
A premium audio player with streaming support
The device runs a customized version of Android 13, allowing installation of major music streaming services like Spotify, TIDAL, and Qobuz for seamless online listening.
Internal storage includes 32GB of ROM (with 22GB usable), and it supports microSD cards up to 2TB which is ideal for large, high-resolution music libraries.
It's powered by a Qualcomm Snapdragon 680 processor built on a 6nm process, which ensures smooth multitasking and responsive app performance.
The 4.7-inch HD display with a resolution of 750x1334 pixels is bright and functional, allowing for clear navigation and playback control.
A major strength of the JM21 is its dual Cirrus Logic CS43198 DACs, which provide exceptionally detailed and natural sound reproduction. These DACs support high-resolution audio formats up to 384kHz/32bit and DSD256 (natively), delivering excellent fidelity.
FiiO's Digital Audio Purification System (DAPS) bypasses Android's global sample rate conversion, ensuring bit-perfect audio playback and maintaining the original quality of your music.
The battery lasts up to 12.5 hours of continuous usage and recharges in less than two hours with a 5V/2A charger.
Bad points?
With only 22GB of usable internal storage, you'll likely need a microSD card right away, especially if you use offline streaming or store a large local library.
Best for ...
Audiophiles seeking uncompromised audio quality with support for both offline files and streaming apps and a powerful output for a variety of professional headphones.
Avoid if ...
You want a simpler player that doesn't rely on a full Android interface that needs regular updates.
Score: 9/10
FiiO JM21, £179.99 (amazon.co.uk)

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Sun
17 hours ago
- The Sun
Over 250 dodgy apps uncovered that steal private photos and threaten to leak them to family unless victims pay up
RESEARCHERS have uncovered an 'emotionally manipulative' extortion campaign putting users at risk. Over 250 dodgy apps have been uncovered, which are forcing victims of the scam to pay up. 4 Dodgy apps uncovered Security researchers Zimperium zLabs claimed to have found more than 250 Android apps, all pretending to be dating and romance apps. Zimperium calls the campaign SarangTrap, as it has mostly targeted people living in South Korea. On the surface, the apps look slick and well-designed, hiding the usual telltale signs of scam pages. 4 However, behind the scenes, the apps work as info-stealers, taking user contact information, photos and data from their devices. Due to the nature of the apps, the victims were lured in with 'emotionally charged interactions'. If the threat actors find any incriminating information on the compromised devices, they reach out to the victim and threaten to share it with their family, friends, and partners, unless a payment is made. Ways to stay safe Out of the 80 domains used in this campaign, many were allegedly indexed by popular search engines. This means that for victims who tend to be scam-savvy, they appear legitimate. The zLabs research team said: 'This is more than just a malware outbreak; it's a digital weaponisation of trust and emotion. 'Users seeking connection are being manipulated into granting access to some of their most personal data.' 4 The zLabs team have provided advice on how to avoid falling victim to the scam. Users should avoid downloading apps from unfamiliar links or unofficial app stores. This is because the more than 250 apps, a part of SarangTrap could not be found on Playstore or App Store. Malware can sometimes find its way onto these well now app stores, but Google and Apple are diligent with protecting their users. As a result, it is a lot harder to pick up malware on the official store rather than a third-party system. The zLabs researchers also recommended that users should be careful of apps requiring unusual permissions or an invitation code. Other advice to users includes regularly reviewing the permissions they granted and installed profiles they operate, and they should install on-device mobile security solutions that can help detect and block malware. Advice for dating app users While this particular scam came from users downloading malware from third-party app stores, there are always ways for users to protect themselves on dating apps. Advice service Brook tell users to always check the person you are speaking to is who they say they are. 4 This may involve taking time with a person, and don't feel pressured to do anything before the user feels ready. For more common apps which are trusted, ensure to stay in the app rather than giving the person the user's number. They also recommend not sharing any private information or imagery.


BBC News
17 hours ago
- BBC News
Free outdoor wi-fi available in 13 East Yorkshire town centres
Free outdoor wi-fi is now available in 13 town centres across East Yorkshire. Residents and visitors in areas such as Cottingham, Driffield, Hessle and Snaith can now access the network while out and service, launched by East Riding of Yorkshire Council, is also accessible at more than 60 venues including libraries, leisure centres and care council leader David Tucker said: "This is a great initiative to increase digital connectivity across our region." Since its launch in outdoor spaces in 2023, the scheme has attracted about 2,000 daily users, the local authority initiative was first rolled out in Beverley, Bridlington, Goole, Hedon, Hornsea, Howden, Pocklington and its success the network, provide by KCOM, was introduced in Cottingham, Driffield, Hessle, Snaith and Bridlington Old Town.A council spokesperson said the service had boosted connectivity in areas with poor mobile signal and enabled market traders to adopt contactless payments. Listen to highlights from Hull and East Yorkshire on BBC Sounds, watch the latest episode of Look North or tell us about a story you think we should be covering here. Download the BBC News app from the App Store for iPhone and iPad or Google Play for Android devices


The Guardian
a day ago
- The Guardian
Khruangbin, again? I quit Spotify for a month to escape samey algorithms – this is what I learned
If you use music to set or fix your mood, Spotify is a tantalising tool. Feeling sad? Cry to your personalised 'Depress Sesh Mix'. In a romantic crisis? Stew in your own 'Situationship Mix'. As I write this, I'm listening to Spotify's Daylist, a mix that refreshes every few hours based on my own listening habits. Today's vibe is 'funky beats roller skating tuesday early morning mix'. At 120bpm, the algorithm knows I need some energetic house to roll from my bed to my desk. The problem with this listening experience isn't just the creepy AI-driven intimacy of it all, more that the same songs are recycled in a predictable loop. Spotify's algorithm has anaesthetised artists I once enjoyed. Every time I hear the slippery psychedelic bass of Khruangbin slinking into one of my playlists, or flow in seamlessly from another artist's radio, I violently hit skip. A decade ago, Spotify favoured human-curated playlists made by artists, celebrities and music aficionados. But in 2021 the streaming company pivoted towards machine learning, feeding 'nearly half a trillion events' into computer models every day. Now, user data – chiefly our listening history, interactions with Spotify's user interface and the time of day – is packaged into a mixtape for every micro-occasion. Advocates argue this is a chance to democratise music promotion, neatly matching artists with their audiences. Critics suggest this ultra-subjective experience limits musical discovery to the already familiar – and the less it's challenged, the more my music taste narrows. So as a test, I quit Spotify for a month, to bring some soul back into the way I find music. First, I consulted people who had never used streaming services, like my dad, who grew up in 1970s London in the heyday of punk and glam rock. Hunched in a booth in his local record shop, he would listen to a sample and take a punt on what vinyl to buy. Some albums apparently missed the mark, and others, like Pink Floyd's Dark Side of the Moon, transported him to a different universe. He insisted I start with my favourite artists and listen to every album front to back, as if reading a story. Sign up for the fun stuff with our rundown of must-reads, pop culture and tips for the weekend, every Saturday morning Inspired, I bought a $30 record player in an op-shop and hunted for vinyls. Late to the record renaissance, it was slim pickings – Australian pub classics, Christian country or Christmas hits. But when a friend pointed out my new turntable was missing a needle, it became a dusty but decorative addition to my living room. My 20-year-old neighbour had another suggestion: a diamante-encrusted iPod, which she produced in a ziplock bag like a hallowed artefact. Found for $200 on Facebook Marketplace, plugging in wired earplugs and hitting shuffle was a nostalgic throwback. But this romance was short-lived: the iPod was incompatible with my Bluetooth speaker and demanded hours of admin to upload music. The biggest challenge came when driving my old silver Subaru, as I was stranded with only a single CD, a flimsy aux cord and my thoughts. Stuck with silence, I wondered what the new grinding noise was – until I discovered my local community broadcaster, Vox FM 106.9. More than 5 million Australians listen to community radio every week, for 17 hours on average – and now, I can see why. The station prides itself on 'real music' and even has the tagline 'You never know what you like until you try it'. Just what I needed! And it's true, I had forgotten how good it feels to wind down the windows and blast Push the Button by the Sugababes, and then to roll them up again when a classical German song, a mystery even to Shazam, comes on. Sign up to Saved for Later Catch up on the fun stuff with Guardian Australia's culture and lifestyle rundown of pop culture, trends and tips after newsletter promotion I contacted Justin Moon, who runs a popular underground radio station and record shop in Newcastle. He sources music from record fairs, friends and Bandcamp – distributing interesting sounds as a conduit, or Hermes figure, to lay (or lazy) people like me. Moon is noticing that his customers are searching for a more 'active' listening experience. 'It's not this kind of passive wash-over-you rubbish that you make your two-minute noodles to and forget all about 10 seconds later,' he says. Music – like film, TV, and food – is now served to us effortlessly, instantly. But this has caused the way we consume music to be more siloed. Spending a month hunting for new music myself, rather than relying on an algorithm, made me feel more connected to my parents, friends, radio presenters and even complete strangers. Their recommendations – whether to my taste or not – came with a part of themselves, a memory or a shared interest. After my month's Spotify hiatus, my algorithm hasn't been cleansed. Over the course of writing this piece, my daylist has evolved into 'french indietronica swimming pool tuesday afternoon', whatever that means. There are two Khruangbin songs on there. It's safe to say I would rather play roulette with the radio.