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Sofronio Vasquez honored to sing national anthem at Marcos' 4th SONA
Sofronio Vasquez honored to sing national anthem at Marcos' 4th SONA

Filipino Times

time2 days ago

  • Entertainment
  • Filipino Times

Sofronio Vasquez honored to sing national anthem at Marcos' 4th SONA

Filipino-American singer Sofronio Vasquez said he feels deeply honored to perform the Philippine national anthem at President Ferdinand Marcos Jr.'s fourth State of the Nation Address (SONA). Vasquez, the first Filipino winner of The Voice USA, described the invitation as a significant personal and professional milestone. 'Personally and professionally, it's a great honor. Nakadagdag siya ng aking self-esteem and recognition and worth as a performer and as a professional singer,' said Vasquez in an interview with RTVM. Now based in the United States, Vasquez called it a rare opportunity to give back to the country through music. He said the chance to sing Lupang Hinirang before the President and millions of Filipinos watching live affirms his journey as an artist. Vasquez will perform the anthem a cappella, acknowledging the difficulty of singing without instrumental backing. Still, he said it's a challenge worth taking 'for the Filipinos, for God, and for the country.' He also reflected on the deeper meaning of Lupang Hinirang, saying it symbolizes unity and a call for all Filipinos to come together despite differences. 'Marami tayong pagkakaiba, we just have to make sure na magkakaisa tayo,' he added. President Marcos Jr. is set to deliver his fourth SONA at 4 p.m. on July 28 at the Batasang Pambansa Complex in Quezon City.

I've coached kids who got into Harvard, Stanford and Princeton—I recommend 5 'essential' books for raising successful kids
I've coached kids who got into Harvard, Stanford and Princeton—I recommend 5 'essential' books for raising successful kids

CNBC

time6 days ago

  • General
  • CNBC

I've coached kids who got into Harvard, Stanford and Princeton—I recommend 5 'essential' books for raising successful kids

Walk into the parenting section of any bookstore and you will be bombarded by prescriptive books, old and new. It can be hard to parse which are worth reading. But over the last 10 years, as a coach to high-achieving high school students who have gotten into selective colleges like Harvard, Stanford and Princeton, I've come across a few that have been invaluable. These books, written by educators, scientists, journalists, and parents, have helped me better empathize with my students — and better support them and their parents in navigating competitive academic environments. I recommend five books for parents who want to raise highly successful "Never Enough," journalist Jennifer Breheny Wallace explores modern toxic achievement culture and the problems it can lead to. The central issue is what she calls the "excessive pressure to excel." This undue stress negatively affects a child's health and emotional wellness. So how do you defend against that pressure and help your kids thrive? Wallace proposes constructive ways to circumvent this culture, whether it's tamping down on the anxiety you as a parent may inadvertently be creating, or building support systems for yourself and your kid. In "The Happiest Kids in the World," authors Rina Mae Acosta and Michele Hutchison explore the facets of Dutch culture that contribute to The Netherlands consistently ranking as one of the happiest countries in the world for children. Acosta is Filipino-American and Hutchison is British. They are both married to Dutch men, and are raising their kids in the Netherlands, so they approached the topic from a uniquely cross-cultural perspective. What I like about this book is that while the authors focus on larger societal norms that are common in the Netherlands, they also share practical takeaways for parents, such as the value of letting kids be heard or of eating meals together as a way to bond. In "The Self-Driven Child," authors Dr. William Stixrud and Ned Johnson — Stixrud, a clinical neuropsychologist and professor at George Washington University School of Medicine, and Johnson, the founder of tutoring service PrepMatters — detail how parents can support their children in becoming more independent. Many parents would probably agree that they want to raise self-sufficient children, but they often see motivation as innate, as opposed to a trait that can be learned. This book corrects a lot of misconceptions about the use of incentives to motivate kids (e.g. compensating your kids for good grades is harmful in the long-term), highlights key pitfalls to avoid, and arms parents with evidence-based recommendations and conversation starters to help their kids build independence and resilience. "Who Gets In And Why" offers an illuminating look at college admissions in America. While researching the book, education reporter Jeff Selingo followed admissions officers at three top colleges to give a transparent account of how admissions decisions are really made. He explores how factors like geography, demonstrated interest, and the specific needs of a school can have an outsize influence on the acceptance or rejection of a student's application. With clarity, Selingo does a great job at helping parents understand the competing forces that make this process about so much more than just the merit of any one applicant: "College admissions is a constant balancing act," he writes, "to please the bosses, as well as other constituents — faculty, coaches, alumni, donors, and at public universities, politicians." "How to be a High School Superstar" was first published 15 years ago, but I find that it is more relevant today than ever. Author Cal Newport, now a professor of computer science at Georgetown University, shares tools to make college admissions less stressful for everyone involved. He offers strategies on how students can stand out, and none of them involve taking the most AP classes or getting the highest SAT scores. Instead, he recommends genuinely cultivating one's passions by going deep into one specific area of interest no matter how weird or niche. While written for high school students, it provides a valuable roadmap for parents as well.

Manny Jacinto to visit PH to promote ‘Freakier Friday'
Manny Jacinto to visit PH to promote ‘Freakier Friday'

Filipino Times

time23-07-2025

  • Entertainment
  • Filipino Times

Manny Jacinto to visit PH to promote ‘Freakier Friday'

Filipino-Canadian actor Manny Jacinto is set to visit the Philippines to promote his upcoming film Freakier Friday, the sequel to the 2003 hit movie Freaky Friday. In a video interview with Filipino-American journalist Yong Chavez posted on the CBO Channel's X account, Jacinto confirmed the visit. 'Hi, Philippines! I will be coming to visit to promote the film, Freakier Friday. I hope to see you guys there soon,' the actor said. The actor added that he is currently practicing speaking in Tagalog, something he says he 'always' does. As of writing, no official date has been announced for the visit. It is also unclear if other cast members will be joining him. In Freakier Friday, Jacinto plays Eric Reyes, a chef and single father leading man of Lindsay Lohan. The film marks a major role for Jacinto following his performances in The Good Place, Top Gun: Maverick, The Acolyte, and Trese. Jacinto was born in the Philippines and raised in Vancouver, Canada. He has expressed interest in working with Filipino writers and producers for future projects. He is also set to appear in the upcoming thriller films The Knife and Balestra.

Anthony Rosaldo gets vinyl record signed by Nicole Scherzinger
Anthony Rosaldo gets vinyl record signed by Nicole Scherzinger

GMA Network

time21-07-2025

  • Entertainment
  • GMA Network

Anthony Rosaldo gets vinyl record signed by Nicole Scherzinger

Anthony Rosaldo got his vinyl record signed by Nicole Scherzinger after her Broadway show in New York! On Instagram, the Sparkle star shared that he got to watch the closing show of the musical "Sunset Boulevard" where the Filipino-American actress stars as Norma Desmond Among the photos he posted where of himself holding up a signed vinyl record of "Sunset Boulevard" with Nicole's autograph. He also shared a clip of Nicole signing the said vinyl, and more photos of himself outside and inside the St. James Theatre. According to Anthony, Nicole "blew the roof off" with her performance. "Her voice, her presence, the emotion you could feel it all the way to the back. And when I met her after, she was so warm and kind. Signed my vinyl too," he wrote in the caption. "So, so proud to be Filipino. Nicole was fearless, generous, and on fire. I think she got 3 or 4 standing ovations and she deserved every single one." He also tagged Nicole in the post, adding, "You deserve all the Tonys, Emmys, Oscars. We love you." In June, Nicole won Best Actress at the Tony Awards 2025 for her captivating performance as Norma Desmond." "Sunset Boulevard" also bagged the Best Musical Revival award. She was among the Fil-Ams, alongside Darren Criss and Marco Paguia, who ruled at the awards show. Meanwhile, Anthony starred as the lead, Elesi, in the "Liwanag sa Dilim" musical, which ran from March to May this year. The musical, which featured the songs of OPM legend Rico Blanco, also included Kapuso stars Rita Daniela and Khalil Ramos among the cast members. —CDC, GMA Integrated News

Fringe reviews #7: You misread the venue number. The door locks behind you.
Fringe reviews #7: You misread the venue number. The door locks behind you.

Winnipeg Free Press

time20-07-2025

  • Entertainment
  • Winnipeg Free Press

Fringe reviews #7: You misread the venue number. The door locks behind you.

THE BEST (?) NON-DENOMINATIONAL HOLIDAY CONCERT EVER! Rem Lezar Theatre Tom Hendry Warehouse (Venue 6), to Saturday, July 26 ⭐⭐⭐ ½ A well-rehearsed kid-friendly gem that gently pokes fun at the current predilection to rebrand Christmas with terms that don't necessarily mean anything. While the subject matter may seem odd at this time of year — Christmas in July, anyone? — at heart this is an hour-long ode to the teaching profession, and the teachers who take on the thankless task of corralling sometimes recalcitrant kids and engaging them long enough to put on performance for their families. It's a shrewd act, this: putting on a play about the trials of putting on a play — and the resulting shambolic affair — at fringe. Is the audience witnessing an actual disaster of a show or are we watching a comedy of errors played with aplomb by the cast of seven who tackle their parts with gusto? With plenty of laugh-out-loud moments, and a soft centre espousing the values of the holiday season, here's a show that lives up to its name. — AV Kitching CONTROL: A PSYCHOLOGICAL MAGIC SHOW Gregoire Entertainment CCFM — Antoine Garborieau Hall (Venue 19), to Sunday, July 27 ⭐⭐⭐⭐ ½ The audience arrives to a purple-lit screen, displaying a selection of sinister verse: 'Eyes Wide open/But they're not Yours/Walking paths through Unseen Doors.' Winnipeg magician and mentalist Patrick Gregoire strolls onstage with a wry, confident grin as he surveys his victims — er, audience — and asks the crowd how many believe they're in control of their thoughts. As many hands raise, he murmurs, 'Oh, that's cute.' What follows is a string of perplexing but entertaining tricks: holding up a magazine so the audience can see the words on the page, but the onstage volunteer sees something different; compelling spectators to see a randomly selected playing card in an old photograph; and hear specific names in backwards recordings made live onstage. While similar tricks can be seen in any mind-reading show, Gregoire's rapport and fun/sinister vibe truly elevates this example of the genre. — Janice Sawka EMIL AMOK, 69: EVERYTHING'S FLIPPED Emil Amok Guillermo MTC Up the Alley (Venue 2), to Sunday, July 27 ⭐⭐⭐ ½ We're living in a topsy-turvy time, that's for sure. In his Winnipeg fringe debut, Filipino-American journalist Emil Amok Guillermo, a former host of NPR's All Things Considered, unleashes a stream of consciousness about current events, personal history and … laugh yoga? The top of the hour is frantic. The cheesy localized jokes (poutine-based and otherwise) don't always land, and the frenetic delivery of the day's headlines (the Epstein files) is hard to follow — although perhaps a good analogy for the chaotic daily U.S. news cycle under the Trump administration. The one-man show works best when the host settles into a quieter rhythm of personal storytelling. By invoking the ghosts of his immigrant parents and sharing about his transgender daughter, Amok underscores what it's like to live in the crosshairs of American politics, past and present. There are smart, discomforting punchlines throughout, but the ending feels forced. Literally. — Eva Wasney THE FUNNY THING ABOUT MEN Olive Productions Rachel Browne Theatre (Venue 8), to Saturday, July 26 ⭐⭐⭐⭐ ½ British-born Mandy Williams loves her husband — even though sometimes he really gets on her nerves. Deploying a healthy dose of witty sarcasm and knowing glances, Williams explores a list of topics including household chores, mental loads and relationship dynamics in this 50-minute musical comedy. The emphasis is on the musical side, with a raft of catchy songs that pack a punch, musically and message-wise — think Glennon Doyle with a ukulele. Standout singles like Things I Know Against My Will earned a healthy dose of laughs, mostly at the expense of men. It's a good-natured ribbing against traditional gender norms, but Williams interjects more enough humour to keep everyone in on the joke. Although many of the jokes are at the expense of the patriarchy and the sometimes-inept men it enables (we deserve it, fellas!), the content is relatable for anyone who has ever been in a long-term relationship. Certainly, it seemed to resonate with the audience, who were quoting back some of the lines post-performance. — Matt Schaubroeck LAST DAY AT WHOOPEE KINGDOM MTYP's Summer Studio MTYP Main Stage (Venue 21), to Sunday, July 27 ⭐⭐ ½ The 13-strong local cast of teenagers tackling playwright Alan Haehnel's script about a show at amusement park Whoopee Kingdom — yes, a play about a play — make a valiant effort to vitalize the rather lacklustre material they've been saddled with, and at first it seems as if they will succeed. Engaging at the start, the action falters quickly as hefty swathes of unnecessary dialogue get the better of the young thespians. At times it feels as if there are just too many people onstage hanging about doing nothing when the focus shifts to scenes involving just one or two actors. No shade to the cast; all of them are really acting their socks off during this long, rambling mess, which could have been saved with a tighter edit. Things really only get going again in the last 15 minutes, which leads one to the conclusion this could have all been done in a snappy half-hour instead of 60 minutes. — AV Kitching MULTIPLE NEUROSIS Karin Fekko Productions Son of Warehouse (Venue 5), to Sunday, July 27 ⭐⭐⭐½ Toronto's Karin Fekko tackles a deeply personal topic in her solo fringe debut — her own decades-long experience with multiple sclerosis. Her navigation over hurdles, from career barriers to self-coping mechanisms, are the focal points of this 60-minute journey, as she does her best to come to terms with, and accept, her new reality. The storytelling format effectively allows Fekko to deploy dark humour and no small level of vulnerability. For so personal a topic, it feels relatable and accessible for any body or mind. It's also cathartic for the narrator, who spent 17 years trying to hide her reality from everyone around her — quite a switch to performing on a public stage in front of strangers. As the curtain falls, the audience may feel they better understand not only this one lived experience, but anyone else who may be struggling with their physical abilities. As Fekko herself says: the only thing that separates the healthy and the sick is time. — Matt Schaubroeck PAPA UBU Theatre Incarnate Theatre Cercle Moliere (Venue 3), to Saturday, July 25 ⭐⭐ ½ Papa Ubu is an adaptation by local artist Eric Bossé of French playwright Alfred Jarry's Ubu Roi, a seminal play of modern theatre. Local company Theatre Incarnate's 65-minute production, directed by Brenda McLean and Christopher Sobczak, is energetic enough, but the glaring problem is that Bossé's reworking of the text tries to turn Ubu, a cowardly, vulgar, boorish fascist, into a Shakespearean tragic figure like the Macbeth that inspired Jarry's original. The text is riddled with lines from Hamlet, King Lear, Richard III, and more. Shakespeare's words stand out not to enlighten the original but overwhelm it. The show is a messy conflation of absurdist comedy and the latest trendy Shakespeare offering. A few things work well when they highlight the play's symbolist roots — using pop cans as soldiers, for example. The three-member cast presents the text well but unfortunately this adaptation annoys more than it entertains. — Rory Runnells RANDY & ELIZABETH: A SAVAGE LOVE STORY Macho MANitoban One88 (Venue 23), to Sunday, July 27 ⭐⭐⭐⭐⭐ This storytelling piece takes the form of a 45-minute 'promo,' as pro-wrestlers call it, focusing on the love story between Randy Poffo and Elizabeth Hulette, better known as Macho Man Randy Savage and Miss Elizabeth, the First Lady of Wrestling. The story is told by Geoffrey Owen Hughes, a.k.a the Macho Manitoban, in a one-man show. His earnestness, passion, and love for professional wrestling shine through, captivating the audience with the high highs and devastating low blows of Randy and Elizabeth's tumultuous TV and real-life marriage. Seeing under the Macho Manitoban's sunglasses is the real highlight of the show, particularly his expressed adoration not only for Miss Elizabeth but Sherri Martell and their contributions to pro-wrestling, especially since those contributions are often forgotten or belittled because of their gender. Even if you are not a wrestling fan, this unique show is not to be missed. — Sonya Ballantyne A SPOONFUL OF MAGIC Krol Entertainment Tom Hendry Warehouse (Venue 6), to Saturday, July 26 ⭐⭐ Mary Poppins pops back into the now-grown-up Micheal Banks' life to help him face the adversities of adulthood with her sleight-of-hand magic tricks and wholesome homilies. A Spoonful of Magic (Supplied) This magic parody of the Julie Andrews classic raises one question: why? There is no need for such a conceit when the magic tricks themselves aren't half bad. It could've all been so good, but instead we get stilted dialogue and clunky amateur dramatics from the cast — Canadian Lisa Krol and Jordan Rooks from Las Vegas — who display neither charm nor chemistry. More magic tricks and less inane chat would've made this far more enjoyable. As it is, it's likely we will all need more than a spoonful of sugar to make this medicine go down. These magicians should stick to tricks and leave the acting to professionals. — AV Kitching TYCHO FREAKING BRAHE! Kiss the Giraffe Productions John Hirsch Mainstage (Venue 1), to Sunday, July 27 ⭐⭐⭐⭐ Tycho Freaking Brahe! (Supplied) Taking as its subject the Danish astronomer Tycho Brahe, this 75-minute musical's reach for the stars slightly exceeds the grasp of a huge cast, mostly owing to the muddy, tone-shifting material, and music and lyrics so derivative they could have been created by AI. (But then, so is most Broadway fare, to this reviewer's ears.) Written by fringe regulars Joseph Aragon and Heather Madill (Bloodsuckers!), it's a modern riff on the politics of late 16th-century astronomy — and that's as exciting as it sounds. The good news: This local company has assembled sets and costumes and choreography as top-shelf as any touring company; this laboratory for young talent should be enthusiastically supported. Major mixing and pitch issues should settle through the run. Warning: A dozen-plus Madonna microphones in a concrete bunker can be a strain on the eardrums. — Lara Rae

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