
Grimes calls Elon Musk's X ‘a prison' while slamming social media: 'The entire thing is a theatre'
The 'Oblivion' singer, whose real name is Claire Boucher, recently broke her months-long social media hiatus to note she still feels the negativity of these platforms since briefly logging back on.
"Returning here it is overwhelmingly, abundantly and profoundly clear that this place —and all of these places — are a poison — a prison of utterly short form deep deep-sounding nonsense attached to no one that ur brain will discard imaging its learning," she wrote on Monday, July 7. "The entire thing is a theatre. A s— pale simulacra of a life."
The post has amassed 650,900 views and 8,700 likes since it was shared on Monday morning.
It's unclear when Grimes began disengaging with social media, but she shared a similar post in April announcing she has 'been way more offline lately,' because social media 'feels like a ghost town of depression.'
Meanwhile, she has remained creatively active, diverting her attention to making new music.
Though Grimes dropped her recent single, 'idgaf,' in February, and performed at the Coachella Valley Music and Arts Festival in Southern California last year, the singer hasn't released a full album since 2020. But she assured fans in the comment section of her Monday X post that she is 'working very very hard' on her next release.
Grimes also revealed Monday that she has been working on music for English DJ and producer Sub Focus, who she previously collaborated with for the unreleased track 'Synchronize.'
'It rly feels like cinematic, like I'm right in Neuromancer,' she said on X, referencing the 1984 science fiction novel by William Gibson. 'It has been so long since I've felt euphoric about dance music that I'm actually disturbed at how disembodied and status oriented music can become.'
Grimes and Musk dated for roughly four years and made their red carpet debut as a couple in 2018. They have three children together.
Though they officially split in 2022, the singer has frequently used Musk's X to criticize social media and denounce his actions and political views.
Earlier this year, she condemned the Tesla CEO for bringing their son X Æ A-Xii, known as Lil X, to the Oval Office for an executive event with President Donald Trump in February.
'He should not be in public like this,' Grimes wrote of their son, who was 4 years old at the time, on X, responding to a user who praised Lil X's manners at the event. 'I did not see this, thank u for alerting me. But I'm glad he was polite. Sigh.'
A month earlier, she spoke out on the platform about the viral gesture that Musk made during Trump's inauguration, which many believed resembled a Nazi salute.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


San Francisco Chronicle
an hour ago
- San Francisco Chronicle
'Hostage,' Eli Sharabi's memoir about life in Hamas captivity, is coming to the US
NEW YORK (AP) — A memoir by an Israeli man held in captivity for more than a year by Hamas is coming out this fall in the U.S. Eli Sharabi's 'Hostage,' written in Hebrew and already a bestseller in Israel, is the first published memoir by anyone kidnapped by Hamas during the deadly surprise attack of Oct. 7, 2023. Harper Influence, an imprint of HarperCollins Publishers, announced Tuesday that the English-language edition of his book will come out this Oct. 7, the 2-year anniversary. Sharabi, 53, was released in early February and has said that he had shrunk to under 100 pounds — less than the weight of his youngest daughter, who was killed along with his wife and older daughter. More than 1,000 were killed in the attack and more than 200 taken hostage. 'It was important to me that the story come out as quickly as possible, so that the world will understand what life is like inside captivity," Sharabi said in a statement. 'Once they do, they will not be able to remain indifferent. But I also want readers to know that even in the darkest of times, you can always seek out the light and choose humanity.' According to Harper Influence, Sharabi writes about his experience with his captors in "stark, unflinching prose, detailing the relationships the hostages formed with one another, including Alon Ohel, still a hostage in Gaza, with whom Sharabi formed an unbreakable father-son bond.' 'Along the way, Sharabi reveals how his faith gave him the resilience to endure the horrific conditions and overcome mental anguish," the announcement reads in part.


Boston Globe
2 hours ago
- Boston Globe
In Lisa Smith's ‘Jamaica Road,' a sensitive portrayal of growing up Black in London
Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up Code-switching among the local South London regional accent, the Queen's English, and Jamaican patois is one of the complexities of the immigrant experience Smith brilliantly portrays. As Daphne overcomes her initial resistance to friendship with Connie and the two begin to spend time together, he asks her, 'D'you suppose one day mi will begin to sound cockney like you and all dem other pickney ah school?' Advertisement She corrects him, explaining that she only talks like the white kids 'when I have to,' as her grandmother insists on 'proper English.' Advertisement 'Grandma doesn't like us speaking Jamaican either, she reckons that it gives prejudiced people the chance to say we don't belong here. She says, 'You English. You nar fi talck like we.'' Connie is greatly amused. 'That is the worst Jamaican accent mi ever hear.' As the novel follows the pair over a 12-year period, with sections set in 1981, 1985, 1989, and 1993, this issue of how one speaks is mostly highly charged when addressing police officers, which happens with nerve-wracking frequency. The novel opens just after a real incident that occurred at a house party, the In addition to its important role as recent historical fiction, 'Jamaica Road' is both a love story and a family drama. When the story opens, Daphne is living with her mother, Alma, a nurse, and her grandmother Miss Gladys (the one who insists on proper English), as well as an aunt, an uncle, and four cousins in a ramshackle cottage long slated for demolition. Daphne has never known anything about her father, but she will ultimately learn that she is one of many children of a man called Eeze — exactly how many, no one can say. She tracks him down and forms a fraught relationship with him over her mother's objections. Alma's disappointments and trials have made her an unhappy woman. She has high hopes for her daughter, but not a lot of softness. Fortunately, Miss Gladys is a reliable font of kindess and wisdom. Advertisement Connie's mother, Althea, is a gifted hairdresser. She and Connie are in England illegally (they 'nuh land,' an expression Daphne learns early in the friendship) but the plan is that Althea will marry Tobias, who is the father of Connie's baby brother Kallai, as soon as his divorce comes through. But Tobias is a violent and cruel man. Domestic abuse is a key element of the plot, connecting Smith's first novel to other recent UK debuts — ' In this situation and others, the novel resists final judgments and easy answers, recalling F. Scott Fitzgerald's marker of a 'first-rate intelligence' — the ability to hold two opposing ideas in mind, to 'be able to see that things are hopeless yet be determined to make them otherwise.' In Smith's universe, this dilemma is summarized by a quote that comes up again and again, attributed to Connie's embattled mother. Though Althea is arguably the character with the least agency, she has instilled in her son the belief passed on to her by her Jamaican father that 'We run tings, tings nuh run we.' Connie first brings this idea up to Daphne when he's trying to convince her to track down her father. But the decisions the characters make to take control of their fates are just as often completely thwarted by conditions and circumstances. If the end of 'Jamaica Road' is marred by too much happening in too short a space — a hell of a lot of drama and tragedy at the very last minute — it is a profound demonstration of the fact that sometimes, tings very much do run we. Advertisement JAMAICA ROAD By Lisa Smith Knopf, 448 pages, $29 Marion Winik hosts the NPR podcast 'The Weekly Reader.' She is the author of ' .'


Washington Post
2 hours ago
- Washington Post
Oprah's book club pick ‘Culpability' taps into our AI anxiety
Artificial intelligence is accelerating faster than a Tesla toward an oak tree. Every day brings a fresh story — possibly written by AI — about the wonders of a world remastered by autonomous billionaires and their silicon golems. Perplexity, indeed. Bruce Holsinger's novel 'Culpability,' about a deadly crash involving a self-driving vehicle, was originally slated for October, but Oprah just named it her July book club pick, so you can already find it parked in your local bookstore. Whatever the reason, that was a fortuitous rescheduling. When it comes to writing about artificial intelligence, three months is the distance between rubbing sticks together and splitting an atom.