Movie review: the new ‘How to Train Your Dragon' is a rare remake that earns its wings
What does it mean to remake a story that already works? In a film scene awash with cinematic recycling, the live-action adaptation of How to Train Your Dragon is both a burden and a blessing. Burden, because audiences know it by heart; blessing, because it was a story worth remembering in the first place. This new version rises not through spectacle alone or strict loyalty, but through its re-learning of the story's emotional grain: fear, kinship and the clumsy, courageous process of becoming.
DreamWorks has not historically been a purveyor of live-action nostalgia. That ground has long been trodden by Disney, whose recent photorealistic remakes ( The Lion King, Lilo & Stitch ) have sometimes mistaken sheen for soul. But here, with How to Train Your Dragon , the studio shows a rare thing in the world of legacy IP: restraint. And that's largely thanks to the return of Dean DeBlois, whose hand ensures the remake moves not by corporate momentum, but by a genuine return to form.
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Above Mason Thames as Hiccup and Gerard Butler as Stoick in 'How to Train Your Dragon' (2025) (Photo: DreamWorks)
We are, broadly, in familiar territory. Berk remains a fog-draped island of dragon-fearing Vikings; Hiccup is still the awkward heir with a misfit heart; and Toothless, the wounded Night Fury, is once again both terrifying and tender. But there is a difference in texture.
Mason Thames plays Hiccup with less ironic distance than Jay Baruchel's original voice turn, leaning instead into earnestness (sometimes wide-eyed, sometimes bone-tired). Gerard Butler, reprising his role as Stoick the Vast, gives a performance that is physically imposing as it is emotionally weathered, a father trying and often failing to understand a son he's afraid to lose.
Above Mason Thames as Hiccup with Toothless during their first flight (Photo: DreamWorks)
This remake is not interested in subverting its own legend. It recreates many of the original's most iconic scenes: the fish-sharing moment, the wordless bonding sequences, the soaring flight through the clouds—but filters them through a more human lens. Visually, it is sumptuous. Cinematographer Bill Pope captures Berk not as a cartoon world inflated to IMAX size, but as a harsh, wind-carved land dotted with firelight and fog. When Hiccup and Toothless finally take flight, the result is nothing but awe, a physical and emotional lightness that is earned.
Above Toothless in the 2025 live remake of 'How to Train Your Dragon' (Photo: DreamWorks)
Crucially, the dragons still feel like dragons. Unlike the CGI dead eyes of The Lion King , these creatures straddle the line between believability and myth. Toothless, in particular, retains just enough of his animated expressiveness to remain emotionally legible; a marvel, somewhere between a panther, a cat and a curious child.
Not everything translates cleanly. The slapstick humour that worked in the animated version sometimes lands with an awkward thud in live-action form. There's a stiffness to some of the early scenes, as if the film is still adjusting to its own new skin. And viewers who grew up with the 2010 version may find themselves caught in a kind of vertigo: this is both the film they know and not, and its closeness can be mildly disconcerting.
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Above Mason Thames as Hiccup and Nico Parker as Astrid in 'How to Train Your Dragon' (2025) (Photo: DreamWorks)
But as it settles in, the film begins to do something rather beautiful. Astrid, portrayed by Nico Parker, goes beyond being a romantic interest; this time, she is more natural, a co-conspirator. The dynamic between Hiccup and Stoick, always the emotional axis of the story, feels more bruised and lived-in now. There's real friction, and real grace, in their reconciliation.
And that's the win of this remake: it doesn't chase reinvention for its own sake. Instead, it treats the original story as a myth worth retelling. What the live-action of How to Train Your Dragon offers is novelty and clarity. It reminds us why we were drawn to this world in the first place.
Above Mason Thames as Hiccup with Toothless (Photo: DreamWorks)
Above Toothless in the 2025 live remake of 'How to Train Your Dragon' (Photo: DreamWorks)
By the final act, when dragons and Vikings fight not against each other but for each other, the film achieves that rare thing in blockbuster cinema: sincerity without sentimentality. It's no surprise a sequel is already in the works. If future instalments follow this same compass (careful craft, emotional precision and a bit of wind under the wings), they might just chart a new course through old skies.
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Tatler Asia
10-07-2025
- Tatler Asia
A deeper dive into the vision behind the Philippine Pavilion at Expo 2025 Osaka
Still reverberating on the world stage, the profound messaging of the Philippine Pavilion at Expo 2025 Osaka continues to unfold anew—and soon, it shall do so, even further, within the nation's heart At Expo 2025 Osaka, the magnificent pavilions of 165 participating countries stand as bastions of national and cultural pride. An estimated 28.2 million visitors are expected to visit the artificial Yumeshima Island over the Expo's six-month run, seizing the chance to witness these thematic architectural marvels until the end of October. A true collaborative feat, the Philippine Pavilion has since drawn hundreds of thousands of visitors, from all corners of the globe, to a deeply layered and sensorially stimulating exploration of the Filipino narrative. See also: How Osaka Expo's leading architects redefined national pavilions 'The Philippine Pavilion is our invitation for the world to connect with the heart and soul of the Filipino people and to discover the many reasons to love the Philippines,' added Tourism Secretary Christina Garcia Frasco. 'We hope to inspire travellers to explore our 7,641 islands, experience the depth of our culture, marvel at the excellence of Filipino creativity and be moved by the stories of triumph and resilience of our communities.' Built around the theme 'Nature, Culture, and Community: Woven Together for a Better Future', the Pavilion responds to the Expo's call to design future societies by placing heritage and humanity at the heart of progress. It is the proud, diligent handiwork of multiple moving parts—the vision of the Philippine Organizing Committee (POC), led by the Department of Tourism and the Tourism Promotions Board (TPB), and that of the commissioned design team of Carlo Calma Consultancy, Inc as lead architectural firm and designer, Chochay Garcia as producer and creative director, architect Yuki Kanou as executive architect and lead project manager and Tellart as guest experience designer. Above Exterior view of the Philippine Pavilion at Expo 2025 Osaka They also partnered with renowned artists and cultural champions, like Kenneth Cobonpue and Francis Dravigny, who worked closely with over 200 weavers and artisans from across the country. 'At its core, Woven is not just the name of the Philippine Pavilion—it is the story of how this project came to life,' shared Margarita Nograles, TPB chief operating officer and secretary general of the POC. 'What you see at Expo 2025 Osaka is a collective achievement. It is the weaving together of ideas, traditions and people, grounded in the shared desire to tell the Filipino story with authenticity and soul. Crafted Immersion Most striking, perhaps, about the Pavilion is its thoughtfully designed façade: a moving mosaic of handwoven panels, housing 212 indigenous textiles, ranging from T'nalak to piña. This single endeavour brought together 2,331 artisans from 121 communities, many of whom are beneficiaries of the TPB's Community-Based Tourism (CBT) programmes. This itself is a statement, said Carlo Calma. 'We wanted the structure itself to breathe and move with the stories it holds. It reflects who we are as Filipinos—always in motion, always evolving, always expressive.' Above Tourism Secretary Christina Garcia Frasco in SOCCSKSARGEN Above Architects Justine Jugueta, Carlo Calma and Yuki Kanou Additionally, rather than treating scaffolding as mere temporary support, engineers evaluated their yield strength to adapt them into structural components. 'The habitable space within the scaffolding was transformed into a dynamic architectural element where the live performances take place,' explained Calma. Until recently, artists from Ballet Philippines carried out these performances, bringing warmth and vibrancy to the Pavilion and ensuring there's always something unique to look forward to. Inside, the treasure trove of our rich heritage continues to unfold. The curated space is anchored by its 18 woven art pieces, each hanging from above and representing a region of the Philippines. Painstakingly created over six months by master artisans blending traditional and unconventional materials—abaca, cotton, upcycled fruit packaging material, even chicken feathers— these evocative works portray lush landscapes, crystalline waters, colourful festivals and culinary traditions. Each comes alive with integrated light, sound and projections that draw guests into the heart of every region. Above Each region of the Philippines is represented by a woven art piece inside the Pavilion Above Marga Nograles with weavers at Lake Sebu 'One of the most powerful tools we've built into the Pavilion is the integration of QR codes linked to each of the handwoven art pieces,' Nograles additionally shared. These codes lead visitors to deeper stories— and ultimately, to curated travel itineraries available on the Travel Philippines app. This will hopefully translate the global reception into actual visits to our shores. Also showcasing the fusion of tradition and technology, Dancing with Nature is another highlight of the interior space, transforming visitors from mere observers into participants. Through generative algorithms, guests' movements ripple into emerald fronds, dissolve into iridescent swimming fish or blossom into vibrant petals. This interactive installation, developed in collaboration with Tellart, reinforces the Pavilion's core message—that harmony begins with connection. More from Tatler: Reimagining the narratives of the past: the UP Vargas Museum highlights works by Lee Paje and Ampannee Satoh Beyond this, the Pavilion will offer tactile pleasures and tastes as tangible cultural experiences. The Habi Gift Shop invites visitors to run their fingers over unique keepsakes, each one a testament to Filipino artistry. For those seeking respite, especially amidst the bustle of the Expo, the Hilot Wellness Space promises the soothing touch of traditional Filipino healing massages. And finally, the Hain Takeout Counter beckons with the aromatic promise of homegrown flavours, from the rich, savoury notes of adobong manok sa gata to the delightful sweetness of halo-halo . Above Live performances are held daily at the Philippine Pavilion 'The Pavilion is a long-term investment in our communities, culture and the artisans who keep our heritage alive,' Nograles tells Tatler . The government is committed to strengthening the CBT across the Philippines, supporting them through capacity building workshops and promoting market access that connects them to broader audiences. The TPB COO adds, 'Our goal is to ensure that the Pavilion serves not as a culmination, but as a launchpad—elevating these communities and ensuring they continue to thrive long after the Expo concludes.' With sustainability as a clear cornerstone of the POC's vision, the Philippine Pavilion is designed to outlive the festivities of the Expo 2025 Osaka. Its key elements, including the grand frontage, are poised for a second act at the National Museum of the Philippines, where they will be repurposed and displayed for years to come. 'I think it is important for the spirit and significance of the Pavilion to endure meaningfully within our national narrative,' articulates Jeremy Barns, the museum's director-general. 'It is not only by breathing new life into its physical elements—the artworks, the structure, its design—but also the ideas, aspirations and cultural expressions it embodies. More than an architectural structure, the pavilion is a statement of identity, creative and artistic excellence and, most of all, resilience.' By hosting its homecoming, the National Museum amplifies the Pavilion's message with fresh meaning and relevance long after its debut on the world stage. What could have been a fleeting spectacle now secures its place as a continuous wellspring of inspiration and national pride. The partnership between the POC and this particular government trust is strikingly deliberate and robust, underpinned by their shared zeal to honour, preserve and promote our cultural heritage on the global stage while fostering open access for all Filipinos. Nograles captured it best when she professed her hope that visitors come away with a true sense of how deep, diverse and alive Filipino culture is. 'No amount of technology can replace human warmth, and that's where the Philippines shines,' she shared. 'Our strength lies in our people— their stories, their creativity, their hospitality. Through immersive storytelling, whether at the Pavilion or across our islands, we honour those narratives and invite the world to not only learn about the Philippines but to feel it.' 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Tatler Asia
10-07-2025
- Tatler Asia
Remembering Pitoy Moreno—The Metropolitan Museum's tribute to a fashion icon
A highlight of the evening was a special segment featuring artists who were once recipients of Moreno's scholarships at the University of the Philippines. The M invited them to create works inspired by his fashion. The artists, including Issay Rodriguez, Carlito Camahalan Amalla and Digo Acuzar presented pieces in the museum's foyer which are available for purchase in support of The M's programmes. The night culminated in a musical performance by the UP Manila Choir, whose a cappella rendition of 1970s Manila Sound classics concluded with Bongga Ka 'Day , a fitting tribute to Moreno—himself referenced in the song as a symbol of glamour. The gala celebrated not only Pitoy Moreno's extraordinary body of work and artistry but also his enduring influence on generations of designers and his commitment to elevating Philippine culture on the global stage. See also: Filipino-British actor Claire-Marie Hall on 'Operation Mincemeat' and the joy of performing 'Pitoy often said that true beauty lives not only in design, but in how we connect with one another. Through your presence, support, and stories, you've proven that true,' shared Magsaysay-Ho. The gala also launched The M Museum's new membership programme, which grants year-long complimentary access for members and their guests. Proceeds from the event will support the museum's educational initiatives, exhibitions and cultural preservation efforts, enabling the team to continue the promotion, preservation and betterment of Philippine arts and culture. The success of Remembering Pitoy was made possible through the support of institutional partners, including the Jusi & Pina Foundation, BPI, Lexus and Tatler, among others. In celebrating Moreno, The M not only honoured a national treasure, but reaffirmed its role as a guardian of Philippine heritage—fashioned not just from fabric, but from memory, meaning and shared identity. His legacy is not only stitched into the gowns he created but also tightly woven into the many lives he touched and the causes he championed.


Tatler Asia
10-07-2025
- Tatler Asia
iBis Styles Manila Araneta City's Style Curators programme highlights emerging creative leaders
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