Katy Perry and Orlando Bloom pose together in cosy family photo after split
The Lord of the Rings star, 48, shared via Instagram Thursday a slide show of photos from his summer vacation that included one eye-catching pic featuring his famous ex, 40.
In the image, Perry, Bloom, their 4-year-old daughter, Daisy, and his 14-year-old son Flynn — whom he shares with ex Miranda Kerr — posed together for a sweet blended family photo on a boat.
'Dump 4 ya,' the dad-of-two captioned the carousel.
The post sparked reconciliation rumours, with one fan writing in the comments thread, 'omg mum and dad getting back tgt?!?'
Last week, Perry and Bloom confirmed their break-up after 10 years together.
'Due to the abundance of recent interest and conversation surrounding Orlando Bloom and Katy Perry's relationship, representatives have confirmed that Orlando and Katy have been shifting their relationship over the past many months to focus on co-parenting,' Page Six was told via a joint statement on July 3.
'They will continue to be seen together as a family, as their shared priority is — and always will be — raising their daughter with love, stability and mutual respect.'
It's no surprise to see Bloom and Perry make time for their little girl, as an insider revealed this month that they always intended to put her first despite parting ways.
'At a certain point, they had to admit it's better for Daisy to see their parents separately, then she won't grow up feeling the tension and animosity,' the source previously told People.
'They are there for Daisy and have been. Daisy is their angel, and they want to protect her from anything adverse.'
Another insider shared with Us Weekly just how Perry and Bloom planned to navigate co-parenting.
'They aren't making drastic changes for Daisy's sake,' the source said in late June. 'They will keep their lives in Montecito [California]. They are prioritising stability and consistency for Daisy.'
Last weekend, the former couple was seen sticking to their word by spending a fun family day on a yacht in Italy.
The Dark Horse singer and Pirates of the Caribbean star were seen playing with Daisy aboard newlyweds Jeff Bezos and Lauren Sánchez's mega-yacht.
A source close to Perry recently speculated to Page Six as to why the pair was not able to make their relationship work.
'It could really be as simple as two people doing so much. Being on tour, on the road, is a different monster,' the insider explained.
'I was hoping they were going to be together for the long term, but there comes a point where non-communication comes into play and can take a toll.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Daily Telegraph
3 hours ago
- Daily Telegraph
And Just Like That: Sarita Choudhury on Sarah Jessica Parker
Don't miss out on the headlines from Celeb Style. Followed categories will be added to My News. And Just Like That star Sarita Choudhury had addressed what it's like shooting awkward sex scenes – and the reason she is 'almost embarrassed' by them. 'I'm like, how do they know that? You think it's personal to you,' the British-Indian actor said. '[You think] do other women have this problem? A lot that happens to us in life, you might tell your one friend, you're not talking to everyone about it. 'Usually in any of the bed scenes, I find the most comedy.' The 58-year-old plays Seema Patel on AJLT, which is currently airing its third season. Seema is a leopard-print wearing and Birkin bag toting real estate agent working in Manhattan, and a close friend of Carrie Bradshaw's (Sarah Jessica Parker), filling the kind of sexually liberated role famously and formerly filled by Samantha Jones (Kim Cattrall). An accomplished actor, Choudhury made her Hollywood debut opposite Denzel Washington in Mira Nair's 1991 drama Mississippi Masala, and had a starring role in hit TV series Homeland, among other projects. The cast of And Just Like That including Sarita Choudhury, second from right. Picture: Getty Images Asked about the importance of cultural representation in Hollywood, Choudhury remarks: 'It is so important. As an actor, I look for [the] character. And then because I have brown skin, and I'm Indian, that's going to come in naturally as opposed to the writers informing me how to do that'. 'With And Just Like That, one of the first things I saw was – oh, she smokes, she walks, she says it. I was like, this is exciting. This is not a stereotype.' Sitting down with Stellar from New York, Choudhury says she takes inspiration from Seema's self-confidence, which she muses was likely built from 'maybe not fitting in'. 'Often what looks like confidence comes from, you know, maybe not fitting in,' she said. 'I think you develop your strength, because you have no choice. I think Seema comes from that kind of root. 'I'm of colour, and it doesn't matter what school I went to, I was always the different one. 'You find tricks and you are also like, f-off to anyone who doesn't get it, as you go home and cry. Now, she's like whatever.' 'I think you develop your strength, because you have no choice.' Picture: WireImage Picture: Getty Images While Fendi and Hermes are staples of Choudhury's on-screen wardrobe, her personal style is less like Seema's in real life. 'I like things to look normal, within the glamour. When people tell you, no, no, no, you've got to do this! People actually want your original truth. 'Yes, it has to be packaged a bit at the beginning. In a moment of a scene, you can just stare at someone in a certain way, no one can control that. It's actually more work to be yourself but it's worth it.' The latest season of And Just Like That – the buzzy reboot of groundbreaking series, Sex and the City – has been criticised, including this week for a bizarre plot inconsistency surrounding the killing off Lisa Todd-Wexley's father twice. It led New York magazine's influential Vulture blog to ask: 'Could the loony bin known as the AJLT writers' room have made such a big continuity error?' 'I like things to look normal, within the glamour.' Picture: Getty Images While not commenting on the jarring error, Choudhury said she had felt more embedded into the cast – and role, while shooting the third season. 'I feel so much more settled and also, more alive. Now, I know how to wear high heels well, I know how to open all my purses quickly. 'I enjoy her pace, I know how to study for it. It's less uncertain and scary and it allows me to take in everyone,' she said, referring to her co-stars including Parker, Cynthia Nixon and Kristin Davis. 'By season three now, it's completely at ease. I don't think twice about running into any of their dressing rooms to ask them advice or a question. 'If we're lucky to be in a location, at a lot of our locations there are crowds. We can't even hang out! We can't go to the next restaurant and just sit outside. That's not possible. Sometimes, we visit each other at our houses, where there is certain privacy. 'My most fun these days is when we're in the makeup room together and we gossip. Because we know each other more, it's a shorthand.' It's a contrast to the reality Choudhury faced in the show's first season, when she admits she 'was a little terrified, let's be honest'. 'It was exciting to get the news that I was going to do this and at the same time, how was I going to do this? 'I knew this show was under the world's eye – like, people have a lot of love towards the history of the show. And their history with the show. It was scary. 'By the time season one finished, I started to think, oh, this could be fun! Season two you don't know if you can repeat what you did in season one. 'By season three, I realised it's not me playing a character, it's these friends pulling me in. You start to earn that over the seasons. I feel so comfortable with the ladies.' New episodes of And Just Like That … are out every Friday on Max. The new issue of Stellar is out on Sunday.

News.com.au
5 hours ago
- News.com.au
‘Drives you crazy': Mean nickname Kelly Clarkson's staff have for the singer after her recent antics
She's Already Gone. It appears as though Kelly Clarkson's staffers have found an outlet for their anger, and it includes coming up with a secret nickname for the global superstar. The singer, 43, angered fans after cancelling her debut show at the Colosseum Theater at Caesars Palace Friday — moments before she was due onstage. The final nail in the coffin appeared to be when she further postponed her Saturday show. As a result, the songstress left some of her workers scrambling for answers, with one perplexed staffer telling the Daily Mail that Clarkson's new nickname is 'flake.' 'She's the sweetest woman in show business. And not to be mean, but she's being a flake,' they told the outlet. 'I'm sorry, but that's how it feels. She's being flaky. And that's very hard to be in business with.' The staffer added that while they 'love' the hit maker, 'the whiplash' from her cancellation 'is a lot.' 'She's all in on the talk show, then she's not, then she is again. She's performing in Vegas, now she's not. It's her voice. It's personal issues. It's enough to make you crazy,' they added. While crew members weren't in the know about the reason behind the cancellation, one worker told the outlet that the singer pulled the plug on her gig for voice-related reasons. 'Honestly I don't know if it's her voice or not,' they said. 'She has had voice issues before and obviously it's a lot of work preparing for a residency.' The Post has reached out to Clarkson's reps for comment. It comes just days after sources detailed the alleged behind-the-scenes drama that snowballed following the cancellation. An insider claimed that Clarkson's crew was kept 'completely in the dark' about her plans to pull out of Friday's gig. 'Everyone working behind the scenes was in complete shock,' they told the Sun. 'They woke up Friday expecting a normal day of work and began their day like always.' The source explained that staffers were well into the workday before they learned the show would not go on, calling it 'utterly disrespectful.' Earlier this week, sources told Page Six that there was a deeper reason behind the singer's decision to cancel her show. 'She belts out every single note. She's an incredibly powerful singer, but it takes its toll on her vocal cords and she's come incredibly close to needing surgery before,' they revealed. 'She cannot risk damaging her cords further — she's on thin ice.' Besides preserving her voice, Clarkson is reportedly dealing with issues in her 'insanely complicated' personal life. 'Kelly is fighting some serious hidden battles that very few people are privy to … it's a source of emotional and therefore physical distress for her,' one source said, referring to her years-long messy divorce battle with ex Brandon Blackstock. The exes, who finalised their divorce in 2022, have two children: daughter River Rose, 10, and son Remy, 8. Clarkson's 18-show residency is scheduled to run at Caesars until Nov. 15.

News.com.au
6 hours ago
- News.com.au
With big price tags and the danger of superhero fatigue, Superman and Fantastic Four have to fly high
Ever since he burst out of the pages of Action Comics 87 years ago, Superman has battled villains, animals, aliens, sorcerers, inter-dimensional beings and even evil versions of himself – and almost always emerged victorious. But what if the biggest threat to the Man of Steel after nearly a century was that no one cared anymore and audience apathy did what kryptonite couldn't? Ever since the first movie serial version in 1948, Superman has starred or co-starred on the big screen 9 times, with countless animated and live-action small screen spin-offs of wildly varying quality. The 1978 blockbuster, with Christopher Reeves in the title role, arguably set the benchmark for superhero movies and paved the way for Tim Burton's Batman films a decade later, Sam Raimi's hugely successful Spider-Man trilogy in the 2000s and the all-conquering Marvel Cinematic Universe that kicked off with 2008's Iron Man and now boasts 33 movies, 16 TV series and become the most successful film franchise of all time, grossing a staggering $46 billion. But with another Superman movie now in cinemas there are signs that the audience fascination with superheroes is waning. After 15 years of total dominance, the last couple of years have been pretty dire for the genre. For every hit like 2023's Guardians of the Galaxy Vol. 3 and last year's Deadpool and Wolverine, there have been a roster of forgettable duds that missed the mark with audiences and critics alike including Blue Beetle, Shazam! Fury of the Gods, The Flash, Ant-Man and the Wasp: Quantumania, Kraven the Hunter, Joker: Folie a Deux and the truly execrable Madame Web. The performance of the new Superman movie, which is designed to kick off a whole new interconnected universe of DC comic book heroes, and that of Marvel's The Fantastic Four: The First Steps, whose stars arrive in Sydney next week as part of a global promo tour ahead of the film's opening on July 24, will provide some deeper insights as to whether the much discussed 'superhero fatigue' is real. Film critic Leigh Paatsch says that superhero fatigue is a 'genuine thing' and that movie studios – and Marvel in particular – started to 'wear down audiences by overcooking what has always been a really simple recipe for the superhero picture'. Instead of giving moviegoers heroes with a clearly defined set of powers, a clear ethical or moral reason for their actions and some kind of relatability, they unnecessarily complicated matters by 'trying to hold up a mirror to the human condition' with interconnected stories and alternative realities that were just too hard to follow for a the casual fan. 'It was just far too tangential for the ordinary punter to keep track of unless they were absolutely enthused,' Paatsch says. 'Those who half tried to keep up with everything soon got really tired and confused and probably disenchanted given the product that they received, particularly in cinemas. That's where this very real sense of the fatigue kicked in.' While some critics complain that superhero movies have become too common, too bloated, too woke, too similar and too stuffed with special effects, Marvel boss Kevin Feige has countered by pointing out that filmmakers have been adapting books for more than a century – so why should comic books be any different when there are still plenty of stories to be told. 'There are 80 years of the most interesting, emotional, groundbreaking stories that have been told in the Marvel comics and it is our great privilege to be able to … adapt them,' he told the Movie Business podcast in 2023. He did admit, however, that a feeling may have arisen among fans of 'having to do homework' by watching all the Marvel projects in order to understand the new ones. 'It's not all required viewing,' he said. Superman director James Gunn, who directed the Guardians of the Galaxy movies for Marvel and now occupies a similar position to Feige for DC Studios, says that corporate directives and the insatiable desire for streaming content on the then-new Disney+ streaming service 'screwed' the filmmakers. 'The sacrifice-everything-for-streaming craze killed many good things by forcing a demand for 'content' that couldn't possibly be met, putting movies on TV before they had a proper theatrical run & much more,' Gunn said on Threads last week. Both Gunn and Feige agree though, that the one sure-fire way to counter superhero fatigue is to continue to make good movies when they are ready to be made, rather than churning out content to a timeline. 'We have to treat every project as if we're lucky,' Gunn told Rolling Stone this month. 'We don't have the mandate to have a certain amount of movies and TV shows every year. So, we're going to put out everything that we think is of the highest quality.' There's a lot riding on this month's superhero releases for both companies – and with characters who have previously underperformed at the box office. Despite being the most recognisable comic book superhero, Superman has often failed to meet expectations on the big screen. After two quality hits, Reeve's tenure in the blue tights with the red undies on the outside ended in ignominy after 1986's critically reviled fourth film The Quest For Peace. The 2006, Sydney-shot Superman Returns starring Brandon Routh failed to fly has high as was hoped and while Zack Snyder's 2014 reboot Man Of Steel, with Henry Cavill as the Last Son of Krypton, rustled up a not-too-shabby US$670 million, it was eclipsed by that year's little known Guardians of the Galaxy to the tune of US$100 million. The biggest problem in the money-driven film business is that superhero movies often cost hundreds of millions to make and market and industry observers predict that the new version, starring the little known David Corenswet as Clark Kent/Superman, Rachel Brosnahan as Lois Lane and Nicholas Hoult as arch-nemesis Lex Luthor, will have to make at least half a billion just to break even. Paatsch says that Superman has the advantage of being what he calls a 'single-name hero' that has instant name recognition and predicts big things for the latest iteration. 'They're welded into the psyche, particularly of little boys,' he says. 'So, it's in the DNA of most film-going males of all ages. If they all go through a phase where they want to be Batman or Superman or Spider-Man, one of those one-name superheroes, and if the movie is better than halfway good it will be a major hit.' Similarly the Fantastic Four, one of the most beloved and important titles in the Marvel comic book stable, has had mixed fortunes on the silver screen. A modestly budgeted, family friendly version starring Ioan Gruffudd, Chris Evans, Michael Chiklis and Jessica Alba did well enough in 2006 to warrant a moderately successful 2009 sequel, but the 2015 reboot was an unmitigated critical and commercial disaster. Marvel will be hoping to get back to winning ways with the new version, which will kick off the MCU's Phase Six and introduce elements that will culminate in two new Avengers movies, after the critically loved Thunderbolts* and the more cooly received Captain America: Brave New World struggled to find cinema audiences this year to justify their hefty price tags. But if anyone can do it, it's man of the hour Pedro Pascal as Mr Fantastic, who will bring his Internet Daddy charm to the red carpet Australian premiere in Sydney next week, alongside The Crown's Vanessa Kirby as the Invisible Woman, The Bear's Ebon Moss-Bachrach as The Thing and Stranger Things' Joseph Quinn as the Human Torch. Paatsch says that partly due to the earlier versions, Fantastic Four is a riskier prospect and 'is going to be the equivalent of landing up landing a helicopter in high winds'. But he also thinks that Marvel will have done its due diligence to make sure the lesser known characters connect with the diehard fans as well as a broader audience. One plus, he says, is that with it's retro-cool aesthetic, it doesn't look like your typical superhero movie. 'It will have to be quite a good movie that immediately connects with a critical fan base,' he says. 'And if it does, it will actually do well as well.' But the performance of both films could determine the longer term success of the superhero movie, particularly given the recent rise of cheaper-to-make horror films that can be hugely profitable and the wildly successful live action remakes of cartoons such as Lilo & Stitch and How To Train Your Dragon. 'The success or otherwise of what these two films will achieve in the coming month will drive a spike into the ground that will either anchor the superhero genre as a as a reliable commodity or not,' Paatsch says. 'There's been so many films between particularly 2020 and now that have not been able to effectively break even that the put up or shut up time has come.'