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‘Don't get caught tonight': Musicians warn fans after Coldplay ‘Kiss Cam' scandal

‘Don't get caught tonight': Musicians warn fans after Coldplay ‘Kiss Cam' scandal

Following Coldplay 's now-infamous 'Kiss Cam' fail that put two tech execs on the internet's viral hit list, other musicians are getting in on the joke.
Oasis frontman Liam Gallagher extended a cheeky welcome to unfaithful fans at the British rock band's reunion show in Manchester, England, on Sunday, July 22.
'Do we have any lovebirds in the house?' he asked the crowd. 'Don't worry, we don't got any of that Coldplay snidey f—g camera s—. Doesn't matter to us who you're f—g mingling with, or tingling with, or fingering with. It's none of our f—g business.'
"Don't worry for those who are cheating we don't have that Coldplay camera here"
Oasis at Heaton Park, 20/07/2025 pic.twitter.com/Umkm0DPopF
— Oasis Mania (@OasisMania) July 21, 2025
Country singer Morgan Wallen also reassured his fans at a concert in Arizona on Friday, July 18.
'Anybody in here with their side chick, or whatever, I think you're safe here,' he told the audience, in a video shared to social media.
He added, however, 'I don't condone cheating — anymore.'
That same night, Nickelback frontman Chad Kroeger issued a warning before pointing a camera at fans during his Summer of '99 and Beyond Festival performance in Wisconsin.
'Now if you're here with somebody you're not supposed to be here with, just duck,' he quipped.
'American Idol' judge Luke Bryan also referenced the incident during a tour stop in South Carolina on Thursday, July 17.
'Who's here with their secretary tonight?' the singer asked the crowd as he warned them of cameras in the venue, as seen in a video shared to TikTok. 'Don't get caught tonight.'
It all began Wednesday, July 16, at Coldplay's Gillette Stadium show in Foxborough, Mass., where a 'Kiss Cam' zoomed in on a couple who appeared to be enjoying the concert while in a tender embrace.
But after they abruptly pulled away and hid their faces from view as they realized they were on camera, Martin joked to the crowd that 'either they're having an affair or they're just very shy.'
Internet sleuths quickly identified them as Astronomer CEO Andy Byron and the company's chief people officer, Kristin Cabot — both of whom are married to other people.
The incident eventually led to Byron's resignation. The New York-based company, which has offices in San Jose and San Francisco, confirmed the move Saturday, July 19, citing the importance of leadership accountability.
'Our leaders are expected to set the standard in both conduct and accountability, and recently, that standard was not met,' Astronomer said in a statement.
The funniest Coldplaygate memes I came across in the past 24 hours, a thread pic.twitter.com/iHdLx0P7Jf
— Susan Geraeds (@superzu) July 19, 2025
As memes flooded platforms, sports mascots across the U.S. eagerly jumped on the trend too.
At a Phillies game in Philadelphia on Friday, the team's mascot recreated the moment on the Jumbotron with over-the-top drama. The Arizona Diamondbacks' D. Baxter the Bobcat embraced a Cardinals fan before mimicking the original duo's evasive maneuvers.
Even ESPN's SportsCenter anchors Randy Scott and Gary Striewski gave the bit a cold open spin, complete with dramatic camera pans and mock heartbreak.
At Coldplay's show at Camp Randall Stadium in Madison, Wisc., on Saturday, frontman Chris Martin addressed the controversy with a wink.
'We'd like to say hello to some of you in the crowd,' Martin said. 'How we're going to do that is we're going to use our cameras and put some of you on the big screen. So please, if you haven't done your makeup, do your makeup now.'
During 'The Jumbotron Song' no couples were featured.
Meanwhile, Astronomer's newly appointed interim CEO Pete DeJoy, a co-founder of the data software firm, attempted to smooth over the controversy.
"The spotlight has been unusual and surreal for our team and, while I would never have wished for it to happen like this, Astronomer is now a household name," he wrote on LinkedIn. 'But our story is very much still being written.'
DeJoy added that Astronomer has 'never shied away from challenges.'
'And yet, we're still here,' he wrote. "We're here because Astronomer is built by people who live to solve hard problems, stay late to fix what's broken, and care deeply about doing things the right way. We're here because our customers trust us with their most ambitious data & AI projects. And, most importantly, we're here because the mission is bigger than any one moment.'
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Editorial: So long, Lolla kids. Hope you had fun.
Editorial: So long, Lolla kids. Hope you had fun.

Chicago Tribune

time42 minutes ago

  • Chicago Tribune

Editorial: So long, Lolla kids. Hope you had fun.

After a slow start, we've come to regard Lollapalooza with affection. The kids who flock to Chicago (more than 100,000 per day this year, reportedly) are a fun crew, their destination instantly recognizable from their sparkly, skimpy attire wherever we encountered them in the city this weekend (usually peering into their phones, trying to find their Ubers). And, of course, they spend a lot of money around town, especially in and around Chicago's Loop, which needs their support. We'd expect the economic impact of the festival this year to be somewhere around $500 million, if not more. Over the years, Lollapalooza has turned into a good Chicago citizen and, with apologies to Coachella, which has a broader cultural mandate, has become North America's equivalent of Glastonbury, the massive outdoor British festival, which makes news in the entertainment business every year, often by slating such things as final farewells from the likes of Elton John and Rod Stewart, the pairings of iconic artists and young artists showing respect for previous generations. We saw some of that last phenomenon this year at Lolla, when young, female headliners such as Gracie Abrams brought out Robyn, Olivia Rodrigo introduced Weezer and Sabrina Carpenter surprised attendees with Earth, Wind & Fire, a retro band that also happens to be playing Ravinia on Thursday night. We hope that, for all our mutual benefits, Lolla keeps its focus on those deft kinds of surprises. The Chicago Police Department tells us that this year's festival went off without any significant trouble, beyond what you might reasonably expect when that many humans gather in one place. There were only 12 total arrests over the four nights, which is minimal; zero tickets issued (not a typo) and 42 ambulance reports, which is way down from previous years (in 2021, for example, there were 102 transports). The cooler weather likely helped, but this is all good news. It could well be that the disruptions caused to downtown residents by the now-departed NASCAR, which actually involved city streets and resulted in lengthy closures, has made us better appreciate Lollapalooza, which mostly confines itself to established festival grounds. We also always appreciate the effort to bring in local food operations, such as Fatso's Last Stand and the family-owned Bacci Pizzeria. And we heard from out-of-towners who were impressed with this year's drone show — especially how well it framed the real Willis Tower, if you had the right angle. Better yet, the aftershows at venues all over town were hopping this past weekend, from the Salt Shed to Radius and from Schubas Tavern to Lincoln Hall. Past concerns about the big event locking up acts with exclusive deals in protected territory haven't entirely gone away, but with this many people at so successful a festival, it's now clear that the smaller venues in Chicago generally have decided it's better to join the four-night party than stand against it. The Department of Cultural Affairs and Special Events could do more to use the Lolla base for the benefit of the whole city and get attendees to stay for a week or more. Still, much as we often detail Chicago's problems in this space, we also know that its gorgeous skyline can seduce a young visitor like nowhere else in the Midwest. Huge benefits accrue, not just in terms of tourism but when it comes to attracting new residents, when young pop stars with tens of millions of followers post love letters to our town, as when Carpenter posted 'thank you, Chicago. Wow.' Carpenter also made specific reference to Chicago in her set, mimicking a Chicago news station. Rodrigo found her way to Wrigley Field this weekend and we heard tell of a certain young Chicago Cubs star present at Lollapalooza, too. Simply put, this was a weekend for the spotlight to find a way through the haze and shine on the beauty, action and artistry of a Chicago summer. Glastonbury is taking the year off in 2026 to allow the natural land to recover. Thanks to our urban setting and the hard work of those who tend to its grounds, Lollapalooza does not have that problem. It'll be back — and we're happy about that.

Queen Camilla is ready for more ‘Slow Horses.' And Gary Oldman is happy to oblige
Queen Camilla is ready for more ‘Slow Horses.' And Gary Oldman is happy to oblige

Los Angeles Times

time42 minutes ago

  • Los Angeles Times

Queen Camilla is ready for more ‘Slow Horses.' And Gary Oldman is happy to oblige

Sir Gary Oldman — he received a British knighthood in King Charles' June birthday honors list — appears on Zoom at his home in Palm Springs in front of a display of his own black-and-white photographs. 'I do all sorts of photography, but I also do 19th century wet plate,' he says. 'I just like the process. I don't do digital, I do film. I like the developing.' Oldman's been 'doing film' of the silver-screen sort since the 1980s, but the phenomenal global success of London-based spy thriller 'Slow Horses,' which returns for its fifth season on Apple TV+ next month, has changed everything for the Oscar winner (2017's 'Darkest Hour'). Emmy-nominated as lead actor in a drama series for the second consecutive year for his turn as slovenly Jackson Lamb, leader of an out-of-favor group of spies nicknamed the Slow Horses, Oldman could not be more thrilled. In fact, it's virtually impossible to tell whether he's more psyched about 'Slow Horses' or being knighted. Either way, he's full of the joys of his very hot summer. 'Big sky, big mountain and 102 here at the moment,' he beams. He finds L.A. too chilly now. 'I'm thrilled with it,' he grins of his knighthood, 'and no, I wasn't angling for it. I mean, I've done some stuff for charity over the years, and I would like to think I'm a good export, an ambassador of Britain. I have a green card, but I don't have American citizenship. I'm still a British subject.' He's thrilled too about his Emmy nomination, but less enamored of relentless questions about 'how you pull the rabbit out of the hat.' 'Can't it just be a bloody mystery? Why do we have to sort of take it all apart?' he asks. 'I think half of the time I make it up. I don't know, I just do. It's like you have a facility for something. It's like asking a tennis player, 'How do you return the ball?' 'I've just been able to do it since I was 12.' I don't look up videos of Peter O'Toole talking about acting.' Oldman notes he moved to Hollywood 'completely by accident' because he 'wanted to go to the place where they were making films so I could practice.' Film, he did, ad infinitum, particularly enjoying the spy genre in 'Tinker Tailor Soldier Spy,' which garnered him his first Oscar nomination as lead actor in 2012, long before Jackson Lamb appeared on his radar. It appears 'Slow Horses' might satisfy part of his creative itch for some years to come. Season 6 is already in the can, and Season 7 is due to start filming this fall. 'It is something I could just do. Can I see an end? I don't know,' he says. 'I love the people and the show and the character. But it's nothing to do with that. Apple write the checks and have been generous in their check-writing. I mean, how do you feel? Do you think people would eventually just get fed up with it?' I demur, along with members of the British royal family apparently. 'The Queen [Camilla] said to me, 'Are there any more?' I'm led to believe that they like 'Slow Horses.' And in Palm Springs of all places, I'll go to the hardware store or the supermarket and people will come up to me and say, 'When's 'Slow Horses' coming back?'' His facility for the simple stuff does, however, fail him occasionally. 'Yes, suddenly you can't walk in a room. Or get out of a car. I've walked into a room my entire life. I've got out of so many cars I couldn't count and now, yeah, even just raising a cup. It's the funniest thing, it will trip you up.' To date, he has not forgotten how to eat, which is fortunate given Lamb's gargantuan appetite and Oldman's impatience with eating scenes where actors push their food around. 'I remember the noodles scene in Season 2, and you know Lamb is an eater; I'm always eating in the show, and you can't fake it. So one morning I ate 17 or 18 bowls of noodles and then it was, 'OK, we're gonna break for lunch, can I get you anything?'' Oldman's most recent 'charity work' was his pro bono four-week run this spring of Samuel Beckett's one-man play 'Krapp's Last Tape' at York Theatre Royal, scene of his professional stage debut in 1979 and his first U.K. stage appearance in 37 years. 'I kind of got kidnapped by film and with all the other life experiences — kids, divorce, marriage, divorce, sobriety,' he says. 'You turn around and think, 'When did I last do a play?' And I thought, 'I'd really like to do it, let me put my toe back in the water.'' He wondered, 'Well, will anyone come? Is anyone interested? I was worried whether we'd fill 700 or 800 seats, and then the day they announced the tickets, their computer crashed.' There's that huge smile again, one suggesting he still can't quite believe it. Unsurprisingly, he doesn't waste time worrying too much about his place in the Hollywood pantheon. 'Maybe there are people somewhere in an executive office sitting around saying, 'What about Gary Oldman for this role?' and 'No, he's unavailable because he's doing the show.' But I like what 'Slow Horses' has afforded me over the last few years. I get some downtime, I got to do theater, I've got my photography and other things, rather than thinking about this or that film and 'they want you but they don't know if they can go this year.' 'I feel so privileged, so bloody lucky that at 67 years old, I'm in a show of this caliber, that people have really actually embraced. I'm so very, very blessed, and it's also nice to know that you're going to be working. Yeah, it's nice to be in regular employment.'

On This Day 53 Years Ago, Legendary Rock Band Aerosmith Got Their First Record Deal in the Most Iconic Way
On This Day 53 Years Ago, Legendary Rock Band Aerosmith Got Their First Record Deal in the Most Iconic Way

Yahoo

timean hour ago

  • Yahoo

On This Day 53 Years Ago, Legendary Rock Band Aerosmith Got Their First Record Deal in the Most Iconic Way

On This Day 53 Years Ago, Legendary Rock Band Aerosmith Got Their First Record Deal in the Most Iconic Way originally appeared on Parade. Sometimes the biggest dreams require the boldest risks, and 53 years ago today, five Boston musicians proved that betting everything on one night can change your life forever. On August 5, 1972, Aerosmith secured their legendary $125,000 record deal with Columbia Records in a way that perfectly embodies rock and roll hustle. The unbelievable part? The band literally paid their own way to perform at Max's Kansas City, a small New York venue, knowing that music industry powerhouse Clive Davis would be in attendance. This wasn't a lucky break or accidental discovery – it was a calculated gamble that required incredible confidence and financial sacrifice from five young musicians who believed in their destiny. Davis, the legendary executive who also signed , Billy Joel, and Pink Floyd, witnessed something special that night. Aerosmith's performance was so compelling that he offered them a deal on the spot, launching one of rock's most enduring careers. The band had strategically included "Mama Kin" in their setlist – a song so meaningful to Steven Tyler that he later tattooed "MA KIN" inside a heart on his bicep. What makes this story truly remarkable is how it demonstrates the power of creating your own opportunities. Rather than waiting to be discovered, Aerosmith invested their own money to put themselves in front of the right person at the right time. Their belief in their music was so strong that they were willing to risk everything for one performance. The strategy paid off spectacularly. Just five months later, in January 1973, their self-titled debut album was released, featuring future classics like "Dream On" and "Mama Kin." Eight days after the album release, "Mama Kin" became their first single – the very song that helped seal their record deal that fateful night at Max's Kansas band even immortalized this pivotal moment in their 1979 song "No Surprize" with the lyrics about how "at Max's Kansas City we won" and how "old Clive Davis said he's surely gonna make us a star." It became part of their rock and roll mythology, proving that sometimes the best stories are the true ones. 🎬 SIGN UP for Parade's Daily newsletter to get the latest pop culture news & celebrity interviews delivered right to your inbox 🎬 This origin story perfectly captures the essence of what made Aerosmith special from the beginning – they weren't just talented musicians, they were strategic dreamers who understood that success requires both incredible music and incredible courage. Fifty-three years later, that one night of calculated risk-taking launched a career that would influence countless artists and cement their place in rock history. On This Day 53 Years Ago, Legendary Rock Band Aerosmith Got Their First Record Deal in the Most Iconic Way first appeared on Parade on Aug 5, 2025 This story was originally reported by Parade on Aug 5, 2025, where it first appeared. Solve the daily Crossword

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