
Chance the Rapper teases new album ‘Star Line' in surprise Lollapalooza set
'I just wanna see y'all mosh,' he said as he introduced a song off his new album, sharp synths and dark piano chords blasting across the crowd. 'I don't know if y'all know this, but just to the people watching at home, Chicago invented moshing. We really do this festival (expletive).'
Chance played Lollapalooza in 2016 following the release of his album 'Coloring Book' and has come back for a guest appearance almost every year since. Artists like Renee Rapp, Joey Bada$$ and Peter CottonTale have brought the prolific rapper onstage in the past three years. He usually only performs one song, his 2016 hit 'No Problem'.
After performing his first solo set at the festival in nearly nine years, Chance told the Tribune that it brings 'a different level of enticement.'
'Being at Lolla is like a release for me,' he said. 'When you're a rapper, you're several different kinds of artists — you're a writer, but you're also a recording artist, a performing artist. There's a lot of different mediums that you plug into creatively to get out that idea, and I think performing is one of my favorite parts of being a rapper.'
Opening with classic songs like 'Cocoa Butter Kisses' and 'All Night,' Chance also used his 15-minute set to build hype for 'Star Line,' his first album in six years. The two songs he played off the album were a marked shift from the vibe of his older music, bringing out a more introspective, emotional side and giving fans a deeper look at his songwriting abilities.
'It's very focused on unpacking different observations of mine, or experiences of mine,' he said. 'Some of them are very inwardly vulnerable or critical, and some of them are very outwardly analytical. I think a lot of people are going to resonate with the words of the album.'
Along with an unreleased track, Chance also played 'Tree,' his first single off of 'Star Line' featuring Lil Wayne and Smino. In the song, he pays homage to the comfort and community of marijuana and reflects on how growing regulation of the cannabis industry can imperil people of color, who are often targeted by the police for using marijuana at higher rates.
'She told me 'Son, don't worry, don't you have no shame / There's gonna be frustration in this white man's game / And they're gonna have us tied up once it's legalized,'' he rapped.
After years of performing at Lollapalooza, Chance (aka Chancelor Bennett) said he looks forward every year to hanging out backstage and meeting artists he admires. Following his Saturday set, he said he was on his way to catch breakout star Doechii and indie rocker Mk.gee.
But the lifelong Chicagoan said being back in Grant Park brings back another memory — getting his start in high school at an after-school open mic program, based a few blocks away on Harrison Street.
'We'd all be packed into this library space downtown, and some kids were rapping, some kids were doing poetry, standup, dancing, just talking — and it was deep,' he said. 'We learned a lot about how to engage with our peers and our crowd, both as equals and as people we want to entertain.'
Lollapalooza 2025: For Saturday, a K-pop sing-along and a set by Winnetka Bowling League
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Forbes
35 minutes ago
- Forbes
Rüfüs Du Sol, Twice Excite As Lollapalooza 2025 Continues In Chicago
'Lollapalooza, this is surreal…' mused Rüfüs Du Sol vocalist Tyrone Lindqvist on stage Saturday night during a massive headlining performance at Lollapalooza in Chicago. 'We played this festival maybe ten years ago and 300 or 400 people were there,' he continued midway through the group's set, introducing 'Fire/Desire.' 'This is so special to us.' Following appearances at Lollapalooza in 2016 and 2019, and stops at Lollapalooza Chile, Argentina and Brazil this past March, Australian alternative dance group Rüfüs Du Sol made a triumphant return to the Windy City Saturday night, with Lindqvist's comments on stage coming as he addressed a massive festival crowd assembled on Grant Park's south end as South Korean girl group Twice performed concurrently on the festival's north main stage. With themes like love, heartache and strength emerging from their latest studio album Inhale / Exhale, their fifth, Rüfüs Du Sol speak directly to their fans, creating a connection that was visible throughout the band's 90 minutes on stage Saturday night. 'We've been in town for the last few nights and can see that there's a lot of energy in town,' said keyboardist Jon George backstage Saturday night prior to the group's set. 'We've been looking forward to the show in general for a very long time ourselves. So, bringing all of that energy, we're excited to put on the show that we've been working on for the last year for everyone here,' he said. 'We've really built out a show that is pretty much consistent for our headline slots. And then for festival sets, things can change and we can kind of choose what the best setlist is to keep the energy up,' explained Lindqvist of how the trio goes about tweaking the set in order to connect with the larger festival crowds. 'Our main thing is making sure everyone has a good time out there. It's Saturday night, it's the middle of the festival. It's a really cool, eclectic lineup of all genres of music and I feel like we live in a fun, interesting spot between electronic music and alternative music,' said the singer. 'We've played this festival three times. So, it's a real gift and an honor to get to headline.' Following 'Pressure,' synths and percussion percolated early, driving 'Next To Me,' more synths kicking in as the beat dropped, driving the energy level of the huge crowd. 'You're gonna make everyone at home jealous watching this!' joked Lindqvist with a wink and a nod to those watching the set on Lollapalooza's Hulu live stream. 'Fire/Desire' raised the energy with the trio crafting an ethereal soundscape throughout 'Underwater.' 'There's another Australian band called Royel Otis. They actually played yesterday and we missed them. But we're huge fans of what they're doing,' said drummer James Hunt, pondering the group's weekend in Chicago. 'Doechii's playing - she's killing it. It's a pretty stacked lineup.' Playing opposite singer songwriter Clairo, Doechii attracted one of Saturday's largest crowds, with an overflow audience assembling at Lolla's T-Mobile main stage. 'Lollapalooza!' shouted the Florida-born rapper midway through her biggest hit 'Anxiety,' nearing the end of a 50 minute set. Scorching guitar tore through the song's early moments, giving way to a sample of Gotye's 'Somebody That I Used to Know.' Climbing to the upper level of a two-tiered stage Saturday night, Doechii dropped 'GTFO,' heading for home in Grant Park. A heavier rock element can be tough to find at times on the Lollapalooza stage but over the course of 45 minutes Bilmuri delivered on the festival's Grove stage. 'Can't complain, man. Aftershow was fun. Weather's great - ready to f–in' play!' said singer and guitarist Johnny Franck matter-of-factly backstage Saturday. Delivering a whopping 14 studio albums since 2016, Bilmuri adds a remarkably catchy element to songs skewing closer to hard rock and metal, recently dropping the single 'More Than Hate' while working on the next album. 'I just wanted to go heavier. Because that's where my roots are,' said Franck of the new single. 'It wasn't like it was a concerted effort - but it's just kind of what came out of me when I was writing the song. It's cool It's a good direction,' he said. 'I was working on the next album the day of American Motor Sports' release. 'So, we're crankin' away, dude. I think we're about 80% of the way there. We've got a full album's worth of songs. And now we're just kind of like, 'Let's see if we can beat it…' Which is a good place to be.' L.A. singer songwriter Charlotte Lawrence wrapped up a one hour set on the Lakeshore stage with a cover of Depeche Mode's 'Enjoy the Silence' one hour before rapper BossMan Dlow took to the same stage 'Chicago, what the f–k, man?' said Dlow on stage at Lollapalooza, initiating a classic call and response moment with the audience as he set up 'Pop My S–t.' 'If you're having a good time, lemme hear you say 'yeah!'' Following the release of her latest single 'Rhythm,' Naomi Scott performed for 45 minutes Saturday afternoon on the Grove stage. 'I'm really blown away actually. I feel like everybody was so lovely and willing. And I was playing a lot of new music,' said Scott backstage Saturday following her festival debut. 'I feel really blessed to be able to perform music I've worked on for a long time and worked so hard on and love. I'm just feeling really grateful to be honest.' The actor, who's appeared in films like the Guy Ritchie-directed 2019 live action take on Aladdin, has released a trio of EPs since 2014 with more music in the works. 'It's been a long time. But I feel very blessed. Because I get to make music with friends and people that I love and people that I reached out to that I thought was dope. And it's all been a process of finding the right people,' Scott explained. 'Also, for me personally, it's going back to basics. And many years ago deciding to just get back on the piano and write some of the cheesiest songs you can think of and go from there - and figure it out. And I think that's really worked for me. And I feel very excited to share it with the world.' Indie pop act Winnetka Bowling League opened up the Lakeshore stage early Saturday, knocking out an aftershow as opening act for Still Woozy at Chicago's House of Blues. 'The aftershow was fun. It was rad to play it before the actual show and get some of the nerves out,' said frontman Matthew Koma backstage following the group's set Saturday. 'You never know what it's gonna be with these early slots. But, luckily, a lot of people showed up today and made us feel a lot of love. And it was a great first Lollapalooza for us.' As a songwriter and producer Koma has worked with artists like Shania Twain, Bruce Springsteen and Britney Spears. Following the release of the debut Winnetka Bowling League album Sha La La last year, he's able to apply those experiences as work on the next record begins. 'New record starts in 24 hours - we start making it. So, right back to L.A. and start making the new album,' said Koma. 'I think, if anything, helping other people achieve the destination of their search and their identity puts into focus how that's really what we should all kind of be striving for and doing. So, it kind of keeps you honest,' he explained. 'It kind of keeps you making sure that you're staying in a lane and saying things that are really true to your experience. And I think working with other artists who are working so hard to create that world for themselves, you bring that back to your desk a little bit,' Koma said. 'And you can't help but keep that in mind when you're making your own collection.' Måneskin frontman Damiano David dropped his debut solo album Funny Little Fears this past spring and performed for 45 minutes Saturday on the Grove stage. 'This song is about falling in love at the end of the world,' said David on stage at Lolla, setting up 'Mars.' 'Which seems very possible these days!' he joked. Nearby, the Chicago Youth Symphony Orchestra built a classical bridge as K-pop closed the evening on the festival's Bud Light north main stage, wrapping up a 60 minute set with a gorgeous Stars Wars suite along the lakefront in Chicago. 'Are you ready?' asked the massive video screens rhetorically as TWICE readied to take the Lollapalooza stage, the first all girl K-pop act to do so in Lolla's 20 years as a destination festival in Grant Park. 'We got here two days ago. And it's been very nervewracking. And very busy,' said singer Jihyo through an interpreter about an hour before the group's history making performance as part of their 'This Is For' world tour. 'We've been rehearsing every day so it's been a very busy, hectic weekend.' Sparkling synths were resplendent Saturday night leading into 'The Feels' as temperatures dropped into the low 70s, a funky bassline soon accompanying the group's well-choreographed dancing. Lollapalooza's unparalleled downtown setting provided the perfect backdrop as fireworks soared overhead early during an extraordinarily entertaining take on the opener. Backstage, the group shouted out fellow Lolla performers Sabrina Carpenter and Clairo, with an eye on the idea of connection. 'I think it's music that connects us,' emphasized singer and rapper Chaeyoung via interpreter. 'This one is called 'MORE & MORE!'' exclaimed singer Nayeon on stage Saturday night. 'You know what to do,' she said, working the packed mainstage crowd into a frenzy, with guitar ringing out moments later during the live take on the track. Dueling drone shows lit up Grant Park as both TWICE and DJ duo Two Friends closed out Lollapalooza opposite Rüfüs Du Sol Saturday night. For TWICE, whose philanthropic efforts benefited victims of an earthquake in Turkey and Syria two years ago, giving back remains part of their global effort to connect. 'It's been very meaningful. Because a lot of times when we give back, I think we do it together with our fandom as well,' said Jihyo at Lollapalooza, stressing the strength of the group's relationship with its international fanbase. 'So, I think we're able to give a good influence to a bigger crowd.'


Chicago Tribune
7 hours ago
- Chicago Tribune
Review: Doechii delivers a hip hop master class at Lollapalooza
No one is having a better year than Doechii. The Florida rapper, 'The Swamp Rula,' released her critically-acclaimed mixtape 'Alligator Bites Never Heal' in August 2024 and hasn't hit the brakes since, taking home the Grammy for best rap album — only the second woman to do so— as well as gracing runways in New York and Paris and putting on some of the most dynamic live performances on and off screen. Bringing us to her Saturday night Lollapalooza set on the T-Mobile stage. With respect to Rüfüs Du Sol, Doechii should've headlined. Welcoming thousands to Doechii's School of Hip Hop, complete with a giant, funhouse-style boombox center stage, she rapped, writhed, and twerked circles around a troupe of dancers (delivering choreography that would make the great, ballroom pioneer Willi Ninja proud) and delivered lessons in bars, flow, genre, scratching and word play for just under an hour. Teasing her own headlining 'Live From the Swamp Tour' by the end, she left everyone wanting more. Doechii is one of a kind. With a looming, unbodied voice ringing out to encourage her ascent throughout her performance, Doechii, grounded by DJ Miss Milan, wielded the power of mania, tension, drama, and queer joy like a spear, piercing any posturing or pretension to free herself and her onstage classmates/dancers from the tyranny of self-doubt and limitations. One of the most versatile vocalists in today's mainstream, she oscillated seamlessly from growled, ruthless rhyme ('Nissan Altima,' 'Nosebleeds,' 'Catfish') and full-throated screams to smooth melodies and big crescendos, like on 'Anxiety.' For the house-flecked 'Alter Ego' — during which she referenced her infamous Met Gala 'umbrella incident' during her outfit change — she welcomed former City Girl member JT to the stage after hinting at a special guest in the days leading up to her Lolla debut. Both women were beaming from the big screens and the fields of the south end of Grant Park were awash in flailing hands and fans snapping in the air. Black girl magic, indeed. With her signature extra-long braids and head-to-toe DSquared2 custom outfits, Doechii covered every inch of that stage bathed in adulation. Classic hip hop and pop samples were woven into interludes throughout her set, including 'Pull Over' by Trina, Doug E. Fresh's 'La Di Da Di' and Beyonce's 'America Has a Problem.' Before delivering her megahit 'Denial is a River,' the unbodied voice — taking a kinder tone— spoke about how every master of something starts as a student. That the importance and interconnection of studying and honoring what you're choosing to dedicate yourself to is just as important as the final result. Then she appeared again. An icon born — the self-proclaimed 'hip hop Madonna,' 'trap Grace Jones,' making all the hard work look effortless, and so damn fun.


Chicago Tribune
14 hours ago
- Chicago Tribune
Lollapalooza 2025: What to know for Day 4
Here's what to know as the final day of Lollapalooza kicks off in Grant Park. The gates are open from 11 a.m. to 10 p.m. daily. Main gates are located at Michigan Avenue and Ida B. Wells Drive and the North Entrance is located at Monroe Street and Columbus Drive. For more information about your wristband, travel and what to bring, check our top 10 tips for attending, as well as Lollapalooza's bag policy and wristband assistance and activation pages. Metra is adding extra trains with added railcars daily on most lines. For details on your CTA route, visit the CTA Lollapalooza page and consult their website for up-to-date information on delays and closures. Lollapalooza also has a travel guide. Sabrina Carpenter (T-Mobile stage at 9 p.m.) and A$AP Rocky (Bud Light Stage at 8:45 p.m.) are Sunday's headliners. It's been nearly 10 years since A$AP Rocky last played Lollapalooza. As for artists not to miss, Tribune music writer Britt Julious also recommends Finneas (Lakeshore Stage at 6:00 p.m.) and The Marias (Bud Light Stage at 7:00 p.m.). Her music guide has critic's picks by day through Sunday. Other artists playing Sunday include Martin Garrix, Dominic Fike, Still Woozy, Remi Wolf, Latin Mafia, Gryffin and Maria the Scientist. Official Lollapalooza aftershows Sunday night include Dominic Fike at House of Blues, Julie at Lincoln Hall, Midnight Generation at Schubas and Jane Remover at Subterranean. Lollapalooza has a full list of official aftershows. The festival will close out with an exciting genre mix of pop and hip hop. Fans are looking forward to the fresh sound of Sabrina Carpenter and hip hop favorite A$AP Rocky, who will cap out the festival. Social media is buzzing about surprise guest appearances and encores for each artist. Sunday will bring festivalgoers one last near-perfect weather day. Rain is not predicted during festival hours and the temperature will be a high of 79 and a low of 63 degrees. Colliding sets for Sunday include Dominic Fike (T-Mobile Stage at 7 p.m.); Gryffin (Perry's Stage at 7 p.m.); The Marias (Bud Light Stage at 7 p.m.); and Still Woozy (Lakeshore Stage at 8:00 p.m.) and Rebecca Black (Tito's Stage at 8 p.m.) as well as others. Crowds navigating the Bud Light and T-Mobile Stages are sure to converge on the final night of the festival, so plan accordingly.