AEW won the wrestling weekend and has the momentum. Could this be a vintage year for Tony Khan?
1. We called it wrong on Will Ospreay…
For all my rhapsodizing on Friday about how the stars were aligned for Ospreay, Tony Khan had other plans. Was Hangman Adam Page winning the wrong call? Perhaps not — in his review, our own Drake Riggs makes a persuasive case that Hangman's pivotal role in AEW makes him the ideal contender to dethrone Moxley and restore glory to the world title. Still, the surprise outcome begs the question of what's next for Ospreay, who has spent two years diligently building himself up as the company's king babyface.
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As for AEW's creative future, we're working from the assumption here that Hangman is actually winning at July's All In showcase. If that's not the case, there will be hell to pay.
2. Are things looking up for AEW?
It's been received wisdom for years that AEW knows how to deliver big events, and this weekend's Double or Nothing was the perfect demonstration of that maxim. Sure, we can pick holes if we're being pedantic — putting the last-minute trios match after an absolutely bonkers Anarchy in the Arena match was a bad move, for example — but they don't detract from the fact that this was the best AEW event in many moons. Even Mercedes Moné pulled out all the stops to deliver a stellar performance.
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With "Collision" on a hot streak at the moment, the consensus seems to be that AEW has the momentum right now. Whisper it, but could we be in the middle of a vintage year for Tony Khan? Let's come back to that question in December but, right now, things at least appear to be pointing in the right direction.
3. WWE is sticking to its guns on John Cena
Grumbles about John Cena's heel turn have been gathering pace in recent weeks, not helped by the champion's absence from the weekly shows. Just in case you had any doubts (or perhaps even hopes) that WWE might change course, this past Saturday's event confirmed what most of us suspected: That the company remains absolutely resolute in its commitment to dark Cena.
Cena's two appearances — defeating R-Truth and then reappearing later to try to screw Jey Uso out of the world title — weren't bad by any means, but they were a reiteration of the same playbook we've seen twice now, right down to the dirty low-blow finish. (Incidentally, it didn't go unnoticed that TNA's Trick Williams vs. Joe Hendry championship match had a much more imaginative heel finish, despite working with exactly the same tools).
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Whether you're sold on him or not, heel Cena is here to stay. Next stop: Money in the Bank on June 7, as the Universal Champion teams with Logan Paul to square off against Cody Rhodes and Jey Uso.
4. TKO's events strategy is taking shape
For all the chaos around the switcheroo for next year's WrestleMania 42, this weekend looks like a successful test case for TKO's events strategy. Admittedly, we don't know how much Tampa paid for the privilege of its WWE takeover, but to have three full arena audiences (SNME, Battleground, and Monday's episode of 'WWE Raw') on back-to-back-to-back nights is no mean feat.
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Wrestling obsessives can be as sniffy as they like about SNME being a glorified house show, but the fact remains that WWE still managed to deliver John Cena, Logan Paul and Cody Rhodes and a big TV audience. That's the sort of thing that host cities are going to want to see before they start shelling out these nine-figure sums to bring WWE in for the weekend.
We also had the news that WWE intends to run a similar takeover in Atlanta in July, with NXT's Great American Bash running alongside the next installment of SNME. In terms of big names, the latter is rumored to include Goldberg's retirement match. From a wrestling perspective, though, perhaps the real winners are the NXT talents, who will benefit from their PLEs feeling like a much bigger deal with these arena shows.
5. … as is the WWE/TNA partnership (kind of)
WWE pulled a big rabbit out of the hat back in January, with the announcement of its TNA partnership. In truth, it's still not clear exactly how the collaboration is intended to work on a business and creative level, but this past Sunday's Battleground event saw the boldest crossover yet, with the aforementioned Trick Williams winning the TNA world championship from TNA golden boy Joe Hendry.
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Does the former NXT champion now take a secondment over to Nashville to defend his prize against the TNA regulars and thus cement himself as the first cross-company heel? That would seem like the most logical step. And does that mean WWE gets a claim on Joe Hendry, who was one of the big winners (in the big picture sense at least) of this year's WrestleMania 41 weekend?
Up until now, WWE vs. TNA matches have largely been cameo moments, with title matches in particular being a foregone conclusion. After Sunday night, all bets are off the table.
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New York Times
38 minutes ago
- New York Times
Mike Brown has faced pressure before, but this time might be different. Welcome to the Knicks
Mike Brown is familiar with pressure. He coached LeBron James to his first MVP and NBA Finals appearance. He was the Los Angeles Lakers coach tasked with steering the final years of Kobe Bryant's greatness in the right direction. He was right next to Steve Kerr and Stephen Curry as they orchestrated the league's latest dynasty. Advertisement He's been to the finals as a head coach. He's won four NBA titles as an assistant/associate coach with the San Antonio Spurs and Golden State Warriors. He made a dysfunctional franchise respectable as a head coach. He's been fired after one year as a head coach. He's been fired in the middle of seasons. The New York Knicks wanted experience when looking for Tom Thibodeau's replacement, per league sources, and that's why Brown is now their guy. On Wednesday, multiple league sources confirmed to The Athletic that Brown and the Knicks are working on finalizing a contract to make him the franchise's next head coach. The hiring comes weeks after New York fired Thibodeau following the team's first Eastern Conference finals appearance in 25 years. But there's pressure, and then there's New York. Brown's about to learn what it's like to be a Knick. The 55-year-old coach isn't just walking into one of the NBA's most followed and starved franchises. That's pressure in itself. But he's now the head coach of the team that made it very clear that doing something it hadn't done in a quarter century still wasn't good enough. The Knicks, per league sources, are singularly focused on winning a championship. They believe Brown gives them the best chance to do that. Whether Brown will be an upgrade over Thibodeau for this iteration of New York basketball is yet to be seen. We're months away from learning that. What we do know, though, is that everything that comes with being in New York, Brown has gone through something similar. LeBron. Kobe. The lights don't get much brighter than when standing next to those two. The two-time NBA Coach of the Year was the only candidate the Knicks ended up bringing back for a second interview, per league sources. It was a patient search that featured multiple twists and turns. New York's front office led by Leon Rose reached out to employed head coaches (like Houstons' Ime Udoka and Dallas' Jason Kidd), assistant coaches (like Minnesota's Micah Nori, Dallas' Sean Sweeney and New Orleans' James Borrego), recently fired head coaches (like Brown and Taylor Jenkins) and even held a conversation with South Carolina women's basketball coach Dawn Staley. Rose and Co., per league sources, didn't feel rushed to make a hire since the Knicks were the only team in the NBA with a vacancy. Advertisement New York went into the initial stages of the hiring process with Brown's name circled. Per league sources, the Knicks liked Brown's extensive résumé and the fact that he's worn many hats in the NBA. New York, led by stars Jalen Brunson and Karl-Anthony Towns, liked that Brown has worked with James, Bryant and Curry. The Knicks liked that Brown came up under Popovich, worked alongside Kerr and won championships with both. New York was impressed at how Brown turned the Sacramento Kings around and helped them win 45-plus games in back-to-back seasons for the first time in the lowly franchise's history since 2006. Before he was fired by Sacramento after 31 games last season, Brown helped turn De'Aaron Fox into an All-Star. In 2022-23, Brown and the Kings had the best offensive efficiency since tracking began in 1996. Now, Brown is tasked with pushing the Knicks to the next level, into a tier of champions. The Knicks' offense, while it finished the regular season with the fifth-best rating in the NBA, was a bit deceiving. Things started hot for New York on that end of the floor until around the top of the calendar year, when teams started regularly guarding Towns with smaller, athletic wings and putting their centers on Josh Hart. The Knicks' offense, despite all of its firepower in the starting lineup, ranked just 16th from Jan. 1 until the end of the regular season (Brunson missed a month due to injury in March). In the postseason, veteran-laden New York struggled with the up-and-coming, injured Detroit Pistons in the first round of the playoffs. In the second round against the Boston Celtics, the Knicks found themselves down by 20 points late in both Games 1 and 2 before pulling off miraculous comeback wins that helped them eventually take down the defending champions. Ultimately, New York ended up in the Eastern Conference finals. That's an achievement worth celebrating. However, even with that success, it's also easy to understand how the franchise's decision-makers looked at how the Knicks got to that point and came to the conclusion that this team needed a shake-up in order to get to the next level. *Enter Mike Brown* Advertisement The Knicks are positioned as well as any team in the Eastern Conference to make the leap next season. On paper, New York should be one of the conference's last two teams standing. Yet, there's so much more that goes into winning a championship than names on a sheet. There's talent. There's luck. There's health. The Knicks aren't promised another trip back to the conference finals, but they're expecting one. Brown comes into a situation that he can only come out of as a superhero if he takes New York to the NBA Finals or beyond. That's it. Anything less will be considered a failure, unfair or not. New York's decision-makers put those expectations on their new head coach. The fans didn't. The media didn't. The pressure is tremendous. The Knicks feel like they got the right person to end a 50-plus year title drought. And maybe they do. We won't know that answer, though, for quite some time. What we do know right now is that of all the coaches available to the Knicks, no one was more familiar with the gravity of the situation than Brown. That's at least a good start.


Forbes
38 minutes ago
- Forbes
Christopher Nolan's ‘The Odyssey' Trailer Leaks Online And It Looks Pretty Bad
Matt Damon in The Odyssey Ever since we learned that Oppenheimer director Christopher Nolan was making an adaptation of The Odyssey, I've been overcome by doubt. At first, the news was pretty exciting. I'm not a Nolan fanatic, but I loved his Dark Knight trilogy and many of his other films, like Memento, Inception and Interstellar. Then I found out that Matt Damon had been cast as Odysseus, the protagonist of Homer's classic adventure. Damon has done some great work in the past, especially in films like his breakout Good Will Hunting, but he felt wrong for this role. Someone like Ralph Fiennes – who starred in last year's The Return, also about Odysseus – fits the part much better. More casting news kept rolling in and the more I learned, the more I worried. Tom Holland will play Odysseus's son, Telemachus. And if that wasn't Spider-Man enough for you, Zendaya is also on board. I like Jon Bernthal, but between him, Damon and Zendaya this entire production was starting to feel decidedly American. It's probably just personal taste, but I prefer foreign historical epics to either have the regional language or accent, or to have British accents. (The exception to this rule is for more comedic or fantastical projects like Dungeons & Dragons: Honor Among Thieves). Robert Pattinson is a Brit, just like Holland, but both speak with American accents in the newly leaked trailer for the 2026 film. Pattinson (seemingly) narrates the opening, channeling his Lighthouse co-star Willem Dafoe. 'Darkness. Zeus' laws smashed to pieces. A kingdom without a king since my master died,' he says as the camera pans over a dark ocean. 'He knew it was an unwinnable war, and then somehow…somehow he won it.' The trailer, which is currently playing in theaters but has leaked onto TikTok, X, Reddit and elsewhere, gives us what appears to be glimpses of the Trojan Horse, then moves to a scene between Holland's Telemachus and Bernthal's mystery character. Bernthal appears to be playing a soldier of some sort, perhaps an old companion of Odysseus. 'I know nothing of Odysseus, not since Troy,' he says. 'I have to find out what happened to my father. When did you last see him?' Telemachus replies. They sit together with other men gathered nearby. 'Interested in rumor, huh? Gossip. Who has a story about Odysseus, huh?' Bernthal's character hollers at the surrounding men. 'You? You have a story?' Bernthal continues in voice-over as we see shots of a cavern, men walking toward a city at night, flags waving. 'Some say he's rich or some say he's poor,' Bernthal says. 'Some say he perished. Some say he's imprisoned. What say you?' 'Imprisoned?" Telemachus replies. 'What kind of prison? Good, old man like that,' Bernthal says. We see the ocean again, and Odysseus floating on a makeshift raft. The date 17.07.26 appears. Many things bother me about this trailer and about the film in general. I have trouble explaining why I dislike celebrity-ridden, star-studded casts like this, and perhaps it is just personal taste, but here are some of the other cast members: Anne Hathaway, Lupita Nyong'o, Charlize Theron, Elliot Page, Himesh Patel, Benny Safdie, John Leguizamo, Mia Goth, Corey Hawkins, Cosmo Jarvis and more. Many of these are excellent actors, and some aren't what I would call 'celebrities' but I assume even excellent, lesser-known – but incredibly talented – British actors like Jarvis will have an American accent here. I had this same issue with Dennis Villeneau's Dune films. This many big names, especially in big epics like this, detract from the immersion. I don't want to recognize everyone. I want smaller, lesser-known actors to have a chance to make their names in big ensemble casts. Even films like Robert Eggers' The Northman would have benefited from fewer big names. Nothing takes me out of a violent Norse epic like Nicole Kidman. There are so many talented, lesser-known actors out there to fill these kinds of roles. I love that Quentin Tarantino, when assembling his 'star-studded' Pulp Fiction used mostly lesser-known stars or actors who had dropped off the face of the earth since their heyday, like John Travolta (and what a comeback he had). I try to explain this by recasting Lord Of The Rings using really famous actors from the early 2000's (which already had a handful of big stars). Brad Pitt as Aragorn. Russell Crowe as Boromir. Leonardo DiCaprio as Pippin . . . and so on and so forth. Great actors, sure, but right for the cast? I prefer more newcomers and more established character actors who aren't necessarily household names. 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It was visually and sonically astonishing, but Nolan's focus on crafting another mind-bending plot instead of prioritizing his characters and their personal journey made it feel emotionally empty. It was heavy but without heft. Will we get a similar treatment in The Odyssey? Does an adventure story like this need multiple timelines or big twists? Does it need to be dark and colorless? Of course, I'd still rather see Nolan at the helm than Ridley Scott. Scott has made some great films also, but his more recent efforts have fallen short. Napoleon, Gladiator II . . . what tremendous disappointments. Or Zack Snyder, for that matter. I shudder at the thought. We shall see a year from now, and probably several trailers later. What do you think? And before you say this isn't fair, that I should not – must not! – judge a movie by its trailer: This is how the world works. We all judge movies by their trailers. A movie studio is tasked with putting its best foot forward in its marketing. They are trying to sell us a thing. We are allowed to have opinions about the thing they're trying to sell us. I grow very weary of fans acting like the only opinion allowed is glee and frothing excitement. A critical eye never hurts. If nothing else, setting our expectations lower can help us enjoy the final product more when it comes out. Let me know your thoughts on Twitter, Instagram, Bluesky or Facebook. Also be sure to subscribe to my YouTube channel and follow me here on this blog. Sign up for my newsletter for more reviews and commentary on entertainment and culture.


New York Times
41 minutes ago
- New York Times
What's in Our Queue? ‘Face in the Crowd' and More
I'm a White House correspondent. I spend a lot of time and psychic energy reporting on the daily convulsions in Washington. I think it's good to unplug from the warp-speed news cycle from time to time, to let my mind wander to faraway places and the past. It helps → Elia Kazan's 1957 movie about another charismatic loudmouth who whips up a populist furor and rides it all the way to the pinnacle of power is another thing worth revisiting. It's a movie about mass media as much as about politics. I finally read this most famous of Russian novels and loved it for its cynical, florid absurdism, and most of all for the chapter on Satan's grand ball. The writing is so over the top and the guest list so wicked, it reminded me almost of Tom Wolfe describing a 1980s Park Avenue dinner party. This comprehensive, compulsively watchable docuseries about what happened after 9/11 features original interviews from big players in the Bush administration and beyond who played pivotal, often disastrous, roles in those years leading up to these wars we've only just disentangled ourselves from. I recently read for the first time Robert Penn Warren's Pulitzer Prize-winning opus of a novel based on Huey Long, a.k.a the Kingfish, a.k.a the Dictator of Louisiana. It's such a dark, riveting tale of politics, power, the press, populism and elites, and I love the way he writes about the land itself. It's all sulfuric atmospherics. This masterpiece from 1969 unravels what life was like in one small town in France that collaborated with the Nazis. It's more than four hours, but gets better as it goes — the sort of thing you put on on a gloomy Sunday when you want to put your phone in the other room and really get lost in something.