Latest news with #Bock
Toronto Sun
20-06-2025
- Business
- Toronto Sun
From builder grade to custom beauty
Realtor Justin Bock worked with Georgian Communities to design a custom kitchen layout that included sconce lighting over the window and on either side of the stove, while replacing builder-grade light fixtures over the island with gorgeous over-sized pendants. Reviews and recommendations are unbiased and products are independently selected. Postmedia may earn an affiliate commission from purchases made through links on this page. Ontario realtor says it pays to work with your developer from the get-go This advertisement has not loaded yet, but your article continues below. THIS CONTENT IS RESERVED FOR SUBSCRIBERS ONLY Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. SUBSCRIBE TO UNLOCK MORE ARTICLES Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. REGISTER / SIGN IN TO UNLOCK MORE ARTICLES Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account. Share your thoughts and join the conversation in the comments. Enjoy additional articles per month. Get email updates from your favourite authors. THIS ARTICLE IS FREE TO READ REGISTER TO UNLOCK. Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account Share your thoughts and join the conversation in the comments Enjoy additional articles per month Get email updates from your favourite authors Don't have an account? Create Account Buy a fixer upper and you probably won't think twice about financing renovation costs to bring your interior vision to life. Purchase a builder grade home in a new community, however, and you're more likely to settle for the design options presented to you. But it doesn't have to be that way. In fact, having been through the process several times himself, realtor Justin Bock says most people would be surprised by how easy and affordable it is to make small changes to a builder grade home that deliver big impact. 'Most builders will sit down with you and work with you,' said Bock, a real estate agent with Bosley Real Estate, who believes it's not only possible to achieve a custom-built look but also less expensive when you plan strategically from the beginning. Your noon-hour look at what's happening in Toronto and beyond. By signing up you consent to receive the above newsletter from Postmedia Network Inc. Please try again This advertisement has not loaded yet, but your article continues below. When he recently purchased a new home in Windfall at Blue Mountain, for example, Bock didn't hesitate to talk with developer Georgian Communities about adjustments he knew would add luxury and charm. He says in his experience, most builders will allow you to change walls, move doors, customize kitchen and bath layouts, and make changes to the electrical plan. He also suggests it's worthwhile to take the time to make additional modifications after taking possession, before moving in. There are builder limitations and you will pay for the changes you request, but in the end you get an elevated look that's your own. 'We spent almost three hours on the lighting layout alone … going over where we wanted sconces, light fixtures and outlets,' said Bock. 'It makes such a huge difference.' This advertisement has not loaded yet, but your article continues below. For his Windfall home, Bock worked with Georgian Communities to design a custom kitchen layout that included sconce lighting over the window and on either side of the stove, and replaced builder-grade light fixtures over the island with gorgeous oversized pendants. A shiplap feature wall was also added to surround the oven vent. In the master bathroom, he chose an upgraded vanity and tile from the builder, extended the depth of the shower by one foot, chose a free standing tub and added a custom shower class enclosure all the way up to the ceiling. Then, after closing on the property, he hired his own contractors to go in and replace the standard laminate countertops in the bathroom with a gorgeous quartz countertop, adding a backsplash with ledge and wall-mounted faucets. His contractors also added a stunning panelled feature wall going up the staircase that can be viewed from all angles of the ground floor. All in all, Bock spent roughly $100,000 on upgrades from the builder and another $75,000 on changes after closing. If had waited a few years and made the changes on his own, or tried to purchase a similar lot in the area and do a custom build, the cost would have been much higher, he said. 'We would never be able to build this house and get a lot in the location we did for our price point,' said Bock. 'It never would have happened.' Toronto & GTA MMA World News Sunshine Girls
Yahoo
13-06-2025
- Health
- Yahoo
Missourians stuck in jail waiting for mental health care up 40% from last year
The length of the waitlist is up by over 40% from a year ago and over 80% from 2023 (). The number of Missourians languishing in jail while they wait for a spot in a state-run psychiatric hospital continues to climb, with nearly 450 people stuck in limbo in need of mental health treatment. Individuals on the waitlist have been charged with crimes but not convicted. Many are detained for longer than they would be if they'd received the maximum sentence for their charges. The length of the waitlist is up by over 40% from a year ago and over 80% from 2023, according to the latest figure provided during a monthly Mental Health Commission meeting on Thursday and data previously received by The Independent. Nora Bock, director of the behavioral health division of the Missouri Department of Mental Health, said the 'silver lining' of the situation is that more individuals have begun receiving care through a pilot program the legislature passed in 2023, which brings treatment to the jails. There are 18 individuals currently enrolled in that program, Bock said, 'so this is good movement.' People on the waitlist were arrested, found incompetent to stand trial and ordered into mental health treatment designed to allow them to have their day in court — a process called competency restoration that generally includes therapy and medication. Their cases are on hold while they wait for competency restoration. The average wait time in Missouri has held steady at 14 months, Bock said. There have been successful lawsuits in several other states arguing that months-long wait times for competency restoration is a violation of due process and the Americans with Disabilities Act. The consequences can be fatal. Last month, a 64-year-old named Timothy Beckmann, who had been found incompetent to stand trial and been waiting for months for treatment, was found unresponsive in the Jackson County Detention Center and brought to a hospital where he was declared dead. In the seven months he spent in pretrial detention, Beckmann's mental and physical health deteriorated, public defenders involved in the case told The Independent after his death. The Department of Mental Health previously declined to answer questions, citing patient privacy laws, and Bock didn't mention Beckmann in her presentation. The Jackson County sheriff's office is still investigating Beckmann's death and the medical examiner's office hasn't concluded its report yet, a spokesperson for the sheriff told The Independent Thursday. Man dies in KC jail after waiting months for court-ordered mental health treatment The legislature in 2023 passed several measures in an attempt to ameliorate the waitlist. Those have been slow to get off the ground. Some of the remedies are years away, such as a new psychiatric hospital being built in Kansas City. Bock said that there are two individuals receiving outpatient competency restoration now — meaning they were charged with low-level offenses and deemed safe enough to receive treatment in their community — 'and I do anticipate that as we work with our other stakeholders that we'll see that that increases over time.' Advocates have raised concern that patients are rarely referred to community-based treatment. There are more patients in the pipeline: 61 people were evaluated and found incompetent who are waiting to be court ordered into DMH custody, Bock said. There are 213 open pretrial evaluations, of which Bock said the department expects around half to be found incompetent. The waitlist is a result of limited bed capacity, workforce and a lack of community placements, officials have told lawmakers, as well as a surge in the number of court-ordered competency evaluations. Bock shared staffing data during the presentation as well. The group with the highest vacancy rate across state psychiatric hospitals is social workers, at 71%. 'This is across our system, so it will vary by facility, but that's a pretty staggering number for us to deal with,' Bock said. She said Fulton State Hospital struggles the most with staffing, with one-quarter of their direct care positions open, and a Kansas City hospital called the Center for Behavioral Medicine struggles the least, which Bock attributed to the job market and population. SUPPORT: YOU MAKE OUR WORK POSSIBLE
Yahoo
05-06-2025
- Business
- Yahoo
Payments firms account for bulk of fintech revenue
This story was originally published on Banking Dive. To receive daily news and insights, subscribe to our free daily Banking Dive newsletter. Fewer than 100 of the approximately 37,000 fintech companies globally account for roughly 60% of industry revenue – and payments firms are the 'indisputable winner' of the realm to date, accounting for more than half of that success. Of the $378 billion in global fintech revenues in 2024, $126 billion came from payments fintechs, some of which have seen growth from digital wallets (like PayPal and ApplePay) or vertical software-as-a-service (like Stripe, Toast and Square), according to a report released Monday by QED Investors and Boston Consulting Group. 'Companies like Stripe and Adyen and Square really filled the gap when there was a shift to [e-commerce] and mobile commerce. They were able to just win that race and grab market share,' explained Laura Bock, QED partner and one of the authors of the report, 'Fintech's Next Chapter: Scaled Winners and Emerging Disruptors.' 'What we talk a lot about, and think a lot about, is how financial services lives downstream of the real economy,' she said. 'When there are shifts in how the real economy works, that's a huge opening for fintech to make waves.' While fintech accounted for just 3% of overall banking and insurance revenues in 2024 ($12.7 trillion, according to the report), fintech revenues surged 21%, compared to the 6% growth rate of incumbent banks. In recent years, embedded payments has revolutionized how consumers and merchants transact for certain things, Bock explained – for their fitness classes, as with MindBody, or their dinner, as with Toast. Artificial intelligence presents the possibility of another major shift, she noted, this time due to agentic payments. 'For example, I use ChatGPT for way too much,' Bock said. 'Yesterday, I was trying to figure out where to go on my honeymoon … so I was asking it 'what's the weather in Italy in September? Which part should I go to? What should I book?' You can have it generate an entire itinerary. Imagine that I could then just say, 'Hey, I like this plan, book it.'' 'I've connected [it] to my wallet or my card, I've given [it] the appropriate permissions. Maybe I say, 'don't spend $500 without asking me,' but I sign off on it, and it books my hotels, my activities, my flight. I don't think it's crazy that a bot [will be] your travel agent, and that it just uses your card or ChatGPT wallet to make payments,' Bock said. 'I think that will become more mainstream, maybe not like in a year or two, but at some point over the next five or so years.' Before AI agents are granted the ability to make payments, though, proper guardrails must be built to verify that the agent is acting on behalf of a person, and within the boundaries permitted by the person. Current regulatory frameworks are designed with human actors and institutions in mind, noted QED and BCG in their report; with AI agents, questions arise regarding authentication, fraud prevention, and liability. 'Say my bot goes rogue and books me in first class when I didn't want to pay for it. What happens now? Am I the one arguing with Delta?' Bock said to Banking Dive. 'Every time there's a change with how payments are made, a whole new set of infrastructure needs to jump up to support it.' Privacy and data security also pose challenges for agentic AI, according to the report, as data incidents can be devastating both financially and reputationally. 'This is where regulators will need to provide clarity and guidance,' the report said. 'Given these challenges, the use of agentic AI in financial services may lag other sectors of the economy. Nonetheless, we are already beginning to see its transformational potential in software development, particularly for earlier-stage, AI-native fintechs.' Error in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data
Indianapolis Star
30-05-2025
- Entertainment
- Indianapolis Star
'No credit or consent.' Composer says Indiana Bible College stole her song for streaming
An Indiana Bible school is under scrutiny after a composer took to social media to claim it infringed on her copyrighted work and is selling music based on her composition. Choral music composer Rosephanye Powell said an Indiana Bible College choir copied, altered and performed her song without permission. Powell, a professor at Auburn University in Alabama, said Indiana Bible College's 'John 1' uses elements of her 'The Word Was God.' She and her publisher, Glendale, California-based Gentry Publications, had denied usage to the Indiana college last year, according to Powell. The a cappella song is based on the first chapter in the Bible's Gospel of John. Powell is well-known in the choral community. The American Choral Directors Association honored Powell with its 2025 Raymond Brock Memorial Commission, a prestigious award. Her new work premiered at the organization's national conference this spring. 'Rosephanye Powell is one of the most important female composers of choral music in the United States today – if not the most important,' said Stephen Bock, president of Fred Bock Music Co. Inc., which owns Gentry Publications. 'The Word Was God' was her first publication and is her most iconic work, Bock said. Powell composed the song when she and her husband, William C. Powell, now music professor and director of choral activities at Auburn, were co-conductors for the collegiate choir at Philander Smith College, an HBCU in Arkansas. The choir there in 1996 was the first to perform it. 'There is no doubt that what Indiana Bible College has done is infringe on the copyright of 'The Word Was God,' Bock said. 'This song is undeniably a derivative of my work,' she said in a May 23 Facebook post, adding that the Indiana choir made minor alterations to notes, rests and rhythms to "The Word Was God." The bible college choir had performed an unapproved arrangement of her song in early 2024, titled 'The Word Was God,' using a band and a soloist and uploaded it to TikTok, Powell said in a May 23 Facebook post. Indiana Bible College initially contacted Gentry Publications in January 2024, seeking permission to produce a gospel arrangement of 'The Word Was God,' but recorded the song and released a video before getting the approval from Powell and the publisher, Bock said. Gentry Publications rejected the request and directed the choir to destroy the music and remove the video, according to Bock. Indiana Bible College choir director Tim Hall had told Powell that, as a high school choral director, he'd performed the song years before, and in April 2024, he again requested to use the music, this time for a performance at an international music festival at the school. Powell and Gentry said no. 'And then the next thing we knew, in April of 2025, they released 'John 1,' which we feel is completely derivative of 'The Word Was God,'' Bock said. The Indiana choir was using material from 'The Word Was God,' but presenting 'John 1' as an original composition, he said. 'What came out in April of this year, 'John 1,' we contend is a slight — and by slight, I mean slight — reworking of the gospel arrangement of 'The Word Was God' that they tried to get permission for in 2024,' Bock said. 'So legally, it is a derivative of a derivative. 'What makes this egregious is the historical record of their interest in 'The Word Was God,' going back to January of 2024, and their continued insistence that it's original work when it is obvious that it is not.' Gentry learned of the 'John 1' song a couple of days after the school's April 26 upload of a music video for the song to YouTube, and contacted the college the April 30, alleging copyright infringement. The publisher made the copyright claim against the 'John 1' video to YouTube in mid-May, and by the morning of May 20, the platform had removed the music video, Bock said. At that point, the video had about 940,000 views, he said. Powell, who also has taught at Philander Smith and Georgia Southern University, said Indiana Bible College is profiting from the song through sales on its website and digital platforms. "John 1" debuted on Apple Music on May 2, 2025. Since she began sharing her story on social media last week, the school has posted that it is attempting to determine the legalities. IndyStar has reached out to Indiana Bible College for comment, but has not received a response. Others are reading: Why authors of 'Back Home Again' were accused of stealing from another iconic Indiana song Hall and other credited arrangers of the unlicensed 2024 arrangement are listed as composers of 'John 1' and claim 'The Word Was God' is not part of the new work, Powell said in the May 23 Facebook post. Hall is also associate dean of worship studies at Indiana Bible College. 'The disregard for me and my work is both unprofessional and deeply troubling. As an African American composer, I am acutely aware of our nation's history of Black artists having their musical property taken without credit or consent. That history makes Mr. Hall's actions especially egregious, given his role in guiding young singers, arrangers, and musicians,' Powell said in the post. 'What is most disheartening is that I communicated my position to Mr. Hall very politely and respectfully a year ago, making it clear why I could not approve.' In a May 26 social media post, Powell said she felt strongly the song should not be performed with a band or soloist, as the Indiana choir had done without permission in 2024. She intended the a cappella piece to be restricted to human voices to convey God's speaking creation. 'I wanted people to get a picture of how God's word created the world,' Powell said. 'I was trying to spread not just the message, but give them a picture of what God's voice did as he spoke. One day there's trees, then there's the sun, there's the moon, there's the stars, then there's shrubbery, there's water. A picture of the Earth is being created through voices.' While the Scripture is not copyrighted, the harmonies and rhythms used in 'The Word Was God' are, Powell said. 'That, for me, is about integrity,' she said in the video. ' It is not about the money. They're the ones making the money.' 'And what's worse is this time they're saying it's an original work, which means it uses none of my work whatsoever. But this is not true. Sections of this song are my work, so it's exactly as before,' she said. 'At least before they said they were using my work, they just didn't get a license for it and didn't inform me in advance or get permission. Now they say none of it is my work.' I am so grateful for the support of so many of you! I hope this video clarifies some of the questions concerning the backstory of the situation with Indiana Bible College's 'John 1.' #fypシ #foryoupage #fyp #indianabiblecollege #thewordwasgod #john1 #rosephanyepowell #copyrightinfringement Many in the music community are standing up for Powell. 'This is not homage. This is THEFT. It is a violation of copyright law and a blatant disrespect of a Black female composer's intellectual property. Historically, we have seen this happen often where black artists have repeatedly had their creative works stolen, imitated, or repackaged without credit or compensation,' said Antwoin Holman, a high school choral music director in Douglasville, Georgia, on Facebook. 'This pattern of exploitation must be called out and challenged and IBC we are holding your feet to the fire.' Powell also has the support of J. W. Pepper, the world's largest sheet music retailer. The 149-year-old company on May 28 posted to its Facebook page, 'We stand with Rosephanye Powell. As a champion of original music, we support the artists whose work we distribute,' the company posted on May 28. ' We applaud Dr. Powell's courage in speaking out to defend her intellectual property. Creative work is not only labor—it's legacy.' Bock said Gentry had been trying to resolve the issue privately. On May 23, the publisher emailed Indiana Bible College a 20-page letter detailing its case for 'John 1' being derivative of 'The Word Was God.' Bock said the school responded on May 25, saying, 'We are in the process of evaluating the extensive analysis you shared of 'John 1' relative to 'The Word Was God, and will provide a full response as soon as it is practicable.' Gentry has had nothing directly from the school since, Bock said. 'They're supposed to be getting a response to us. I don't know what it means for timing. As of right now, the ball is in their court.' A post shared by Indiana Bible College (@ Indiana Bible College, founded in 1981 and currently located at 1502 E. Sumner Avenue, posted to its social media accounts that it working on clearing up the matter in private. 'The release of the choral arrangement 'John 1' has been met with claims of copyright infringement," it said. "Establishing whether copyright infringement has occurred is extraordinarily fact sensitive, and parties to copyright infringement disputes frequently genuinely disagree whether the legal standard for infringement has been met. We are actively discussing the matter privately with the only party that has a legal standing to dispute the matter.'
Indianapolis Star
30-05-2025
- Entertainment
- Indianapolis Star
'No credit or consent.' Composer says Indiana Bible College stole her song for streaming
An Indiana Bible school is under scrutiny after a composer took to social media to claim it infringed on her copyrighted work and is selling music based on her composition. Choral music composer Rosephanye Powell said an Indiana Bible College choir copied, altered and performed her song without permission. Powell, a professor at Auburn University in Alabama, said Indiana Bible College's 'John 1' uses elements of her 'The Word Was God.' She and her publisher, Glendale, California-based Gentry Publications, had denied usage to the Indiana college last year, according to Powell. The a cappella song is based on the first chapter in the Bible's Gospel of John. Powell is well-known in the choral community. The American Choral Directors Association honored Powell with its 2025 Raymond Brock Memorial Commission, a prestigious award. Her new work premiered at the organization's national conference this spring. 'Rosephanye Powell is one of the most important female composers of choral music in the United States today – if not the most important,' said Stephen Bock, president of Fred Bock Music Co. Inc., which owns Gentry Publications. 'The Word Was God' was her first publication and is her most iconic work, Bock said. Powell composed the song when she and her husband, William C. Powell, now music professor and director of choral activities at Auburn, were co-conductors for the collegiate choir at Philander Smith College, an HBCU in Arkansas. The choir there in 1996 was the first to perform it. 'There is no doubt that what Indiana Bible College has done is infringe on the copyright of 'The Word Was God,' Bock said. 'This song is undeniably a derivative of my work,' she said in a May 23 Facebook post, adding that the Indiana choir made minor alterations to notes, rests and rhythms to "The Word Was God." The bible college choir had performed an unapproved arrangement of her song in early 2024, titled 'The Word Was God,' using a band and a soloist and uploaded it to TikTok, Powell said in a May 23 Facebook post. Indiana Bible College initially contacted Gentry Publications in January 2024, seeking permission to produce a gospel arrangement of 'The Word Was God,' but recorded the song and released a video before getting the approval from Powell and the publisher, Bock said. Gentry Publications rejected the request and directed the choir to destroy the music and remove the video, according to Bock. Indiana Bible College choir director Tim Hall had told Powell that, as a high school choral director, he'd performed the song years before, and in April 2024, he again requested to use the music, this time for a performance at an international music festival at the school. Powell and Gentry said no. 'And then the next thing we knew, in April of 2025, they released 'John 1,' which we feel is completely derivative of 'The Word Was God,'' Bock said. The Indiana choir was using material from 'The Word Was God,' but presenting 'John 1' as an original composition, he said. 'What came out in April of this year, 'John 1,' we contend is a slight — and by slight, I mean slight — reworking of the gospel arrangement of 'The Word Was God' that they tried to get permission for in 2024,' Bock said. 'So legally, it is a derivative of a derivative. 'What makes this egregious is the historical record of their interest in 'The Word Was God,' going back to January of 2024, and their continued insistence that it's original work when it is obvious that it is not.' Gentry learned of the 'John 1' song a couple of days after the school's April 26 upload of a music video for the song to YouTube, and contacted the college the April 30, alleging copyright infringement. The publisher made the copyright claim against the 'John 1' video to YouTube in mid-May, and by the morning of May 20, the platform had removed the music video, Bock said. At that point, the video had about 940,000 views, he said. Powell, who also has taught at Philander Smith and Georgia Southern University, said Indiana Bible College is profiting from the song through sales on its website and digital platforms. "John 1" debuted on Apple Music on May 2, 2025. Since she began sharing her story on social media last week, the school has posted that it is attempting to determine the legalities. IndyStar has reached out to Indiana Bible College for comment, but has not received a response. Others are reading: Why authors of 'Back Home Again' were accused of stealing from another iconic Indiana song Hall and other credited arrangers of the unlicensed 2024 arrangement are listed as composers of 'John 1' and claim 'The Word Was God' is not part of the new work, Powell said in the May 23 Facebook post. Hall is also associate dean of worship studies at Indiana Bible College. 'The disregard for me and my work is both unprofessional and deeply troubling. As an African American composer, I am acutely aware of our nation's history of Black artists having their musical property taken without credit or consent. That history makes Mr. Hall's actions especially egregious, given his role in guiding young singers, arrangers, and musicians,' Powell said in the post. 'What is most disheartening is that I communicated my position to Mr. Hall very politely and respectfully a year ago, making it clear why I could not approve.' In a May 26 social media post, Powell said she felt strongly the song should not be performed with a band or soloist, as the Indiana choir had done without permission in 2024. She intended the a cappella piece to be restricted to human voices to convey God's speaking creation. 'I wanted people to get a picture of how God's word created the world,' Powell said. 'I was trying to spread not just the message, but give them a picture of what God's voice did as he spoke. One day there's trees, then there's the sun, there's the moon, there's the stars, then there's shrubbery, there's water. A picture of the Earth is being created through voices.' While the Scripture is not copyrighted, the harmonies and rhythms used in 'The Word Was God' are, Powell said. 'That, for me, is about integrity,' she said in the video. ' It is not about the money. They're the ones making the money.' 'And what's worse is this time they're saying it's an original work, which means it uses none of my work whatsoever. But this is not true. Sections of this song are my work, so it's exactly as before,' she said. 'At least before they said they were using my work, they just didn't get a license for it and didn't inform me in advance or get permission. Now they say none of it is my work.' Many in the music community are standing up for Powell. 'This is not homage. This is THEFT. It is a violation of copyright law and a blatant disrespect of a Black female composer's intellectual property. Historically, we have seen this happen often where black artists have repeatedly had their creative works stolen, imitated, or repackaged without credit or compensation,' said Antwoin Holman, a high school choral music director in Douglasville, Georgia, on Facebook. 'This pattern of exploitation must be called out and challenged and IBC we are holding your feet to the fire.' Powell also has the support of J. W. Pepper, the world's largest sheet music retailer. The 149-year-old company on May 28 posted to its Facebook page, 'We stand with Rosephanye Powell. As a champion of original music, we support the artists whose work we distribute,' the company posted on May 28. ' We applaud Dr. Powell's courage in speaking out to defend her intellectual property. Creative work is not only labor—it's legacy.' Bock said Gentry had been trying to resolve the issue privately. On May 23, the publisher emailed Indiana Bible College a 20-page letter detailing its case for 'John 1' being derivative of 'The Word Was God.' Bock said the school responded on May 25, saying, 'We are in the process of evaluating the extensive analysis you shared of 'John 1' relative to 'The Word Was God, and will provide a full response as soon as it is practicable.' Gentry has had nothing directly from the school since, Bock said. 'They're supposed to be getting a response to us. I don't know what it means for timing. As of right now, the ball is in their court.' Indiana Bible College, founded in 1981 and currently located at 1502 E. Sumner Avenue, posted to its social media accounts that it working on clearing up the matter in private. 'The release of the choral arrangement 'John 1' has been met with claims of copyright infringement," it said. "Establishing whether copyright infringement has occurred is extraordinarily fact sensitive, and parties to copyright infringement disputes frequently genuinely disagree whether the legal standard for infringement has been met. We are actively discussing the matter privately with the only party that has a legal standing to dispute the matter.'
