Australian songs. So far, we'd heard anthems like Treaty by Yothu Yindi at number 36, a still unfulfilled promise that resonates with as much relevance as ever. I was surprised that we had not yet heard Helen Reddy's feminist anthem, I Am Woman, which became a soundtrack to the women's liberation movement worldwide, and whose lyrics – 'Hear me roar' – have been part of the vernacular for female empowerment for more than 50 years. But I assumed its significance would be satisfyingly recognised in the top 10. The bangers kept coming: Powderfinger, the Angels and AC/DC. Paul Kelly made a well-deserved appearance at No. 9 and Cold Chisel at numbers 8 and 7! Missy Higgins and The Veronicas edged in at 4 and 3, and finally Hilltop Hoods' Nosebleed Section at No. 2 and INXS's Never Tear us Apart at No. 1. Great songs. But still no Helen Reddy. It was over, and I Am Woman was not listed as even one of the best 100 Australian songs. It was a democratic process, and I am not disputing the results, but it made me wonder why our feminist anthem was overlooked. 'I am woman, hear me roar'. These words have become idiomatic in the English language, emblematic of equality, resistance, of breaking down patriarchal structures that disempower women. It would seem that a war cry is needed more now than ever when misogyny is rearing its ugly head through legitimised channels.
7NEWS
2 hours ago
- 7NEWS
Actress Nicole Kidman thanks this everyday skincare product for her age-defying looks
Australian actress Nicole Kidman reveals sunscreen is the key to her daily skincare routine. The age-defying star thanked her years of dedicated SPF use for keeping her skin healthy and radiant. The Practical Magic 2 star announced on July 25 her new role as Global Brand Ambassador for Japanese skincare and beauty brand, Clé de Peau Beauté. Kidman, 58, says it's a brand her make-up artist has used on her for years. One of her favourite products from the line is the UV Protection Cream SPF 50+. 'I went to Wimbledon and this is what I wore — it's so good,' Kidman told PEOPLE. Raised in Sydney, on the Northern Beaches, the Hollywood star grew up with sunscreen as a daily essential. In an interview with Vogue, she revealed her rules on skincare. 'It's the one thing I teach my girls,' Kidman said. 'For my girls, I'll use like a 30, but I like the SPF 50 for me, which is the one that I use. 'I also love the sheer zinc because for me it's such a great protection for my nose and for my shoulders and when I'm working.' The mum-of-two also shared that building her confidence is what helps the actress feel good on the inside. 'I am raising girls in their teens — you realise the importance of empowering other women,' Kidman told PEOPLE. 'The way in which when you are empowered, that sort of inner confidence actually shows through, and to me that's very beautiful.' The new campaign also features Kidman's youngest daughter, Faith Margaret, 14, whom she shares with her husband, singer Keith Urban. 'We flew out together and we were able to just have fun on the set,' Kidman reflected. 'It was just sort of a magical, dreamlike experience, which I hope when people see the campaign, they get. 'She's my baby, and it was a sweet little way to capture her at 14. 'It was one of those things where you say, 'This isn't a job. This is actually a gift'.' Kidman and Urban's eldest daughter, Sunday Rose, 17, recently launched her modelling career. Earlier this year, the rising star landed her first major campaign, fronting a new luxury advert for Italian fashion brand Miu Miu. Loading Instagram Post Kidman added she feels most beautiful when she's with her daughters. 'I love doing hot yoga right now, so I feel really good about an hour after that,' she said. 'My daughters and I, we do it together, and we call it the glow up. 'We look red-faced and ragged when we come out, but about an hour later, wow.' Shop more SPF products in Australia:
