
The Gaza discourse has been Vylanised – but that diversionary strategy just doesn't work any more
And so the following morning, on the front page of the Mail on Sunday: 'NOW ARREST PUNK BAND WHO LED 'DEATH TO ISRAELIS' CHANTS AT GLASTONBURY.' Pascal Robinson-Foster, aka Bobby Vylan, had started a round of 'antisemitic chanting' that was broadcast live on the corporation's coverage of the festival, the story explained. Keir Starmer called it 'appalling hate speech'. The calls for the band members' arrest were quickly picked up, and before long the Conservatives were suggesting that the BBC should be prosecuted as well. On Monday, the story splashed in the Sun, the Daily Mail, the Daily Telegraph and the Daily Express.
In fact, Robinson-Foster hadn't chanted 'Death to Israelis', but 'Death to the IDF', a sharply different proposition, and one focused on the military machine attacking Gaza, the Israeli Defense Forces, rather than Israeli civilians. Nonetheless, the Mail on Sunday's headline elision stuck. In much of the coverage, the idea that the chant was inherently antisemitic wasn't even a question.
The assertion was barely explained in any of the front page stories; the BBC and even Glastonbury's Emily Eavis went along with it too. If you were looking for a rationale, the closest you got came from Stephen Pollard in the Mail on Sunday: after comparing the scene to the Nuremberg rallies, he added that 'what they meant – because the IDF is the army of the world's only Jewish state – was 'Death, death to the Jews''. Later, Andrew Neil went further: 'I was going to say that they sometimes seem to have more in common with the Nuremberg rally,' he mused. 'But even the Nazis didn't say 'death to the Jews'.'
Meanwhile, Yvette Cooper has ordered that Palestine Action should be banned as a terrorist group for its targeting of buildings and businesses in opposition to Israel's actions in Gaza, even though it has no agenda for violence – and after a last-minute legal challenge to the proscription failed on Friday, supporting them is now a criminal offence. In that environment, any uncertainty about the Bob Vylan story would plainly be treated as apologism for hate speech, or worse, and so there wasn't a lot of it about.
In truth, though, a lot of people might have been uncertain. The IDF as metonym for any Jew is not a typical trope in the extremist's lexicon, and the circumstances of the Israeli military's assault on Gaza are the obvious, and urgent, locus of the chant's intended force. Nonetheless, Avon and Somerset police have now opened a criminal investigation.
There are, to be sure, cogent objections to raise. Robinson-Foster described a record label boss as a 'Zionist', and while he noted that the executive 'would speak very strongly about his support for Israel', it is reasonable to accuse him of playing into a familiar antisemitic trope, particularly about the music industry.
Meanwhile, some Jewish people already alert to a rise in racist hostility towards them may well have felt alarmed by the sight of a crowd chanting against the Israeli army. Sensible people will come to a range of conclusions about those points – but there has been no space for that discussion, because the IDF apparently represents Jewish people everywhere, and everything else gets lost in the shuffle.
The death toll in Gaza now stands at more than 57,000, according to figures from the Gaza ministry of health; a robust independent survey recently put the count at almost 84,000. Israeli ministers and officials have given weight to allegations that a genocide is under way with assertions that starving two million Palestinians to death might be 'justified and moral' and descriptions of a forced 'deportation plan'. The amount of aid going into the territory remains a fraction of what is needed. At least 400 Palestinians have been killed recently in incidents involving the IDF while approaching food distribution centres; Haaretz reported that soldiers were ordered to fire on them deliberately, a claim denied by Israel as 'vicious lies'.
Meanwhile, in the UK, the only adjacent story deemed worthy of front page attention is the conduct of an obscure punk-rap group from Ipswich. On 17 June, at least 59 Palestinians were killed after the IDF fired on a crowd waiting for flour trucks near Khan Younis. The next day's Daily Telegraph, Daily Mail, Sun and Daily Express featured no coverage of that story at all. Perhaps they would have done if the BBC had broadcast it live.
It would be understandable, then, to conclude that the obsession with Bob Vylan – and Kneecap, and Palestine Action – matters mainly for its diversionary force. But there is something more at work here. It isn't just that people are angry that the catastrophe in Gaza isn't being given due attention: it is that their encounters with observable reality are being flatly denied. The choice framed by these stories is between being an anti-racist, or even an anti-terrorist, and being horrified by the slaughter of thousands of brown civilians in a military siege. For anyone who routinely sees videos of the aftermath of Israeli violence against civilians in their social media feeds, this is enough to make you feel crazy.
Across the UK and the US, there is increasing evidence that people who object to what we might call the Vylanising of the Gaza discourse are finding their voice. In the general election last year, Labour lost five seats to pro-Gaza candidates, and forfeited about a third of its vote in some Muslim majority areas. In New York, Zohran Mamdani won an underdog victory in the Democratic mayoral primary despite attempts to caricature him as an advocate of 'jihad'. Some 55% of the British public opposes Israel's military campaign in Gaza, and 45% view Israel's actions as genocidal; less than half of Americans are now more sympathetic to Israel than to Palestinians, and almost 60% of Democrats are now more supportive of Palestinians. Among people under 40, those numbers only go up.
Those people have been told that Gaza protests are hate marches; they can see it's not true. They have been told that US campus protesters are largely motivated by antisemitism; they can see it's not true. They have been told that Palestine Action is a terrorist organisation because it spray painted military aircraft; they can see it's not true. They have been repeatedly told, by Benjamin Netanyahu, that opposition to Israel's war is antisemitic; they can see it's not true. They have been told that the British government finds Israel's actions 'intolerable'; they can see it's not true.
Now they are being told that opposing the IDF is antisemitic, that the Glastonbury crowd is more virulent than the one at Nuremberg, and that direct action is a form of terrorism. They can see all that's not true, either, and however far their view is from the front pages, they know that they are far from alone.
Archie Bland is the editor of the Guardian's First Edition newsletter
Do you have an opinion on the issues raised in this article? If you would like to submit a response of up to 300 words by email to be considered for publication in our letters section, please click here.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Guardian
32 minutes ago
- The Guardian
Add to playlist: ddwy's blissed-out downtempo and the week's best new tracks
From Greater LondonRecommended if you like The Starseeds, Sun Electric, the Orb Up next Beaming Backwards out now on Test Pressing Recordings Welding dubbed-out instrumentals with dreamy vocals and cosmic flourishes, ddwy's music captures the spirit of a 90s Ibiza chillout set. In fact, their last label joked that their tracks were 'perfect for Balearic DJs'. But the project actually has its roots far away from the flurry of the white isle: many of the songs were made from a kitchen table in a Greater London suburb where the duo are based. Made up of wife and husband Naomi Pieris and Ronan MT (ddwy means 'two' in Welsh), the project was born in 2020 from Covid-era home experiments. Their tracks conserve that intimacy: layered around guitars, percussion and washes of synths, Pieris's vocals are soft and half-murmured, while field recordings are drawn from visits to her native Sri Lanka and voicemails from relatives. Some of their material has an almost ambient quality – spacious, drumless – but other parts adopt more of a club sensibility, drawing on progressive and deep house. In the years since those early lockdown jams, the pair have gone on to release a small handful of records which they perform live at clubs and beachside festivals across Europe, as well as dimly lit DIY venues closer to home. On their new EP Beaming Backwards, ddwy continue to explore these (interlocking, rather than clashing) sides. Alongside the pulsing late-night rollers (Beaming Backwards, Peak Smile), there's a blissed-out downtempo moment (Stars, Stars), and a gorgeous take on a Sri Lankan lullaby, complete with piano and strings (Heuldro'r Haf – Welsh for 'summer solstice'). It's the perfect soundtrack for this time of year, when the days are still long and the nights are still warm: sweet, but a bit melancholy too. Safi Bugel Mammo – TractionOne of six universe-sharpening tracks on the Dutch producer's stunning new album, this has the ethereal throb of dub techno's greats, but with counter-rhythms inveigling themselves from the edges. George Riley – SlowAfter recent appearances on tracks from Logic1000, HiTech and Sherelle, one of UK dance's best vocalists keeps the werk rate high with this exquisite house track, Riley holding back from a too-intoxicating romance. Oasis – Acquiesce (Unplugged)As the band play their first reunion tour date tonight in Cardiff – follow the Guardian's live blog later! – Noel Gallagher has brilliantly remixed a version of their classic B-side, making it more insistent and grooving. Ethel Cain – Fuck Me EyesNot what a Yorkshire person says when it's a bit bright out, but rather pulp fiction done as a synthpop power ballad, about a wayward young woman who 'goes to church straight from the clubs'. John Glacier – Fly With MeComing after an excellent Glastonbury set, and rolling over a distorted head-nodding beat, the British rapper casts herself as a supernaturally powerful figure transcending earthly bonds thanks to her own skill. Perfect 100 – SundayThe debut single from this solo grunge-pop project by Brooklyn's Andrew Madore is a ripper, with distorted guitar reminiscent of Yo La Tengo or Dinosaur Jr, and harmonised vocals adding a dash of vanilla sweetness. Naemi – HutchisonClosing out their gorgeous new dream-pop album Breathless, Shorn, this track features acoustic guitar and bass motifs repeating around bird-chirrups and reverb: one for post-picnic snoozing this summer. Ben Beaumont-Thomas Subscribe to the Guardian's rolling Add to Playlist selections on Spotify.


Daily Mail
34 minutes ago
- Daily Mail
'Trumpugees' fleeing U.S. for liberal Netherlands find it's taken a right turn
Liberal Americans fleeing the U.S. for the Netherlands - traditionally a bastion of progressiveness - are in for a rude awakening as the country pivots right. The so-called 'Trumpugees' looking for an alternative to Donald Trump 's rightist agenda have been looking to the European country as a haven. But the country's new Prime Minister, Dick Schoof, is preparing to usher in a wave of policies more in common with the Republican administration in Washington. Despite that, GTFO Tours - an organization founded by Bethany Quinn and Jana Sanchez to help Americans relocate to the Netherlands - says it has seen a 200 per cent uptick in inquiries in recent months. 'I think a lot of Americans have sort of been waiting to see how things are going, but they just keep getting worse,' Quinn told Newsweek. The organization pointed to Trump's hardline immigration policies and anti-transgender rights stance as the driving force behind the increase. Quinn said Americans have been bracing for setbacks in social progress since Trump took office in January. She argued that Trump's slew of executive orders on his first day in office, 'reversed 60+ years of progress.' 'A lot of Americans are just looking to have a peaceful life. They just wanna live their lives and they don't want to worry about their safety. They don't wanna worry about their government collapsing,' Quinn continued. The Netherlands may seem like an obvious choice to escape the American grind, but the country's government has had its fair share of turmoil. The government's four-party coalition collapsed in June when Geert Wilders, the leader of the far-right Party for Freedom, withdrew after the other three parties declined to back his immigration plan. Then in July, the Dutch parliament passed a slew of anti-immigration reforms targeted at asylum seekers. The Netherlands is also pumping the brakes on reforms for transgender citizens. A bill introduced in 2021 to make it easier for trans individuals to change their gender registration on official documents was recently withdrawn. 'This cabinet is letting transgender people down in an unprecedented way,' chair Remke Verdegem said of the decision. The wave of conservative policies mirrors the harsh immigration and anti-trans policies of the Trump administration. Grover Wehman-Brown, an American looking to move to the Netherlands, recently told Newsweek, that as a trans individual, they felt increasing fear living in the U.S. Wehman-Brown said that they experienced a 'constant threat and vigilance' growing up trans in rural Ohio, and was now starting to see those tensions again. 'I had gone to the Netherlands once 15 years ago, and I really liked the short amount of time I spent there, so I was like, "this is really a lovely place where everybody seems busy and purposeful, but cooperating well together and things are running smoothly,'" they added. Wehman-Brown isn't the only one, with a survey by the Immigration Advice Authority citing that one in four Americans were weighing emigration after Trump's 2024 win. Canada has also emerged as a leading destination for fed-up Americans to relocate. However, any refuge could be short-lived if the president makes good on his threats to turn the country into America's 51st state. Almost 500 fleeing U.S. citizens have tried to claim asylum in Canada since the billionaire's re-election. But liberals seeking refuge from Trump's America have been dealt a crushing blow after their favorite sanctuary issued a brutal crackdown. The Canadian government is bringing in emergency powers to make it easier to block applications and its border agency says the proposed overhaul is to 'protect the system.' Other popular destinations for American progressives include Portugal and Spain. Interracial lesbian couple Doris Davis and Susie Bartlett living in NYC told Reuters in May they are considering the move. 'We love this country, but we don't love what it has become. When your identity is being attacked, there is a personal sense of... anger (and) frustration,' Davis said.


The Sun
34 minutes ago
- The Sun
Ed Sheeran teams up with school pals AND 00s rock legend for epic performance
ED Sheeran marked one of his "favourite moments ever on stage" as he teamed up with his old band and a top Noughties fan-favourite. The A Team hitmaker, 34, took to Instagram to reveal the surprise collaboration as he gushed "what a night." 7 7 Chart star Ed teamed up with his old high school band and Wheatus frontman Brendan B Brown to perform a sizzling version of the American band's biggest hit for fans. In a sweet video, Ed showcased his childhood band, which he was part of aged 12. He said: "We used to cover Teenage Dirtbag and we re-formed after 20 years for our mates wedding. "Then I was like wouldn't it be cool to do at a big gig. "So I emailed Brendan and here we are." The clip showed the bunch rehearsing in an empty stadium before they were met with huge cheers later on. In his video caption, Ed wrote: "One of my fav moments ever on stage, thank you Brendan. What a night x" Wheatus' official Instagram page then replied and put: "BEST DAY EVER!!!!" One fan then gushed: "This was the coolest guest act on stage ever!" Another posted: "No flipping way?!" Incredible moment Olivia Rodrigo brings out Ed Sheeran at huge sold out BST gig ahead of Glastonbury One then confessed: "I didn't even know I needed this until this moment. So good." FORWARD PLANNING While Ed is clearly enjoying living in the present, The Sun reported in May how he was planning records to be released for his death. The Shape Of You singer said he has been gathering songs made throughout his life for a record called Eject. Speaking to Jimmy Fallon on TV in the US, Ed said: 'I want to make an album for all of my life that comes out the day I die called Eject. "I am not joking. 'Imagine when Paul McCartney passes there's a record with a song he made at 16, a song at 20, at 30. Fascinating.' Ed joked: 'People will be like, 'Still beyond the grave he f***s with us." 7 7 7 7