Latest news with #BridgetJones:MadAbouttheBoy
Time Out
7 days ago
- Entertainment
- Time Out
It's official: Singapore is home to one of the most beautiful outdoor cinemas in the world
We knew it, and now the world does too. Singapore has officially landed a spot on Time Out's list of the world's most beautiful outdoor cinemas – coming in hot at 11th place, thanks to the stunning Hendrick's Sunset Cinema. With its breezy beachfront setting at Tanjong Beach, pre-show live DJ show, coastal cuisine from nearby Tanjong Beach Club, immersive silent disco-style experience, and free-flow vibes, it's no surprise this alfresco film affair always sells out. Top spot went to Sydney's WestPac OpenAir – we'll happily concede to a cinema with front-row views of the Opera House and that unbeatable Aussie sunshine. While this year's edition of Hendrick's Sunset Cinema has already wrapped, there's good news for cinephiles craving that under-the-stars kind of movie magic. The team behind the seaside screenings is bringing back its sister event: Films At The Fort, an open-air cinema experience set against the lush, green backdrop of Fort Canning Park. The event runs from August 21 to September 7, with a nightly lineup of acclaimed films and cult classics. This year's buzz-worthy titles include The Life of Chuck, Bridget Jones: Mad About the Boy, F1: The Movie, and all-time greats, including 2001: A Space Odyssey and The Shawshank Redemption. Instead of deck chairs, you get space to spread out your picnic blanket and settle in under the trees. You can also rent backrests for maximum comfort. Food-wise, you're in for a treat as The Prince, Firangi Superstar and Neon Pigeon come together to curate a menu that includes sweet and savoury popcorn, juicy beef burgers, flavourful kebab dishes, ice cream sandwiches, and more.
Yahoo
16-07-2025
- Entertainment
- Yahoo
How ‘Sirens' shocked with 4 Emmy nominations
Fans of Sirens received a few welcome surprises on Emmy nomination morning — four to be exact. While the Netflix original limited series was a big hit for the streamer, it wasn't seen as a major awards contender. That changed this morning, however, when Sirens snagged a quartet of nominations within the Limited, Anthology Series, or Movie categories. More from Gold Derby 'Awards Magnet': Our instant 2025 Emmy reactions 'Grateful' first-time nominee Katherine LaNasa can't wait to see Jessica Williams, Jean Smart, and Julianne Nicholson at the Emmys The most notable among those nods was Meghann Fahy, who made it into Best Limited/Movie Actress for playing Devon DeWitt. Though she had been previously nominated for her work on the second season of The White Lotus, Fahy was far from a sure thing in the category. Prior to nominations, Gold Derby predictions had Fahy ranked 15th in the category, behind actresses like Renée Zellweger from Bridget Jones: Mad About the Boy and Kaitlyn Dever from Apple Cider Vinegar, who both missed out on nominations. Sirens also made it into the competitive directing category with Nicole Kassell, who was nominated for her work on the first episode, "Exile," alongside directors from The Penguin, Dying for Sex, Adolescence, and Zero Day. Rounding out the Sirens nominations were Best Limited/Movie Contemporary Costumes and Best Limited/Movie Picture Editing. Gold Derby spoke with series creator Molly Smith Metzler shortly after the series debuted in June, and the writer downplayed her hopes for any awards attention, despite strong early buzz. "I try to just appreciate any attention and take the opportunity to sing the praises of this team," she said. "If the show's good, it's because of them." Best of Gold Derby Everything to know about 'The Pitt' Season 2, including the departure of Tracy Ifeachor's Dr. Collins Everything to know about 'Too Much,' Lena Dunham's Netflix TV show starring Megan Stalter that's kinda, sorta 'based on a true story' Cristin Milioti, Amanda Seyfried, Michelle Williams, and the best of our Emmy Limited Series/Movie Actress interviews Click here to read the full article. Solve the daily Crossword
India Today
10-07-2025
- Entertainment
- India Today
Fans say Hugh Grant looks stylish even while napping at Wimbledon 2025
British actor Hugh Grant recently made a notable appearance at Wimbledon 2025, accompanied by his wife, Anna Elisabet Eberstein. The couple was spotted seated in the prestigious Royal Box on Wednesday, enjoying the day's thrilling matches. However, photos of the actor have since surfaced online, capturing the moment he appeared to doze off 64-year-old was caught on camera sleeping during the Wimbledon 2025 match between Novak Djokovic and Flavio Cobolli on Wednesday. Looking sharp in a black formal coat and trousers, paired with black sunglasses, Grant was seen slumped to one side in his seat, seemingly asleep with his eyes concealed behind his tinted glasses. He was surrounded by several celebrities and sat directly behind Queen Camilla. The match itself was a nail-biter, ending in a four-set victory for Novak after a tense tie-break. (Credit: X/BastienFachan) advertisementSocial media users were quick to respond to the footage of Grant dozing off during the match. One fan commented, 'Still a very hot guy! (sic)' while another wrote, 'I'm pretty sure he was dreaming of Julia Robert's in Notting Hill (sic).' (Credit: X/GuerrinEileen) (Credit: X/AlexCanada) According to Wimbledon's official website, invitations to the Royal Box are extended by the Chair of the All England Club, with input from members of The Championships' Organising Committee, the Lawn Tennis Association, and other relevant bodies. Guests are invited to enjoy lunch, tea, and drinks at the Clubhouse after the day's Hugh Grant was last seen in the romantic comedy 'Bridget Jones: Mad About the Boy'. Directed by Michael Morris and penned by Helen Fielding, Dan Mazer, and Abi Morgan, the film also stars Rene Zellweger, Colin Firth, and Emma Thompson.- Ends
Yahoo
04-07-2025
- Entertainment
- Yahoo
Renée Zellweger Has Her 'Fingers Crossed' for More Bridget Jones Stories
When Bridget Jones: Mad About the Boy debuted in February (on Peacock in the U.S. and in theaters abroad), it had been nearly nine years since a film focused on the adventures of the beloved British singleton. Would audiences respond with the same affections for Ms. Jones in 2025 that they had when she was introduced to the world with Bridget Jones's Diary in 2001 or the follow-ups, Bridget Jones: The Edge of Reason in 2004 or Bridget Jones's Baby in 2016? Turns out the answer was a bloody yes, indeed! Credit the collaboration of two-time Oscar winner Renée Zellweger, who slipped back into Bridget's life (and accent) like no time had passed, author and screenwriter Helen Fielding, and the new man on the scene, filmmaker Michael Morris. But the truth is, time had passed. Mad About the Boy picks up four years after the crushing death of Bridget's true love, Mark Darcy, played by swoon-worthy Colin Firth, leaving Bridget navigating life as a single mother with their two young children. Enter two potential love interests played by Chiwetel Ejiofor, as a strict teacher, and The White Lotus breakout Leo Woodall as a garbage aficionado. More from The Hollywood Reporter 'Shrinking' Actress and Music Supervisor Christa Miller on Pulling the Strings Behind the Scenes 'The Boys' Showrunner and Stunt Coordinator on Crafting the "Ugly" (And Sometimes Nude) Supe Fights Ramy Youssef Talks Using Hand-Drawn Animation to Find Humor in Dark Reality of '#1 Happy Family USA' Zellweger and Morris collaborated once again for the conversation below to discuss how they cracked Jones' code, the most memorable moments on set and whether this is truly the end of the road for Bridget and company. Renée, you have that emotional scene with Colin Firth's Mark Darcy when you arrive at the house together, and we can feel the grief. But there are moments of joy and levity once you enter and greet your friends. What was that scene like for you to shoot? RENéE ZELLWEGER That was, 'I'm not supposed to cry in the scene,' and it's impossible not to cry in that scene. It was such a strange day seeing Colin there in his Mark Darcy finery. I had this moment of realization that the real-life journey of sharing the Bridget and Mark Darcy love story with my friend was coming to an end. It really felt like a profound moment thinking about the nearly 30 years we've shared in telling this story. Then I thought, 'Yeah, I don't want this to end. I love Mark and Bridget!' MICHAEL MORRIS What I love so much about your performance in that moment — it's critical actually for how we are setting up this particular story of this woman's journey on from her great love — is that while standing in the doorway, after experiencing all those feelings you just talked about, the character Jeremy [played by Neil Edmond] answers the door. He is obviously upset on this anniversary of his friend's death, and it's Bridget who consoles him. It's Bridget who hugs him and says, 'It's OK.' Then your voiceover comes in and we go into the scene as the audience is feeling this loss, and it's Bridget who is looking after us. She's saying that this is what happened and 'I'm OK.' That's so Bridget in the way that you've made her over the years. When she wallows, she wallows. But for the rest of her life, she doesn't. I found that a really wonderful way to begin. All of the sadness was there, all the nostalgia was there, all the yearning for the past. But you were really present: you Renée, you Bridget. Michael, you said Renée and Bridget as almost one in the same. I know a lot of people feel that way. Helen Fielding told , 'Bridget and Renée have merged into the same person for me. But when Renée and I met, it's quite funny and confusing because we both think the other is Bridget, but neither of us is.' Renée, what do you make of that? ZELLWEGER It's interesting what Helen says about that, as she exists in the middle of everybody. I feel like when we sit down with the friends or with Colin or Michael, who has been working on the script so closely for such a long time, or with Helen, who is in the midst of all of these conversations, she starts to show up. The rest of it is technical. I just have affinity for her. I love her. I love who she is and what she inspires, her optimism and her joy and her perspective. I love that she lifts other people up when she's feeling down and that she's self-effacing in a way that we all recognize. It's just a testament to this beautiful thing that Helen has tapped into in terms of our vulnerabilities and bits of our shared humanity that Bridget seems to embody in a way that makes us feel seen when we spend time with her. It is an interesting experience [to play Bridget] because she's different every time. That's an unusual exercise for an actor to have that opportunity, and I've loved it because each time each of us revisits this world, Bridget's world, we're all different as well. So much has changed and so much has changed us. How wonderful not to have to pretend that we're less than we are. Michael, after having worked on the script and being British and knowing the world of Bridget Jones for so long, what was it like when you called 'action' and saw Renée slip into becoming Bridget? MORRIS Funnily enough, I experienced Renée as Bridget almost instantly when Renée came to London because she brings that energy, much of the character and her outlook, to the entire process, whether it's a meeting, conversation or rehearsal. One of my favorite moments, before even calling action, came on our very, very first day, which we had set aside as a rehearsal. We had some really great days rehearsing with the two children, who were fantastic. Casper Knopf is a wonderful young actor who had been onstage with David Tennant doing Macbeth but had never done anything like this before, and Mila [Jankovic] had never done anything and was just a ball of energy and spirit. On day one, we set aside some time for us all to get to know each other and be in a room and talk about the scenes loosely. Literally, within 15 minutes of everyone getting there, they went from 'Hello, my name is Mila' and 'Hello, my name is Casper' to the kids crawling all over Renée. Mila was on her lap putting slime all over her. It was just all warmth. I knew in that moment they were a family with family history. How did that happen? That's a bit of a magic trick, and I don't ever deny the skill of the magician in that one. Renée has a real ability with everybody on the film —technicians, guest cast, background artists, everyone — of inviting them into the world that she has created over these 25 years so that everyone feels connected and part of this character. There's no sense of me and you, us and them, mine and yours. Everything is ours. When you're making a film, that's everything. It allows everyone to do their best work and relax into the project and feel safe to try things and be supported. Thank God that's the environment Renée creates wherever she goes. That was so lovely. Renée, are you blushing? ZELLWEGER Hot pink. You said that this is the last book, but forgive me in advance for asking the same question that's on everyone's mind: Have there been any conversations with Helen about another book or continuing Bridget Jones' journey in some way? ZELLWEGER My understanding was that this was kind of it, but I keep my fingers crossed that she might want to share some more of her own experiences through the world of Bridget. MORRIS Me too. And look who we've got: Chiwetel Ejiofor in the world now, and we've got Leo Woodall in the world now. We've got all these fantastic people and Helen's got her life, her kids are going to college. Let's hope for more chapters. Renée, knowing this could be the last, how did you honor that? Did you take any special mementos from set or do you have anything that marks what could be the end? ZELLWEGER Twenty-five years' worth. This story first appeared in a June stand-alone issue of The Hollywood Reporter magazine. To receive the magazine, click here to subscribe. Best of The Hollywood Reporter 13 of Tom Cruise's Most Jaw-Dropping Stunts Hollywood Stars Who Are One Award Away From an EGOT 'The Goonies' Cast, Then and Now
UPI
27-06-2025
- Entertainment
- UPI
Leo Woodall to co-star with Rachel Weisz in 'Vladimir'
1 of 2 | Leo Woodall is to play the title role in Netflix's "Vladimir." File Photo by Jim Ruymen/UPI | License Photo June 27 (UPI) -- The White Lotus and Bridget Jones: Mad About the Boy actor Leo Woodall has joined the cast of the limited series, Vladimir. "Leo Woodall will star as the titular Vladimir -- joining Rachel Weisz in the upcoming adaptation of the Julia May Jonas novel," Netflix announced Thursday. "As a woman's life unravels, she becomes obsessed with a captivating new colleague and is hell-bent on turning her fantasies into reality." Weisz also serves as an executive producer on the project. Kate Robin -- whose credits include One Mississippi, The Affair, Dead to Me and Six Feet Under -- is the show-runner. No premiere date has been disclosed yet. Leo Woodall will star as the titular VLADIMIR - joining Rachel Weisz in the upcoming adaptation of the Julia May Jonas novel. As a woman's life unravels, she becomes obsessed with a captivating new colleague and is hell-bent on turning her fantasies into reality. Netflix (@netflix) June 26, 2025
