Rogers TV is apologizing after comments by host Don-E Coady on Regatta Day broadcast
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The Verge
11 minutes ago
- The Verge
The Nintendo Switch just got more expensive
Nintendo has just raised the price of the original Switch in the US. The console, which has cost $299.99 since its release in 2017, is now priced at $339.99 on Nintendo's online store. The price hike will make other first-gen Switch models more expensive, too, with the Switch OLED going from $349.99 to $399.99, and the Switch Lite increasing from $199.99 to $229.99. Nintendo also issued $10 price increases for the Alarmo and Switch 1 Joy-Cons, which are now priced at $109.99 and $89.99, respectively. On Friday, Nintendo announced that it would be raising the price of its family of original Switch consoles and accessories this way, just like it already did in Canada. The company noted that the change won't impact the prices of the Switch 2 console, or Switch and Switch 2 games, whether physical or digital. With the price increase, the Switch OLED is now only slightly less expensive than the $449.99 Switch 2 (which doesn't have an OLED display). The Switch 2 has been a massive hit so far, selling over 6 million units since launch despite Nintendo struggling to keep up with demand. Nintendo said its decision to raise the price of its original console is 'based on market conditions.' The announcement came just one day after President Donald Trump signed an executive order that will impose new 'reciprocal' tariffs on a range of countries. Trump's growing list of tariffs now includes a 20 percent levy on products imported from Vietnam, where Nintendo has transferred most of its production. Posts from this author will be added to your daily email digest and your homepage feed. See All by Emma Roth Posts from this topic will be added to your daily email digest and your homepage feed. See All Entertainment Posts from this topic will be added to your daily email digest and your homepage feed. See All Gaming Posts from this topic will be added to your daily email digest and your homepage feed. See All News Posts from this topic will be added to your daily email digest and your homepage feed. See All Nintendo
Forbes
41 minutes ago
- Forbes
Kendrick Lamar Replaces Drake A At No. 1
It's likely that no matter how much time passes since the end of their public feud, Kendrick Lamar and Drake will always be compared to one another and seen as rivals. The rappers spent part of 2024 trading diss tracks in what turned out to be one of the most high-profile beefs in hip-hop history. Lamar came out on top, thanks largely to his tune "Not Like Us," which didn't just reach No. 1 on the Hot 100, it also earned the rapper both Record and Song of the Year at the Grammys. It's been well over a year since "Not Like Us" seemingly finished the war, but Lamar and Drake are still competing against one another directly on the Billboard charts. Kendrick Lamar Replaces Drake at No. 1 Lamar manages to replace Drake at No. 1 on several Billboard tallies in the United States this week, thanks to his recent collaboration with friend and tourmate SZA. "Luther" returns to the summit on both the Hot R&B/Hip-Hop Songs and Hot Rap Songs rankings this frame. Last period, the collaboration sat in the runner-up spot on the two consumption-based lists, pushed down by Drake's "What Did I Miss?" The Canadian hip-hop superstar's single begins to decline this frame, making way for "Luther" — one of the most popular tunes in hip-hop of all time, according to the charts — to find its way to the summit once more. Drake's Songs Decline as "Luther" Surges On the Hot R&B/Hip-Hop Songs tally, "What Did I Miss?" drops from No. 1 to No. 3, landing just ahead of Drake's previous smash "Nokia." On the Hot Rap Songs chart, "What Did I Miss?" only steps back one space, while "Nokia" also holds at No. 4 on that ranking. "Luther" Extends Its Historic Reign "Luther" has now ruled both the Hot R&B/Hip-Hop Songs and Hot Rap Songs rankings for 29 weeks apiece. The tune long ago became the longest-running leader on both tallies, and with every frame it commands the tallies, it adds to its total and Lamar and SZA further their lead over every other hit in the history of those genres.
Yahoo
2 hours ago
- Yahoo
'They're real people': Mob focus of JFK assassination flick filmed in Winnipeg
WINNIPEG — Nicholas Celozzi has spent much of his life revisiting the events leading up to the assassination of former U.S. president John F. Kennedy. Hushed stories filled his childhood home. Conversations with his uncle Joseph (Pepe) Giancana, brother to Chicago Mob boss Sam Giancana, later helped shed light on his family's possible involvement in one of the most debated moments in American history. After decades of film and television portrayals of Sam Giancana, Celozzi is reconceptualizing the 1963 shooting of Kennedy with a focus on the major players in the Chicago Outfit, a powerful Italian-American criminal organization. For Celozzi, his latest screenwriting endeavour is about more than telling another assassination story. It's about family. "My family, my cousins, really got tired of people using our name, monetizing our name and telling a fake story," Celozzi said in an interview. "These aren't fictional people ... they're real people. They're vulnerable, they have nerves, they make mistakes, they are not quite sure about things." Sam Giancana, head of the Chicago Outfit in the 1950s and 1960s, was widely known for his ties to the Kennedy family. He was gunned down in his home in 1975, and his killing remains unsolved. Many have speculated the Mob group also played a role in Kennedy's assassination, and this is explored in Celozzi's "November 1963," which began filming in Winnipeg this summer. Relying on Pepe Giancana's stories, Celozzi focuses on the 48 hours leading up to the assassination. Giancana, a fill-in driver for his brother, had been a fly on the wall in the days leading up to the assassination, said Celozzi, who is also one of the producers on the independent film. Many conversations led to what Celozzi calls the "Pepe chronicles," a series of stories detailing the family's Mob ties. "I was always aware of who they were. These aren't things that everybody just kind of goes home and talks about. It's an awareness. It's kind of a strange reality that you're born into," said Celozzi. Pepe Giancana died in the mid-'90s, leaving his stories with Celozzi. The writer said he knew he wanted to do something to honour his family's history without degrading them to caricatures often found in Mob flicks. So he began working with Sam Giancana's daughter Bonnie Giancana to craft the script. Over the course of several years and rewrites, Celozzi said they worked to ensure every detail was accurate. "I needed to keep that honest with the story Pepe gave me, or why do it at all? If I wasn't going to be truthful to what he gave me, there was no purpose in me doing it," said Celozzi. He brought veteran Canadian producer Kevin DeWalt of Minds Eye Entertainment on board to produce the movie, which wrapped shooting in Winnipeg last week and goes into post-production in Saskatchewan. "I don't think the family's proud of what happened ... it was important for them to tell the truth before they die," DeWalt said. The cast includes John Travolta, Dermot Mulroney and Mandy Patinkin and is directed by Academy Award nominated English filmmaker Roland Joffé. When it came time to pick a location that could mimic 1960s Chicago and the landmark Dealey Plaza in Dallas, where Kennedy was killed, producers chose Winnipeg over other major cities such as Atlanta and New Orleans in part because of its Exchange District neighbourhood. Producers decided Winnipeg was a perfect stand-in for the Windy City. Dealey Plaza, and the famous Grassy Knoll, was built from scratch at Birds Hill Provincial Park, northeast of Winnipeg. The film features 1,500 extras and 75 to 80 period cars to accurately portray the time period. DeWalt said he expects viewers will be blown away by the film's ability to bring a new level of authenticity and validity to the moment in history. "People will walk out of the theatre with their own impressions about what it all means," he said. "At the end of the day, at least we've given them the tools for one of these things that's been told, and they can make their own impressions in terms of how they feel about it." When asked if he thinks the film might ruffle feathers with historians, governments or Mob members, Celozzi said that's not his goal. "What I'm doing is just putting in that missing piece, not glamorizing, just writing it." This report by The Canadian Press was first published Aug. 3, 2025. Brittany Hobson, The Canadian Press Error in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data
