It's the latest boast: I have a cheese grotto
Their popularity seems to have swept across the Atlantic from the land of the Swiss slice. Oprah Winfrey, not content with foisting on us the ludicrously overhyped Our Place Always Pan, is advocating a small wooden
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Daily Mail
21 minutes ago
- Daily Mail
Tori Spelling shares ex's sex fantasy that creeped her out
Tori Spelling engaged in a spicy Q&A with her MisSPELLING fans in Monday's podcast episode. In the latest installment, cheekily titled Miss TMI, the 52-year-old star shared a shocking detail about her sex life with ex-husband Dean McDermott, 58. The former Beverly Hills, 90210 actress dished that her ex had a crush on her years before they met, and used to hurry home to watch her on TV. And when they were married she said she indulged him by briefly reviving her character Donna Martin. She detailed, 'At some point during one of our sessions, during sex, he said, "Oh, my little Donna Martin."' In response, she said, 'I might have giggled back like Donna.' She prefaced the anecdote by telling listeners, 'Dean, my ex, when we met, he was telling me that he had a big crush on me. 'He would always have his hockey game with all his buddies on Wednesday night, and he would always get out of there early. They'd be in the locker room [saying], "You gotta go home and see your girlfriend." 'He was like, "Yeah, no shame. I'm a guy watching 90210 and I have a crush on Tori Spelling."' The mother-of-five — who shares Liam, 18, Stella, 17, Hattie, 13, Finn, 12, and Beau, eight, with her ex — said she wasn't sure if Dean was was hyping up the crush just to flatter her until the intimate moment. 'I always thought, "Are you just making that up to get with me?" But, no,' she said in hindsight. Despite playing along with her then-husband's fantasy, Tori admitted, 'If I [were] intimate with a man and he was like, "Will you role-play, like you act like Donna Martin?" that would really creep me out.' She filed for divorce from the Chopped Canada host on March 29, 2024, citing irreconcilable differences. The date of separation was listed as June 17, 2023. Spelling and McDermott tied the knot in 2006, but the final years of their marriage turned tumultuous, which Dean has taken responsibility for. 'All Tori's ever done, to this day, is want me to be happy and healthy and I inflicted a lot of damage and pain on that woman,' he admitted to in November 2023. 'I'm taking accountability for that today. And it's the biggest amend that I'm ever going to have to make,' he added. Spelling reignited her romance with advertising CEO Ryan Cramer in April. It came after she said on her podcast that she doesn't want to 'die alone,' during a tear-filled chat with guest Audrey O'Day. She cried at the time, 'I'm now 51 and single again with five kids, so I don't even know where I stand in the future. I don't want to be with somebody, but I do want to be. I just don't want to be alone.'
The Guardian
35 minutes ago
- The Guardian
Andrea Gibson, poet and subject of documentary Come See Me in the Good Light, dies aged 49
Andrea Gibson, a celebrated poet and performance artist who through their verse explored gender identity, politics and their four-year battle with terminal ovarian cancer, has died aged 49. Gibson's death was announced on social media by their wife, Megan Falley. Gibson and Falley are the main subjects of the documentary Come See Me in the Good Light, which won the Festival Favorite award at the Sundance film festival and is scheduled to air on Apple TV+ later this year. 'Andrea Gibson died in their home (in Boulder, Colorado) surrounded by their wife, Meg, four ex-girlfriends, their mother and father, dozens of friends, and their three beloved dogs,' Monday's announcement reads. This article includes content provided by Instagram. We ask for your permission before anything is loaded, as they may be using cookies and other technologies. To view this content, click 'Allow and continue'. The film, which explores the couple's enduring love as Gibson battles cancer, is directed by Ryan White and includes an original song written by Gibson, Sara Bareilles and Brandi Carlile. During a screening at Sundance in January that left much of the audience in tears, Gibson said they didn't expect to live long enough to see the documentary. Tributes poured in Monday from friends, fans and fellow poets who said Gibson's words had changed their lives, including writers Cheryl Strayed and Elizabeth Gilbert. Many LGBTQ+ fans said Gibson's poetry helped them learn to love themselves. People with cancer and other terminal illnesses said Gibson made them less afraid of death by reminding them that we never really leave the ones we love. In a poem Gibson wrote shortly before they died, titled Love Letter from the Afterlife, they wrote: 'Dying is the opposite of leaving. When I left my body, I did not go away. That portal of light was not a portal to elsewhere, but a portal to here. I am more here than I ever was before.' Linda Williams Stay was 'awestruck' when her son, Aiden, took her to hear Gibson perform at a bar in San Francisco a decade ago. Their poetry was electrifying, lighting up the room with laughter, tears and love. Gibson's poetry became a shared interest for the mother and son, and eventually helped Stay better understand her son when he came out as transgender. 'My son this morning, when he called, we just sobbed together,' Stay said. 'He says, 'Mom, Andrea saved my life.'' Gibson's poetry later helped Stay cope with a cancer diagnosis of her own, which brought her son back home to St George, Utah, to help take care of her. They were delighted when Gibson accepted their invitation to perform at an event celebrating the LGBTQ+ community in southern Utah. 'It was truly life-changing for our community down there, and even for our allies,' Stay said. 'I hope that they got a glimpse of the magnitude of their impact for queer kids in small communities that they gave so much hope to.' Gibson was born in Maine and moved to Colorado in the late 1990s, where they had served for the past two years as the state's poet laureate. Their books included You Better Be Lightning, Take Me With You and Lord of the Butterflies. Colorado governor Jared Polis said on Monday that Gibson was 'truly one of a kind' and had 'a unique ability to connect with the vast and diverse poetry lovers of Colorado'. The comedian Tig Notaro, an executive producer on the documentary and Gibson's friend of 25 years, shared on Instagram how the two came up together as performers in Colorado. Hearing Gibson perform for the first time was like witnessing the 'pure essence of an old-school genuine rock star', and their words have guided Notaro through life ever since, she said. 'The final past few days of Andrea's life were so painful to witness, but simultaneously one of the most beautiful experiences of all of our lives,' Notaro said. 'Surrounded by real human connection unfolding in the most unlikely ways during one of the most devastating losses has given me a gift that I will never be able to put into meaningful words.' Gibson's illness inspired many poems about mortality, depression, life and what happens next. In the 2021 poem How the Worst Day of My Life Became My Best, Gibson declared: 'When I realized the storm / was inevitable, I made it / my medicine.' Two years later, they wondered: 'Will the afterlife be harder if I remember / the people I love, or forget them? 'Either way, please let me remember.'
The Guardian
42 minutes ago
- The Guardian
Futra Days review – esoteric sci-fi romance offers lovers time-jump ‘happiness heists' to save relationships
With studio projects abandoning Los Angeles as a shooting location, it's the low-budget crowd that are still holdouts, presumably out of necessity. Futra Days is another in the line of esoteric films about overheated Angeleno creative minds that the pandemic seemed to encourage; the likes of the hermeneutic sci-fi Something in the Dirt or family found-footage He's Watching. But running time-travel rings around a dysfunctional relationship, Ryan David's sophomore effort is just a bit too infatuated with itself. Jaded record producer Sean (Brandon Sklenar, looking like Chris Evans and Glen Powell spliced) is wondering whether a new crush on thrift-shop worker and aspiring singer Nichole (Tania Raymonde) will go the distance. So he signs up to a 'happiness heist': being catapulted into the future by an experimental time-travel clinic run by Dr Felicia Walter (Rosanna Arquette) whose medical qualifications seem, well, questionable. After replacing his future self, who is in the process of walking out on an exasperated future Nichole, he decides to try to reboot their relationship. The opening is a kaleidoscopic blitz that sets a promisingly dislocated tone for what is shaping up as an Eternal Sunshine-style breakdown of disintegrating love. But it quickly degrades into a set of maudlin pity-party conversations; neither svengali Sean or his protege Nichole emerge clearly enough as characters to jump satisfyingly through the hoops of the big plot transitions. Sean crashlands back into the wreckage of their mutual contempt in the present, then appears to have some kind of Lost Highway-esque psychogenic fugue into another reality in which he is now the inferior partner living on her dime. The chronology is sloppy and semi-logical, rather than artfully fractured; David overcompensates by lathering on a highfalutin philosophic voiceover, as well as gratuitous visual glitches and unnecessary stylistic fussing. Sklenar and Raymonde's chemistry and deftly layered performances, as well as consistently sharp shot-making and editing, are a touch wasted on a film that can't see the characters for the concepts. Futra Days is on digital platforms from 21 July.
