
From Zendaya to Kerry Washington, Bianca Jagger and Her Iconic White Suit Was a Major Met Gala 2025 Reference
It all started with the appearance of Zendaya, who was styled by image architect Law Roach, in a snatched white Louis Vuitton suit by Pharrell Williams. She was then followed by Kerry Washington in a sophisticated Jonathan Simkhai design, and finally, Anna Sawai in a nipped-in Dior ensemble.
One of the most iconic couples of the 1970s, of course, was Bianca Jagger and Mick Jagger. The Nicaraguan socialite married the Rolling Stones musician just nine months after meeting at a rock concert in France. They wed at a Saint Tropez registry office, where the bona fide style icon bride wore an outfit by French couturier Yves Saint Laurent, consisting of a tailored jacket, a midi skirt, and platform sandals. She topped off her bridal look with a wide-brimmed hat and a short veil that fell delicately and sheerly over her face. That look would become iconic and heavily referenced across fashion and pop culture for decades to come.
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Pregnant Rihanna Outfits Her Growing Baby Bump in a Pastel Pink Confection of a Dress
The singer announced her pregnancy in May at the 2025 Met GalaNEED TO KNOW Rihanna wore a pastel pink gown that showed off her baby bump The singer accessorized with sneakers and statement jewelry Rihanna announced her pregnancy in May at the 2025 Met GalaRihanna continues to raise the bar when it comes to maternity fashion. On Tuesday, Aug. 5, the 37-year-old Fenty founder stepped out in Los Angeles wearing a floor-length pastel-colored dress with a structured neckline. The sleeveless ensemble features a pink and yellow pattern with subtle baby blue and neon yellow accents. Rihanna teamed the dress with oversize earrings and a rose ring and, for a casual twist, some lime green sneakers. The star's hair was partially pulled back and she sported a soft, pink-toned makeup look. The soon-to-be mother of three, who is expecting her third baby with partner A$AP Rocky, has been showing off her stellar maternity style throughout her pregnancy. On July 20, she was photographed in Santa Monica, Calif., after having dinner at Giorgio Baldi wearing a navy blue ERL suit jacket left open to reveal her bare baby bump and a Savage x Fenty sheer bralette. Related: The singer accessorized with a polka-dot ERL necktie and a pair of gold necklaces featuring the names of her two sons, Riot, 23 months, and RZA, 3. While stepping out for dinner at Giorgio Baldi following the L.A. premiere of Smurfs on July 13, Rihanna donned a white two-piece look by Alaïa's Pieter Mulier that showcased her bump. The top included a hood that draped down into a high neckline, while the floor-length skirt featured a sculptural roll of padding around the waistband, creating a flared look at her hips. Rihanna completed the look with black rectangular shades and a stack of diamond bracelets. For the world premiere of Smurfs in Brussels on June 28, the nine-time Grammy winner stepped out with Rocky wearing a flowy look with a sheer center section that revealed her bump. The custom Chanel ensemble, which featured a celadon green silk chiffon top and skirt, took 840 hours to make, according to the fashion house. The set was embellished with sequins, crystals and feathers. Per Chanel, the look was inspired by the brand's haute couture spring 2003 collection and came complete with a tone-on-tone organza and feather camelia, as well as jeweled buttons. Rihanna and Rocky revealed that they were expecting their third child at the Met Gala in May. A source told PEOPLE in July that the couple are "thrilled" to become parents to a third child, adding that they've "really embraced this chapter and their bond has only deepened since becoming parents." According to the insider, Rocky "has been incredibly attentive and nurturing throughout this pregnancy." That means "changing diapers, doing bedtime routines, and keeping" his sons "entertained." "He's completely tuned into [Rihanna's] needs," the source said of the rapper. Read the original article on People


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BMW Presents Raphaëlle Peria And Fanny Robin's Poetic Photographic Journey At Les Rencontres D'Arles
Raphaëlle Peria. Gathering the Whispers, 2025. Courtesy of the artist / BMW ART MAKERS. Courtesy of the artist / BMW ART MAKERS. In a powerful convergence of memory, photography, and environmental reflection, French artist Raphaëlle Peria and curator Fanny Robin unveil their collaborative exhibition Traversée du fragment manquant ("Crossing the Missing Fragment") at the 56th edition of Les Rencontres d'Arles, one of the world's most prestigious photography festivals. Staged at the atmospheric Cloître Saint-Trophime–a 12th-century Romanesque cloister and UNESCO World Heritage Site–this exhibition is the winning project of the BMW ART MAKERS 2025 programme and marks the 15th year of BMW France's cultural partnership with the festival. The result is an elegy in images: a poetic dialogue between past and present, childhood and adulthood, memory and loss–rendered through a deeply personal story with universal environmental implications. Fanny Robin and Raphaëlle Peria, BMW ART MAKERS. Photograph by David Coulon (2025). DavidCoulon (2025)/ BMW Art Makers A Fragment Reconstructed The exhibition began with a photograph–several, in fact. Raphaëlle Peria, only three years old at the time, embarked on a journey with her father and sisters along the Canal du Midi aboard their family barge. That memory was hazy, half-lost–until a family photo album resurfaced decades later. "Page after page, the story of this crossing unfolded," she says. That rediscovery became the catalyst for a multi-layered project combining old family photographs, newly shot images of the same canal, and Peria's own signature techniques of photographic transformation. But there is a darker undertone. The plane trees that line the historic canal, once captured in the glow of childhood and sunlight, are now dying—devastated by an invasive fungal disease known as canker stain . 'There are parts of the canal now with no trees at all,' Peria says. 'In ten years, they'll be gone.' Lever les voiles sur le passé Raphaëlle Peria - BMW ART MAKERS Raphaëlle Peria - BMW ART MAKERS Photography As Archaeology Curated by Fanny Robin, the exhibition is an ambitious feat considering the rapid timeline: from selection in December 2024 to full production and installation by May 2025. Robin, Artistic Director of Lyon's Bullukian Foundation, has worked with Peria on multiple projects over nearly a decade, but this exhibition marks a turning point. 'This is our fifth exhibition together,' she says, 'but it's much more experimental than anything we've done before.' The body of work displayed in Traversée du fragment manquant is structured around a dialogue—between Peria's own photographs, captured during a return journey to the canal this spring, and her father's archival images from the 1970s. Peria explains, 'There are three types of works in the show: my scratched photographic prints on paper, new works on plexiglass, and archival family photos scratched into copper-toned paper. I chose copper because the fungus that kills the trees leaves behind a copper stain on their bark.' This act of scratching—an almost archaeological gesture—serves to reveal and conceal at once. In Peria's hands, photography is not merely a process of documentation, but a tactile excavation of memory, decay, and disappearance. The scratch marks, delicate yet insistent, reflect the tension between time's erosive nature and the human desire to preserve. A Journey Through Scenography At the heart of the exhibition is a stunning immersive installation, designed by Robin in close collaboration with Peria. Constructed from wooden structures and double-sided panels, the scenography invites visitors to move through the space as though navigating the narrow corridors of a barge. On one side are Peria's modern-day images; on the other, her father's archival photos—each one scratched, sculpted, and recontextualized into new meaning. 'It's a dialogue of transparency between past and present,' Peria explains. The setting enhances the work's emotional gravity. The Cloître Saint-Trophime envelops viewers in ancient stone and filtered light, a living monument to time's passage. Robin and Peria's construction mirrors that experience, with framed images glowing subtly through semi-translucent supports, evoking the canal's reflective waters and the memory-traces of a vanishing ecosystem. Robin notes that while the work will be shown at Paris Photo later this year, the scenography will shift. 'It will be adapted to the Grand Palais and its light,' she says. 'But the emotional core remains the same.' BMW ART MAKERS exhibition "Traversée du fragment manquant" at Les Rencontres d'Arles 2025 by artist Raphaëlle Peria and curator Fanny Robin. © Raphaëlle Peria/BMW ART MAKERS (07/2025) Memory, Melancholy, and Urgency Beyond the technical and curatorial achievements, what truly defines Traversée du fragment manquant is its emotional resonance. The title itself hints at absence—the missing fragment that Peria seeks to reconstruct not only through image, but through sensation and memory. The photographs bear poetic titles— Le Reflet de ce qu'il reste ( The Reflection of What Remains ), Gathering the Whispers —underscoring the elegiac tone. These are not just images of a canal; they are meditations on how landscapes carry human histories, how childhood moments become mythologized, and how fragile our ties to nature really are. 'I think it's important to show the evolution of an ecosystem,' Peria says. 'The trees are like ghosts now.' The urgency of climate change and environmental degradation is never stated explicitly—but it haunts every image. In revisiting the route of her childhood voyage, Peria finds the trees she once remembered reduced to stumps, scars, and absence. In bringing them back through her art, she creates a powerful tribute to what is already lost and what may soon vanish. Les fantômes du canal, Raphaëlle Peria - BMW ART MAKERS (2025) Raphaëlle Peria - BMW ART MAKERS (2025) The Power of Partnership BMW ART MAKERS, the program that brought this collaboration to life, is unique in that it funds a curator-artist duo, rather than a single artist. It's a model that fosters deep artistic dialogue, something both Peria and Robin have clearly embraced. 'The BMW program gave us the chance to take risks,' Robin says. 'It was a very short timeline, but that urgency led to something much more alive and immediate.' BMW's 15-year partnership with Les Rencontres d'Arles represents a long-standing commitment to cultural support, but Traversée du fragment manquant feels particularly timely. As industries reckon with their role in environmental crises, supporting work that speaks directly to issues of memory and ecology feels less like branding and more like responsibility. Raphaëlle Peria, BMW ART MAKERS (2025). Photograph by Lee Sharrock © Lee Sharrock A Family's Silent Witness As for Peria's father–whose photographs sparked the entire project–he had not yet seen the exhibition at the time of our interview. 'He found out about it in the newspaper,' Peria laughs. 'He'll come at the end of August.' One imagines that the experience will be profound. His casual snapshots have now become a visual cornerstone of an exhibition that combines intimate family history with urgent environmental commentary. What began as a child's summer adventure is now transformed into a work of art seen by thousands—and possibly, a record of a natural world that may not survive another generation. Le reflet de ce qu'il reste. Raphaëlle Peria, BMW ART MAKERS (2025) Raphaëlle Peria, BMW ART MAKERS Final Reflections In an age of digital overload and synthetic imagery, Raphaëlle Peria and Fanny Robin offer something far more tactile, poetic, and haunting. Traversée du fragment manquant isn't just about looking–it's about remembering, feeling, and mourning. It reminds us that photography, at its best, doesn't just capture the world; it interrogates our place within it. As Peria so poignantly puts it: 'Trees are living beings that carry our memory; they are the guardians of our secrets.' Through this remarkable collaboration, those secrets whisper again–etched in light, scratched into history, and carried forward, even as the waters rise and the trees fall. Traversée du fragment manquant is on view at Cloître Saint-Trophime, Arles, until October 5, 2025. The exhibition will also travel to Paris Photo in November at the Grand Palais Éphémère. Cloître Saint-Trophime, Marseille. Photograph by Lee Sharrock © Lee Sharrock
Yahoo
5 hours ago
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'Abbott Elementary' Star Dazzles at Vow Renewal in 80-ft Train and Shimmering Beaded Bouquet
'Abbott Elementary' Star Dazzles at Vow Renewal in 80-ft Train and Shimmering Beaded Bouquet originally appeared on Parade. In the world of , more is always more, and nothing is ever over the top. The legendary actress proved this once again, shutting down Philadelphia with a vow renewal so grand it could only be described as divine. Celebrating 20 years of marriage to Pennsylvania state senator Vincent Hughes, the Emmy-winning Abbott Elementary star ascended the iconic "Rocky Steps" in statement pieces for the ages: an 80-foot shawl that cascaded behind her like a royal train while carrying a bouquet of cascading pearls. And for anyone who might dare to call the look "too much," the queen herself has the perfect, unbothered clapback. In an exclusive with Vogue, who documented the spectacular event, Ralph addressed the magnificent scale of her attire. 'You might think it's over the top that @thesherylleeralph wore an 80-foot shawl for her vow renewal... on the Rocky Steps at the Philadelphia Museum of Art,' the magazine posted. 'But let Sheryl herself deliver the counterargument: 'How could I walk up all of those steps without leaving a trail of something for everybody to look at?'' The question is rhetorical, of course. For a Broadway legend and a certified "dream girl," leaving the public in awe isn't just an option—it's a requirement. As one fan perfectly put it, 'If we're going to renew. We are going to RENEW these vows!' The internet erupted with praise for the stunning display. The comment section on Vogue's post became a lovefest, with fans and famous friends showering her with adoration. Her Abbott Elementary boss, showrunner Quinta Brunson, kept it simple and sweet, writing, 'I love it.' Other fans captured the mood with pure worship. 'She's a dream girl never forget,' one commented, while another declared, 'oh this is beyond iconic.' The sentiment that this was in character for the star was universal: 'Wouldn't expect anything less from her,' a fan wrote. The details didn't go unnoticed, with one commenter gushing, 'It's the Beaded Bouquet that I can't get over!' From her Jamaican roots to her regal presence, every aspect was celebrated. 'Fabulous more is more Jamaican Queen,' one user hailed. The look was hailed as a powerful expression of identity, with one admirer stating, 'I say this as respectfully as I possibly can: THIS is what we mean when we say the Divine Feminine.' From every angle, the evidence was clear: Sheryl Lee Ralph is an icon who operates on her own level. As one fan summed it up with loving exasperation, 'IKDR!!! Just like a Leo lmao the dramaaaa.' For Sheryl Lee Ralph, drama is more than an act, it's a love language, and after 20 years, her epic romance is still leaving a trail for everyone to look at. 'Abbott Elementary' Star Dazzles at Vow Renewal in 80-ft Train and Shimmering Beaded Bouquet first appeared on Parade on Aug 5, 2025 This story was originally reported by Parade on Aug 5, 2025, where it first appeared. Solve the daily Crossword