In New York, Vermeer show reveals art of the love letter
NEW YORK - In a special exhibit featuring just three paintings, the Frick Collection in New York is inviting viewers to contemplate the age and the art of seduction by the written word.
The show brings together a trio of paintings by 17th century Dutch master Johannes Vermeer: the Frick's own "Mistress and Maid," "The Love Letter" on loan from the Rijksmuseum in Amsterdam, and "Woman Writing a Letter with her Maid" from the National Gallery of Ireland.
They are three of six paintings by Vermeer (1632-1675) that focus on the reading and writing of letters. They also depict interactions between women of different classes.
Each painting features a woman and a female servant who has likely become a confidante and an intermediary as her mistress conducts a romantic relationship, said exhibit curator Robert Fucci.
"While the contents of the letters in Vermeer's paintings are not made clear, they are most likely amorous," he said.
"Courtship and love letters were an important part of the artist's social context and a prevalent artistic theme."
In Vermeer's era, women had increasing autonomy in choosing their life partners, Fucci noted.
"Servants played a crucial role. Employers entrusted them with delivery, especially when messages needed to be shared covertly," he added.
"Vermeer's Love Letters," on view until the end of August, is the first show on offer since the Frick reopened its doors in April following a top-to-bottom, $330-million renovation.
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In New York, Vermeer show reveals art of the love letter
NEW YORK - In a special exhibit featuring just three paintings, the Frick Collection in New York is inviting viewers to contemplate the age and the art of seduction by the written word. The show brings together a trio of paintings by 17th century Dutch master Johannes Vermeer: the Frick's own "Mistress and Maid," "The Love Letter" on loan from the Rijksmuseum in Amsterdam, and "Woman Writing a Letter with her Maid" from the National Gallery of Ireland. They are three of six paintings by Vermeer (1632-1675) that focus on the reading and writing of letters. They also depict interactions between women of different classes. Each painting features a woman and a female servant who has likely become a confidante and an intermediary as her mistress conducts a romantic relationship, said exhibit curator Robert Fucci. "While the contents of the letters in Vermeer's paintings are not made clear, they are most likely amorous," he said. "Courtship and love letters were an important part of the artist's social context and a prevalent artistic theme." In Vermeer's era, women had increasing autonomy in choosing their life partners, Fucci noted. "Servants played a crucial role. Employers entrusted them with delivery, especially when messages needed to be shared covertly," he added. "Vermeer's Love Letters," on view until the end of August, is the first show on offer since the Frick reopened its doors in April following a top-to-bottom, $330-million renovation.
