logo
Greg Wise thought he was destined to marry Kate Winslet

Greg Wise thought he was destined to marry Kate Winslet

Perth Now5 days ago
Greg Wise thought he was destined to marry Kate Winslet following a prediction from a "witchy friend".
The 59-year-old actor - who is married to Dame Emma Thompson - has revealed his pal told him he would meet his "life partner" on the set of his 1995 movie Sense and Sensibility and he thought it meant he was going to end up Kate because she was single and fellow co-star Emma was married to Sir Kenneth Branagh at the time.
Greg told The Times newspaper: "It wasn't love at first sight with Emma because she was married. I was told by a wonderful witchy friend of mine that I would meet my future life partner on Sense and Sensibility.
"I looked around and thought, the only one that's available and around my age is Kate Winslet. God love her, she's gorgeous, but there was no great romance there.
"I was concerned about my witch friend getting it wrong. But time has said otherwise - Emma and I are 30 years together."
Emma's marriage to Kenneth ended in 1995 and she went on to marry Greg in 2003.
Greg previously admitted he's happy to let Emma's acting career take priority because she "earns a lot more" and he's happy doing DIY at home.
He told the Observer newspaper: "I spent the year after Sense and Sensibility working as a builder, which I loved ... I'm not really an actor ... I'm going to get slapped by the wife for saying that."
Greg added that he loves "sawing down... trees and planting things and doing all of that … Life's quite short, so I try to explore as many different things as possible ...
"[Acting has] never been the most important. I'm so ... lucky to have been able to make a living for 30-odd years. I think I'm all right. I'm not God's ... gift."
He added of his wife's successful Hollywood career: "Em comes and goes. She's been doing an awful lot of writing and she's making a thriller in Finland at the moment. She earns a lot more than me, so God bless her. Let her work!"
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

It is a truth universally acknowledged that I'm suddenly addicted to period dramas
It is a truth universally acknowledged that I'm suddenly addicted to period dramas

Sydney Morning Herald

timea day ago

  • Sydney Morning Herald

It is a truth universally acknowledged that I'm suddenly addicted to period dramas

Whatever you do, don't watch the new Jane Austen documentary on the ABC. It's called Jane Austen: Rise of a Genius and it's far too good, leaving you with a hunger for Austen which cannot easily be satisfied. And so you find yourself rewatching the film of Sense and Sensibility, the one with Hugh Grant and Emma Thompson, and then one thing leads to another and you've watched every available Austen, and so you find yourself subscribing to BritBox, and soon life has no meaning unless you are hunched in front of the set watching Dame Judy Dench in a bonnet and Julia Sawalha in a hooped skirt. I've heard heroin addicts talk about how it all started. An innocent tug on an acquaintance's 'marijuana cigarette' and, three weeks later, they are sprawled in a Kings Cross gutter with no money and a needle in their arm. Friends, that is my story. It all begins with a moment of appreciation for Hugh Grant's tousled hair and ends with a wayward addict adrift in a sea of Trollope. In the last fortnight, I've watched at least 11 period dramas – all of Austen, then two TV versions of Tom Jones (the older version better than the later), Trollope's The Way We Live Now (excellent, by the way), Cranford, Return to Cranford, and Yet More Cranford. This last one doesn't exist yet, but surely I can dream? Strangely, I used to act superior about 'bonnet dramas'. I spent most of the 1990s falling asleep in front of them. If a drama featured headwear affixed under the chin with a ribbon, I found my eyes fluttering closed. Now, I'm watching so many period dramas that they blur in my memory. No, matter. In a way, they are all the same. They all star Imelda Staunton, Brenda Blethyn, Tom Hollander and Michael Gambon. If one of the characters isn't in it for a scene or two, one assumes the actor is up the road filming The Barchester Chronicles. Andrew Davies is always the writer, which means he's skilled at including all the classic tropes. They all have a cad, a spirited heroine, an interfering aunt, and a scene in which someone is pushed into a pond, puddle, river, moat or lake. There's a puppet show or magic performance, featuring either Tim Curry or Alexei Sayle. The sprawling country house, I'm pretty sure, is always the same. Presumably, the BBC bought it in 1952 and films everything there. If it's Anna Karenina, they'll ship in some scythes and a steaming samovar. Of course, much like the heroin addict, the period drama compulsion soon dominates your life. When every evening is spent in Georgian England, it's hard for every breakfast not to follow.

It is a truth universally acknowledged that I'm suddenly addicted to period dramas
It is a truth universally acknowledged that I'm suddenly addicted to period dramas

The Age

timea day ago

  • The Age

It is a truth universally acknowledged that I'm suddenly addicted to period dramas

Whatever you do, don't watch the new Jane Austen documentary on the ABC. It's called Jane Austen: Rise of a Genius and it's far too good, leaving you with a hunger for Austen which cannot easily be satisfied. And so you find yourself rewatching the film of Sense and Sensibility, the one with Hugh Grant and Emma Thompson, and then one thing leads to another and you've watched every available Austen, and so you find yourself subscribing to BritBox, and soon life has no meaning unless you are hunched in front of the set watching Dame Judy Dench in a bonnet and Julia Sawalha in a hooped skirt. I've heard heroin addicts talk about how it all started. An innocent tug on an acquaintance's 'marijuana cigarette' and, three weeks later, they are sprawled in a Kings Cross gutter with no money and a needle in their arm. Friends, that is my story. It all begins with a moment of appreciation for Hugh Grant's tousled hair and ends with a wayward addict adrift in a sea of Trollope. In the last fortnight, I've watched at least 11 period dramas – all of Austen, then two TV versions of Tom Jones (the older version better than the later), Trollope's The Way We Live Now (excellent, by the way), Cranford, Return to Cranford, and Yet More Cranford. This last one doesn't exist yet, but surely I can dream? Strangely, I used to act superior about 'bonnet dramas'. I spent most of the 1990s falling asleep in front of them. If a drama featured headwear affixed under the chin with a ribbon, I found my eyes fluttering closed. Now, I'm watching so many period dramas that they blur in my memory. No, matter. In a way, they are all the same. They all star Imelda Staunton, Brenda Blethyn, Tom Hollander and Michael Gambon. If one of the characters isn't in it for a scene or two, one assumes the actor is up the road filming The Barchester Chronicles. Andrew Davies is always the writer, which means he's skilled at including all the classic tropes. They all have a cad, a spirited heroine, an interfering aunt, and a scene in which someone is pushed into a pond, puddle, river, moat or lake. There's a puppet show or magic performance, featuring either Tim Curry or Alexei Sayle. The sprawling country house, I'm pretty sure, is always the same. Presumably, the BBC bought it in 1952 and films everything there. If it's Anna Karenina, they'll ship in some scythes and a steaming samovar. Of course, much like the heroin addict, the period drama compulsion soon dominates your life. When every evening is spent in Georgian England, it's hard for every breakfast not to follow.

Jane Fonda wears flannel nightgown to bed as she's not trying to impress any men
Jane Fonda wears flannel nightgown to bed as she's not trying to impress any men

Perth Now

time5 days ago

  • Perth Now

Jane Fonda wears flannel nightgown to bed as she's not trying to impress any men

Jane Fonda wears a flannel nightgown to bed as she's not trying to impress any men. The 87‑year‑old actress made the admission in an interview on her style, saying her bedtime choice was now her go‑to choice after ending her last relationship. She told The Times about how she now opts for comfort and simplicity in her night-time wardrobe, revealing about what it consists of: 'A flannel nightgown – because I'm single.' Jane first tied the knot with French filmmaker Roger Vadim, 19 years her senior, in 1965. During their eight‑year marriage, they lived in Paris and had a daughter, Vanessa. She then married activist Tom Hayden in 1973, with whom she had a son, Troy Garity. In 1991, she began a 10‑year marriage to CNN founder Ted Turner. Jane later dated record producer Richard Perry from 2009 until their split in 2017. She added in her chat about her style her yoga pants are her most 'treasured' item of clothing 'because they are easy to put on and take off and they're comfortable'. When asked to sum up her style, Jane used just one word: 'Simple!' But she noted she has begun wearing more vibrant colours since embracing her natural grey hair. 'Since my hair has gone grey, I wear more colour, including yellow and green,' she said. Jane added: 'Even I can look good in those colours, and not a lot of people can say that.' Jane debuted her grey hair on stage at the 2020 Academy Awards, where she presented Best Picture with a striking pixie cut. She wore a recycled crimson beaded gown by Elie Saab – originally from the Cannes Film Festival in 2014 – when she arrived on the red carpet. Her longtime colourist, Jack Martin, told People Jane came to him with a clear vision, saying: 'She showed me her inspiration and immediately decided that I was the guy for the job.' He described her transformation to 'icy silver blonde' as fearless, noting the process took seven hours. 'If you meet Ms Fonda in person, you'll witness her strong personality and her simplicity at the same time,' he said. Jack added: 'She is someone who is very far from being nervous about a hair makeover… she's the kind of person who is not afraid of change.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store