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The Age
3 days ago
- The Age
Step back in time: 10 streaming shows from 2010s that deserve to be rediscovered
Recently a show from 2017 made the Netflix Top 10. Sneaky Pete, a blackly comic grifter thriller starring Giovanni Ribisi, has resided on Amazon Prime Video's servers since it debuted, but then Netflix licensed all three seasons and suddenly a whole new audience discovered the series, which was co-created by Breaking Bad star Bryan Cranston. That got me thinking. Television's streaming age is long; Netflix and Stan* have been available in Australia since 2015. There's actually been different eras within those 10 years, with the programming philosophy of some streaming services changing dramatically in that time. Early Netflix, for example, sought quality over quantity. Here are 10 streaming shows from the 2010s, available today, that also deserve to be rediscovered. The Bisexual A bracing, London-set comedy created by US filmmaker Desiree Akhavan, this 2018 show's sole season begins with Akhavan's Leila breaking up with her long-time girlfriend and deciding to sexually experiment with various men. Sexual identity, cultural truth-telling, and orgasm anxiety are all at work here, shot with low-budget discipline, as Leila realises she can be many versions of herself and each one matters. There's a bumbling housemate as sitcom relief, but this is mostly a vivid character study that's sexually and emotionally frank. ABC iview Counterpart Shogun co-creator Justin Marks put together this brain-bending science-fiction thriller, which is set in two parallel Earths that have split from a portal accidentally created in a Berlin basement decades prior. Debuting in 2017, the show is an existential mystery – there are two versions of everyone born before the secret split, as middling bureaucrat Howard Silk (J.K. Simmons) realises when his snarling doppelganger crosses over and contacts him. The world-building is fascinating, the plotting intricate, and the ramifications unsettling: what are you willing to do to yourself? 7plus Escape at Dannemora Based on real-life events, this 2018 crime drama is about the many forms incarceration can take. Directed by a pre- Severance Ben Stiller, the seven episodes are a slow burn that reveals how a pair of convicted murderers, Richard Matt (Benicio Del Toro) and David Sweat (Paul Dano), escaped from a high-security prison in upstate New York with the aid of a jail employee, Joyce 'Tilly' Mitchell (Patricia Arquette). The performances are exceptional, and there's a telling level of anthropological detail to the prison ecosystem and the town outside. Paramount+ The Girlfriend Experience A caveat: there are three seasons of this sex-worker anthology, which was 'suggested by' Steven Soderbergh's 2009 movie of the same name, but we're just focused on the beguiling first instalment, which constituted one of 2016's best new shows. Riley Keough plays Christine Reade, a law student and intern at a prestigious Chicago firm, who takes up escort work to manage financially. The show upends expectations, explicit sexually and in terms of identity, as Christine infiltrates her life as the for-hire Chelsea. Each half-hour episode is intricately attuned to the storytelling. Stan* Goliath These days Amazon Prime Video is big on Dad Action – hello, Reacher! – but early on they leant into the kind of flawed male anti-heroes that had shifted television tastes on the likes of Breaking Bad and The Shield. With four seasons to binge, this 2016 legal drama stars Billy Bob Thornton as Billy McBride, a brilliant but washed-up lawyer who mostly lives in a Santa Monica bar. Billy's self-loathing and drive to make amends are at war in each season-long case, which comes with courtroom cunning and juicy supporting parts for the likes of William Hurt. Amazon Prime Video Homecoming Again, first season only of this gripping psychological thriller from 2018, which stars Julia Roberts as the same woman at two points on a timeline: a therapist at a corporate facility treating US soldiers returned from combat, and a diner waitress several years later with no connection to her prior career. The connection between the two eras unfolds with conspiratorial calm and evocative direction from Mr Robot creator Sam Esmail, making it a show both nightmarish and intimate as it measures trauma, memory and what we're ultimately willing to acknowledge. Amazon Prime Video I Love Dick Another feature of streaming in the late 2010s: if you had a big hit, you got to take a big swing with your next show. Having won rapturous reviews for her bittersweet family drama Transparent, creator Joey Soloway followed it with this maverick mash-up that satirises academic theory, dissects male iconography, and dives deep into the female psyche. Kathryn Hahn – no surprise, she kills it – plays a married filmmaker who relocates to a small Texan town and becomes erotically obsessed with the local potentate, Kevin Bacon's laconic conceptual sculptor. Savour what transpires. Amazon Prime Video Kingdom Long before Squid Game, Netflix struck gold with its first original series from South Korea. Debuting in 2019, Kim Eun-hee's period drama intertwines gruesome horror and grandiloquent adventure. It's set in the 17th century, but resonates with 21st-century concerns, as the crown prince of the Korean peninsula's ruling family, Yi Chang (Ju Ji-hoon), is exiled by his ailing father's courtiers, only to discover that the countryside is being overrun by a plague that raises the dead. By the third episode they're swarming. Netflix Maniac Imagine if Station Eleven creator Patrick Somerville conjured an idiosyncratic science-fiction labyrinth, with a cast headlined by Emma Stone, Jonah Hill, Julia Garner and Justin Theroux, while True Detective linchpin Cary Joji Fukunaga directed every episode. Actually, Netflix did this in 2018 and it's still there. Maniac is not perfect, but as an ambitious mix of Terry Gilliam's Brazil, David Foster Wallace's Infinite Jest, and multiple sources of comic mayhem, it's a fascinating one-off. Despite the star power, I doubt this gets made today. Netflix The OA No show better illustrates Netflix's early willingness to experiment than this metaphysical mystery from independent filmmakers Brit Marling and Zal Batmanglij. The opening credits in the first episode don't roll until the 58th minute, which is one of the least surprising things in this show. Marling plays Prairie Johnson, a missing blind teenager who returns after seven years having regained her sight. There's no point trying to explain anything else in this mix of the earnest and otherworldly, except to say that it remains quite extraordinary and, yes, that's a spectral Zendaya in season two. Netflix

Sydney Morning Herald
3 days ago
- Sydney Morning Herald
Step back in time: 10 streaming shows from 2010s that deserve to be rediscovered
Recently a show from 2017 made the Netflix Top 10. Sneaky Pete, a blackly comic grifter thriller starring Giovanni Ribisi, has resided on Amazon Prime Video's servers since it debuted, but then Netflix licensed all three seasons and suddenly a whole new audience discovered the series, which was co-created by Breaking Bad star Bryan Cranston. That got me thinking. Television's streaming age is long; Netflix and Stan* have been available in Australia since 2015. There's actually been different eras within those 10 years, with the programming philosophy of some streaming services changing dramatically in that time. Early Netflix, for example, sought quality over quantity. Here are 10 streaming shows from the 2010s, available today, that also deserve to be rediscovered. The Bisexual A bracing, London-set comedy created by US filmmaker Desiree Akhavan, this 2018 show's sole season begins with Akhavan's Leila breaking up with her long-time girlfriend and deciding to sexually experiment with various men. Sexual identity, cultural truth-telling, and orgasm anxiety are all at work here, shot with low-budget discipline, as Leila realises she can be many versions of herself and each one matters. There's a bumbling housemate as sitcom relief, but this is mostly a vivid character study that's sexually and emotionally frank. ABC iview Counterpart Shogun co-creator Justin Marks put together this brain-bending science-fiction thriller, which is set in two parallel Earths that have split from a portal accidentally created in a Berlin basement decades prior. Debuting in 2017, the show is an existential mystery – there are two versions of everyone born before the secret split, as middling bureaucrat Howard Silk (J.K. Simmons) realises when his snarling doppelganger crosses over and contacts him. The world-building is fascinating, the plotting intricate, and the ramifications unsettling: what are you willing to do to yourself? 7plus Escape at Dannemora Based on real-life events, this 2018 crime drama is about the many forms incarceration can take. Directed by a pre- Severance Ben Stiller, the seven episodes are a slow burn that reveals how a pair of convicted murderers, Richard Matt (Benicio Del Toro) and David Sweat (Paul Dano), escaped from a high-security prison in upstate New York with the aid of a jail employee, Joyce 'Tilly' Mitchell (Patricia Arquette). The performances are exceptional, and there's a telling level of anthropological detail to the prison ecosystem and the town outside. Paramount+ The Girlfriend Experience A caveat: there are three seasons of this sex-worker anthology, which was 'suggested by' Steven Soderbergh's 2009 movie of the same name, but we're just focused on the beguiling first instalment, which constituted one of 2016's best new shows. Riley Keough plays Christine Reade, a law student and intern at a prestigious Chicago firm, who takes up escort work to manage financially. The show upends expectations, explicit sexually and in terms of identity, as Christine infiltrates her life as the for-hire Chelsea. Each half-hour episode is intricately attuned to the storytelling. Stan* Goliath These days Amazon Prime Video is big on Dad Action – hello, Reacher! – but early on they leant into the kind of flawed male anti-heroes that had shifted television tastes on the likes of Breaking Bad and The Shield. With four seasons to binge, this 2016 legal drama stars Billy Bob Thornton as Billy McBride, a brilliant but washed-up lawyer who mostly lives in a Santa Monica bar. Billy's self-loathing and drive to make amends are at war in each season-long case, which comes with courtroom cunning and juicy supporting parts for the likes of William Hurt. Amazon Prime Video Homecoming Again, first season only of this gripping psychological thriller from 2018, which stars Julia Roberts as the same woman at two points on a timeline: a therapist at a corporate facility treating US soldiers returned from combat, and a diner waitress several years later with no connection to her prior career. The connection between the two eras unfolds with conspiratorial calm and evocative direction from Mr Robot creator Sam Esmail, making it a show both nightmarish and intimate as it measures trauma, memory and what we're ultimately willing to acknowledge. Amazon Prime Video I Love Dick Another feature of streaming in the late 2010s: if you had a big hit, you got to take a big swing with your next show. Having won rapturous reviews for her bittersweet family drama Transparent, creator Joey Soloway followed it with this maverick mash-up that satirises academic theory, dissects male iconography, and dives deep into the female psyche. Kathryn Hahn – no surprise, she kills it – plays a married filmmaker who relocates to a small Texan town and becomes erotically obsessed with the local potentate, Kevin Bacon's laconic conceptual sculptor. Savour what transpires. Amazon Prime Video Kingdom Long before Squid Game, Netflix struck gold with its first original series from South Korea. Debuting in 2019, Kim Eun-hee's period drama intertwines gruesome horror and grandiloquent adventure. It's set in the 17th century, but resonates with 21st-century concerns, as the crown prince of the Korean peninsula's ruling family, Yi Chang (Ju Ji-hoon), is exiled by his ailing father's courtiers, only to discover that the countryside is being overrun by a plague that raises the dead. By the third episode they're swarming. Netflix Maniac Imagine if Station Eleven creator Patrick Somerville conjured an idiosyncratic science-fiction labyrinth, with a cast headlined by Emma Stone, Jonah Hill, Julia Garner and Justin Theroux, while True Detective linchpin Cary Joji Fukunaga directed every episode. Actually, Netflix did this in 2018 and it's still there. Maniac is not perfect, but as an ambitious mix of Terry Gilliam's Brazil, David Foster Wallace's Infinite Jest, and multiple sources of comic mayhem, it's a fascinating one-off. Despite the star power, I doubt this gets made today. Netflix The OA No show better illustrates Netflix's early willingness to experiment than this metaphysical mystery from independent filmmakers Brit Marling and Zal Batmanglij. The opening credits in the first episode don't roll until the 58th minute, which is one of the least surprising things in this show. Marling plays Prairie Johnson, a missing blind teenager who returns after seven years having regained her sight. There's no point trying to explain anything else in this mix of the earnest and otherworldly, except to say that it remains quite extraordinary and, yes, that's a spectral Zendaya in season two. Netflix

News.com.au
4 days ago
- News.com.au
Hit new streaming show's graphic sex scene shocks viewers
The new streaming series The Hunting Wives has quickly joined the ranks of shows that fans devour in one sitting, only to have to wait one year or longer for another season. Sexy, twisted, and filled with secrets, the show sees reserved New Englander Sophie O'Neill (Brittany Snow) moving down to East Texas and getting trapped in the web of Margo Banks (Malin Akerman). While the series is predicated on the juxtaposition between so-called good Christian Southerners like Margo and Jed Banks (Dermot Mulroney) and godless liberals like Sophie and Graham (Evan Jonigkeit), the entire premise is really an exploration of facades. If you need proof of that, look no further than Callie (Jaime Ray Newman) and Sheriff Jonny (Branton Box). The moment people started knocking (cowboy) boots in The Hunting Wives, which streams locally on Stan, it was bound to make its way to TikTok. What fans may not have expected to see, however, is all of the different kinds of sex the show displays, including... pegging. Yup, they go there. In Episode 7, 'Shooting Star,' the straight-laced, no-nonsense Sheriff Jonnyis 'pegged' by his wife, Callie. For those of you not in the know, the sexual act involves a woman wearing a strap-on dildo and having anal sex with a man. During the short but unforgettable scene, Callie — who has her own romantic scenes throughout the series with Margo — also hypes up her lawman husband to 'lock her up,' referencing Sophie being suspected in the murder of Abby (Madison Wolfe). Over on TikTok, viewers could not help but talk about that shocking Episode 7 scene, for obvious reasons, as everyone is speechless at how far the show is willing to go. But my personal takeaway is that it's all in service of taking down false narratives surrounding public personas and how the idea of the 'perfect couple' or the embodiment of the nuclear family is all false. Just to be clear: this is not kink-shaming, it's simply a statement on how fake these couples are, especially ones that pretend to be the face of conservative Christian values. If you don't believe me, all you need to remember is that just a few episodes earlier, Callie and Jonny had another scene where they played right into that messaging. In Episode 4, 'Cheat Day,' Callie stops by his office under the guise of dropping off a freshly ironed shirt and tie, only to have him pull his pants down and bend over. No, not for sexy things, but so that she can inject him straight in the butt. The exact medication is unspecified, but we can only assume that since she calls it his 'muscle juice,' it's probably some type of anabolic steroid. The pegging scene and the steroid shot both serve as commentary on the need for Jonny to feel like a man in order to do his job — which he does pretty poorly, by the way — and Callie's insistence on being the helpful and seemingly subservient wife who is really the one pulling the strings. Honestly, it's a point well made, albeit a graphically made one that left us (and the entire internet) without words for a few minutes. Things are not always as they seem. Overall, the show is in no short supply of sex scenes and shocking moments — Episode 1, 'Strange and Unfamiliar Places,' literally ends with Sophie watching a full nude Margo get it on with the 18-year-old son of Jill (Katie Lowes) and Reverand Clint (Jason Davis) — but this one absolutely sticks out. If this is what they pulled out for Season 1, can you even imagine what might be in store for Season 2?