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Time of India
a day ago
- Entertainment
- Time of India
Dharmendra: I was offered the role of Gabbar and Thakur...But I wanted to play Veeru as he is so much like me
says Sholay could easily be considered ' duniya ka aathwan ajooba .' And for the fans of the 1975 cult classic, it's hard to disagree. The film marks its 50th anniversary this year as its restored version premieres in Italy. Tired of too many ads? go ad free now In a recent chat, the veteran actor spoke to us about his favourite memories of Sholay. 'MY FAVOURITE SCENE FROM SHOLAY IS THE DEATH OF AMITABH BACHCHAN 'S CHARACTER' ' Aur jaan daal di FHF (Film Heritage Foundation) ne ,' says Dharmendra about the film's restoration. Talking about his favourite scenes from the film, the actor shares, ' Tanki wala scene, temple wala scene log kaafi pasand karte hain . Aur bhi aise kai scene hain jo kaafi pasand hain mujhe .' But the moment that lingers most for him is the emotional turning point of the film. 'My favourite scene from Sholay is the death of Amitabh Bachchan's (character). Woh jahan marte hain, wahan zindagi puri picture mein palta kha jati hai . That was the best scene. Do doston ke jo emotion thay woh aate hain ,' he says. 'MAIN CHARACTER MEIN CHALA JAATA HOON' When asked how he prepares for a scene like that? Dharmendra scoffs at the idea of preparation. 'To me, nothing is difficult. Main koi practice nahi karta . Main Dharmendra nahi lagta wahan – main Veeru hi lagta hoon . Pratiggya (1975) mein bhi wohi lagta hoon . Om Prakash ke saath jab Hindi boli thi (as Pyarelal in Chupke Chupke ) toh wohi lagta hoon , Dharmendra nahi lagta . Baaki maine dekha kai actor wohi lagte hain jo woh hain . Main character mein chala jaata hoon . Mujhe toh second lagta hai .' 'The real hero is the coin in Sholay'Whenever Jai and Veeru have to make a decision in Sholay , they flip a coin and it always seems to fall in Jai's favour. It's only in the climax that Veeru realises Jai used a trick coin with heads on both sides. Referring to the coin, Dharmendra says, 'Every character is a hero in the film. But the real hero is the coin.'
India.com
3 days ago
- Entertainment
- India.com
This child was more popular than heroes, his films were a guaranteed hit, worked with Amitabh Bachchan, Dharmendra, after 40 he looks like this, he is…
The films of the 70s and 80s were dominated by big superstars. The films of Amitabh Bachchan, Dharmendra, and Rajesh Khanna used to entertain people a lot. In this era, Master Bittu was the most popular child artist. The same Master Bittu, seeing whom, even today, the name of Amitabh Bachchan comes first in the mind. Today we are talking about a child artist who has mostly played the role of Amitabh Bachchan's childhood in films. Let us tell you how Master Bittu, who looked super cute in childhood, looks now and what he does. Played Amitabh's childhood role in many films Master Bittu was an expert in playing the childhood roles of superstars in the films of the 70s. He got the role of Amitabh's childhood many times, and due to this, he got a lot of name and fame. Not only this, Master Bittu got many films with superstars like Dharmendra and Rajesh Khanna. Master Bittu was his screen name; his real name is Vishal Desai. People liked the cute Vishal Desai a lot in superhit films like Yaarana, Chupke Chupke, Anokha Bandhan, Apnapan. Master Bittu was seen in almost every second film of that era, and he also got a lot of popularity as a child artist. Most of Master Bittu's films were hits. Made a career in filmmaking Vishal Desai earned a lot of fame and money by becoming a child actor. But when he stopped getting roles as a child actor, he decided to quit acting. If he wanted, he could have progressed as an actor. But he decided to make his career in filmmaking. When he grew up, Vishal Desai turned towards the TV industry and directed many TV serials.
India.com
17-06-2025
- Entertainment
- India.com
Dharmendra's first negative role in THIS film brought him greater stardom; story revolves around two best friends who fall in love with same girl, movie is…
Long before he became Bollywood's beloved 'He-Man,' Dharmendra took a bold risk that shocked fans and shaped his career by turning villain. The year was 1964, and the film was Ayee Milan Ki Bela, a musical romantic drama that hid a surprising twist: Dharmendra, usually cast as the perfect leading man, was the antagonist. Directed by Mohan Kumar, the film told the tale of friendship, betrayal, and love, with Rajendra Kumar and Saira Banu in the lead roles. Dharmendra played Ranjeet, a man whose jealousy leads him to frame his own friend, Shyam (Rajendra), for theft, all over a romantic rivalry. It wasn't just another love triangle — it was Dharmendra's unexpected turn into grey territory that left the audience stunned. The film's screenplay was written by Sachin Bhowmick and Sarshar Sailani. The soulful music, composed by the iconic Shankar–Jaikishan duo, became a major draw, with memorable songs that remain popular even today. Backed by J Om Prakash and shot by V Babasaheb, Ayee Milan Ki Bela was a complete package — emotionally rich, musically strong, and visually lush. But what truly set the film apart was how it shifted Dharmendra's trajectory in Bollywood. Having debuted just four years earlier in Dil Bhi Tera Hum Bhi Tere (1960), he had only been seen in soft, romantic or supporting roles. Ayee Milan Ki Bela not only showcased his range but also proved that he could pull off layered characters with conviction. Industry insiders say the film's success sparked a flurry of casting offers — nearly seven big films came his way by the end of 1964. From there, Dharmendra went on to rule the '70s with hits like Sholay, Chupke Chupke, and Yaadon Ki Baaraat — becoming one of the most bankable and versatile stars in Hindi cinema. Now in his 80s, the veteran actor shows no signs of slowing down. After a celebrated return in Rocky Aur Rani Kii Prem Kahaani, Dharmendra is set to appear in several upcoming projects, including Apne 2, Ekkis, Housefull 5, and an untitled Shahid Kapoor starrer. But for many cinephiles, Ayee Milan Ki Bela remains a turning point — the film where Dharmendra, the hero, dared to play villain… and won.
Express Tribune
05-06-2025
- Entertainment
- Express Tribune
'Not entertainment but dangerous storytelling'
In an Instagram Story shared on Monday, actor and model Aymen Saleem questioned the excessive display of abuse in local dramas. "Enough is enough. I'm deeply disturbed by the way a recent drama is portraying abuse — tying up a woman with ropes, showing it in a romantic or a bold light, and then normalising it as part of a love story. This isn't entertainment. It's dangerous storytelling," Aymen stated. She added that such plotlines can have detrimental effects in a country that's plagued with women's issues, including patriarchy, emotional and physical abuse, and societal pressure. "Media has the power to either reinforce or challenge these toxic norms. Dramas should offer relief, empowerment, and progress, not drag us back into justifying harm in the name of love," she said. The Chupke Chupke actor believes that Pakistani television has made strides in depicting "strong, self-aware female leads and breaking generational curses", which is what prompted her to question, "Why are we slipping back?" Aymen's insights are relevant to an industry that produces stories that often stem from strong grounds of morality and depart with positive takeaways. That is why, she believes, such uncensored violence against women has a negative impact. Adding a note to her showbiz peers, she said, "To the writers, producers, channels, and especially the actors: you have influence. People look up to you. Please choose your scripts and stories responsibly. This is not just fiction. This shapes culture." When it comes to her presence on social media, Aymen isn't afraid to speak her mind, whether it is to defend herself or others. In February, she penned a long note unleashing her frustration at netizens taking offence over wedding photos shared by then-newlyweds Kubra Khan and Gohar Rasheed. "The unnecessary moral policing that happens every time someone dares to live their life on their own terms is honestly exhausting," she said. The Paristan actor became well-acquainted with judgemental comments and 'moral policing' after posting pictures of her maternity shoot last November - a decision that raised concerns amongst netizens about her desire to follow 'Western' culture. In this instance, however, Aymen's anger stemmed from a place of empathy as she segued into Kubra and Gohar's wedding celebrations. "No one gets to question someone else's sincerity or faith based on how they choose to celebrate their joy," Aymen wrote. "Faith is personal. Celebration is personal. If you can't find it in yourself to be happy for others, the least you can do is mind your own business."
Indian Express
03-06-2025
- Entertainment
- Indian Express
Amitabh Bachchan shares unseen wedding photos with Jaya Bachchan to mark their 52nd anniversary. See here
Amitabh Bachchan and Jaya Bachchan celebrated their 52nd anniversary on June 3, and to mark the occasion, the veteran actor shared old photos from their wedding on X (formerly Twitter). He also penned an emotional note, thanking his fans for their well wishes. In the photos shared by Big B, he is seen wearing a simple white kurta-pyjama, while Jaya wore a red saree. The pictures show the couple performing rituals and also speaking to each other during their wedding. Sharing the clicks, Amitabh wrote, 'To all that wish Jaya and me for the Wedding Anniversary June 3, 2025, my gratitude and love.' He also added a quote by his father, Harivansh Rai Bachchan, 'Anwarat samay ki chakki chalti jaati hai (the wheel of time keeps turning endlessly).' Jaya Bachchan and Amitabh Bachchan worked together in many films such as Zanjeer, Sholay, Chupke Chupke, Mili and more. They first met on the sets of Guddi. Speaking about meeting Amitabh for the first time, Jaya had said in an old interview, 'I was introduced to him on the sets of Guddi. I was impressed by him and somewhat in awe as he was Harivanshrai Bachchan's son. I fell in love with him very soon.' The couple fell in love on the sets of Ek Nazar (1972) and went on to date before tying the knot in 1973. Jaya's father, journalist Taroon Coomar Bhaduri, wrote in an article for the Illustrated Weekly of India in 1989 about how the priest protested against the star couple's inter-caste marriage. He wrote about the couple's wedding day and how Amitabh Bachchan followed all rituals without offending anyone. He wrote, 'A Bengali marriage is usually a long-drawn-out but a highly interesting affair. The Bengali priest (who was located with great difficulty) at first protested against having to preside over a marriage between a Bengali Brahmin (Jaya) and a non-Bengali non-Brahmin (Amit). After a lot of hassles, this was sorted out. Amit went through all the rituals, offending no one, and the ceremony went on until early the next morning. He did with sincerity all he was told to do. The following day, they flew to London. On their return, I held a reception at Bhopal and again Amit did whatever he was told to do.'
