Latest news with #ChrisNoth


Forbes
20-07-2025
- Entertainment
- Forbes
References Take Over Fashion As The New... New
Sarah Jessica Parker, as Carrie Bradshaw, and Chris Noth, Mr. Big, filming a scene for Sex & the City in New York City. (Photo by Lawrence Schwartzwald/Sygma via Getty Images) Getty Images So Jenna Ortega wore Carrie Bradshaw's Dior newspaper dress, what's the big deal? Recycled looks on the red carpet, the infiltration of nostalgia-based marketing and fashion's biggest brands plucking design inspiration from well-loved collections and individuals for the runway—these are just a few examples of contexts in which reference has become the new normal for modern fashion. Now, despite the current era of fashion becoming increasingly defined by individualism and originality in response to the rise in artificial technology advancements, an oversaturation of the industry and a complete commoditization of the market , these referential nods to cultural touchstones are not seen by audiences as lazy or copied, but rather indicate a sense of authority, knowledge and taste that could only be possessed—satirically speaking, of course—by 'in the know' individuals and true fans of the iconicized originals. So, under these unique conditions and in spite of more logical assumptions based on the harsh critique usually accompanied by designs that are eerily similar to already existing versions and celebrities peacocking on the red carpet in historically significant garments, how did subtle nods to fashion's past take over as the industry's go-to? 'References in fashion aren't a new concept by any means,' said Ari Arvand, a New York-based freelance stylist and costume designer who often posts fashion commentary videos on social media under the username @grrrlbossbabe, in an interview. 'On the one hand, Gen Z values references and will be more impressed with a look knowing its history,' she said. 'On the other hand, it's an easy cop-out for stylists to generate publicity for their work instead of coming up with something new. When a celebrity attaches themselves to a beloved figure or look, it boosts their image through association. By doing so, they're guaranteed virality and articles praising the reference.' Arvand continued, attributing the trend within the fashion industry to a larger shift of generational interests in response to stressful environmental factors, saying, 'Fashion is a mirror of culture, and the industry's obsession with references speaks to a larger cultural shift in society. It's present in all the media we consume and is part of Gen Z's language and humor. Because of the political state of the world, many are looking back fondly to the past as a form of escapism. It's easier to focus on that than to accept our current reality.' However, despite the persistently positive consumer response regarding this phenomenon, the beginnings of an objection was recently articulated by Ayo Ojo, a popular online fashion critique and analyst who posts content on several social media platforms under the username @fashionroadman. In a post that was shared on both X and Instagram, Ojo asked his audience, in reference to Johnathan Anderson's highly praised debut collection as the new creative director of Dior—a show which not only pulled from techniques and fabrication originally crafted by the brand's namesake founder, but from the styling of socially iconic individuals like Jean-Michel Basquiat, among others—'Does referencing the archives automatically make a collection good?' In an interview with Emily Huggard, professor of fashion communication at Parsons School of Design and author of the book C ommunicating Fashion Brands: Theoretical and Practical Perspectives , the academic pondered the question and shared her response. 'I would say absolutely not,' she said, explaining how Dior is tapping into older collections with precision, making sure not to overstep. 'Brand defenders like Jonathan Anderson... they use references not to recreate, but to recontextualize the current moment. He's telling the larger story around changing the brand, and through these sort of subtle or non subtle messages.' Huggard continued, citing references as a strategic way creative direction can be geared towards a multigenerational audience, but warning against the negative implications of relying on them too heavily. 'I think it sort of risks being surface level at some at some point, right?' she said. 'It's like, yes, it's beautiful, and it's referencing the past, and it's taking these classic shapes, but is there anything deeper to it? There has to be some sort of engagement with what's happening in the world and what people care about as well. It's not just social capital, but also cultural capital of the moment.' Similarly, Arvand argues while interesting for audiences, the use of reference often limits space for new narratives. 'The problem with today's references is that they are moreso direct copies instead of a starting point of inspiration. When a reference isn't thoughtfully executed, it also dilutes the original meaning of the piece.' Looking critically at this trend, it's inevitable to wonder just how far, and in what direction—especially in this unprecedented territory—the pendulum will swing as reference becomes a key building block for brands, stylists and marketers to shape narratives and entice consumers. In a study preformed by Sprout Social, the social media management platform found that 57% of U.S. consumers are more likely to increase their spending when shopping with a brand they feel connected to. This statistic, among other, only incentivizes brands to adhere to reference-based business practices as consumers continue to crave emotional connection from the businesses they support financially. However, in the wake of the trends rapid growth, individuals like Arvand remain persistently weary. 'I do think the hyper-focus on nostalgia and references is hurting the fashion industry creatively,' she said. 'Financially, it's an extremely profitable market, which is why the trend hasn't died down and won't any time soon. Regardless, fashion is an important form of storytelling. How can we come up with fresh concepts if we're constantly borrowing from the past?'


Times
09-07-2025
- Entertainment
- Times
And just like that … I had to stop watching the Sex and the City sequel
S ex and the City fans are used to plot points being recycled. After all, how many times did Carrie (Sarah Jessica Parker) reunite with her on/off boyfriends Big (Chris Noth) and Aidan (John Corbett)? But even long-suffering audiences who are still gritting their teeth through the tedious third season of its sequel, And Just Like That …, in the ever-dwindling hope of seeing some actual sex or indeed city action more thrilling than the removal of rats from Carrie's new Gramercy Park garden have been surprised by showrunners having the chutzpah to kill off a character twice. In the latest episode the father of the film-maker Lisa Todd Wexley (Nicole Ari Parker) died seemingly for the second time, as eagle-eyed viewers recalled that in season one, after the sudden death of Carrie's husband, Big, from an overly enthusiastic Peloton session, Lisa had discussed her dad having already passed away.

News.com.au
09-07-2025
- Entertainment
- News.com.au
Sex and the City fans spot insane blunder in And Just Like That episode
And just like that, Lisa lost her father … twice? Sex and the City fans are pointing out a glaring continuity error on the spin-off show, And Just Like That, as the show appeared to kill off a character who was already dead. 'My father died this afternoon,' Lisa Todd Wexley (Nicole Ari Parker) says in the most recent season three episode. 'He had a stroke out of nowhere.' The episode, called 'Silent Mode,' also includes his funeral. Observant viewers were quick to point out that in season one, Lisa also talked about her dad dying, reports the New York Post. After And Just Like That, controversially began by killing off Big (Chris Noth) in season one, Lisa observed Carrie's reaction and told Charlotte, 'I was exactly the same when my father died last year.' Oddly, season two then introduced her father, played by Billy Dee Williams. Now, season three has killed him off … seemingly forgetting that he was apparently already dead in season one. 'Did ChatGPT write these episodes?' one viewer wrote. Another fan wrote on X, formerly Twitter, 'Not And Just Like That killing Lisa Tod Wexley's father twice! @HBO Do you even care? Please pay attention!' A third viewer wrote, 'sooooooo, lisa's dad was already [dead] on [season] 1 ep 2. I guess he reincarnated for a dinner party lisa hosted in [season] 2. now we're on [season] 3 ep 6 and it's lisa's dad's funeral. cancel 'and just like that' pls. put us outta our misery.' When the Post reached out to reps for And Just Like That for comment, a source claimed that Lisa's dad who died in season one was a stepfather. The original Sex and the City followed Carrie Bradshaw (Sarah Jessica Parker), and her friends Samantha Jones (Kim Cattrall), Miranda Hobbes (Cynthia Nixon) and Charlotte York (Kristin Davis) through dating adventures in New York City. And Just Like That follows the friends dealing with life and dating in their '50s – without Samantha, amid behind-the-scenes cast feud rumours, which SJP has denied. Cattrall did make a brief cameo in season two, and Samantha made an off-screen cameo (via text message) in a recent episode of season three. Lisa is among the new characters added to the ensemble of And Just Like That, along with Seema Patel (Sarita Choudhury) and Che Diaz (Sara Ramirez), who was fired from the show before season three. This isn't the first time an HBO show had a high profile continuity error, as Game of Thrones infamously left a coffee cup onscreen in the medieval fantasy show by mistake.
Yahoo
08-07-2025
- Entertainment
- Yahoo
And Just Like That… Producers Address Fans' Confusion Over Latest Character Death — Was It Really a Mistake?
Did And Just Like That… accidentally kill off the same character twice? That's what fans were wondering after the Max comedy's July 3 episode, in which Lisa (Nicole Ari Parker) lost her 90-year-old father to a stroke. It was an emotional hour, as Lisa struggled through a difficult eulogy at the Pippin-themed funeral — but it was also a familiar one, as this apparently isn't the first time Lisa has had to say goodbye to her father. More from TVLine Sinners: How to Watch the Michael B. Jordan-Led Blockbuster Online And Just Like That EPs Tease the Fallout From Aidan's Big Bombshell: 'It Could Make Them Vulnerable' And Just Like That Just Gave Us a Tiny Sex and the City Easter Egg - Do You Remember Her? During the first season of And Just Like That…, when the characters were grieving the loss of Big (Chris Noth), Lisa made an off-handed comment to Charlotte (Kristin Davis) about how she was 'exactly the same way when my father died last year,' implying that he was already dead when the show started. So, what's the deal here? According to the show's production team, which spoke to The Hollywood Reporter, the 'father' Lisa referenced back in Season 1 was apparently her father-in-law, not her own biological father. And just like that, the mystery is solved. Let's talk: Did you also notice the double mention of Lisa's dead father? And are you satisfied with the explanation that she originally lost her father-in-law, or is this just a convenient excuse for an obvious mistake? Drop a comment with your thoughts on all things below. TV's 100 Most Shocking Deaths Ever View List Best of TVLine 'Missing' Shows, Found! Get the Latest on Ahsoka, Monarch, P-Valley, Sugar, Anansi Boys and 25+ Others Yellowjackets Mysteries: An Up-to-Date List of the Series' Biggest Questions (and Answers?) The Emmys' Most Memorable Moments: Laughter, Tears, Historical Wins, 'The Big One' and More
Yahoo
08-06-2025
- Entertainment
- Yahoo
Sex and the City's Kristin Davis finally addresses Chris Noth dating rumors
Kristin Davis has set the record straight on rumors she dated her Sex and the City co-star Chris Noth. Davis starred as Charlotte York in the beloved Nineties and Noughties sitcom, while Noth played Carrie Bradshaw's (Sarah Jessica Parker) love interest, Mr. Big. Both actors reprised their roles for the HBO prequel series And Just Like That in 2021. Davis recently discussed Noth's character with rapper Megan Thee Stallion on her podcast, Are You a Charlotte? 'Charlotte was pro-Big, so I was pro-Big,' said Davis, 60. Davis shared the clip on her Instagram, where a fan commented: 'Maam didn't you date him??' To which Davis responded emphatically: 'No i didnit!!!' The fan then replied: 'omg I have been lied to thank you for setting me straight!! i even googled this and there are several links saying you did i swear i didn't make this up.' Davis has never married, though she previously dated Alec Baldwin. In 2011, at age 46, she adopted her daughter, Gemma Rose. In 2018, she adopted her son, Wilson. Davis and Noth were long rumored to be dating as they were often pictured getting extremely close together on red carpets throughout the Noughties. In December 2021, one week after And Just Like That aired its first episode, two women publicly accused Noth of sexual assault. The alleged incidents are said to have occurred in 2004 and 2015, respectively. The two women said that they had been prompted to come forward after seeing Noth doing press for the show. Big was killed off in the first episode of AJLT. At the time, Noth released a statement to The Independent saying that the accusations were 'categorically false' and 'consensual.' Another three women later came forward with fresh allegations, while Parker and her AJLT co-stars Cynthia Nixon and Kristin Davis released their own statement saying they were 'saddened' by the allegations and 'supported the women' who spoke out. In his first interview since the allegations in August 2023, Noth told USA Today that, while he had been unfaithful to his wife, he had not committed any crimes. 'I strayed on my wife, and it's devastating to her and not a very pretty picture. What it isn't is a crime,' he said. During the conversation, he spoke about the impact of the allegations on his career. After they were made, Noth was dropped by his talent agent and fired from the CBS crime drama The Equalizer. His tequila brand lost a lucrative $10 million deal, while his scenes as Mr. Big were edited out of the AJLT season one finale. 'There's nothing I can say to change anyone's mind when you have that kind of a tidal wave,' Noth said. 'It sounds defensive. I'm not. There's no criminal court. There's no criminal trial. 'There's nothing for me to get on the stand about and get my story out, get witnesses. And there's even more absurd add-ons that are completely ridiculous, that have absolutely no basis in fact.' And Just Like That season three is airing weekly on HBO. Rape Crisis offers support for those affected by rape and sexual abuse. You can call them on 0808 802 9999 in England and Wales, 0808 801 0302 in Scotland, and 0800 0246 991 in Northern Ireland, or visit their website at If you are in the US, you can call Rainn on 800-656-HOPE (4673)