Chinese fans storm business-class cabin on taxiing plane to meet actor
Advertisement
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
South China Morning Post
15 hours ago
- South China Morning Post
‘Nazi salute' trend on Chinese social media is actually a tribute to Young and Dangerous
Social media users are questioning a new trend in Hong Kong after videos circulated earlier this week on Reddit showing people making what appeared to be the controversial Nazi salute. Advertisement The videos attracted comments questioning the trend – which had become popular among users of Chinese social media platforms RedNote and Douyin – and its implications. However, other users pointed out that the gestures were meant to be harmless tributes to a character in the popular Hong Kong film series Young and Dangerous (1996-2000). One photo of someone adopting the pose in tribute to the series' famed villain, Crow, has been circulating widely across Douyin since June, amassing over 1.2 million likes. Throughout Young and Dangerous 3 (1996), the character repeatedly uses the gesture as a comedic greeting and it quickly became an iconic pose that fans of the film know and love. Crow, played by Roy Cheung, performs his iconic greeting in a still from Young and Dangerous 3 (1996). Photo: YouTube/hmvod The Douyin image sparked a wave of nostalgia in the comments section, with many users flooding the thread with classic lines from the series.
South China Morning Post
18 hours ago
- South China Morning Post
Hong Kong dancer Mo Li shares first image of his face since Mirror concert accident
A Hong Kong dancer left paralysed after being struck by a giant screen at a concert by popular Cantopop boy band Mirror has partially revealed his face for the first time since the accident happened three years ago. Advertisement Mo Li Kai-yin, 30, shared a few photos in an Instagram post on Wednesday night, including a half-body shot of him sitting in a white T-shirt, with a significant surgical scar near his collarbone from a tracheotomy. His facial features were playfully altered with a filter that magnified his eyes and mouth. 'It's me,' Li wrote in the post. 'I was so encouraged by something the daughter of a glasses shop owner said [on Tuesday]. I wanted to share a few recent small moments that have lifted my spirits and see if I can get some positive energy from all of you.' Li's post also featured items on his desk, pictures of a sunset and AI-generated cat images. The post was liked by about 38,000 Instagram users within 13 hours. Other artists, including Kay Tse On-kay and some members of the Hong Kong girl group Collar, also left comments. Advertisement Li is currently receiving treatment overseas.
South China Morning Post
a day ago
- South China Morning Post
Cabaret star Rick Lau on his journey from a Chiu Chow corner shop to the stage
I WAS BORN in February 1970. An Aquarian. They're dreamers, they're not practical, but they're charismatic and people like them a lot. I have four siblings, so with my parents there were seven of us living in a 220 sq ft flat in in February 1970. An Aquarian. They're dreamers, they're not practical, but they're charismatic and people like them a lot. I have four siblings, so with my parents there were seven of us living in a 220 sq ft flat in Lower Ngau Tau Kok Estate . It was a typical Chiu Chow family. Chiu Chow people love to have small businesses. We had a si do, a corner shop, and that was pre-supermarket days, so it was always busy. I remember the whole family had to work in that shop. My responsibility was slicing bread. I was in primary school then and it was a happy time because I could snack on whatever I wanted. My favourite was Toblerone and Maltesers. An endless supply. Advertisement MY PARENTS HAD COME over in the 1960s from China in that migration wave from (the over in the 1960s from China in that migration wave from (the Chaoshan region of Guangdong province). The radio was always on in the shop. I listened to a lot of the Top 40 countdowns; that was how I was exposed to American music. We didn't have a television until I was in Primary Five or Six. I remember one Chinese New Year they were playing Barry Manilow in concert and at the time I didn't know who he was. All I remember was this tall, lanky guy with long blond hair, playing the piano and singing 'Even Now', and all the girls were screaming. I remember thinking, 'I want to do that. I want to sing in front of people.' Rick Lau was the youngest in a Chiu Chow family living in Lower Ngau Tau Kok Estate. Photo: courtesy Rick Lau I WENT TO SCHOOL at Chan Sui Ki (La Salle) College, in Ho Man Tin. I played badminton for the school team. I went to Australia for Year 12, to Adelaide, where I lived with my sister. Then I studied computer science at the University of New South Wales, in Sydney. As a Chinese boy, you have to do what your parents tell you, and that's why I did computer science and became an IT consultant for six years. But, you know, once you've done that, perhaps you're free to do what you want. WHEN I WAS an IT consultant in Sydney, I started doing amateur productions of musicals. My first was Oklahoma. I was the only Chinese in it and I played an American cowboy. Then I did The Count of Luxembourg. I also did a pro-am production, so we didn't get paid as actors but the production team were paid. That was Stephen Sondheim's Pacific Overtures, about the Westernisation of Japan, and it inspired me, because it was the first time I was in a lead role. After that I started thinking about whether I could do it as a career. Rick Lau as Mimi Moore the flight attendant in City Contemporary Dance Company's Home Sweat Home, which premiered in 2021. Photo: Eddie Wong WHILE I WAS thinking about that, a friend took me to a clairvoyant. They look at you and your guardian angels, and the guardian angels give the clairvoyant messages and he or she will relay them on to you. So I sat down, and before I'd said anything, she said to me: 'I could see you on stage in elaborate costume on a beautiful set. You were singing your heart out and the audience was mesmerised.' For me, that was like a message from the universe. So, two weeks later, I handed in my resignation. Luckily, I got into drama school – the National Institute of Dramatic Art, in Sydney. I did musical theatre. That was when I was 28. Now one of my life mottos is: leap and the net will appear. I've co-created seven cabarets with Tony Taylor, one of my mentors, who was my teacher at drama school. He taught me so much about cabaret because he came from a vaudeville tradition and was a great comic actor. He taught me about comic timing and storytelling through songs. Advertisement I WORKED AT a call centre for a year or so. Then I got into a musical – Naked Boys Singing! We had to be naked on stage singing, in Sydney. The second show I got was Hair, where at the end of act one, everyone was naked facing the audience. It was great training. I was young so I wasn't self-conscious. I wouldn't do it now!
