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The Age
23-06-2025
- Entertainment
- The Age
Unflinching insight into psychotic illness a remarkable immersive theatre event
In fact, it almost portrays mental illness as a kind of escape room… one with no escape, and a profusion of clues everywhere you look. Each space is engagingly designed, and there's a haunting quality to the voice acting and the polyphonic script, some of which sounds as if taken verbatim from people with schizophrenia. Hallucinatory audiovisual tricks keep you on edge, painfully vigilant, and one section involves a responsive AI program, as a grandiose delusion tightens its grip. Exploring psychosis through mixed reality tech is a fabulous idea, and The Door in Question really does feel at the forefront of a brave new kind of artmaking. But it's the human element that makes it work – the profound authenticity of lived experience, and the unflinching insight into the danger and distress, as well as the wildcard beauty – and, yes, the love – amid the deranged tangle of psychotic illness. Reviewed by Cameron Woodhead MUSIC ACO Unleashed, ★★★★ Australian Chamber Orchestra, Hamer Hall, June 22 Undaunted by the withdrawal of injured Moldovan violinist Patricia Kopatchinskaja from its current tour, the Australian Chamber Orchestra (ACO) took the opportunity to draw soloists from its own ranks in a program confirming all its appealing strengths. In the absence of artistic director Richard Tognetti, longstanding violinists Helena Rathbone and Satu Vanska shared direction of the orchestra. They were joined by the ACO's newest member, Anna da Silva Chen, in a buoyant account of Bach's Concerto for Three Violins. Clearly delighting in their collaboration, they wove the music's contrapuntal strands into a richly detailed tapestry, abetted by the ACO's customary rhythmic drive. Vanska brought an edgy bravura to Bernard Rofe's arrangement of Ravel's Tzigane to which the presence of the celesta in the accompanying forces contributed an additional exotic touch. Exemplary ensemble and beauty of tone graced Tognetti's arrangement of Beethoven's String Quartet in F minor, Op. 95 'Serioso'. Nuanced variations of texture reinforced both the original's urgency and intimacy. Schubert's Quartet Movement in C minor, D. 703 shimmered like a jewel, full of light and shade, where dramatic and lyrical elements were held in admirable balance. Giving the Melbourne premiere of Jaakko Kuusisto's Cello Concerto, principal cellist Timo-Veikko Valve gave a passionate tribute to the late composer, a longtime family friend and fellow Finn. Kuusisto, who died of brain cancer in 2022, aged 48, conceived this well-crafted work with Valve's considerable technical and expressive prowess in mind. Like Sibelius, Kuusisto often sets his emotional lyricism in sparse surroundings. Here, some percussion freshened the orchestral palette, further enticing the listener's close attention. Empathetically supported by his fellow players, Valve's advocacy of this score may well make it a 21st-century classic. A welcome, if unforeseen, element of its fiftieth anniversary season, this program celebrated the abundant talent of a great chamber orchestra.

Sydney Morning Herald
23-06-2025
- Entertainment
- Sydney Morning Herald
Unflinching insight into psychotic illness a remarkable immersive theatre event
In fact, it almost portrays mental illness as a kind of escape room… one with no escape, and a profusion of clues everywhere you look. Each space is engagingly designed, and there's a haunting quality to the voice acting and the polyphonic script, some of which sounds as if taken verbatim from people with schizophrenia. Hallucinatory audiovisual tricks keep you on edge, painfully vigilant, and one section involves a responsive AI program, as a grandiose delusion tightens its grip. Exploring psychosis through mixed reality tech is a fabulous idea, and The Door in Question really does feel at the forefront of a brave new kind of artmaking. But it's the human element that makes it work – the profound authenticity of lived experience, and the unflinching insight into the danger and distress, as well as the wildcard beauty – and, yes, the love – amid the deranged tangle of psychotic illness. Reviewed by Cameron Woodhead MUSIC ACO Unleashed, ★★★★ Australian Chamber Orchestra, Hamer Hall, June 22 Undaunted by the withdrawal of injured Moldovan violinist Patricia Kopatchinskaja from its current tour, the Australian Chamber Orchestra (ACO) took the opportunity to draw soloists from its own ranks in a program confirming all its appealing strengths. In the absence of artistic director Richard Tognetti, longstanding violinists Helena Rathbone and Satu Vanska shared direction of the orchestra. They were joined by the ACO's newest member, Anna da Silva Chen, in a buoyant account of Bach's Concerto for Three Violins. Clearly delighting in their collaboration, they wove the music's contrapuntal strands into a richly detailed tapestry, abetted by the ACO's customary rhythmic drive. Vanska brought an edgy bravura to Bernard Rofe's arrangement of Ravel's Tzigane to which the presence of the celesta in the accompanying forces contributed an additional exotic touch. Exemplary ensemble and beauty of tone graced Tognetti's arrangement of Beethoven's String Quartet in F minor, Op. 95 'Serioso'. Nuanced variations of texture reinforced both the original's urgency and intimacy. Schubert's Quartet Movement in C minor, D. 703 shimmered like a jewel, full of light and shade, where dramatic and lyrical elements were held in admirable balance. Giving the Melbourne premiere of Jaakko Kuusisto's Cello Concerto, principal cellist Timo-Veikko Valve gave a passionate tribute to the late composer, a longtime family friend and fellow Finn. Kuusisto, who died of brain cancer in 2022, aged 48, conceived this well-crafted work with Valve's considerable technical and expressive prowess in mind. Like Sibelius, Kuusisto often sets his emotional lyricism in sparse surroundings. Here, some percussion freshened the orchestral palette, further enticing the listener's close attention. Empathetically supported by his fellow players, Valve's advocacy of this score may well make it a 21st-century classic. A welcome, if unforeseen, element of its fiftieth anniversary season, this program celebrated the abundant talent of a great chamber orchestra.

LeMonde
15-06-2025
- Automotive
- LeMonde
As crowds grow at the 24 Hours of Le Mans, fans brush aside environmental concerns
Standing in front of the fence separating them from the track, Loïc, 67, and Jean-Michel, 62, turned their heads mechanically – first left, then right – without taking their eyes off the asphalt. The two friends came to watch a day of automotive testing on Thursday, June 12, in the run-up to the 93 rd edition of the 24 Hours of Le Mans, which started on Saturday at 4 pm. "This is my first time!" said Loïc with childlike excitement, the deafening roar of cars speeding by at over 200 kilometers per hour in the background. For over a century, the world's most famous endurance car race has drawn crowds of enthusiasts to Le Mans each year. Like Loïc, more newcomers and curious spectators have flocked to both the race itself and the preliminary competitions held on the 13.6-kilometer circuit. The event, which "brought together around 250,000 people over the week ten years ago," set a new attendance record during its centennial in 2023, then reached an "unprecedented peak of 329,000 spectators in 2024," according to Pierre Fillon, president of the Automobile-Club de l'Ouest (ACO, the organizing association), and brother of former prime minister François Fillon. That number climbed to 432,000 visitors when counting accredited workers and visitors under 16, who enter for free, according to data from Sarthe Tourisme and Flux Vision.
Yahoo
13-06-2025
- Automotive
- Yahoo
Hypercar, LMDh rules extended to 2032 in WEC
The lifecycle of the current generation of Le Mans Hypercar and LMDh prototypes has been extended until 2032 in the World Endurance Championship. The move, predicted by in April, means that the LMH formula is set to span 12 years following its 2021 introduction and LMDh 10 years, and follows on the two-year extension announced this time last year. Advertisement Confirmation of the plans was made by the Automobile Club de l'Ouest and FIA at the traditional press conference hosted by the former organisation on the eve of the Le Mans 24 Hours WEC round. ACO president Pierre Fillon said: 'It is important to give the manufacturers and the audience a signal of stability - we need to show that this platform is sustainable and strong. 'We are guided by two principles, stability and cost control, which is why together with the FIA we have decided to extend the rules until the end of 2032. 'Giving the manufacturers a chance to get a return on their investment was the target for us.' Pierre Fillon, ACO president Pierre Fillon, ACO president The rules extension, which was rubber stamped by this week's FIA World Motor Sport Council in Macau, was announced only in broad principles. Advertisement Fillon explained that the 'practicalities need to be discussed' and that they 'will be worked out by the end of the year'. ACO technical director Thierry Bouvet would not be drawn whether there will be any attempt to remove any of the differences between LMH and LMDh cars in the WEC's Hypercar class. At the same time, IMSA confirmed what it terms its strategic alliance with the ACO until the end of 2032, which suggests it could follow the lead taken for the WEC in extending the rules for what it calls the GTP class. Hypercars now eligible for Asian Le Mans Hypercar class contenders driven by pro-am crews will be eligible to race in the Asian Le Mans Series from the start of the 2026-27 season. Advertisement An influx of LMH and LMDh machinery will create a new top-class in the series jointly run by the ACO and GT racing boss Stephane Ratel. It will sit above the LMP2 and P3 prototype classes and the GT class for GT3 machinery, which predates the introduction of LMGT3 in the WEC in 2023. Ratel explained that the move has been the result of interest from manufacturers, teams and drivers. Race 2 Start Race 2 Start 'Interest in sportscar racing is growing in Asia: we see that in the grids for Asian LMS and the GT World Challenge Asia [which Ratel's eponymous organisation runs],' he said. 'We believe there is the possibility to attract some Asian teams and drivers; for sure there are teams whose clients are interested. Advertisement 'We know we are not going to get a grid of 20 Hypercars, but I think something like six is possible in the first year.' LMP2 tenders decided French constructors ORECA and Ligier will build the next generation of LMP2 chassis due to come on stream in 2028. They came out on top in the tender process initiated by the FIA, together with the ACO and IMSA, in March. One other constructor that is known to have bid for the right to build LMP2 machinery was the relaunched Lola brand. #23 United Autosports Oreca 07 - Gibson: Daniel Schneider, Oliver Jarvis, Ben Hanley #23 United Autosports Oreca 07 - Gibson: Daniel Schneider, Oliver Jarvis, Ben Hanley The tender called for just two manufacturers to be licensed to produce P2 machinery rather than the four of the current formula introduced in 2017. Advertisement ORECA and Ligier were joined by Dallara and Multimatic/Riley, though P2 has become a de facto one-make formula for ORECA. Gibson will continue as the engine supplier for the new generation of P2 car. The new engine will be a direct-injection twin-turbo V6, as per the tender, and capable of producing 420kW (560bhp) and running 14,000km between full rebuilds. The latest Gibson powerplant replaces the existing normally-aspirated V8 used in all LMP2 chassis. Read Also: Ford reveals more details about 2027 WEC LMDh challenger United Autosports to run McLaren Hypercar programme, Dallara tie-up agreed Genesis hires Gabriele Tarquini to management team as WEC programme takes shape To read more articles visit our website.
Yahoo
09-06-2025
- General
- Yahoo
Ludlow police officer saves fawn after separation from mother
LUDLOW, Mass. (WWLP) – A Ludlow police officer was able to rescue a fawn on Chapin Street overnight. Baby skunks rescued in Pittsfield: What should you do if you get 'skunked' The Ludlow Police Department states that an officer, during his overnight shift, came across a fawn lying in the road on Chapin Street. Once an Animal Control Officer (ACO) arrived, they determined that the fawn was only a few days old. The fawn's mother was spotted nearby, but was separated by a six-foot fence that the fawn could not cross. The officer was concerned that human contact might cause the mother to reject the fawn; however, the ACO told the officer that this is a common myth. The officer carefully used a blanket to pick up the fawn and reunite it with its mother. WWLP-22News, an NBC affiliate, began broadcasting in March 1953 to provide local news, network, syndicated, and local programming to western Massachusetts. Watch the 22News Digital Edition weekdays at 4 p.m. on Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.