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Britten: Sinfonia da Requiem, Winter Words (arr Holloway), etc album review – confirms Gardner's status as an outstanding conductor of Britten
Britten: Sinfonia da Requiem, Winter Words (arr Holloway), etc album review – confirms Gardner's status as an outstanding conductor of Britten

The Guardian

time12-06-2025

  • Entertainment
  • The Guardian

Britten: Sinfonia da Requiem, Winter Words (arr Holloway), etc album review – confirms Gardner's status as an outstanding conductor of Britten

If Edward Gardner's performances and recording of Peter Grimes had not already firmly established his credentials as an outstanding Britten conductor, then this collection, taken from Gardner's concerts with the London Philharmonic at the Festival Hall in London and at Saffron Hall in Saffron Walden, superbly confirms them. It contains an outstanding account of one Britten's greatest orchestral achievements, the Sinfonia da Requiem, and a fine one of a suite (Gardner's own selection) from Britten's only full-length ballet, The Prince of the Pagodas, together with the first recording of a fascinating orchestration by Robin Holloway of Britten's Thomas Hardy song cycle Winter Words. In a note on his orchestrations, Holloway declares that Winter Words is his favourite among Britten's song cycles and that Britten and Hardy 'seem made for each other'. But in its general tone and subject matter – nature, the changing seasons, and man's place among them – and Britten's treatment of them there's an introspection and intimacy, which doesn't automatically suggest the large scale 'public' exposure of an orchestral song cycle. But Holloway's interventions are wonderfully discreet and subtly imaginative, especially in his use of the marimba and xylophone, and tenor Nicky Spence's careful performance certainly respects that. (Not available on Apple music and Spotify)

Daphnis and Chloe review — an eye-popping circus version of Ravel
Daphnis and Chloe review — an eye-popping circus version of Ravel

Times

time24-04-2025

  • Entertainment
  • Times

Daphnis and Chloe review — an eye-popping circus version of Ravel

Roll up, roll up? With its ambitious Multitudes festival, the Southbank Centre is on a mission to prove that it can put on a show and put orchestral music at the centre of it. It's a welcome commitment to a genre that the arts centre has sometimes seemed worryingly diffident about, despite the world-class ensembles that rely on the Royal Festival Hall to show off their talents. So, we went to the circus — sort of. Rarely if ever has a conductor surely been as close to whirring bodies as Edward Gardner was to the acrobats of Circa, an Australian troupe invited to collaborate with the London Philharmonic on an eye-popping presentation of Ravel's ballet score, Daphnis and Chloe — with another choreographic number by

Conductor Edward Gardner says he ‘regrets' calling Italian opera singers mafia
Conductor Edward Gardner says he ‘regrets' calling Italian opera singers mafia

The Independent

time19-02-2025

  • Entertainment
  • The Independent

Conductor Edward Gardner says he ‘regrets' calling Italian opera singers mafia

British conductor Edward Gardner has said he 'regrets' making comments about the singers of an Italian opera house. The London Philharmonic Orchestra principal conductor was speaking about his debut at the Teatro San Carlo in Naples when he said the 'chorus is made up of two rival mafia families – who after one performance put each other in A&E'. In a statement, Gardner said: 'I would like to sincerely apologise to the members of the chorus of the San Carlo Opera House, Naples for my recent comments in an interview with The Times. 'I have deep respect and appreciation for the choir and its members. Shortly before my arrival in Naples I was informed that two members of the chorus had a public fight just outside the theatre resulting in one person being hospitalised. 'I was very surprised by this. However I did not intend to suggest that the choir were members of the mafia, and I am more than happy to retract that allegation. 'Performing Beethoven's 9th together in Ravello last summer was a meaningful experience that highlighted the talent, dedication, and hard work of this group. 'I regret that anything I said may have suggested otherwise because I have experienced first-hand the professionalism and excellence of this choir and I want to make it clear how much I value and respect everyone involved.' This follows Mayor of Naples and chairman of the San Carlo Foundation board, Gaetano Manfredi, reportedly saying he would sue Gardner. He called his comments 'very serious allegations that are completely unfounded', according to Italian reports. ' These are very serious allegations that are completely unfounded. We will act to protect the reputation of the San Carlo Theatre and its employees,' he said, according to Bachtrack. 'The defamatory statements attributed to Gardner undermine the prestige of a cultural institution of worldwide importance,' lawyers Angelo and Sergio Pisani, speaking on behalf of the theatre, said. 'Unfounded attacks such as these risk undermining the credibility of an institution that has made an important contribution to the dissemination of art and music for centuries.' Gardner is a former director of the English National Opera (ENO), and since last year been a musical director at the Norwegian National Opera and Ballet. He was made an OBE in 2012 for services to music, and won the Outstanding Achievement In Opera Oliver award in 2009. Gardner has conducted Riders To The Sea at the London Coliseum, and Punch And Judy at the Young Vic as well as the BBC Proms.

Conductor Edward Gardner ‘regrets' mafia comments about Italian opera singers
Conductor Edward Gardner ‘regrets' mafia comments about Italian opera singers

The Independent

time18-02-2025

  • Entertainment
  • The Independent

Conductor Edward Gardner ‘regrets' mafia comments about Italian opera singers

British conductor Edward Gardner has said he 'regrets' and apologises for making comments about the singers of an Italian opera house. The London Philharmonic Orchestra principal conductor was speaking about his debut at the Teatro San Carlo in Naples when he said the 'chorus is made up of two rival mafia families — who after one performance put each other in A&E'. In a statement, Gardner said: 'I would like to sincerely apologise to the members of the chorus of the San Carlo Opera House, Naples for my recent comments in an interview with The Times. 'I have deep respect and appreciation for the choir and its members. Shortly before my arrival in Naples I was informed that two members of the chorus had a public fight just outside the theatre resulting in one person being hospitalised. 'I was very surprised by this. However I did not intend to suggest that the choir were members of the mafia, and I am more than happy to retract that allegation. 'Performing Beethoven's 9th together in Ravello last summer was a meaningful experience that highlighted the talent, dedication, and hard work of this group. 'I regret that anything I said may have suggested otherwise because I have experienced first-hand the professionalism and excellence of this choir and I want to make it clear how much I value and respect everyone involved.' This follows Mayor of Naples and chairman of the San Carlo Foundation board, Gaetano Manfredi, reportedly saying he would sue Gardner. He called his comments 'very serious allegations that are completely unfounded', according to Italian reports. Gardner is a former director of the English National Opera (ENO), and since last year been a musical director at the Norwegian National Opera and Ballet. He was made an OBE in 2012 for services to music, and won the Outstanding Achievement In Opera Oliver award in 2009. Gardner has conducted Riders To The Sea at the London Coliseum, and Punch And Judy at the Young Vic as well as the BBC Proms.

Conductor sorry for calling Italian singers Mafia
Conductor sorry for calling Italian singers Mafia

Yahoo

time18-02-2025

  • Entertainment
  • Yahoo

Conductor sorry for calling Italian singers Mafia

A British conductor has apologised for likening singers at one of Italy's leading opera houses to warring Mafia families. Edward Gardner, who is principal conductor of the London Philharmonic Orchestra, was threatened with a defamation action for his comments about chorus members at the Teatro San Carlo in Naples. Speaking to the Times last month about a recent appearance at the venue, Gardner said: "The chorus is made up of two rival Mafia families - who after one performance put each other in A&E." In a statement issued by the opera house, he said he wanted to "sincerely apologise to the members of the chorus of the San Carlo Opera House". Gardner explained: "Shortly before my arrival in Naples I was informed that two members of the chorus had a public fight just outside the theatre resulting in one person being hospitalised. I was very surprised by this. "However I did not intend to suggest that the choir were members of the Mafia, and I am more than happy to retract that allegation." Gardner said he had "deep respect and appreciation for the choir and its members", and his appearance in Naples last summer was "a meaningful experience that highlighted the talent, dedication, and hard work of this group". "I regret that anything I said may have suggested otherwise because I have experienced firsthand the professionalism and excellence of this choir and I want to make it clear how much I value and respect everyone involved," he continued. His original comments angered the mayor of Naples, who said they were "very serious allegations that are completely unfounded".

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