Latest news with #GospelofJohn
Perth Now
09-07-2025
- Perth Now
‘Rare soul': Stabbing victim laid to rest
Family and friends of a young man allegedly stabbed to death in the driveway of a Sydney west home are gathering to lay the 'kind, respectful, and beautiful soul' to rest at a ceremony in Harris Park. Luke Manassa, 21, died from injuries sustained during the alleged stabbing attack in Pemulway, as he and his girlfriend pulled into a home along Driftway Dr. Police allege two people wearing disguises and dark clothing attacked Mr Manassa, before he was able to get back into his car and drive a short distance. Mr Manassa's funeral will be held at Our Lady of Lebanon Co-Cathedral in Harris Park from 11am. Luke Manassa died from stab injuries after he was allegedly attacked by two teenagers in a driveway in west Sydney. Supplied Credit: News Corp Australia Two boys, aged 16 and 17, have been charged with murder. Richard Dobson / NewsWire Credit: News Corp Australia A funeral program for the service carries a message from the Gospel of John, reading: 'Those who believe in me, even though they die, will live.' Tributes have flowed for the 21-year-old in the wake of his death, with the Australian Blouza Association – a non-political organisation founded in 1949 by immigrants from the village of Blouza, in North Lebanon – announcing news of his passing with 'great sadness'. On the group's Facebook page, Charlie Baissari wrote: 'Our hearts are deeply broken to hear about the passing of your beloved Angel Luke. It was clear he was a kind, respectful, and beautiful soul — the kind of young man who left a light wherever he went.' 'No words can truly ease the pain of such a tragic loss, but please know our thoughts, prayers, and love are with you all during this heartbreaking time. We are so sorry. With our deepest sympathy, may he rest in eternal peace,' Mr Baissari continued. Mr Manassa's cousin Tash Mansour wrote: 'I'm lost for words. My heart goes to the rest of your siblings Anthony, Danielle, Patrick Grace and Matthew, and your parents Jamie and Theresa.' Mr Manassa, 21, has been remembered as a 'rare soul—overflowing with kindness, love, wisdom, talent, faith, and intelligence far beyond his years' by his family. Supplied Credit: News Corp Australia His brother David, in his own social media post, remembered Luke as a 'rare soul—overflowing with kindness, love, wisdom, talent, faith, and intelligence far beyond his years'. 'Luke left behind a legacy of love and light that will never fade. I'll forever hold the memories I have with him close,' he said. 'And while nothing can ease the pain right now, I stand firm in one hope: that we will be reunited again, in the presence of our loving God and Savior, Jesus Christ. 'Until then, we grieve … but not without hope.' Police are probing whether the alleged attack on Mr Manassa was a case of mistaken identity. Richard Dobson / NewsWire Credit: News Corp Australia Two boys, aged 16 and 17, have been charged with Mr Manassa's murder. Detective Superintendent Joseph Doueihi last week said investigators had not determined a clear motive for why the 21-year-old was targeted. 'It perhaps (was) the wrong target … more than likely, this is a case of mistaken identity, but it's still early days before we can absolutely confirm that,' he said. Mr Manassa did not live at the Pemulwuy home but was known to visit the property. According to his LinkedIn profile, he graduated from UTS last year and worked full-time as a project manager at his family's demolition business Mann Group. More to come .
New York Post
29-06-2025
- General
- New York Post
Archaeologist uncovers ‘persuasive' evidence of true location where Jesus turned water into wine
A historian believes he's found the location of Jesus Christ's first miracle – and has newfound evidence to back it up. Scripture gives limited details about Jesus' first miracle, which is said to have taken place at Cana. The Gospel of John states that Jesus turned water into wine during a wedding in the village. Advertisement 'Nearby stood six stone water jars, the kind used by the Jews for ceremonial washing, each holding from twenty to thirty gallons,' the gospel states. 'Jesus said to the servants, 'Fill the jars with water,' so they filled them to the brim.' The passage continues, 'Then he told them, 'Now draw some out and take it to the master of the banquet.' They did so, and the master of the banquet tasted the water that had been turned into wine.' The prevailing theory states that Kafr Kanna, an Israeli town in the Galilee, was the true location of Cana. Pilgrims have long venerated the site, according to the Catholic Encyclopedia of 1914. 4 The Gospel of John states that Jesus turned water into wine during a wedding in the village. Getty Images Advertisement But historian Tom McCollough says that Cana was actually located five miles north of Kafr Kanna. The site, called Khirbet Qana, was a Jewish village from 323 B.C. to 324 A.D. McCollough taught religion and history at Centre College until his retirement in 2017. He told Pen News that Khirbet Qana presents the most compelling evidence so far. '[No other village] has the ensemble of evidence that makes such a persuasive case for Khirbet Qana,' he said. Advertisement The main piece of evidence is a series of tunnels used by Christians — marked with various crosses and references to Christ, which date back over 1,500 years. 'We have uncovered a large Christian veneration cave complex that was used by Christian pilgrims who came to venerate the water-to-wine miracle,' McCollough said. 'This complex was used beginning in the late fifth or early sixth century and continued to be used by pilgrims into the 12th-century Crusader period.' 4 The site, called Khirbet Qana, was a Jewish village from 323 B.C. to 324 A.D. Universal Images Group via Getty Images Advertisement During his excavation, McCollough also uncovered an altar and a shelf with a stone vessel. He noted that there was space for five additional jars — consistent with the biblical account of six stone jars. On the walls of the complex, his team of excavators also uncovered references to Kyrie Iesou, a Koine Greek phrase meaning Lord Jesus. 'The pilgrim texts we have from this period that describe what pilgrims did and saw when they came to Cana of Galilee match very closely what we have exposed as the veneration complex,' he said. Speaking to Pen News, McCollough also used the work of Flavius Josephus, a first-century Jewish historian, to back up his argument. 'His references to Cana align geographically with the location of Khirbet Qana and align logically with his movements,' he said. 'The reference to Cana in Josephus, the New Testament and in the rabbinic texts would argue the village was a Jewish village, near the Sea of Galilee and in the region of lower Galilee.' 4 He noted that there was space for five additional jars — consistent with the biblical account of six stone jars. Universal Images Group via Getty Images Advertisement He added, 'Khirbet Qana fulfills all of these criteria.' McCollough also argued that Kafr Kanna wasn't recognized as a pilgrimage site for Cana until the 18th century, which disputes the Catholic narrative about the site. 'At this point, the Franciscans were managing Christian pilgrimage and facilitating easy passage rather than historical accuracy,' he claimed. All in all, McCollough believes his excavations could bolster the case for the historicity of the Bible, and that his findings 'warrant at least a reconsideration of the historical value of John's references to Cana and Jesus.' Advertisement 'Our excavations have shown that this was in fact a thriving Jewish village located in the heart of much of Jesus' life and ministry,' he said. McCollough added, 'For the Gospel of John, Cana [was] in some ways Jesus' safe place or operational center. It is a place he and his disciples return to when they encounter resistance in Judea.' 4 On the walls of the complex, his team of excavators also uncovered references to Kyrie Iesou, a Koine Greek phrase meaning Lord Jesus. Godong/Universal Images Group via Getty Images The most recent research comes as archaeologists across the world work on uncovering sites from the Bible. Advertisement In March, an archaeologist working at Jerusalem's Church of the Holy Sepulchre spoke with Fox News Digital about finding proof of an ancient garden at the site, consistent with scripture. Earlier this year, a group of Israeli archaeologists uncovered evidence of a biblical battle at the city of Megiddo in northern Israel.
Yahoo
04-06-2025
- Entertainment
- Yahoo
Indiana Bible College sues choral composer over copyright infringement claims
Indiana Bible College is suing a renowned composer and her music publisher, claiming defamation after they alleged the school unlawfully based its viral hit song on her composition. In a complaint filed June 2 in the U.S. District Court, Southern District of Indiana, the Indianapolis-based college said statements made by Fred Bock Music Co. and choral music composer Rosephanye Powell have damaged the school's reputation and led it to lose business. Indiana Bible College drew attention with the late April debut of 'John 1,' and a video of the song being performed by the college choir went viral. Powell and California-based Gentry Publication maintain that 'John 1' is derivative of the classical a cappella 'The Word Was God,' a popular piece in choral circles that Powell wrote in 1996. In late May, Powell took to social media to claim the school infringed on her copyrighted work. Powell claimed IBC copied, altered and performed her song without permission in producing 'John 1.' This was after she and Gentry denied the college permission to use the song in 2024, she said. Song dispute: 'No credit or consent.' Composer says Indiana Bible College stole her song for streaming After Gentry made a copyright claim against a 'John 1' video on YouTube, the platform removed the video. IBC still has the video of the spring performance of the song on Facebook. "John 1" debuted on Apple Music on May 2, 2025, and its sheet music was made available for sale. 'This song is undeniably a derivative of my work,' Powell, a music professor at Auburn University in Alabama, said in a May 23 Facebook post, adding that the Indiana choir made minor alterations to notes, rests and rhythms to "The Word Was God." Fred Block Music Co. owns Gentry Publication, the publisher of 'The Word Was God,' which is based on the first chapter of the Gospel of John in the Bible. Indiana Bible College in its lawsuit says 'John 1' is an original composition and does not infringe on 'any protectable elements' of "The Word Was God," and that it owns the music in the new song, with the 'significant musical elements … independently composed in the summer of 2024.' The college claims Powell and Gentry 'published and amplified false statements across Dr. Powell's and Fred Bock's social-media channels,' 'encouraged others to renounce John 1 and IBC,' and 'used IndyStar to publish an article accusing IBC and its writers of unauthorized derivative, copyright infringement, and intellectual dishonesty.' College leaders did not respond to IndyStar's request for comment prior to publication of a May 30 story detailing Powell's concerns over "John 1." Indiana Bible College said the statements made by Powell and Gentry hurt its reputation, resulted in loss of prospective contracts, and led to those listed as writers and composers garnering hostility. The defendants influenced third parties from doing business with the school, which had prospective business relationships with students, composers, worship communities, venues, and publishers for the use of 'John 1' and other compositions, the lawsuit states. IndyStar left messages with the college and its lawyer for comment on the lawsuit, but had not heard back by the time of publication. The college's filing also lists unidentified defendants who have 'published or republished defamatory statements or induced business interference.' 'Third parties have viewed, shared, or reposted Defendants' statements, further damaging Plaintiff's business and personal reputations,' and the defendants are inducing venues, publishers, and worship communities to cease using or promoting 'John 1,' the complaint says. Powell has seen a lot of support from the choral music community on social media, including statements from state choral associations and businesses. She is the 2025 recipient of the American Choral Directors Association's prestigious Raymond Brock Memorial Commission. J. W. Pepper, the world's largest sheet music retailer on May 28 posted to its Facebook page, 'We stand with Rosephanye Powell. As a champion of original music, we support the artists whose work we distribute,' the company posted on May 28. ' We applaud Dr. Powell's courage in speaking out to defend her intellectual property. Creative work is not only labor — it's legacy.' Indiana Bible College is seeking compensatory and punitive damages and asking the court to declare 'John 1' does not infringe on and is not derivative of 'The Word Was God.' The school also wants the court to order Powell and her publisher not to make defamatory statements, remove defamatory statements from websites and social media and issue public retractions. It requests a trial by jury. Both Powell and Gentry Publication said they are standing by their claims that 'John 1' was derived from 'The Word Was God.' 'In the strongest terms we disagree with all of their allegations and will continue to defend Dr. Powell's work and reputation as well as our copyright ownership in 'The Word Was God,' Gentry Publication said in a statement provided to IndyStar June 4. Powell said she has no plans to back off of claims that the bible college used "The Word Was God" to create "John 1." 'You're going to tell me to be quiet because you're losing money over something based on my work?' she said. 'We're speaking truth. ... They want this to go away.' 'They've got the wrong one." Indiana Bible College, headed by Rev. Joshua Carson, is affiliated with the United Pentecostal Church International. Founded in 1981 and currently located at 1502 E. Sumner Ave., the school posted to its social media accounts on May 25 that it was working on clearing up the matter in private. 'The release of the choral arrangement 'John 1' has been met with claims of copyright infringement," it said. "Establishing whether copyright infringement has occurred is extraordinarily fact sensitive, and parties to copyright infringement disputes frequently genuinely disagree whether the legal standard for infringement has been met. We are actively discussing the matter privately with the only party that has a legal standing to dispute the matter.' The school's filing follows the May 29 receipt of a letter from Gentry and Powell alleging copyright infringement and threatening a lawsuit if the college did not comply with their demands. Contact IndyStar reporter Cheryl V. Jackson at or 317-444-6264. Follow her on or Bluesky: @ This article originally appeared on Indianapolis Star: Indiana Bible College files defamation lawsuit against choral composer
Indianapolis Star
04-06-2025
- Entertainment
- Indianapolis Star
Indiana Bible College sues choral composer over copyright infringement claims
Indiana Bible College is suing a renowned composer and her music publisher, claiming defamation after they alleged the school unlawfully based its viral hit song on her composition. In a complaint filed June 2 in the U.S. District Court, Southern District of Indiana, the Indianapolis-based college said statements made by Fred Bock Music Co. and choral music composer Rosephanye Powell have damaged the school's reputation and led it to lose business. Indiana Bible College drew attention with the late April debut of 'John 1,' and a video of the song being performed by the college choir went viral. Powell and California-based Gentry Publication maintain that 'John 1' is derivative of the classical a cappella 'The Word Was God,' a popular piece in choral circles that Powell wrote in 1996. In late May, Powell took to social media to claim the school infringed on her copyrighted work. Powell claimed IBC copied, altered and performed her song without permission in producing 'John 1.' This was after she and Gentry denied the college permission to use the song in 2024, she said. Song dispute: 'No credit or consent.' Composer says Indiana Bible College stole her song for streaming After Gentry made a copyright claim against a 'John 1' video on YouTube, the platform removed the video. IBC still has the video of the spring performance of the song on Facebook. "John 1" debuted on Apple Music on May 2, 2025, and its sheet music was made available for sale. 'This song is undeniably a derivative of my work,' Powell, a music professor at Auburn University in Alabama, said in a May 23 Facebook post, adding that the Indiana choir made minor alterations to notes, rests and rhythms to "The Word Was God." Fred Block Music Co. owns Gentry Publication, the publisher of 'The Word Was God,' which is based on the first chapter of the Gospel of John in the Bible. Indiana Bible College in its lawsuit says 'John 1' is an original composition and does not infringe on 'any protectable elements' of "The Word Was God," and that it owns the music in the new song, with the 'significant musical elements … independently composed in the summer of 2024.' The college claims Powell and Gentry 'published and amplified false statements across Dr. Powell's and Fred Bock's social-media channels,' 'encouraged others to renounce John 1 and IBC,' and 'used IndyStar to publish an article accusing IBC and its writers of unauthorized derivative, copyright infringement, and intellectual dishonesty.' College leaders did not respond to IndyStar's request for comment prior to publication of a May 30 story detailing Powell's concerns over "John 1." Indiana Bible College said the statements made by Powell and Gentry hurt its reputation, resulted in loss of prospective contracts, and led to those listed as writers and composers garnering hostility. The defendants influenced third parties from doing business with the school, which had prospective business relationships with students, composers, worship communities, venues, and publishers for the use of 'John 1' and other compositions, the lawsuit states. IndyStar left messages with the college and its lawyer for comment on the lawsuit, but had not heard back by the time of publication. The college's filing also lists unidentified defendants who have 'published or republished defamatory statements or induced business interference.' 'Third parties have viewed, shared, or reposted Defendants' statements, further damaging Plaintiff's business and personal reputations,' and the defendants are inducing venues, publishers, and worship communities to cease using or promoting 'John 1,' the complaint says. Powell has seen a lot of support from the choral music community on social media, including statements from state choral associations and businesses. She is the 2025 recipient of the American Choral Directors Association's prestigious Raymond Brock Memorial Commission. J. W. Pepper, the world's largest sheet music retailer on May 28 posted to its Facebook page, 'We stand with Rosephanye Powell. As a champion of original music, we support the artists whose work we distribute,' the company posted on May 28. ' We applaud Dr. Powell's courage in speaking out to defend her intellectual property. Creative work is not only labor — it's legacy.' Indiana Bible College is seeking compensatory and punitive damages and asking the court to declare 'John 1' does not infringe on and is not derivative of 'The Word Was God.' The school also wants the court to order Powell and her publisher not to make defamatory statements, remove defamatory statements from websites and social media and issue public retractions. It requests a trial by jury. Both Powell and Gentry Publication said they are standing by their claims that 'John 1' was derived from 'The Word Was God.' 'In the strongest terms we disagree with all of their allegations and will continue to defend Dr. Powell's work and reputation as well as our copyright ownership in 'The Word Was God,' Gentry Publication said in a statement provided to IndyStar June 4. Powell said she has no plans to back off of claims that the bible college used "The Word Was God" to create "John 1." 'You're going to tell me to be quiet because you're losing money over something based on my work?' she said. 'We're speaking truth. ... They want this to go away.' 'They've got the wrong one." Indiana Bible College, headed by Rev. Joshua Carson, is affiliated with the United Pentecostal Church International. Founded in 1981 and currently located at 1502 E. Sumner Ave., the school posted to its social media accounts on May 25 that it was working on clearing up the matter in private. 'The release of the choral arrangement 'John 1' has been met with claims of copyright infringement," it said. "Establishing whether copyright infringement has occurred is extraordinarily fact sensitive, and parties to copyright infringement disputes frequently genuinely disagree whether the legal standard for infringement has been met. We are actively discussing the matter privately with the only party that has a legal standing to dispute the matter.' The school's filing follows the May 29 receipt of a letter from Gentry and Powell alleging copyright infringement and threatening a lawsuit if the college did not comply with their demands.
Indianapolis Star
30-05-2025
- Entertainment
- Indianapolis Star
'No credit or consent.' Composer says Indiana Bible College stole her song for streaming
An Indiana Bible school is under scrutiny after a composer took to social media to claim it infringed on her copyrighted work and is selling music based on her composition. Choral music composer Rosephanye Powell said an Indiana Bible College choir copied, altered and performed her song without permission. Powell, a professor at Auburn University in Alabama, said Indiana Bible College's 'John 1' uses elements of her 'The Word Was God.' She and her publisher, Glendale, California-based Gentry Publications, had denied usage to the Indiana college last year, according to Powell. The a cappella song is based on the first chapter in the Bible's Gospel of John. Powell is well-known in the choral community. The American Choral Directors Association honored Powell with its 2025 Raymond Brock Memorial Commission, a prestigious award. Her new work premiered at the organization's national conference this spring. 'Rosephanye Powell is one of the most important female composers of choral music in the United States today – if not the most important,' said Stephen Bock, president of Fred Bock Music Co. Inc., which owns Gentry Publications. 'The Word Was God' was her first publication and is her most iconic work, Bock said. Powell composed the song when she and her husband, William C. Powell, now music professor and director of choral activities at Auburn, were co-conductors for the collegiate choir at Philander Smith College, an HBCU in Arkansas. The choir there in 1996 was the first to perform it. 'There is no doubt that what Indiana Bible College has done is infringe on the copyright of 'The Word Was God,' Bock said. 'This song is undeniably a derivative of my work,' she said in a May 23 Facebook post, adding that the Indiana choir made minor alterations to notes, rests and rhythms to "The Word Was God." The bible college choir had performed an unapproved arrangement of her song in early 2024, titled 'The Word Was God,' using a band and a soloist and uploaded it to TikTok, Powell said in a May 23 Facebook post. Indiana Bible College initially contacted Gentry Publications in January 2024, seeking permission to produce a gospel arrangement of 'The Word Was God,' but recorded the song and released a video before getting the approval from Powell and the publisher, Bock said. Gentry Publications rejected the request and directed the choir to destroy the music and remove the video, according to Bock. Indiana Bible College choir director Tim Hall had told Powell that, as a high school choral director, he'd performed the song years before, and in April 2024, he again requested to use the music, this time for a performance at an international music festival at the school. Powell and Gentry said no. 'And then the next thing we knew, in April of 2025, they released 'John 1,' which we feel is completely derivative of 'The Word Was God,'' Bock said. The Indiana choir was using material from 'The Word Was God,' but presenting 'John 1' as an original composition, he said. 'What came out in April of this year, 'John 1,' we contend is a slight — and by slight, I mean slight — reworking of the gospel arrangement of 'The Word Was God' that they tried to get permission for in 2024,' Bock said. 'So legally, it is a derivative of a derivative. 'What makes this egregious is the historical record of their interest in 'The Word Was God,' going back to January of 2024, and their continued insistence that it's original work when it is obvious that it is not.' Gentry learned of the 'John 1' song a couple of days after the school's April 26 upload of a music video for the song to YouTube, and contacted the college the April 30, alleging copyright infringement. The publisher made the copyright claim against the 'John 1' video to YouTube in mid-May, and by the morning of May 20, the platform had removed the music video, Bock said. At that point, the video had about 940,000 views, he said. Powell, who also has taught at Philander Smith and Georgia Southern University, said Indiana Bible College is profiting from the song through sales on its website and digital platforms. "John 1" debuted on Apple Music on May 2, 2025. Since she began sharing her story on social media last week, the school has posted that it is attempting to determine the legalities. IndyStar has reached out to Indiana Bible College for comment, but has not received a response. Others are reading: Why authors of 'Back Home Again' were accused of stealing from another iconic Indiana song Hall and other credited arrangers of the unlicensed 2024 arrangement are listed as composers of 'John 1' and claim 'The Word Was God' is not part of the new work, Powell said in the May 23 Facebook post. Hall is also associate dean of worship studies at Indiana Bible College. 'The disregard for me and my work is both unprofessional and deeply troubling. As an African American composer, I am acutely aware of our nation's history of Black artists having their musical property taken without credit or consent. That history makes Mr. Hall's actions especially egregious, given his role in guiding young singers, arrangers, and musicians,' Powell said in the post. 'What is most disheartening is that I communicated my position to Mr. Hall very politely and respectfully a year ago, making it clear why I could not approve.' In a May 26 social media post, Powell said she felt strongly the song should not be performed with a band or soloist, as the Indiana choir had done without permission in 2024. She intended the a cappella piece to be restricted to human voices to convey God's speaking creation. 'I wanted people to get a picture of how God's word created the world,' Powell said. 'I was trying to spread not just the message, but give them a picture of what God's voice did as he spoke. One day there's trees, then there's the sun, there's the moon, there's the stars, then there's shrubbery, there's water. A picture of the Earth is being created through voices.' While the Scripture is not copyrighted, the harmonies and rhythms used in 'The Word Was God' are, Powell said. 'That, for me, is about integrity,' she said in the video. ' It is not about the money. They're the ones making the money.' 'And what's worse is this time they're saying it's an original work, which means it uses none of my work whatsoever. But this is not true. Sections of this song are my work, so it's exactly as before,' she said. 'At least before they said they were using my work, they just didn't get a license for it and didn't inform me in advance or get permission. Now they say none of it is my work.' I am so grateful for the support of so many of you! I hope this video clarifies some of the questions concerning the backstory of the situation with Indiana Bible College's 'John 1.' #fypシ #foryoupage #fyp #indianabiblecollege #thewordwasgod #john1 #rosephanyepowell #copyrightinfringement Many in the music community are standing up for Powell. 'This is not homage. This is THEFT. It is a violation of copyright law and a blatant disrespect of a Black female composer's intellectual property. Historically, we have seen this happen often where black artists have repeatedly had their creative works stolen, imitated, or repackaged without credit or compensation,' said Antwoin Holman, a high school choral music director in Douglasville, Georgia, on Facebook. 'This pattern of exploitation must be called out and challenged and IBC we are holding your feet to the fire.' Powell also has the support of J. W. Pepper, the world's largest sheet music retailer. The 149-year-old company on May 28 posted to its Facebook page, 'We stand with Rosephanye Powell. As a champion of original music, we support the artists whose work we distribute,' the company posted on May 28. ' We applaud Dr. Powell's courage in speaking out to defend her intellectual property. Creative work is not only labor—it's legacy.' Bock said Gentry had been trying to resolve the issue privately. On May 23, the publisher emailed Indiana Bible College a 20-page letter detailing its case for 'John 1' being derivative of 'The Word Was God.' Bock said the school responded on May 25, saying, 'We are in the process of evaluating the extensive analysis you shared of 'John 1' relative to 'The Word Was God, and will provide a full response as soon as it is practicable.' Gentry has had nothing directly from the school since, Bock said. 'They're supposed to be getting a response to us. I don't know what it means for timing. As of right now, the ball is in their court.' A post shared by Indiana Bible College (@ Indiana Bible College, founded in 1981 and currently located at 1502 E. Sumner Avenue, posted to its social media accounts that it working on clearing up the matter in private. 'The release of the choral arrangement 'John 1' has been met with claims of copyright infringement," it said. "Establishing whether copyright infringement has occurred is extraordinarily fact sensitive, and parties to copyright infringement disputes frequently genuinely disagree whether the legal standard for infringement has been met. We are actively discussing the matter privately with the only party that has a legal standing to dispute the matter.'
