Frame and Sotheby's Are Bringing Back '80s New York
June's lineup of drops, collaborations, and store openings is set to gear you up for everything summer has in store. First up, Frame and Sotheby's just dropped a perfectly preppy capsule. From major fashion moments to can't-miss releases, here's everything you need to know this month.
Who: Frame
What: Exclusive capsule collection
Where: Online at frame-store.com
Why: Frame and Sotheby's have confirmed that '80s New York will never go out of style. This summer, the two have teamed up to release an all-new collaboration that honors the art auctioneer's 281-year legacy and inspires the next generation of collectors. From oversized blazers to argyle sweaters and retro T-shirts cheekily emblazoned with 'COLLECTOR,' the pieces are perfect for Gen Zers who aspire to dress like Carolyn Bessette Kennedy, off-duty Wall Street bros, and any prepster in between.$198.00 at frame-store.com$168.00 at frame-store.com$548.00 at frame-store.com
You Might Also Like
The 15 Best Organic And Clean Shampoos For Any And All Hair Types
100 Gifts That Are $50 Or Under (And Look Way More Expensive Than They Actually Are)
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Forbes
3 days ago
- Forbes
Why Are People Distressing Their L.L.Bean Tote Bags?
Louise Parker poses with a customized Boat and Tote on Sept. 7, 2021 in New York City. (Photo by)√´√ Getty Images As a flood of criticism continues to surround the release of Ryan Murphy's American Love Story screen test—with specific concerns regarding the 'never-worn' and 'too-new looking' styling of the project's female lead and real-life style figure Carolyn Bessette-Kennedy fueling the conversation—a light is shined on the greater shift in cultural consumerism that has begun to take place, one that glorifies lived-in clothing and aged accessories as a signifier of modern elitism. The clearest expression of this recent cultural phenomenon takes shape with the hyper-specific treatment of one garment in particular: the Boat and Tote. As with the popularization of several other traditionally East Coast closet staples—hailed as must-have items within the past several trend cycles— iconized Boat and Tote bag silhouette has been reintroduced to consumers all across the United States, many of whom were previously unaware of the brand's hero product and its longstanding legacy. Fueled by the accessory's newfound glamorization and young shoppers' urgency to own it, the tote has become the perfect canvas to project this newly desired aesthetic upon in the form of manual distressing. Rather than waiting for subtle wear and tear to naturally accumulate with consistent use, consumers are documenting themselves purposely distressing their brand-new bag for a more 'lived in' look on social media. Many individuals are even reaching out through the comment sections of related videos for tips on how to achieve a naturally worn appearance without actually having to wear-in the accessory consistently. All too familiar with the fixation consumers have on styling a not-so-effortlessly distressed Boat and Tote is Niko Arredondo, a content creator based out of Phoenix, Ariz. Following several videos in which he shows off his uniquely customized tote bag to the camera—personally adorned with grommets, carabiners, keychains, snap closures, metal feet and embroidery—Arredondo has garnered a community of viewers inspired by his craftsmanship and creativity. In an interview, Arredondo described his own fondness for the lived-in look, illustrating why so many might be shifting away from the preservation of precious garments. 'I love watching it age over time. I don't feel inclined to clean it or make sure it looks just as the day I bought it. I've always had this fantasy of my children's children finding 'Grandpa's Bag' not pristine, but stained, distressed and evident of a fun life lived. While diamond rings, jewelry and old cars have been the heirlooms of the past, I want my everyday items to be something worth holding onto.' However, despite the time and care Arredondo has put into personalizing his Boat and Tote, the subtle damage acquired by his bag has been nothing but organic, using it daily for over two years and adding each element of customization one at a time as needed for practicality. So what is it about the look of a beat-up tote bag that's so alluring? Enticing consumers to accelerate the natural deterioration process and forfeit any resemblance of authenticity in favor of manufactured aestheticism. In an interview with Nancy Deihl, fashion historian and chair of the Department of Art and Art Professions at New York University, the academic touched on one reason why she believes this phenomenon has emerged: the desire for distinction. 'It seems as much as someone might say, 'Oh, I don't care about clothes like that,' I've never really met anyone who really didn't care,' she said. 'Even just saying 'I don't care about clothes' is a statement. So, it's hard to distinguish yourself.' Deihl continued, saying, 'In fact, I think it's so strange, because there's so many stores selling things that really look similar, it's surprising we don't see more people like on the streets of New York, dressed alike. Somehow we managed to not be a twin next to with the person we're standing next to in line.' In the same interview, the professor elaborated on this theory by linking it to similar patterns of consumer behavior present within previous decades. 'I also think about the 1970s in the late 60s, when people were doing all kinds of do-it-yourself distressing to their jeans for distinction, to make it look like theirs. Like fraying and sanding and bleaching, to make it look like this is something I wear all the time. I didn't just go out and buy it.' Given the current economic climate and looming recession within the United States—factors which have begun to significantly impact the habits of the average consumer—it is unsurprising why similar behaviors have emerged. The intentional aging of one's Boat and Tote additionally parallels the popularized bag charm movement that has dominated the accessory industry in recent months—inspiring consumers to customize their handbags for unique distinction and subtly communicate that their item is well-loved. While Arredondo views the trend with a positive perspective, the content creator encourages consumers to express themselves beyond their bags and allow their accessories to reflect their real-life. 'I think many people can tell the difference between a brand new tote that's been distressed and one that's been around a while. I think the perfect way to distress the Boat & Tote is to find a balance between the artificial and the real thing,' he said. 'I would encourage people to get creative in customizing their totes, and even more adventurous in where they take them!'
Business Insider
4 days ago
- Business Insider
Mark Zuckerberg paired a $250,000 'grail' watch with his cool guy uniform
Mark Zuckerberg is showing off wrist candy from his pricey watch collection in his everyday looks. After years of dressing in humble hoodies, the billionaire has beefed up his wardrobe with a custom gold chain and a collection of luxury watch brands. Zuckerberg, who Forbes estimates is worth nearly $250 billion, recently paired a basic T-shirt with a limited-edition watch. An iteration of the same model sold at auction for $254,000 in April, Sotheby's said. Zuckerberg's F.P. Journe Chronomètre Bleu Byblos is one of 99 of that model made in 2014 to celebrate the 10th anniversary of the watchmaker's boutique in Beirut. Watch industry veterans identified the timepiece after Zuckerberg wore it during an April 28 appearance on Theo Von's "This Past Weekend" podcast. "It's one of those pieces that quietly signals, 'I know what I'm wearing,' without shouting it," Eugene Tutunikov, CEO of SwissWatchExpo, told Business Insider. Zuckerberg has other F.P. Journe watches in his collection. For his keynote at Meta Connect 2024, he chose a watch that resembled one from the Souveraine collection. Sotheby's estimated that it could fetch up to $54,000 at auction. "F.P. Journe is one of the most respected independent watchmakers, celebrated for its superb finishing, innovation, and incredibly limited runs," Paul Altieri of Bob's Watches told BI. Despite the rarity and hefty price tag, the Chronomètre Bleu Byblos is a "simpler" time-only choice for the Meta CEO compared to the more complicated pieces he's been spotted in, Joshua Ganjei, CEO of European Watch Company, said. Zuck wasn't known for flashy fashion choices when he broke onto the tech scene as a college dropout. Over the years, his zip-up hoodie and blue sweater became a staple of his style. Last year, he was captured admiring a Richard Mille watch worn by the Reliance Industries heir Anant Ambani. "You know, I never really wanted to get a watch, but after seeing that, I was like, watches are cool," Zuckerberg is heard saying in a video of the interaction. Today, he's turned a corner to crank up his style. His custom gold chain — made in honor of his daughters — is paired with many of his outfits, and he's rarely seen without a pair of the Ray-Ban smart glasses powered by Meta AI. Adam Mosseri, CEO of Instagram, previously praised Zuckerberg's new steeze in June 2024. Mosseri said his boss spent a long time "not wasting any energy on deciding what to wear." Instead, Zuckerberg decided to wear "the same thing every day for a long time as a lot of tech execs have done." Zuck is entering a new fashion era in his own way, with a watch that's a "perfect fit" for him, Tutunikov said. "It's almost like the thinking man's grail: no flashy logos, no gimmicks, just insane craftsmanship and a bit of mystery," he said.
Yahoo
4 days ago
- Yahoo
Jonathan Anderson's Dior Man Is a Delight
"Hearst Magazines and Yahoo may earn commission or revenue on some items through these links." There's a new (new, new) look at Dior. After weeks of teasing glimpses, Jonathan Anderson has finally started to unveil his vision for the nearly 80-year-old fashion house. At Les Invalides in Paris, Anderson showed his debut collection for Dior men's and presented an entirely fresh vernacular for the global brand—one that delicately balanced the historical with the present while presenting lots of propositions for the future. The livestream began with videos of brand ambassadors traveling to the show. Lakeith Stanfield and Josh O'Connor chitchatted in the back of the cab, while Robert Pattinson leisurely strolled into an elevator. All of these guys were decked out in Anderson's new Dior, or perhaps it was less decked out and more dressed. Impossibly stylish, the clothes bend the arch between a dapper man and someone who's a bit of a scoundrel. Outside, Anderson collaborator and friend the director Luca Guadagnino was filming some of the recognizable guests who began to arrive, like Sam Nivola and Donatella Versace. Rihanna and A$AP Rocky were there. Sabrina Carpenter pulled up wearing an Anderson-ized version of Dior's New Look. Inside the venue, a nearly-empty gallery space had been built, punctuated only by light parquet floors and wooden blocks for seats. The walls were sparsely hung with still life paintings by Old Masters like Jean Siméon Chardin, whose work Monsieur Dior was fond of. Other than Versace, several more designers came out to support Anderson, including Pierpaolo Piccioli and Matthieu Blazy, both set to make their own debuts, at Balenciaga and Chanel respectively, this fall. The anticipation for this collection was high, to say the least. Once the first look hit the runway, it was clear just how much the hype had been warranted. Bang out of the gate, a hit: Anderson paired a Donegal tweed bar jacket with ballooning cargo shorts fastened with a pleated, cascading bustle at the back, a design loosely inspired by the mille-feuille dress silhouettes Monsieur Dior showed at the beginning of his career. Everything that followed painted a delightful, whip-smart portrait of the past infused with the present. Riffing off of ideas from his final womenswear collection for Loewe last year, Anderson wrote in the show notes that these pieces were meant to signify 'a reconstruction of formality' and celebrate the 'joy in the art of dressing: a spontaneous, empathetic collusion of then and now, of relics of the past things rediscovered in the archives, classic tropes of class, and pieces that have endured the test of time.' For any other designer, finding resonance with 'then and now' at a storied house might manifest itself as a re-issue. Anderson is one of the most important designers of his generation because he understands how not to do that. He makes things that are recognizable and ripped from history books and turns them into something we've never seen before. For Spring 2026, Anderson did this by crafting precise replicas of embroidered waistcoats and pairing them with white jeans and sneakers. Basic neckties were loose and worn flipped over to reveal Anderson's revamp of the Dior logo—a journey back to its roots when M. Dior, in his exacting way, would only settle for a French-style font. There were classic cravats and rococo-style micro-florals set against athletic socks and fisherman sandals. Anderson's new book totes were carried throughout the show, touting titles like Bonjour Tristesse and In Cold Blood—accessories for a hot dude who reads. The capes and maxi shirt-dresses added touches of Anderson's signature kookiness, abstracting and bending the idea of time even further. These men were dandy and regal, but also a little rough around the edges, the kind that Anderson has made into a bona fide style archetype over the last decade. No one else could, at least in this moment, make eighteenth-century wardrobe staples feel like they belonged with a pair of barrel leg jeans. Anderson imagines completely unimaginable wardrobes for those outside of the fashion sphere, for those who never thought a tie could be worn backwards or a pair of cargos could sashay. The biggest challenge of these gargantuan creative director jobs at luxury houses is being everything to everyone—being a creative director whose clothes, marketing, ambassadors, and accessories appeal to the classic brand loyalists, the high-net worth clients who want a logo splattered all over their bodies, and the kids who are looking for someone to tell them what's coming next. Anderson can imagine something for every luxury customer, and he has the vision to build new sartorial archetypes through instinctive design. He got a standing ovation of course, walking out with a shy swagger, the kind we'd just witnessed reverberate through the clothes he showed on the runway. This is the delight and the dream of Anderson. It was then, it is now, and it will be as he keeps moving ahead at Dior. You Might Also Like 4 Investment-Worthy Skincare Finds From Sephora The 17 Best Retinol Creams Worth Adding to Your Skin Care Routine
