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Tom's Guide
10 hours ago
- Automotive
- Tom's Guide
Using the Canon EOS R50 V feels like riding a bike with training wheels on — and I think it's the smartest move Canon has made this year
Japanese camera giant Canon has been on a roll this year. In March, it dropped not one but two brand new cameras no one saw coming: the fixed-lens Canon PowerShot V1, and the ILC (interchangeable lens camera) Canon EOS R50 V. No, neither of these are aimed at photographers — they're purely for vloggers and videography enthusiasts looking for easy-to-use cameras. And you know what? It's a hella smart move from Canon. I'm not a videographer or a vlogger, and I hate hearing my voice played back to me. But I'd be lying if I said I didn't thoroughly enjoy testing both of these cameras... especially the EOS R50 V. It's basically a baby Cinema EOS camera (Canon's, well, lineup of professional cine cameras) which sets it apart from the other cameras part of Canon's EOS R System mirrorless lineup. The Canon EOS R50 V is a compact but powerful camera, capable of recording smooth 4K/60fps and capturing lovely 24.2MP stills. Its video-first design means it sports dual recording buttons and a dial dedicated to different video modes. The autofocus is fantastic and fast with Auto subject detection too. The EOS R50 V is like the EOS R50 if the latter didn't have a viewfinder and had very video-specific features — that's what the "V" stands for, of course. The reason I think that the EOS R50 V is Canon's smartest decision of the year (so far) is simple: it's stripped back, it's cheap, and it's perfect for beginners/enthusiasts who mostly shoot in auto and want to dabble in manual shooting, and will eventually upgrade to a better, faster camera. In my Canon EOS R50 V review, I repeatedly say that this camera is for those who want to step up their videography game, and primarily for those coming from a smartphone. It's like riding a bike with training wheels on or driving a fully automatic car, so if you don't know how to drive stick shift (which you should), you'll be just fine using the EOS R50 V. That's because most of the camera's default video modes don't require you to adjust shutter speed, ISO or exposure. There are three customizable ones for those who dare (and you should definitely experiment with them) but for spur-of-the-moment vlogging, you can put the camera into, say, Cinema View mode and record 4K/24P video in 2.35:1 widescreen aspect ratio for a film-like look. Yes, it really is that easy. The EOS R50 V's video specs are great too — 4K/60fps or 30fps oversampled from 6K, FHD/120fps slow-mo, C-Log 3 for capturing a wide dynamic range, you name it. 4:2:2 10-bit video also means the camera is capable of capturing up to 1.07 billion individual hues which is fantastic. For a camera aimed at beginners, the EOS R50 V really doesn't disappoint. The Canon EOS R50 V, like I said, is a video-first camera but it's still a camera, and you can take photos with its 24.2MP CMOS sensor. There's a dial on the top plate which lets you swap between eight different modes... and only one of them is for stills, which isn't a bad thing at all. Then it's a matter of choosing either auto settings adjustment or manual where you can adjust the shutter speed et al. And the photos the EOS R50 V takes are actually quite good. It's packed with Canon's best-in-class autofocus with Auto subject detection and accurate color science that makes colors pop, as you can see in the gallery above. The camera accurately tracks and focuses on birds, animals, humans, vehicles, what-have-you, in both stills and video. Okay, not forever but the thing with buying a budget camera from one brand is that you will eventually want to upgrade, and once you've accumulated a couple lenses for a particular mount, you'll want to upgrade to a camera from the same brand. That rings extra true in the Canon EOS R50 V's case. Yes, it's a great camera for beginners but it's borderline useless for serious shooters. No in-body image stabilization, limited native RF-S lenses, and a kit lens with a maximum f/4 aperture (not great for low light). Eventually, the day will come when you get bored of the EOS R50 V and want to upgrade to, say, the Canon EOS R6 Mark II or the EOS R5 Mark II — the natural course of things — and if you've already dropped a couple grand on glass, at least you won't have to buy new lenses every time. Same mount, see? Well, you can use RF-S lenses on full frame cameras as long as you're okay with the crop. That's why the EOS R50 V might be the smartest camera Canon has made so far. Not for its autofocus as the EOS R5 Mark II takes the cake. Not for its electronic shutter as the EOS R8 outclasses it with its 40fps. And not for its RF-S lenses as they're thin on the ground. But for being so cheap that you can barely resist it. Pricing the EOS R50 V's body at just $699 / £729 is a Big Brain Move. It's cheaper than the Sony ZV-E10 II ($999), the Fujifilm X-M5 ($799) and the Nikon Z 30 ($709). Canon has basically undercut its major competitors, and as someone who is well-versed with its cameras, boy does Canon know how to make 'em. Even if you're locked into the EOS R System forever, trust me, that's not a bad way to live.
Tom's Guide
a day ago
- Tom's Guide
I just tested the Canon EOS R50 V — and it's the perfect video camera for enthusiasts who want to become professionals
All photographers and videographers need a good camera that can stand the test of time and is reliable. For video work, you don't necessarily need to drop thousands on a half-decent camera anymore, as proven by the entry-level Canon EOS R50 V. Inspired by the brand's Cinema EOS lineup, the EOS R50 V offers an accessible entry point for those looking to step up their video game and venture into the world of the best mirrorless cameras. Thanks to its intuitive and straightforward control scheme, the EOS R50 V is extremely easy to use. It captures lovely 4K/60fps footage and comes with a dedicated Cinema View mode for creating film-like videos. Not just that, it takes good, detailed 24.2MP stills too. The EOS R50 V is also very lightweight and compact, making it the ideal camera to travel with. And the best part? It costs just $699 for the body. To find out if this is the right video camera for you, read my full Canon EOS R50 V review. Specs Canon EOS R50 V Price $699 / £729 Sensor 24.2MP APS-C CMOS Stabilization Digital only AF system Dual Pixel CMOS AF II Focus modes One Shot AF, AI Focus AF, Servo AF, Manual AF Viewfinder No Display 3-inch Color Vari-Angle touchscreen, approx. 1.04 million dots ISO range 100-51,200 Max video resolution 4K/60P, FHD/120P Ports USB-C, micro HDMI output, 3.5mm mic in and headphones out, 1x SD/SDHC/SDXC UHS-II Wireless/Bluetooth Wi-Fi, Bluetooth Max shooting speed 15fps electronic | 12fps mechanical Max shutter speed 30s to 1/8000s (stills, electronic) | 60s to 1/4000s (stills, mechanical) Battery life (Stills, CIPA) 480 shots Battery life (Continuous 4K/30P, tested) 60 minutes Size 4.69 x 2.9 x 1.77 inches Weight 13.05oz (with battery and card) The Canon EOS R50 V was launched in March 2025 alongside the Canon PowerShot V1. It's the spiritual successor to the Canon EOS R50 and is aimed at those who want a video-first EOS R System camera. Its body retails for $699 / £729 at Amazon, making it cheaper than the PowerShot V1 ($899) but slightly pricier than the EOS R50 ($679). Canon also launched a new video-centric lens to accompany the EOS R50 V: the RF-S 14-30mm F4-6.3 IS STM PTZ. With the lens, the camera costs $849 / £959 which is great value for money. There's also a plethora of RF (full frame native) mount lenses that the camera is compatible with, providing shooters with more flexibility, but you'll need to calculate the extra reach due to the APS-C crop factor. RF-S lenses (APS-C native) are relatively thin on the ground, though. As an ILC (interchangeable lens camera), the EOS R50 V finds itself competing against the likes of the Sony ZV-E10 II ($999), the Fujifilm X-M5 ($799) and the Nikon Z 30 ($709). It offers an inexpensive way for beginners or enthusiasts to step into the world of mirrorless interchangeable lens cameras. Although it's the Canon EOS R50's sibling, the Canon EOS R50 V sports a different, more compact design. Measuring 4.69 x 2.9 x 1.77 inches, the EOS R50 V is slightly longer but thinner and shorter than the EOS R50. Both cameras are near-identical in weight too. The EOS R50 V is a little lighter at 13.05oz, which means you can easily carry it in your pocket or bag without feeling weighed down. The EOS R50 V is, of course, shorter than the EOS R50 because of the obvious absence of a viewfinder and built-in flash which is fine because this is a video-first camera. Even though it's made entirely of plastic, it doesn't feel or look cheap. It's great to handle too, thanks to good weight distribution and a slightly protruding sculpted grip on the right. There are also two tripod threads on the EOS R50 V: one on the bottom plate and another along the camera's right edge. The latter is especially handy if you want to shoot vertical video while the camera is mounted on a small tripod or grip without a rotating head — and it's something that's missing from the likes of the Sony ZV-E10 II and the Fujifilm X-M5. Ports on the EOS R50 V are as you'd expect from a video camera in this price range. These are all housed on the camera's left edge and include: 3.5mm headphones and mic jacks, a USB-C port for charging and data transfer, and a micro-HDMI for external monitor/recorder hookup. The headphones port is a new inclusion as it was missing from the EOS R50, and it enables you to monitor sound levels while you shoot. On the bottom plate, you'll find the battery compartment which houses the LP-E17 battery pack, the same as the one found in the Canon PowerShot V1. Located next to it is a slot for a SD/SDHC/SDXC UHS-II memory card. The EOS R50 V is fitted with a 3-inch fully articulating LCD touchscreen that has a resolution of 1.04 million dots, similar to the Fujifilm X-M5 and the Sony ZV-E10 II. In my testing, the touchscreen was highly responsive and easy to read. Accessing the quick settings Q menu or changing settings on the fly was extremely easy. In most lighting conditions, I could read the monitor easily too, and even monitor sound levels. The monitor's tilt and turn mechanism was extremely handy when taking selfies, shooting at low angles close to the ground or at awkward angles overhead. As this is a video-centric camera, there is no viewfinder. If you want a camera that you can also use for photography, a viewfinder is essential, so I'd recommend the Canon EOS R50 or the Lumix G97 ($849). The EOS R50 V is not weather-sealed so you'll need to be wary when shooting in the rain or in dusty environments. Again, this is par for the course in cameras at this price, and you'll need to spend upwards of $1,700 on a camera like the Fujifilm X-T5 or Lumix GH7 ($2,199). What I said about the Canon PowerShot V1's control scheme applies to the Canon EOS R50 V too. The EOS R50 V sports an extremely straightforward and intuitive control scheme, so much so that I was shooting within a minute of unboxing the camera and setting it up. The main dial on the top plate lets you swap between eight shooting modes (one for stills) and the C1, C2 and C3 modes are fully customizable. I found it extremely easy to assign different shooting settings, such as video resolution, focus modes and color profiles, to each. A new addition to this dial is the Slow & Fast (S&F) mode which lets you shoot slow motion and timelapse footage straight out of camera with no editing required to achieve the effects. This isn't something I'd naturally reach for but it's good to see that Canon has taken every kind of videographer into consideration. I also really like the dual recording buttons which no other Canon EOS R System camera has. There's one on the top plate near the dial and another in the bottom left corner on the front, under the lens, which I found easy to reach when shooting with my non-dominant left hand. Overall, the EOS R50 V is a joy to use, and its straightforward controls make it suitable for those just stepping into the world of mirrorless cameras. I have always been highly impressed by Canon's Dual Pixel CMOS AF II autofocus system, which the Canon EOS R50 V utilizes. It's the same AF system also found in the (much) pricier Canon EOS R6 Mark II ($1,999) and in the Canon PowerShot V1. It utilizes deep learning technology for high-speed subject detection, and the EOS R50 V can quickly detect animals', birds' and humans' eyes and faces, and vehicles too — and it works like a charm. The EOS R50 V uses 651 automatic focus points and 4,503 manually selectable points for stills, and this drops to 527 automatic and 3,713 manual points for video. Both are far better than the Fujifilm X-M5 (425 phase-detection points and 117 contrast-detection), the Nikon Z 30 (209 points) and the Sony ZV-E10 II (759 phase-detection). The camera quickly locked onto my partner's face in the first photo above, and it had no issues detecting my friends' faces (second and third photos above) even in an environment with tricky lighting and lots of objects in frame (often partially obscuring faces). Similar to the Canon EOS R5 Mark II ($4,299), the EOS R50 V features Auto subject detection which you can toggle via the Q menu. This negates the need to swap between the subject you want the camera to focus on. Swapping from photographing a bike to a bird one after the other presented zero issues. This is something missing from both the X-M5 and the ZV-E10 II, and I wish both Fujifilm and Sony would rectify this as it takes a step out of the photography process. Autofocus in video works just as well if not better, as you can see in the video above. The camera was quick to lock on to my face every time I entered the frame. Similarly, the EOS R50 V reliably locked on to the duck and then on the flock of ducks as I panned to them. Overall, the camera's a winner when it comes to its autofocus capabilities, and would suit nearly every genre of videography and photography. Similar to the Canon EOS R50, the Canon EOS R50 V does not feature in-body image stabilization (IBIS), which isn't uncommon at this price point. For context, the Fujifilm X-M5, the Nikon Z 30 and the Sony ZV-E10 II don't feature IBIS either. Instead, the EOS R50 V utilizes Movie Digital IS for video, while almost all (except the niche 'VR' virtual reality versions) of Canon's APS-C native RF-S lenses feature optical stabilization. No IBIS means you are reliant on lenses for true, uncropped stabilization (digital IS crops your image to align frames and effectively stabilize footage). This limits the choice you will have when branching out to other lenses — primes, for example — as while most RF-S lenses have IS, there aren't very many of them. There are a decent number of Canon's full frame RF lenses with IS, but many of the affordable prime lenses don't have stabilization. It's a little limiting. No IBIS will also affect how low you can drop shutter speeds for photography, as IS lenses typically offer less stabilization than sensor-shift IBIS, although this isn't a stills camera, so the main issue here is about the stabilization of video. The kit lens compounds this issue, as indeed does Canon's whole RF-S lens lineup. There isn't one single constant aperture zoom lens, with many of the lenses (including the kit lens) topping out a maximum aperture of f/4. There are no primes either, except the VR lenses which are a niche product. Without a constant maximum aperture, your lens will be hampered at longer focal lengths by being restricted to narrower apertures, meaning less light and cinematic bokeh effects. In short, you're going to want to switch away from RF-S lenses, as they're not very good, and your choice will be limited even when you do. Anyway, on to the good bit now. Movie Digital IS has two levels: On and Enhanced. Both of these incur heavy crops, but you'll still be outputting at 4K, so it isn't a huge issue if you have a suitable wide angle lens (like the kit lens) to maintain a wider field of view. You won't be able to shoot at 4K/60fps with Movie Digital IS, though, which is more of an issue if not using an IS lens. In the compilation above (shot in 4K/30P), you can see the difference between Movie Digital IS Off, On and Enhanced — and the lens' IS was also enabled. In the first clip, camera shake is very visible, as you'd expect, but this is negated in the second clip and by the third clip, it's a thing of the past. I have naturally shaky hands so I highly appreciate the camera not making that apparent. The Canon EOS R50 V's video specs are similar to that of the Canon PowerShot V1 — at a lower price. The camera is capable of shooting 4K video at 60fps (with a crop), 4K at 30fps (without a crop), and out-of-camera slow-mo (or time lapse) at FullHD/120fps with its dedicated Slow & Fast mode. While these specs are great, the Fujifilm X-M5 offers 6K video, so it might be worth spending an additional $100 if that matters to you. If you shoot in 6K, you'll be able to crop right into the frame or oversample the 4K output, ultimately providing you with more flexibility in post-production. But (there's always a but) the EOS R50 V already captures 4K footage oversampled from 6K — so dealer's choice. Without incurring a crop, you can shoot 4K video at 30fps. I used the camera on a day out with my friends at Bubble Planet in London, U.K., and you can see sample footage above. The footage is smooth and the colors are popping. Also, because the camera is so compact, I was able to slip it into my trousers' pocket and pull it out as needed without many hiccups. 4K/60fps video is, of course, one of the camera's biggest selling points, and you can see sample footage above. The colors look stunning and you can even see the tiny details in the flowers. The EOS R50 V's autofocus works well, again, keeping the seagull in focus as it takes off. I love how crystal clear the footage is. Keep in mind, though, that shooting in 4K/60fps incurs a 1.4x crop and, as I mentioned earlier, you lose out on stabilization too if you aren't using an IS-enabled lens. Canon has also added Cinema View Mode to the EOS R50 V, which can be found on some Cinema EOS cameras. Basically, it records video in a 2.35:1 widescreen aspect ratio — often used in films — and drops the frame rate down to 24P to achieve a cinematic look. You can see sample footage above, which I love the look of. This could be a game changer for enthusiast videographers, as you can always use Color Profiles and filters, allowing for more creative possibilities. Similar to the PowerShot V1, the X-M5, the ZV-E10 II, the EOS R50 V can shoot 4:2:2 10-bit video, making it capable of capturing a total of 1.07 billion individual hues. Shooting in C-Log 3 is an option too, which captures a wider dynamic range than SDR, although requires color grading in post-production. You can see what unedited C-Log 3 footage looks like above. The Canon EOS R50 V has a decent built-in microphone which should suffice when shooting on-the-fly, but I'd recommend grabbing one of the best microphones to give your audio a professional feel. The dual channel 48 KHz 24/16-bit stereo microphone performed decently in my testing — although it didn't blow me away — as you can hear in the clip above. It does sound slightly echo-y though, even though my home office isn't. The Canon EOS R50 V is a video-first camera so I'll keep this section short and sweet. The camera's 24.2MP CMOS sensor captures lovely stills with a good amount of detail. Its resolution is more than the PowerShot V1's 22MP sensor but less than the Sony ZV-E10 II's and the Fujifilm X-M5's 26MP sensors. Still, I've been pleased with the images I've captured, which you can see in the gallery above. Canon's fantastic color science is at display here as the colors appear vibrant and true to life. The kit lens' 14-30mm focal range gives a wide field of view that captures a lot of the scene, making the EOS R50 V great for landscapes and street photography. Its 15fps electronic and 12fps mechanical shutters are faster than the ZV-E10 II's 11fps shutter and should suffice for moderately fast-paced action. If you want a faster camera, the X-M5 has a 30fps shutter which should be better for photographing sports or wildlife. The EOS R50 V has an ISO range of 100-51,200 which should suffice in most shooting conditions. As with other cameras I test at Tom's Guide, I put the EOS R50 V through an indoors ISO test — bear in mind that this is an extreme test and you're unlikely to be shooting at ISO25600 in most real-world scenarios. Photos taken at ISO6400 turn out fine with barely any grain visible, but it's at ISO12,800 that things start to get noisy. The first photo in the gallery above is a JPEG export of the CR3 RAW file, while the second is the straight-out-of-camera (SOOC) JPEG. The EOS R50 V's DIGIX X processor has eliminated some grain but a lot of it still remains in the second photo, as you can see in the bobblehead's chin and the wooden desk. There's also a general loss in sharpness from the smoothing of noise suppression, visible in the art print in the background where the greens and blues look muddled together. There's also a loss in sharpness around the bobblehead's chin. It only gets noisier from here, as noise at ISO25,600 completely ruins the JPEG export of the CR3 file (first photo above). Even in the SOOC JPEG (second photo above), the noise is very clear and ruinous. A lot of sharpness has been lost in the art print as well as the bobblehead's hands. I'd only recommend shooting at such high sensitivity only as a last resort where there's no other way out. When it comes to stills, the Canon EOS R50 V has a CIPA rating of 480 shots which sounds like a lot but, alas, it pales in comparison to the Sony ZV-E10 II which is rated for 610 stills. However, it performs better than the Fujifilm X-M5 and the Nikon Z 30, both of which are CIPA-rated for 330 stills. Real-life results always differ from CIPA ratings as those are done under strict conditions. In my testing, on a single charge, I was able to snap nearly 600 photos while shooting indoors and outdoors, with regular settings tweaks and playback. Canon doesn't specify the CIPA rating for video which is what matters more considering this is a video-first camera. I left the camera recording 4K/30fps video indoors to try and drain the battery, and kept regularly checking for signs of overheating. I was able to get approximately 60 minutes of footage with three very brief periods of overheating at the 20-minute, 32-minute and 48-minute mark. Good news is that you can charge the camera while using it, unlike the X-M5, so you can shoot long form video. The Canon EOS R50 V is a great stepping stone for those who want to dip their toes into the ocean of mirrorless cameras — especially video-specific mirrorless cameras. Canon has packed the EOS R50 V with its quick and reliable autofocus with Auto subject detection and accurate color science. As a video-first camera, the EOS R50 V sports two recording buttons for easy access. It's capable of recording smooth 4K/60fps and modes like Cinema View and C-Log 3 give shooters more flexibility. Not just that, but the camera is great for capturing stills too with its 24.2MP sensor. But since the camera costs just $699, you're missing out on in-body image stabilization, which may be an issue if you want to experiment with non-IS lenses (and given the restrictive nature of Canon APS-C native, RF-S lenses, you probably will want to before long). Overall, though, I'd recommend the EOS R50 V to anyone who wants to step up their videography. And since you can change lenses, you get more flexibility as opposed to the fixed-lens Canon PowerShot V1. The EOS R50 V is a compact but powerful camera that's been a pleasure to use.
Hindustan Times
12-06-2025
- Hindustan Times
Nintendo Switch 2 is a global hit, but how do you buy one in India?
The Nintendo Switch 2 is off to a record start, becoming the company's fastest-selling console with 3.5 million units sold globally within four days of its 5 June 2025 launch. For prospective buyers in India, however, the situation is more complex. As the console has not been officially released in the country, interested consumers are left without direct access. Consequently, many are turning to grey market importers through both online and off-line sellers to get their hands on the gaming console. However, before considering this route, it is crucial to understand the associated pros, cons, and other important nuances. Based on extensive research, this guide explains where you can get the console and what you need to remember before making a purchase. Also Read: Canon EOS R50 V review: Pro vibes, minus the price Now, because Nintendo has not officially launched the console in the country, people have been buying it from online and grey channels. This was the same for the original Nintendo Switch and the Switch OLED, and it is going to be the same for the Nintendo Switch 2, unless Nintendo decides to launch the console officially in India in the future. For now, we have noticed that the Nintendo Switch 2 is available on Amazon India. You will see that the standard version of the console is retailing for ₹75,999. Of course, this is a lot more than the official MRP, which is $449 (this works out to around ₹37,000). So, if you do the maths, you will be paying more than ₹40,000 to get your hands on the Nintendo Switch 2. We also noticed that games are available on Amazon India, including Hogwarts Legacy, which retails for around ₹4,000. We could also verify from buyers in India that they have bought directly from smaller retailers like Nevako, which is selling the Switch 2 for ₹49,999 for the standard variant and ₹59,999 for the Mario Kart Edition bundle. However, the same person also told us that order times can be long as the console is in high demand, and they have not received their 'pre-ordered' console yet. Note: We are not promoting buying from these websites, so do so at your own risk. If you want to buy completely worry-free, you can also have a look at off-line resellers. We got in touch with multiple off-line retailers in New Delhi's Gaffar Market, who quoted us different price points. For instance, Magic Land Games in Gaffar Market, quoted us ₹55,000-58,000 for the standard variant and said that games were available as well. The shop owner also mentioned that the Mario Kart World bundle isn't available yet. So, if you are in the market for the Switch 2 and cannot wait, you can head to off-line stores and check if they are importing the console from overseas. There are two main things you need to know. Firstly, if you are going to be buying the Switch 2 in India from these grey channels, or even directly from Amazon India, you should know that there is going to be no warranty or after-sales support with the console. Because the console has not launched officially in India, there are going to be no service centres from Nintendo directly. So, if something goes wrong during your ownership experience, you will have to get it repaired on the off-line market at third-party places. This was also the case for the original Switch. Therefore, if you want after-sales support, it is best to avoid the console for now. Secondly, the prices you are currently paying are highly inflated. They are expected to come down as and when the Switch 2's availability becomes normal and as the demand eventually subsides. Because the Switch 2 launched only a few days ago, the demand is currently very high. We have seen people lining up at official stores in places where the console has launched, including GameStop stores where people waited in lines, which goes to show how in-demand the console is. So, if you can wait, we would suggest waiting for a month or two before actually buying it. The price is expected to come down; currently, prices are inflated by almost 50 to 60 per cent. MOBILE FINDER: iPhone 16 LATEST Price, Specs And More
Hindustan Times
11-06-2025
- Hindustan Times
Canon EOS R50 V review: Pro vibes, minus the price
The gap between beginner and professional cameras used to be a financial chasm. Aspiring creators faced a stark choice: spend around ₹50,000-60,000 on a camera with no pro features, or splurge lakhs for features like 4K at 60 FPS and Log shooting. Thankfully, that era is over. With cameras like the Canon EOS R50 V, which happens to be the subject of this review, bridges that gap by delivering professional tools without the professional price tag. It includes key features like Canon Log 3, which is ideal for high-quality footage, while omitting extras unnecessary for creators on platforms like Instagram and YouTube. Having said that, I have been using the camera as my primary for over two weeks now to shoot a wide range of content, right from portraits to product videos, product photos, reels for my personal Instagram, and whatnot. So far, I have been thoroughly impressed by what the camera has to offer, all in a very tiny form factor that will not intimidate anyone if you take it out on a shoot. Here are my observations, what could have been better, and what I absolutely adore about this (small) camera by Canon. I have also been using the camera with the supplied RF-S14-30mm f/4-6.3 IS STM PZ kit lens, so I will have opinions on that as well. Read on. When I first unboxed the EOS R50 V, I was surprised to see that you have the ability to mount the camera vertically without attaching any cage to it whatsoever. This is made possible using the1/4-20" tripod mount on the side of the camera. For context, my Sigma FP, which happens to be a dedicated cinema-grade camera, has this feature. So, to see something like this on a camera that costs around ₹70,000 (body) is certainly refreshing and speaks volumes about the creator-first experience that Canon is trying to offer here. As for the video itself, the footage coming out of the R50 V's tiny body is excellent. The camera captures 4K 30 FPS video, which is oversampled from 6K, and can also capture 4K 60 FPS video, but it does come with a 1.56x crop, unfortunately. However, I think it can be lived with, especially if you are a beginner creator or someone who does not mind shooting tight shots. The best part happens to be that the 4K is actually 10-bit video. On top of this, the ultimate flexibility comes thanks to Canon Log 3, which can create magical looks if you know what you are working with. You can simply import your Canon Log 3 footage into a program like DaVinci Resolve 18 or 19, which is what I did. The real test of its video capabilities, embedded below, shows how manoeuvrable the footage is. A post shared by HT Tech (@hindustantimestech) Yes, I did screw up with exposing Canon Log correctly, which is why some highlights were clipped. But apart from that, if you expose it correctly, it can result in spectacular quality video, which would be further amplified if you pair a really sharp lens with it. Canon claims that the camera can record up to two hours of continuous 4K video, thanks to the magnesium alloy internal body which can dissipate heat. As per my testing, I did test the camera out in bright sunlight, in the scorching Jaipur sun in 42 degree Celsius heat, and not once did I experience the camera getting hot. Yes, I did shoot in bursts, like a 5 second clip here and a 20 second clip there. It reminded me of my Sigma FP, which barely gets hot, despite how much you push it. This shows the heat dissipation is quite good, and the camera will not overheat on you when you need it the most. At least, that is what I experienced shooting in bursts. I did try shooting continuous video and tested it for up to around 40 minutes, in studio conditions under an AC environment, and the camera did not skip a beat. It kept recording, so it does go on to show that it is reliable. Also Read: Xiaomi 15 Ultra review: A camera beast with powerful performance My first camera was a Canon EOS 70D, which was also an APS-C camera like the R50 V. The autofocus back then was incredible. I grew up watching Casey Neistat's videos and saw how flexible the autofocus was and what Casey could do with it. I think the R50 V belongs to that breed of cameras. The autofocus is reliable with its Dual Pixel CMOS AF II. It tracks eyes and barely misses. I have shot multiple unboxing videos using this camera, and not once did the camera have to hunt for focus. I tried the same with human subjects as well, with the same result: it latches on to focus super quickly, and the focus transitions are rather smooth. It is not jerky, and that is what gives it a cinematic look and feel. In photos as well, I noticed the camera is super quick to latch onto focus when you half-press the shutter. That gives me confidence that anyone looking forward to buying the Canon R50 V for content creation, especially if they are a one-man show, can simply flip the screen 180 degrees, see themselves, and then be worry-free about whether they are going to be in focus. It is that quick. So, no more worries about keeping yourself in focus or manually adjusting it. Of course, manual focus is where it is at if you are shooting movies, but for a one-man show, when you are filming yourself, manually adjusting the focus can be a chore, and this is where the R50 V makes it super easy. Another area where the R50 V makes filming super easy is being able to press record from the front of the camera itself. Yes, there is a record button situated on the bottom right of the camera. You can simply press record from there and do not have to fiddle around with the shutter button for the most part.I have been using the button on the front, and this makes it super easy to start rolling. While I am not a fan of specifications for a camera, they are needed. The R50 V has a 24.2-megapixel APS-C CMOS sensor. Canon has paired it with a DIGIC X image processor, which also happens to be the same processor that the company uses in one of its flagship cameras, the Canon EOS R5 Mark II, which costs four or five times what this camera does. So, the camera is certainly capable in this regard. You can capture raw images alongside JPEGs. It has an ISO range of 100 to 32,000, expandable to 51,200 for stills. From what I could tell, the photo capability is decent. Yes, it is not the best, and not as good as the video, but it is decent, and it will get the job done if you know what you are shooting. It can capture fast movement at up to 15 FPS with the electronic shutter or 12 FPS with the electronic first-curtain shutter. If you are out shooting wildlife, there is a silent shutter feature as well, which can disable sounds and lights so that you do not disturb any birds. As for the images themselves, they do turn out sharp. The highlight roll-off is particularly impressive for a camera of this size and something that costs this little. So, for the most part, I think you will have a fun time capturing images using this camera. It is also quite light and super portable. So, if you are looking for something to document your everyday life, I do not think you can get a better camera than this. Perhaps slap a small 24mm pancake lens on this and use it like people use the Fujifilms of the world to document everyday life or use it as a street camera. This is where it can really excel. There was zero stress while holding the camera during my photo-taking expeditions in the old city of Jaipur, and I can confidently say this is going to be a fun experience for most photographers. I have the RF-S14-30mm f/4-6.3 IS STM PZ kit lens with me. It has an f-stop range of F4 to F6.3 and it, too, offers a video-first experience. It has power zoom, which means the lens does not change in size when you zoom. This can be especially useful when you mount the camera on a gimbal because the balance of the gimbal does not change, so you can rest assured you will have a balanced gimbal despite zooming with the lens. This camera paired with a tiny gimbal can be a quick run-and-gun setup for most people, or perhaps even serve as a B-camera for someone who is already shooting on Canon cameras and using Canon Log 3. The lens is also quite stable for the most part because it does have image stabilisation. So, if you are shooting video handheld, you should expect stable footage for the most part. But of course, because the camera does not have in-body stabilisation, you will have to have stable hands or perhaps make the camera a little heavier by attaching a cage. Canon has included a 3-inch screen with the R50 V that can articulate both front and back. This is particularly useful for content creators who will not necessarily be attaching external monitors to the camera. This screen ensures that they are in focus and framed right, which is just incredibly useful. The screen itself seems high quality; it is ample bright, even in outdoor conditions. As for the ports, it offers a 10Gbps USB-C port, a headphone jack so you can monitor audio correctly, and a port to attach a mic, because of course, sound is as equally important as your footage. However, it does come with a Micro HDMI port, which is not to anyone's liking, so you will have to use a converter if you want to stream footage to an external monitor or recorder. Coming to the battery life, the battery is the LP-E17 that Canon has been using in some older cameras as well. Canon claims 390 shots, and we got somewhere around that figure. The camera has great battery life; at least that is what I have felt. I could go through an entire day of documenting my footage and clips without actually charging the battery, and that too in 4K 24 FPS Log 3. So you will be okay with the battery life. Of course, you can just buy additional batteries if you need them. Also Read: OnePlus 13s review: The minimalist powerhouse The R50 V has a bit of a rolling shutter problem, especially if you are into shooting fast objects. The moment you pan your camera quickly, you will notice that the footage can feel rather janky. You will feel like the screen is sort of liquefying, which of course reflects in the footage as well. There is a rolling shutter. You can read about what rolling shutter is, but this should not affect most people because they will keep their cameras stationary to record videos of talking heads, film objects like smartphones, or create beauty and cooking videos. For most of that stuff, rolling shutter really is not a factor that should worry you. Sure, if you are going to be out shooting F1 cars or fast bikes, which only some of you will be, you do not have to really worry about it. Another thing that certainly could have been better is the 4K 60 FPS crop. It is around 1.56x, and it can certainly make for tight-looking shots. This could have been prevented. Overall, for ₹79,999, the Canon EOS R50 with the kit lens is certainly great value. I feel it offers some of the best image and video-taking ability at this price point. It has reliable autofocus that latches onto subjects super quickly. Canon has thought of practicality and has bundled features like the front-facing record button and the tripod mount on the side for vertical mounting. This eliminates the need for any cage, and the camera is portable, so the possibilities to rig it out are endless. I give it 9 out of 10 stars. MOBILE FINDER: iPhone 16 LATEST Price, Specs And More
India Today
24-04-2025
- Business
- India Today
Canon brings R50 V to India, pitches it as the perfect camera for content creators
Who needs a professional camera? There was a time when professional cameras were sought only by photographers and videographers. But in recent years — particularly after the pandemic — a new group of people has emerged who want professional-grade cameras for their content: social media content creators and influencers. Canon is aiming at this segment with its EOS R50 V, a new mirrorless camera designed specifically to meet the needs of content company has positioned the EOS R50 V as a video-centric upgrade to its popular R50 series. It is also Canon's first product in the newly introduced 'V' line of cameras. According to Canon, the EOS R50 V can do high-quality videos, supports live streaming, and social-first shooting other such cameras the EOS R50 V is also easier-to-use and lighter camera. The cost of that is, of course, the regular viewfinder that this camera is missing. Alongside the camera, Canon has also introduced its first RF lens with a built-in power zoom: the RF-S 14-30mm F4-6.3 IS STM PZ. This lens offers precise, servo-like zoom control, which is extremely helpful for video EOS R50 V: India price and availabilityThe Canon EOS R50 V will be available in India starting 28 April, through Canon's official e-store and authorised retailers nationwide. The camera will be sold as a kit bundled with the RF-S 14-30mm F4-6.3 IS STM PZ lens at an MRP of Rs 79,995. The lens will also be available separately for Rs 33, EOS R50 V: Specifications and featuresadvertisementAt its core, the EOS R50 V features Canon's 24.2-megapixel APS-C — crop sensor, in other words — CMOS sensor, paired with the DIGIC X processor. It uses Canon's Dual Pixel CMOS AF II autofocus system. The camera supports un-cropped oversampled 4K video at 30fps, cropped 4K at 60fps, and Full HD at up to 120fps. Canon has also added C-Log 3, catering to users and content creators who want greater control in post-production through colour the EOS R50 V is aimed at content creators, Canon has included a simplified button layout, a new video-centric mode dial, and an ergonomic grip optimised for vertical shooting — kind of handy for Reels and Shorts. A dedicated live-streaming button offers one-touch access to streaming platforms via Wi-Fi, USB-C, HDMI, or Canon's Live Switcher Mobile app. Users can also combine live feeds from the R50 V and other smart devices — such as iPhones, iPads, or additional Canon cameras — for a multi-angle live broadcast. Cropped 4K 60p live-streaming is supported via USB-C for high-resolution camera also includes tools such as false colours and zebra patterns for accurate exposure monitoring. A 3-mic noise reduction system and support for 24-bit 4-channel audio input ensure high-quality sound capture.
