
Emily Ratajkowski admits she 'enjoys being subversive with motherhood' as she hits back at critics in racy ELLE cover shoot
The model, 34, opened up about life in her thirties and motherhood while gracing the July/August cover of Elle UK.
In one striking shot, Emily sizzled in a beige striped co-ord set featuring a collared shirt and mini shorts that showcased her toned legs.
She later slipped into an oversized beige wrap cardigan paired with white pants as she pulled off a sultry look in a bathroom setting.
Another image captured her lounging on a bed in a baby pink shirt before switching to a cropped floral blouse with red leather hotpants.
Emily also turned heads in a vibrant mini dress and went braless beneath an open denim shirt paired with purple floral trousers.
During the interview, the model opened up about her thoughts on fashion now that she is a mother to her son Sylvester, who was born in 2021.
She said: 'I think that [fashion] is actually one of the ways I really enjoy being subversive with motherhood. There's so much around what a mom should look like.'
'I know what kind of mom I am, and I only deeply care about my son's reaction to that. Anybody else who has opinions about me as a mother because of the way I dress – it's just so inconsequential.'
Emily then spoke about growing into her thirties, which she described as something she is 'fascinated' about.
The beauty explained: 'I'm fascinated with this decade of my life.
'My mom had me at 39, and I remember she always romanticised her thirties as a time of self-exploration and power as a woman. I'm in the midst of it and really feel that way too.'
She also highlighted the importance of community at this stage in her life, as she said: 'I still like men.
'I just have zero straight men in my life, unless they're a romantic interest. In the hierarchy of needs, that's at the top of the pyramid, which is nice.
'[Men are] pleasure and fun, but not a part of my core.
'The rest of my life is community with other women and queer people, and being a mom.'
On shaping the next decade, Emily said: 'You can't control everything, but you can move towards something to give yourself the life you want, which really excites me, because when I think about 34 to 44, I'm like, 'Oh man, there's so much opportunity.'
'I can be so much more intentional than I was in my twenties and there won't be, like, accidents.'
Emily is set to star in a new Netflix series titled Too Much, which has been created by Lena Dunham.
The series is scheduled to be released on Netflix on July 10th, with the model playing a character named Wendy in the series.
The star was given creative control while filming the new series, which she explained was something she really 'valued.'
She continued: 'In my twenties, I didn't have a lot of it in my career. Now, I like making things and I like not being an addition to them.
'With Lena, I got to shape the character so much, which was really fun. It gave me a bigger role than just an actor for hire.'
Elaborating on her experience on set, she said: 'Lena leans into some of the more 'feminine' ways of directing – over communication, consideration of everyone on set.
'Instead of being this domineering presence, her power lies in grace and in the ability to make everyone feel comfortable.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Guardian
28 minutes ago
- The Guardian
‘Forgotten' designer of art nouveau Métro entrances to get Paris museum
The 'forgotten' designer of Paris's most iconic Métro station entrances and art nouveau buildings is to be given his rightful place in the city's history with a museum dedicated to his work. Hector Guimard left a distinctive mark across the French capital in the early 1900s, creating elaborate and monumental Métro entrances whose fans of iron and glass resembling unfurled insect wings were nicknamed dragonflies. The remaining station surrounds of sinuous cast iron, with lamps resembling lily-of-the-valley flowers and topped with the stylised Métropolitain sign that Guimard also designed, feature in postcards, tourist photos and style books. When installed in the early 1900s, however, many Parisiens were scandalised. One critic declared the green paint 'un-French' and another said the ornate signs were 'confusing to children trying to learn their letters … and stupefying to foreigners'. Art nouveau went out of fashion, and by 1913 the transport authorities had dropped Guimard's designs. By 1942, when Guimard died aged 75 in New York, where he and his American Jewish wife had sought refuge from the Nazis, he had already been forgotten and much of his work consigned to the scrap heap. 'It may be surprising to foreign visitors but the French have never really liked art nouveau,' said Fabien Choné, a Guimard collector and head of Hector Guimard Diffusion, a company involved in establishing the new museum. 'There was great opposition to Guimard's Métro entrances. While visitors saw them as marvellous symbols of the belle époque Métro, Parisians criticised it as what they called spaghetti style and couldn't understand why tourists liked them.' On returning to Paris in 1948, his widow, Adeline, an artist whose work had been displayed at the 1899 Beaux-Arts salon, worked tirelessly to preserve and promote her husband's legacy, which included about 50 residential buildings. She donated his drawings and smaller creations, including furniture, to museums, many of them in the US, and offered to bequeath the couple's art nouveau home, the Hôtel Guimard, and its contents to the state and then to the city. Both turned down the offer and the building was converted into flats with the furnishings scattered. In the wave of modernism that swept post-war Europe the style was sober and many Guimard creations were declared without historic or artistic value and destroyed. Of the 167 Métro entrances that he designed – described by Salvador Dalí, who painted Tribute to Guimard in 1970, as divine – only 88 remain. Choné said: 'After the war, each time the city did any work on the streets, they got rid of Guimard's designs. Even up until the 1960s to 70s the logic was one of destruction rather than preservation.' The museum will be established at the Hôtel Mezzara, a four-storey building in Paris's 16th arrondissement designed by Guimard in 1910 and which features much of his signature ironwork, including a spectacular glass skylight and chandeliers. The building, originally commissioned by Guimard's friend Paul Mezzara, a rich textile manufacturer from Venice and later acquired by the education ministry and used as student accommodation until a decade ago, will undergo a €6m (£5.2m), two-year renovation before opening around the end of 2027. Once open it will display known Guimard creations including art nouveau furniture and decorations as well as an archive of his designs and documents. 'It is absurd that there is recognition of Guimard at museums around the world, especially in the US, and nothing in Paris when he created some of the most important symbols of the city,' Choné said. Nicolas Horiot, an architect and the president of Le Cercle Guimard, an association created 23 years ago to save Guimard's designs and documents, said it had been a decade-long battle to get the state and Paris authorities to recognise the designer's work. He said the museum would right a historic wrong. 'After the second world war, Guimard was completely forgotten. Art nouveau no longer interested people in the urban design of the 1960s and many of his pieces were destroyed,' he said. 'The revival started in 1970 with an exhibition in New York, but it was a step-by-step process. We see this museum as repairing an injustice done to Guimard.'


The Sun
29 minutes ago
- The Sun
‘You should be arrested for public indecency' people gasp as woman shows off VERY skimpy dress she's wearing to dinner
A WOMAN has left people stunned after sharing a look at the incredibly skimpy dress she wore out to dinner. Marry took to Instagram to post a video of her " birthday dinner look", which left almost nothing to the imagination. 2 She began the clip facing forward, before turning to show off a generous amount of side boob. The strappy green sequinned dress was cut so low on the side that it barely covered her breasts. And the revealing nature of the dress continued as she turned around - with the back cut so low it almost displayed her derriere. While there was even a thigh-high split on one side of the dress, so Marry could flash a bit of leg. She teamed the ensemble with a chic updo and strappy gold sandals. Despite the fact that lots of people would feel uncomfortable wearing such a revealing outfit in public, Marry seemed unconcerned as she sashayed into the restaurant. The comments section of the Instagram Reel was instantly flooded with remarks from people insisting the ensemble was entirely inappropriate. "We need to start arresting people for public indecency again," one wrote. "Because no matter how fine she looks, this is totally inappropriate, and unacceptable…." "Birthday dinner with areola out is wild af," another sighed. I was dress-coded at Disney World & forced to cough up £33 to stay "Beautiful dress and beautiful lady, but it's not appropriate for that setting," a third commented. "If a man exposed his private parts in public he'd be arrested for indecent exposure. "You're seeking attention and validation in the wrong way... "You're too beautiful to be on display like that, respectfully." "Vulgar. You can still look sexy without going to the extreme," someone else wrote. "It's sad they didn't have it in her size," another added. Can you be dress coded for wearing crop tops in public? The concept of being "dress coded" typically applies to specific environments such as schools, workplaces, or certain establishments where dress codes are enforced to maintain a particular standard or atmosphere. In public spaces, however, the situation is generally more relaxed and governed by societal norms rather than strict rules. That said, whether or not you can be dress coded for wearing a crop top in public largely depends on the context and location: Public Spaces: In most public spaces, like parks, streets, and beaches, wearing a crop top is generally acceptable and unlikely to result in any formal repercussions. People have the freedom to dress as they choose, provided they adhere to basic standards of decency and local laws. Establishments and Venues: Some restaurants, shops, or clubs may have their own dress codes. It's possible that a crop top might not meet the dress requirements for more formal venues. In such cases, staff may politely request that you adhere to their dress code or deny entry. Schools and Workplaces: Educational institutions and workplaces often have dress codes in place. Crop tops may be considered inappropriate in these settings, and you could be asked to change into more suitable attire. Cultural and Regional Considerations: In certain cultures or regions, norms and expectations around acceptable clothing can vary widely. It's always a good idea to be aware of and respect local customs and dress codes when travelling. "Can't eat my pasta without looking at areolas!" someone else joked. "You might as well be naked," another wrote. As someone else agreed: "Just go naked - why the f**k do you even have anything on if you're gonna barely wear anything? "Just wear nothing go ahead and round it down." "You're beautiful. But that's not appropriate for a restaurant," another warned. "Please be aware some places have indecent exposure laws." However, others were quick to defend Marry, with one calling her look "iconic". "The front making me anxious but the back is gorgeous," another added. "I love the colour!" a third praised. "Ok I know what kinda of tape or glue did you use to keep the dress in place bc it is working! "I need that information please and thank you." "This is proof God has favourites," someone else said. "Wow, you're looking good sis," another added.


The Sun
29 minutes ago
- The Sun
Love Island fans share bizarre theory about Helena and insist she's got her eye on Islander – and it's not Harry
LOVE Island fans shared a bizarre theory about Helena's real motives in the villa. Viewers of the long-running ITV2 show have insisted that she's got her eye on a specific Islander, and it's not Harry. 6 6 6 In recent scenes on Love Island, Helena Ford, 29, has caused much controversy in the villa. In the heart-rate challenge, the star whispered into Harry Cooksley 's ear that she cannot wait to "f***" him as fans thought she was the 'real villain'. This is despite the fact that he was happily coupled up with Shakira Khan, 22, for at least two weeks. Later, she invited the semi-professional footballer to the hideaway in a shock move, leaving regular viewers in a frenzy. However, some fans think she is only doing this to get a reaction from the islander she secretly interested in. In a dedicated thread on social media fan forum platform Reddit, one fan suggested that Helena just wants to get 'a rise' from Shakira. Writing on the site, the fan bizarrely suggested: "I fully think that Helena wants Shakira. 'It's like she's intentionally trying to get a rise out of her, just to speak to her and get shouted at by her. "She does so many calculated things to purposely piss shakira off. "For example, wearing her bikini twice now, first time without mentioning anything to S hoping S will pull her up on it. Love Island fans beg for Movie Night after Harry makes very cheeky comment to Helena "And tonight saying to the girls she's going to wear S bikini, then actually telling S she will again maybe hoping for anything from S but all she says is 'you go, girl.' "From stealing any man that shows interest in her, it goes beyond just being jealous at this point i think. They added: "I think she likes Shakira, and is just p****** her off for fun to get a rise out of her. "Or maybe she's is just a jealous girl, who knows. Seems weird tho." However, other fans think that Helena is simply 'jealous' of her fellow islander. Replying to the thread, another fan stated: "Why is she always wearing Shakira's bikinis too?! Like it's really giving she wants to be Shakira!" As someone else claimed: "She wants to BE Shakira. Some jealous white girls can't comprehend that a coloured woman is more desired and sought after than she is." 6 6 6