
Climbers from Assam summit previously unclimbed Ladakh peak, honour Lachit Borphukan
The final ascent began on 14 April, with the team divided into two groups led by Manash Barooah and Shekhar Bordoloi.
Out of the 19-member team, the six successful summiteers are Shekhar Bordoloi, Jayanta Nath, Surajit Ronghang, Bhaskar Barman, Upen Chakraborty and Henry David Teron.
The team was divided into two groups, led by Manash Barooah and Shekhar Bordoloi respectively.
Speaking about the planning involved, Shekhar Bordoloi, who led one of the groups, said, 'A great deal of planning and research goes into such climbs, especially when it's a virgin peak. In addition to studying the region's topography, we closely monitored weather conditions. We consulted several maps, particularly topographic or contour maps, which highlight the landscape features of a location. These help climbers understand the gradient and nature of the ascent. We've been preparing for this expedition for over a year.'
Of the 19 boys and girls who set out for the climb, only six were able to reach the summit. The rest of the team had to either discontinue or remain at base camp due to health concerns. The expedition also aimed to name the unnamed peak after the Ahom general Lachit Borphukan. However, the naming process is expected to take time, as it involves formal permissions and documentation.
The group successfully summited the peak on their second attempt.
'We established a base camp at 4,800 metres near Kyagar La, and from there, set up two higher camps to acclimatise and prepare for the final ascent,' said Shekhar. 'Our first summit attempt was on April 18, but we had to retreat to Camp 1 at 5,200 metres after choosing the wrong route.'
The summit camp was established at 5,750 metres.
'We re-evaluated our route and made another attempt on April 21, this time climbing via the south-west face and successfully reaching the summit. It took us over six hours. From the top, we could see Chakula Kangri and Chumathang to the north, Kyagar Tso, Tso Moriri and the Mentok Kangri range to the west, Chamser Kangri and Lungser Kangri to the south, and Chalung North Peak to the east.'
Another team of four members — Madhurjya Manjuri Borah, Babita Goswami, Trishna Ramchiary, and Angshuman Borah —completed the Kyagar La trek, reaching an altitude of 5,600 metres. The team was assisted by two guides, Tenzing Lapu and Lobsang Dorjee.
Describing the terrain, Shekhar said, 'The peak is mostly covered in moraine (large rocks). The climb has an incline of about 45 to 50 degrees. We reached the summit by passing through a snow corridor, which leads to a dome-shaped peak.'
And did they encounter any Yetis or ghosts? Shekhar laughs: 'No ghosts up there! Since the Changthang Wildlife Sanctuary is nearby, we did notice paw prints in the snow — wolves and snow foxes had visited our campsite at night. We also spotted Pikas, which are small mammals resembling rabbits, and Himalayan crows.'
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India.com
4 days ago
- India.com
Planning A Trip To Northeast India? Don't Miss These 10 Incredible Heritage Sites
photoDetails english 2935564 Updated:Jul 23, 2025, 11:15 AM IST 1 / 12 Northeast India is a treasure trove of cultural richness, ancient traditions, and historical marvels waiting to be explored. Each state in the region offers a unique peek into its vibrant past through forts, temples, palaces, and sacred sites. Whether you're a history buff, spiritual seeker, or curious traveller, these heritage sites are bound to leave a lasting impression. Kamakhya Temple, Assam – A Powerful Shakti Peeth 2 / 12 Located atop Nilachal Hill in Guwahati, Kamakhya Temple is one of the most revered Shakti Peethas in India. Dedicated to Goddess Kamakhya, it draws millions of pilgrims, especially during the Ambubachi Mela. The temple's unique tantric rituals and ancient stone architecture reflect a mystical heritage. Rang Ghar, Assam – The Ancient Amphitheatre of Ahoms 3 / 12 Known as Asia's oldest amphitheatre, Rang Ghar was built by the Ahom kings in the 18th century. Located in Sivasagar, it was used as a royal pavilion for watching sports and cultural events. Its egg-shaped dome and Indo-Mughal architecture symbolize the grandeur of Ahom rule. Unakoti, Tripura – Rock Carvings Lost in Time 4 / 12 Unakoti is an archaeological and spiritual site dotted with thousands of rock-cut carvings and sculptures of Hindu deities. It is believed that the site is over a thousand years old, and the name "Unakoti" means "one less than a crore," referring to the number of carvings. Mawphlang Sacred Grove, Meghalaya – Forest of Legends 5 / 12 This ancient sacred forest near Shillong is deeply rooted in Khasi tribal traditions. Home to centuries-old trees and monoliths, the Mawphlang Sacred Grove is preserved by the local community and is considered spiritually inviolable. No object can be taken out from the forest, as per tribal belief. Tawang Monastery, Arunachal Pradesh – The Largest in India 6 / 12 Perched at 10,000 feet in the Himalayas, Tawang Monastery is a 17th-century Buddhist monastery that offers breathtaking views and deep spiritual energy. It houses valuable scriptures and a giant golden Buddha statue. The monastery plays a key role in the cultural identity of the Monpa people. Kangla Fort, Manipur – The Ancient Capital of Meitei Kings 7 / 12 Situated in Imphal, Kangla Fort once served as the royal palace of the Meitei kings. With sacred temples, royal shrines, and mythical structures, the fort is a symbol of Manipur's regal and spiritual history. It's a must-visit to understand the legacy of Manipuri culture. Dzongu, Sikkim – Preserving Lepcha Heritage 8 / 12 Dzongu is a heritage village area in North Sikkim, home to the indigenous Lepcha tribe. With traditional bamboo homes, ancestral practices, and untouched nature, Dzongu offers an authentic glimpse into tribal heritage and sustainable living. Ujjayanta Palace, Tripura – The Royal Heart of Agartala 9 / 12 Built in the early 20th century, Ujjayanta Palace is a grand structure that once housed the royal family of Tripura. Today, it serves as a state museum with exhibits on Northeast culture, tribal life, and royal artifacts. The Mughal-style gardens and regal halls are architectural highlights. Sibsagar Tank and Temples, Assam – Legacy of the Ahoms 10 / 12 Sibsagar, once the capital of the Ahom kingdom, is known for its massive water tank (Sibsagar Tank) and surrounding temples like Shivadol, Vishnudol, and Devidol. These structures showcase the Ahom dynasty's dedication to architecture, religion, and urban planning. Nartiang Monoliths, Meghalaya – Standing Stones of Strength 11 / 12 Nartiang, in the West Jaintia Hills, is home to one of the largest collections of monoliths in India. These megalithic stones were erected by the Jaintia kings as symbols of victory and respect. Walking among these stones is like stepping into a forgotten chapter of tribal valor. 12 / 12 Northeast India is more than just scenic beauty — it's a region steeped in history, mythology, and ancestral pride. These heritage sites reflect the cultural soul of their people and the enduring stories of kingdoms, communities, and faiths. Whether you're exploring majestic monasteries or sacred forests, every step uncovers a deeper connection to the past.
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First Post
29-06-2025
- First Post
Beyond Kamakhya: Dirgheshwari temple and the shaktism of Assam
Not as well-known as the Kamakhya, the Dirgheshwari Devalaya is an important part of the Shakti worship narrative of this culturally rich region — a fine blend of mythology, Tantric worship, Ahom history and living traditions read more The latter part of June is always an exciting time to be in Assam, especially to be in Guwahati and even more so if one happens to visit the iconic Kamakhya shrine. It is the time for the annual festival of Ambubachi, a festival that celebrates the menstruation of Goddess Kamakhya. The place is teeming with people after the festival and once a visitor has had his darshan, he would be well advised to head north. STORY CONTINUES BELOW THIS AD Across the Brahmaputra, in Kamrup district, are several ancient temples of great interest to explorers and history buffs. Temples like the Dirgheshwari. Standing atop the Braghyachal Hill, the temple shares many similarities with the Kamakhya. Dated to ancient times, the current structure was constructed under the patronage of the Ahom ruler Siva Singha, who reigned in the first half of the 18th century CE. Gateway to the Dirgheshwari Temple complex The location on a rocky hill, amid natural vegetation and the river not far away, reminds one of what the Kamakhya may once have been before the area changed character and became urbanized. The word 'Dirgheshwari' translates into 'the eternal' or 'long-lived' Goddess and symbolizes an ever-present form of Shakti. Like the Kamakhya, this temple too was sacred for Tantric practices. According to folklore, the Dirgheshwari Temple is a Shakti Peetha. It is believed that when Satri's body was dismembered, parts fell in different places across the Indian subcontinent. It is believed that while her womb fell on the spot where the Kamakhya Temple was built, another part – of lesser importance – fell on the Braghyachal Hill. The Dirgheshwari, thus, is a Upa Peetha, meaning subordinate. A visitor enters the complex via a recently built gateway flanked by two stone tigers (as shown in the lead picture). A long flight of steps leads up to the shrine. Another gateway comes up, painted a bright pink, with two gold-painted icons embedded in its walls. The colours of the brick temple inside are similarly bright, but a step into the inner sanctum reveals a very different picture. STORY CONTINUES BELOW THIS AD Into the inner sanctum of the Dirgheshwari Temple complex The sanctum of the Dirgheshwari Temple is a subdued place compared to the colourful exterior. The main idol, of Durga, is considered a Svayambhu or self-manifested. Like many other Shakti shrines, this sanctum is part of a natural rock formation. The interior is rather dark, almost cave-like. Embellishment is by way of red cloth and flowers, but the overall effect is of minimalism. Within the temple compound are several scattered idols which appear ancient, perhaps part of the original temple that once stood here. The priests here follow Shakta traditions of worship, blending Vedic and Tantric rituals. In line with such traditions, animal sacrifice is still prevalent – another aspect that links it to the Kamakhya. And similarly, this temple too marks the Ambubachi Mela, albeit on a much smaller scale than the fair at the Kamakhya. Crowds are also seen on Sankranti and Amavasya here. Locals, especially women, visit the temple seeking blessings for fertility, health and protection. Their offerings comprise vermilion, bangles, and coconuts. STORY CONTINUES BELOW THIS AD The Braghyachal Hill is home to more than just one temple, however significant. The first thing that strikes a visitor when he begins walking up are the many icons carved on the hill rocks. Numerous in count and spread across the hill in a rather unplanned manner, these carved icons date back to the 11th century, and many have become shrines in their own right. There are multiple depictions of Ganesha, including one of immense size that has been coloured orange with layers of vermilion. A Hanuman carving, of almost the same proportions, is close by. A Ganesha icon on the Braghyachal Hill that has become a shrine Amidst the numerous divine forms carved here is a Ganesha with another celestial being next to it. A Shiva linga is carved into the ground, and the faithful have placed multiple tridents in proximity. Near at hand is a plain area of rock with a few holes in it. Local lore holds that this spot marked the place where Shiva's consort Parvati used to weave. As a result, local women offer threads at this spot to get Parvati's blessings for becoming experts in weaving themselves. STORY CONTINUES BELOW THIS AD A carved Ganesha icon on the Braghyachal Hill Far from the crowds that throng the Kamakhya through the year, amidst the forests, the Dirgheshwari is a study in solitude and devotion. It is in this rural setting that one can appreciate the Ambubachi Mela better. 'Ambubachi' refers to being 'spoken with water'. Rain is expected to follow the festival to make the earth fertile and ready for procreation. During the four-day period of this festival, daily worship is forbidden, as are agricultural activities. On the fourth day, with Ambubachi concluded, household items and clothes are washed and purified with sacred waters. Entry to the shrine is now considered auspicious. And agricultural tasks follow, indicating the deeply intertwined relationship between rural occupations, religion and social practices. The core ethos of this festival is perhaps easier to comprehend in the rural landscape of a Dirgheshwari than in an urban setting. Not as well-known as the Kamakhya, the Dirgheshwari Devalaya is an important part of the Shakti worship narrative of this culturally rich region. A fine blend of mythology, Tantric worship, Ahom history and living traditions, it is a place that invites both pilgrims and explorers. Nor is Braghyachal Hill an isolated spot. In its vicinity are other sacred shrines such as the Aswakranta, Kurmajanardan, Manikarneshwar and Rudreshwar devalayas, apart from the vast complex that houses the now-ruined Madan Kamdev. Next time you visit Guwahati, venture north of the Brahmaputra to see undiscovered Assam. STORY CONTINUES BELOW THIS AD The author is a heritage explorer with a penchant for seeking obscure sites. A brand consultant by profession, he tweets @HiddenHeritage. Views expressed in the above piece are personal and solely those of the author. They do not necessarily reflect Firstpost's views.


Time of India
24-06-2025
- Time of India
Naharkatia MLA reviews progress of Moung Siu-Ka-Fa project at Tipam
1 2 3 4 5 6 Dibrugarh: Naharkatia MLA Taranga Gogoi on Tuesday conducted a comprehensive review of the construction progress of Moung Siu-Ka-Fa, a heritage tourism project being developed at Tipam Deosali Pahar (hill) in Dibrugarh district. The site holds immense historical significance as the location of the first temporary capital established by Chaolung Siu-Ka-Pha, the founder of the Ahom dynasty. Located 22 km from Naharkatia town, Tipam Deosali Pahar represents a pivotal chapter in Assam's medieval history. It was here that Chaolung Siu-Ka-Pha, also known as Chaolung Sukapha, established his first temporary capital in 1228, laying the foundation for what would become one of India's longest-ruling dynasties. You Can Also Check: Guwahati AQI | Weather in Guwahati | Bank Holidays in Guwahati | Public Holidays in Guwahati The heritage site project will centre around a magnificent 50-foot tall statue of Sukapha, designed to serve as both a monument to his legacy and a focal point for tourism development. The Ahom kingdom founder, originally a prince of the Su/Tsu (Tiger) clan of the Mao-Shan sub-tribe from present-day Mong Mao in China's Yunnan Province, created a dynasty that would endure for nearly six centuries until 1826. "The project, Moung Siu-Ka-Fa, aims to preserve the historical heritage and enhance the region's beauty. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Pernas e tornozelos inchados? Descubra o que pode ajudar a drenar agora aartedoherbalismo Undo It is the duty of every citizen to work for preservation and promotion of the significant legacy of the Ahom Kingdom," MLA Taranga Gogoi said during his site visit on Tuesday. Chaolung Siu-Ka-Pha''s establishment of the Ahom kingdom marked the beginning of a transformative period in Assam's history. Often referred to as the architect of Assam, he successfully unified various ethnic groups across the region, creating a cohesive kingdom that would resist external invasions and preserve local culture for centuries. The Ahom dynasty's 600-year reign from 1228 to 1826 represents one of the most stable and enduring political entities in medieval India. Under their rule, Assam developed a unique cultural identity that blended indigenous traditions with influences from Southeast Asia, creating the distinctive Assamese civilisation that exists today. Taranga Gogoi during his visit expressed optimism about the project's timeline and impact. "This site will serve as a reminder of our glorious past and inspire future generations. We hope that the project will be completed swiftly, attracting tourists and historians alike, while also boosting the local economy," he stated.