logo
Michael Peregrine: The Great Chicago Flood's lasting lessons, 33 years later

Michael Peregrine: The Great Chicago Flood's lasting lessons, 33 years later

Chicago Tribune14-04-2025

Ever had one of those mornings when you wake up to a flooded basement? When an overnight storm knocked out your power and your sump pump? When the plumber's not answering his phone and you have an early meeting at the office?
Well, 33 years ago this week, Chicago experienced one of those days, multiplied by a metropolis, when it woke up on the morning of April 13, 1992, to find that the Loop's proverbial basement had flooded. The central business district was brought to its (very wet) knees for an expensive three-day spell.
The story of how the Loop flooded, why it flooded and how it recovered is one for the ages, a real 'Chicago tale' of history, chaos, hard work and creativity — and the inevitable blame game.
Like many modern calamities, the roots of the Great Flood were firmly planted in history. Far deep under the Loop's streets rests the Chicago freight tunnel system, 60 miles of now-obsolete tubes tracking the street grid, completed in 1914. The tunnels served to facilitate movement of commodities, merchandise and utilities between Loop buildings while avoiding street-level congestion. They were abandoned in 1959 when outpaced by technology.
The actual flood was precipitated by earlier efforts of contractors to install new pilings in several downtown bridges, including one at Kinzie Street. There, a fateful decision was made to move the new pilings away from their intended spot, to avoid damaging the bridge tender's house. The redirected pilings displaced the existing clay soil, which in turn breached the tunnel wall, and the flood was on. Confusion, inconvenience and lack of urgency cascaded into lengthy delays in reporting the breach to authorities.
Fast-forward to Monday, April 13. Early-arriving downtown office workers confronted basements filled with rapidly rising waters. The Merchandise Mart boiler room was 30 feet under water. Fish were found in stairwells. The Chicago Pedway and underground shops were also flooded and 911 calls from office buildings began to roll in. Utilities and other building services began to fail. Ultimately, more than 250 million gallons of water filled the underground spaces.
Reporter Larry Langford, on the scene at the Kinzie Street Bridge, described the site as 'the biggest bathtub drain in the world.'
Loop workers were sent home and stayed home for several days. Initial corrective ideas were dismissed as impractical or risky or both. Mayor Richard M. Daley reached out to veteran contractor John Kenny Jr. to direct the repair work. Kenny moved quickly to take charge, with City Hall clearing political obstacles.
As the Tribune reported at the time, Kenny quickly focused on a plan that would 'start throwing stuff down there,' i.e., create a form of blanket around the leak and then seal it. Over a one-week period, a concrete solution was applied to fill the hole until the leak stopped. Subsequent repair served to reinforce the tunnel seals and to add permanent bulkheads.
The total cost of repairs came to almost $2 billion (more than $4.5 billion in today's dollars), but it worked. Then came finger-pointing time. Blame would eventually be spread far and wide, but absolute accountability proved complex and elusive.
While it wasn't quite the equivalent of the film 'Tremors,' the Great Chicago Flood does share some features with famous subterranean disaster movie.
There's the predictable catalyst: the confusion between city inspectors and contractors in reporting the leak. Then there's the looming emergency: commuters calmly walking to their Loop offices, while under the sidewalks lurked rapidly rising river waters. Then there's the hero, Kenny, the so-called 'Flood Stud' who guided the complex repair efforts to success. And then there's the moral of the story — or in this case, a couple of morals.
First is that attributing blame for an expensive catastrophe is rarely a productive and reliable exercise. The better course of action is to focus on prevention and progress.
Second is that Chicago has always been a city of innovation. The tunnel system was at its creation, and remained for years in retooled form, a creative avenue of commerce.
Third is that things break — whether it's aging infrastructure, critical machinery or complex equipment. When they're not monitored and maintained, there'll be problems.
Fourth is that government and private industry can and should work together effectively, and when they do, both benefit from increased consumer trust.
Fifth is that Chicago is preternaturally resilient. Whatever vagaries fate seems to dish out, the city seems able to handle them.
In 1992, and to this day, Chicago remains as Carl Sandburg envisioned it more than 110 years ago: the 'City of the Big Shoulders … a tall bold slugger set vivid against the little soft cities; … Bareheaded, Shoveling, Wrecking, Planning, Building, breaking, rebuilding.'
That's a civic spirit no flood can wash away.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

More Deaths in Peru: Bodies of National Geographic Photographer, Two Others Found
More Deaths in Peru: Bodies of National Geographic Photographer, Two Others Found

Yahoo

timea day ago

  • Yahoo

More Deaths in Peru: Bodies of National Geographic Photographer, Two Others Found

BY MARY ANDINO With an elevation of over 6,000m and treacherous routes to the summit, Mt. Artesonraju in the Peruvian Andes rarely sees ascents. The tragic deaths this month of an experienced climbing party show why it remains such a dangerous mountain. Several weeks after their initial disappearance, three climbers — including National Geographic photographer Edson Vandeira — were found dead on the Peruvian mountain this week. Vandeira, 36, a Brazilian native and resident of Peru, set out for the summit on May 29 with Efraín Pretel Alonzo, 34, and Jesus Manuel Picon Huerta, 31, two Peruvian mountaineers. When they did not return on June 1 as planned, volunteers began a rescue operation using drones and helicopters. After 10 days with no results, the search ended, and on June 22, the Association of Mountain Guides of Peru confirmed that they had found the climbers' bodies using drone reconnaissance. The exact timeline of events is not clear, but large falling blocks of ice likely caused the accident. The mountain has been the site of other accidents, including in 2006, when three American climbers died after falling into a crevasse. In 2018, three mountaineers perished from an avalanche. Conditions can change quickly on the mountain, and the risk of avalanches is high. With 17 years of alpine experience under his belt, Vandeira was a skilled mountaineer, The Minnesota Star-Tribune reported. In fact, Vandeira was attempting to summit Mt. Artesonraju as part of his training to become a certified mountain guide. National Geographic has featured Vandeira's photography, including this feature story on jaguars in Brazil. His work was also featured in the History Channel's Andes Extremo, a series following ascents of six of the Andes' highest peaks. Vandeira's photography ranged from capturing the peaks of Everest to showcasing voluntary veterinarians attempting to help wildlife in Brazil during wildfires. Other major projects included documenting Brazil's science program in Antarctica. Vandeira lived in Minnesota for several years, and there was an outpouring of support and grief in the local climbing community following the tragic news. 'Beyond being an extraordinarily skilled mountaineer and climber, he is an incredible human: Kind, passionate, and inspiring,' Sayyed Saif Alnabi wrote in the Minnesota Climbers Facebook group. Vandeira's former wife, Natalia Mossman Koch, launched a GoFundMe to pay for recovery efforts and help Vandeira's family travel to Peru. As of yesterday afternoon, the fundraiser had only reached about $3,500 of its $7,000 goal. Check out Vandeira's photography portfolio on his website. Vandeira's family and the Association of Mountain Guides of Peru did not respond to requests for comment. This story first appeared on GearJunkie.

Nathan Silver, who chronicled a vanished New York, dies at 89
Nathan Silver, who chronicled a vanished New York, dies at 89

Boston Globe

time21-06-2025

  • Boston Globe

Nathan Silver, who chronicled a vanished New York, dies at 89

'By 1963, it seemed urgent to make some sort of plea for architectural preservation in New York City,' he wrote. 'It had been announced that Pennsylvania Station would be razed, a final solution seemed likely for the 39th Street Metropolitan Opera' -- it was destroyed in 1967 -- 'and the commercial buildings of Worth Street were being pounded into landfill for a parking lot.' Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up He added, 'While cities must adapt if they are to remain responsive to the needs and wishes of their inhabitants, they need not change in a heedless and suicidal fashion.' Advertisement He found images in archives of 'first-rate architecture' that no longer existed, including a post office near City Hall; Madison Square Garden, at Madison Avenue and 26th Street; art collector Richard Canfield's gambling house, on 44th Street near Fifth Avenue; the 47-story Singer Tower, at Broadway and Liberty Street; the Produce Exchange, at Beaver Street and Bowling Green; and the Ziegfeld Theater, at 54th Street and Sixth Avenue. Advertisement A haunting photo of the interior of Penn Station adorns the book's cover. 'The book was a cri de coeur about the losses the city was experiencing,' Anthony C. Wood, the founder of the nonprofit New York Preservation Archive Project, said in an interview. 'It gave comfort to those trying to push back against that, and provided solace to people who cared about preservation and opened the eyes of a wider public.' The city passed the landmarks preservation law in 1965. But, Wood said, 'Out of the gate, it was tentatively administered; it wasn't like once the law passed, preservation was unleashed.' Roberta Brandes Gratz, a journalist who was a member of the Landmarks Preservation Commission from 2003 to 2010, wrote in an email that Silver's book 'added pressure on the relatively new Landmarks Commission to act.' By the time the book was published, Silver had left for Britain to teach architecture at the University of Cambridge. He remained in Britain for the rest of his career. 'Lost New York,' which Silver said sold more than 100,000 copies, was a finalist for the National Book Award in history and biography in 1968. Silver was also a Guggenheim fellow in architecture, planning and design that year. Silver expanded and updated his book in 2000 to include his pantheon of preservation villains: A.J. Greenough, president of the Pennsylvania Railroad Company, 'who wantonly engineered' Penn Station's destruction; Anthony A. Bliss, who took the Metropolitan Opera from 39th Street and Broadway to its new home at Lincoln Center in 1966, which 'ensured smithereens for the old building'; and Robert Moses, New York's midcentury planning czar, 'for his recurrent terminations of any place he autonomously decided upon.' Advertisement In 2014, when Silver made a rare trip to New York City, David Dunlap of The New York Times wrote that Silver believed landmarks 'were vessels of human history,' adding, 'How a building was used, and by whom, were almost as important to him as what the structure looked like.' Nathan Silver was born on March 11, 1936, in Manhattan and grew up in the borough's Inwood section and in the Bronx. His father, Isaac, taught mechanical drawing at Stuyvesant High School in Manhattan and was also an architect. His mother, Libby (Nachimowsky) Silver, taught Hebrew school when her three children were young, then became a public-school teacher. Silver, a fan of opera and theater, originally wanted to be a set designer. But he could not find an academic program in that specialty, so he chose to study architecture -- first at the Cooper Union, where he earned a certificate in 1955, and then at Columbia University, graduating in 1958 with a bachelor's degree. After traveling through Europe on a fellowship, he worked at the architecture firm Kramer & Kramer, where he helped design a new location for the Argosy Book Store in Manhattan in 1963. Janet Malcolm of The New Yorker wrote in 2014 that the store had been transformed 'into a room of great charm, a vision of cultivation and gentility as filtered through a mid-20th-century aesthetic.' In 1961, he started teaching at Columbia, where he mounted the exhibition that would become 'Lost New York.' 'He was surprised by the number and quality of buildings that had been torn down and pretty much forgotten,' his brother said. Advertisement He began lecturing at Cambridge in 1965 and earned a master's degree there a year later. He was a partner in a large architectural firm and also ran his own practice; headed the architecture department at the University of East London; edited the newsletter of the Westminster Society, a conservation advocacy group in London; and was the architecture critic of The New Statesman magazine. He also wrote a book about the Pompidou Center in Paris, and another, about improvisation in architecture and other fields, with his fellow architect Charles Jencks. And he designed renovations to the Seven Stars, a 17th-century pub in London owned by his wife, Roxy Beaujolais. In addition to his brother, she survives him, as do a daughter, Liberty Silver, and a son, Gabriel Silver, from his marriage to Helen McNeil-Ashton, which ended in divorce; and four grandchildren. His first marriage, to Caroline Green, also ended in divorce. ( This article originally appeared in

He donated the land that became Griffith Park. Then he shot his wife
He donated the land that became Griffith Park. Then he shot his wife

Los Angeles Times

time18-06-2025

  • Los Angeles Times

He donated the land that became Griffith Park. Then he shot his wife

Surely you are familiar with the sprawling, rugged glory of Los Angeles' Griffith Park. But do you know about the park's benefactor and namesake, Griffith J. Griffith? The philanthropist and felon endowed L.A. with what was then the largest urban park in the world and still remains a jewel of the city. He also shot his wife in the face. She survived; he served two years at San Quentin; they divorced. We'll get to that. But first, let's rewind back to December 1896. Los Angeles was a city with great ambitions — a rapidly exploding boomtown that was still in the process of leaving its rancho past behind. Col. Griffith J. Griffith and his wife Tina were the talk of the town, often spotted at theater openings or the opera. She was from a prominent society family. He was a formerly penniless Welsh immigrant who'd made his fortune in mining and other ventures. Our paper described Griffith as 'part visionary and part blowhard.' One acquaintance dubbed him as 'midget egomaniac,' another as a 'roly-poly pompous little fellow.' He was, by all accounts, bizarre. His business card just read: 'G.J. Griffith, capitalist.' He insisted on being called 'Colonel,' though his military title was thought to be entirely phony. On December 16, 1896, Tina and Griffith donated more than 3,000 acres of hilly splendor to be used as an L.A. public park. The massive, city-altering gift was several times larger than New York's Central Park. 'It must be made a place of rest and relaxation for the masses, a resort for the rank and file, for the plain people,' Griffith demanded at the time. Griffith was grandiose and eccentric, but he also believed in shaping the fledgling city, according to Mike Eberts, a historian and author of 'Griffith Park: A Centennial History.' 'He was a fellow who wanted to be loved. He wanted to be seen as a great leader. He was also, in his own way, and for his time, something of an idealist,' Eberts said. Some believed that Griffith's mighty bequest was also angled, in part, to dodge taxes. But for generations of Angelenos who've savored the park, such details are — like Griffith's military title — mere semantics. The initial gift brought him great acclaim locally. Here's how our paper put it in 1898: 'No need to ask 'Who is G.J. Griffith?' The individuality of the man has impressed itself so deeply and favorably on this community that his name is even as a 'household word.'' While thought to be in a delusional — and potentially drunken — stupor in a room at Santa Monica's Arcadia Hotel, Griffith shot his wife in the face in 1903. She lost an eye but lived. Our paper breathlessly covered the ensuing trial, which ended with Griffith taking a short trip to San Quentin. A few years after his release, Griffith (now divorced, according to Eberts) appeared at City Hall once again bearing gifts just before Christmas and hoping to rehabilitate his tarnished image. 'I wish to pay my debt of duty in this way to the community in which I have prospered,' Griffith reportedly told the mayor and City Council as he offered a significant sum of money to build Griffith Observatory. They accepted, though our paper reported that other citizens and public officials angrily protested the decision. One prominent community member suggested that the 'bribe' would send an egregious message to the city's youth: 'Are you prepared to say to them that if a man is a millionaire he can commit a crime and then with his wealth bribe the community to receive him back into fellowship?' The city's parks commission eventually rejected Griffith's gift, our paper reported, and it wasn't until after his death in 1919 that it was accepted as a bequest in his will. The observatory celebrated its 90th birthday this year. For Eberts, the takeaway is simple: 'You don't have to be a perfect person to do a great thing.' Today's great photo is from Times photographer Myung J. Chun, outside the Lucas Museum of Narrative Art, which is set to open next year. Kevinisha Walker, multiplatform editorAndrew Campa, Sunday writerKarim Doumar, head of newsletters How can we make this newsletter more useful? Send comments to essentialcalifornia@ Check our top stories, topics and the latest articles on

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store