logo
BGT star says 'it becomes mental torture' as he calls for U-turn on 'unfair' part of show

BGT star says 'it becomes mental torture' as he calls for U-turn on 'unfair' part of show

Edinburgh Live18-05-2025
Our community members are treated to special offers, promotions and adverts from us and our partners. You can check out at any time. More info
Britain's Got Talent's first ever winner, Paul Potts, wants to see the back of red buzzers being used during the show's live performances.
Last week, musician RuMac didn't get the reaction he hoped for during his semi-final performance, after previously impressing judges with his rendition of Yes Sir, I Can Boogie.
Alesha Dixon, Amanda Holden, and Bruno Tonioli all pressed their red buzzers, as he performed his version of A-ha's Take On Me.
The 32-year-old managed to finish his performance, thanks to head judge Simon Cowell, who said he "loved it".
Sharing his thoughts on red buzzers being used during live shows, Paul, who won the show in 2007, believes it's time for producers to have a rethink.
Speaking in association with Sky Vegas, he argued: "There shouldn't be any red buzzers at this stage of the competition.
"We should be focusing on the positives and celebrating the talent that's made it this far."
He went on to question: "The golden buzzer is a great idea for highlighting standout acts – but the red buzzers?
"If we've chosen the finalists based on their ability, there really shouldn't be a need for them.
"And if there is a need for red buzzers in the live shows, then it raises the question, why are those acts in the final to begin with?".
The 54-year-old added: "There's a risk that if you include acts just for comedy or shock value, and then use the buzzers on them, it becomes mental torture – that's not fair.
"If something genuinely falls flat, the voting audience will make that clear without the need for red crosses. So, in my view, they're unnecessary at this stage."
Although RuMac didn't impress three of the judges, all four ended up giving him a standing ovation at the end.
Sharing his thoughts, Simon said "I think you and your agent are going to get a billion phone calls tomorrow for New Year's Eve to book you, because that is exactly the type of performance people love at a party.
(Image: ITV)
"I'm not a huge fan of that instrument, however, you played it really well and I loved it."
Reflecting on the judges' use of buzzers during the performance, Simon continued: "When they buzzed you, you just got faster and faster.
"Most people's heads would go down, but you just went for it. You did great."
Alesha added: "In the history of being on this show, that's the first time I have given someone a red buzzer and a standing ovation at the same time."
Despite earning applause from the audience, RuMac's journey on the show came to an end when he secured sixth place in the public vote.
(Image: ITV)
Dance group Ping Pong Pang were the winners of the night after receiving the highest public vote, while singer Jasmine Rice was awarded Bruno's golden buzzer.
These two acts will now compete for the overall win in the final, alongside Stacey Leadbeater, Vinnie McKee, Olly Pearson and The Blackouts, as well as the next two winners of tonight's semi-final.
Britain's Got Talent continues tonight at 7pm on ITV and ITVX.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

How Amanda Knox tells her kids their mummy was jailed for murder
How Amanda Knox tells her kids their mummy was jailed for murder

ITV News

time30 minutes ago

  • ITV News

How Amanda Knox tells her kids their mummy was jailed for murder

Amanda Knox's every move has been scrutinised for nearly all of her adult life. The murder of Meredith Kercher - and the subsequent arrest, trial, conviction, imprisonment, acquittal and release of Knox, then her retrial, second conviction, and ultimately her definitive exoneration by Italy's Supreme Court in 2015 - is a story that has made headlines around the world for almost twenty years. Amanda is now 37, a wife to an author and podcaster, Christopher Robinson, and a mother of two children, Eureka and Echo, but still - as she put it to me - she is "forever branded the girl accused of murder". I first met Amanda Knox when I worked for ITV in the US in 2013. I had negotiated with her legal team and her family for months, for her to agree to do an interview with us. As soon as she agreed, we travelled from the East coast to the West to meet her, in her hometown of Seattle. On the day we were to record the interview, we set up, and then just sat and waited and waited and waited for her to arrive at the hotel, and I was nervous. Would she turn up? What would she really be like? Was she a murderer or not? When I met her, she had been cleared and freed two years earlier and flown straight back to the US, but here we were, 24 months on, and she was about to be retried in absentia for Meredith Kercher's murder. Knox was terrified of being extradited back to Italy. I was a journalist, yes, but I had watched everything the British public had watched, everything they'd read in those six years, since her name first hit the headlines in 2007. My fascination was heightened even further because, at 21, I too had gone on a year abroad to a foreign country to study a different language, and had a British roommate. I was gripped, completely gripped, by the intrigue that encircled Amanda Knox. The salacious details of the case and the relentless media circus that surrounded her, had fuelled it. I knew I'd be adding to that by doing this interview, but she wanted to do it to plead her innocence again, and I'd be lying if I said I didn't want to meet her. When she turned up that day in Seattle, she was softly-spoken, polite and articulate, yet deeply traumatised. Twelve years on from that meeting, and she was similarly calm and composed, but within minutes of us saying "hello", that calmness was interrupted by her 18-month old son Echo. He'd burst into the room at her end, just as the Zoom call was beginning. He doesn't ever like to be parted from her for long, she told me. For me though, it was a sudden realisation how her life has changed and evolved, and that time does move on, even though perceptions often don't. She had agreed to chat to me this time, because her second book, Free - My Search for Meaning, has just been published. Naturally, she wants to promote it and she is no stranger to putting pen to paper. Her first book was called Waiting To Be Heard, so I asked why she felt the need to write another one, and if she does now finally feel free. "I'm not known for something I did; I am known for something that I didn't do and am treated as a morbid curiosity," she told me. "When people think of this case they don't remember Meredith's name, they remember mine. They don't even remember the murderer's name, they just remember mine. "This is the story of how I have survived that experience, how I navigated the prison environment and how I discovered upon being released from prison, that I did not go back to being an anonymous person. "My very identity is tied up and attached to the death of my friend." I then asked her if every day feels like she's on trial - people in the street, Mums in the playground - wondering, did she or didn't she? "I feel like I am going to spend the rest of my life proving my innocence," she replied. Amanda moved to Perugia in Italy to study, aged 20. So had Meredith Kercher, but her body was found in the home they shared. She had been raped and brutally murdered on 2 November, 2007. Both girls' lives changed forever. Suspicion soon fell on Amanda and her Italian boyfriend Raffaele Sollecito. They'd only being seeing each other for four days at that point. Amanda and Raffaele were both found guilty of Meredith's murder in a high-profile court case, that was as much a media battle as a legal one. She was cemented into the public's psyche as "Foxy Noxy," which was a nickname given to her in 5th grade because she was a good soccer player, and it was picked up by the media from her Myspace page after she was arrested in Italy. But, it is the prosecutor in her murder trial - Giuliano Mignini - who put her in jail for 4 years - who is the person she holds responsible for creating the "she-devil, femme fatale" narrative around her. "He, from the very beginning, has been a nightmarish figure in my life," she said. "He created a monster from an innocent person." In her new book, Amanda writes about the relationship she has since established with him, and her need to return to Italy - after the pandemic - to meet him face to face. Her family did not want her to, but she did. I asked her about it: "You went back to Italy because you wanted to meet him. Why did you do that? What did you want from that?" "I think that everyone who has been hurt by another human being wants to know why and wants to know if the person who hurt them realises what they did," she replied. "Did you want him to change his mind, Amanda?" "Of course I did" "Did he?," I pushed. "I would say, yes," she said. "His perspective about the case has evolved with time and with coming to know me as a human being. He does not believe that I am capable of the crime now." We also talked about the mistakes she's made since being released, her struggles with what freedom really means for her, her friendship with Monica Lewinsky, another vilified woman in the United States, and the ultimate effect it's had on her family. Amanda got emotional several times in the interview about how, now that she is a mother, she finally understands how her own mother felt watching her be wrongfully convicted, go to prison and be helpless to do anything about it. She said the first thing she said to her own daughter, just minutes after Eureka was born, was, "I'm sorry." Amanda is fearful that she will pass on her trauma, and the stigma that she lives with, to her children. Then, she went on to tell me what I have never heard her say before. How she has explained her murder conviction to her daughter. This is what she said to Eureka, who is three years old: "When Mummy was young, Mummy went to go study in a foreign country, and it was beautiful, and she made friends. And then out of the blue, someone hurt her friend really badly and they thought Mummy hurt her friend and so they put Mummy in jail. And then Mummy had to prove that she was innocent and she got out of prison and she got on with her life. She met papa. She had you. The end." But how Eureka has interpreted the story made me gasp. Amanda revealed: "She'll now want to play 'Mummy Goes to Italy' with me. So, she'll have me re-enact being behind prison bars or she'll pretend to be Mummy. "Like if we see a playground where they have bars, she'll be like, oh look, 'I'm Mummy in prison'. "She is processing it the way children process things, which is through play." Despite what Amanda Knox and her family have endured, I was at pains to talk about Meredith. She is the 21-year old at the heart of this story. A young, British girl murdered on her exciting, year abroad by Rudy Guede, a known burglar, who served 13 years of a 16 year sentence for the crime. I asked Amanda if she thought about Meredith. "Oh my God, every day. She was just like me, she was one year older than me, she liked to read, she was studying journalism, she loved the Italian culture and the Italian language. "We had so much in common, and everything was taken from her. I think about her a lot." The Kercher family has never wished to engage with Amanda. "Does it bother you that they perhaps don't think you're innocent?" I asked her. "It 100% bothers me. I've literally never had access to Meredith's family, ever. I've never met them. "They don't know who I am, and they only know me through the worst context possible." I was curious as to what she would say to them now, after all this time has passed. "I want to grieve with you. And, it's not fair what happened, it's not. And I understand why it feels like [they] never got justice for her because [they] didn't. And, and I care about that." Whatever your own thoughts are on Amanda's innocence or guilt, the legal facts remain. She has been definitively exonerated of Meredith's murder. Meredith's killer was tried, jailed, and has served his sentence and been released from prison. The legal purgatory is over for Amanda Knox, but the cultural purgatory will probably always remain.

Rihanna sports a pregnancy support belt as she enjoys family outing with son Riot and A$AP Rocky in Paris
Rihanna sports a pregnancy support belt as she enjoys family outing with son Riot and A$AP Rocky in Paris

Daily Mail​

time43 minutes ago

  • Daily Mail​

Rihanna sports a pregnancy support belt as she enjoys family outing with son Riot and A$AP Rocky in Paris

Rihanna sported a pregnancy support belt as she enjoyed a family outing with son Riot in Paris on Friday. The singer, 37, shares two sons, RZA, three, and Riot, 23 months, with her rapper boyfriend A$AP Rocky, 36, and she is currently expecting their third. She went public with her latest pregnancy at this May's Met Gala, which Rocky co-chaired. Rihanna proudly bared her bump in a white vest top and used a support strap - which helps support posture and ease discomfort. She completed the look with a pair of grey jogging bottoms and black sunglasses. Meanwhile, Rocky, whose real name is Rakim Athelaston Mayers, cut a casual figure in a blue T-shirt as he carried their youngest child into a car. Rihanna's latest outing comes two days after Rocky appeared to accidentally reveal the gender of their third child while attending the world premiere of her film Smurfs held at Mont des Arts in Brussels, Belgium on Sunday. When ET 's Kevin Frazier asked the 36-year-old rapper 'Is that the girl you've been waiting for' he immediately replied: 'It is, man, it is.' Feeling cornered, A$AP then held up a plush Smurfette doll and redirected: 'Right here, you know what I'm saying? Right here.' Over on ET's official Instagram account, fans went wild with user @aysenuurkc exclaiming: 'It's [a] girl!' 'He definitely gave it away,' Instagram user @khadija_sufi laughed. 'How cutely he promoted the movie and showed his love for her!' Instagram user @fashionistaera21 gushed. 'That's a real man supporting his girl.' Instagram user @hot_cheetos_0001 commented: 'Put a ring on it. Do it the right way.' 'He needs to marry her,' Instagram user @chibiapril0412 agreed. When Frazier asked Rihanna the same question, she smiled coyly and replied: 'Let's see if it's a could be a Papa Smurf. Who knows?' Riri (born Robyn Fenty) did confirm that the couple would give their next child a name that begins with R: 'That's the one thing me and Rocky don't fight over.' When asked how many more children they planned on having, the two-time Grammy nominee joked: 'We [are] going to be like the Wayans' family, you know? Yeah, I mean, love is beautiful and it's just [about] spreading it.' The nine-time Grammy winner and A$Rocky already welcomed two sons during their five-year relationship and she hasn't been shy in the past over her dream of having a daughter. But the power couple - who share matching 1988 tattoos to mark their birth year - originally met in 2011 when she first enlisted him to rap on her song Cockiness (Love It). Rocky was facing up to eight years in prison until February 18 when a jury found him not guilty of two counts of assault with a semi-automatic firearm stemming from a 2021 shooting of his longtime friend A$AP Relli (born Terell Ephron). The AWGE founder's late Bajan father reportedly went to prison when he was only 12, and he spent his teen years moving around homeless shelters with his mother and sister. Rihanna produced and voiced Smurfette in Paramount Animation's Smurfs - hitting UK/US theaters July 18 - along with writing and recording original songs like Friend Of Mine. Smurfette was previously voiced by the Bajan billionaire's rival pop stars Katy Perry and Demi Lovato. Chris Miller's animated film will also feature Nick Offerman, Natasha Lyonne, JP Karliak, Dan Levy, Amy Sedaris, Nick Kroll, James Corden, Octavia Spencer, Hannah Waddingham, Sandra Oh, Alex Winter, Billie Lourd, Xolo Maridueña, Kurt Russell, and John Goodman. Rocky also took on an acting role as Yung Felony in Spike Lee's critically-acclaimed neo-noir crime thriller Highest 2 Lowest, which hits US theaters August 22 before streaming on Apple TV+ starting September 5. But there is still no release date for the New York native's long-delayed fourth studio album, Don't Be Dumb. Rihanna also keeps busy with her $3B lingerie line Savage X Fenty, which she parlayed into a $600M cosmetics company Fenty Beauty as well as Fenty Skin, Fenty Fragrance, and Fenty Hair.

Nile Rodgers to guest-curate display at new David Bowie Centre
Nile Rodgers to guest-curate display at new David Bowie Centre

Leader Live

timean hour ago

  • Leader Live

Nile Rodgers to guest-curate display at new David Bowie Centre

London's V&A Museum, which is behind the new David Bowie Centre, said Rodgers has also selected a bespoke Peter Hall suit worn by Bowie during the Serious Moonlight tour for the Let's Dance album. Photographs of Bowie, Rodgers and guitarist Stevie Ray Vaughan recording Let's Dance in New York will also feature. The David Bowie Centre will open within the museum's new East Storehouse in the Queen Elizabeth Olympic Park, in Stratford, east London, on September 13, where it will host items including costumes worn during the singer's Ziggy Stardust period. Rodgers said: 'My creative life with David Bowie provided the greatest success of his incredible career, but our friendship was just as rewarding. 'Our bond was built on a love of the music that had both made and saved our lives.' Rodgers produced Bowie's single Let's Dance and the 1983 album of the same name, as well as his 1993 album Black Tie White Noise, with the personal correspondence in the exhibition relating to the latter. Brit Award-winning indie rock band The Last Dinner Party have also curated part of the exhibition, describing Bowie as a 'constant source of inspiration to us'. Their items include Bowie's elaborate handwritten lyrics for his song Win, and notes and set lists for his 1976 Isolar tour. The band said: 'David Bowie continues to inspire generations of artists like us to stand up for ourselves. 'It was such a thrill to explore Bowie's archive, and see first hand the process that went into his world-building and how he created a sense of community and belonging for those that felt like outcasts or alienated – something that's really important to us in our work too.' Access to the David Bowie Centre will be free, with tickets released nearer its opening. The David Bowie archive, which boasts more than 90,000 items, was acquired by the V&A with the help of the David Bowie Estate, the Blavatnik Family Foundation and Warner Music Group. The centre will be spread across three zones, which will include curated displays, audio visual installations and quieter study areas, allowing visitors to view the Bowie archive on their own, from musical instruments to stage models. Small displays will tell the stories behind the singer's albums and also look at his multi-dimensional creative approach, including unrealised projects, collaborations and influences. The East Storehouse opened at the end of May, and features the Order An Object initiative, allowing visitors to pre-book to see an item from its entire collection. The V&A will also open the V&A East Museum in spring 2026, in an area named East Bank. Its main museum is in South Kensington, west London, and it also runs the Young V&A in Bethnal Green, east London.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store