Latest news with #GraceWalesBonner
Telegraph
15-07-2025
- Entertainment
- Telegraph
The sleek new trainers that will give your whole wardrobe an upgrade
There was a time when plain white trainers were a wardrobe necessity. But, to the delight of those who struggled to keep theirs looking box-fresh, those days appear to be long gone. Now, they have been refashioned in a kaleidoscope of hues and from gleaming metallics to uplifting primary shades, they're an invaluable way of injecting some life into a wardrobe, for men as well as women. When it comes to colourful trainers, there are a few seminal styles to be aware of. One is the Adidas Samba, whose trio of stripes in various colours have become near ubiquitous in recent years, its covetable status enhanced by a series of sell-out collaborations (including particularly sought-after pieces from British designer Grace Wales Bonner). When Rishi Sunak wore Sambas to promote tax policies during a Downing Street interview in 2024, it might have seemed like the death knell was sounding. But fans have returned to alternatives such as Adidas's Spezial and Gazelle styles, whose proponents include Brad Pitt and Paul Mescal. Another notable rainbow trainer is Onitsuka Tiger's Mexico 66 style, made famous in vibrant yellow by Uma Thurman in Kill Bill and now worn by high-profile figures such as the Prince of Wales. Increasingly, colourful trainers are cropping up on the catwalks too, from Burberry to Miu Miu. For Net-a-Porter's fashion director Kay Barron, this is no great surprise. Lately, she says, 'bursts of colour have dominated trends, whether it be the all-red moment, or butter yellow more recently. It's only natural that this has extended into trainers. Accessories remain one of the easiest ways to embrace a trend, and trainers offer a simple yet impactful way to introduce a touch of colour to any outfit.' So, which shade to go for? Net-a-Porter has seen customer searches for 'pink sneakers' increase by 200 per cent in the past six months (Hobbs also has a great take on these), while Tarantino-inspired yellow proves a surprisingly wearable choice (no matching jumpsuit required). For just a touch of bright colour, look to Veja, whose distinctive V logo comes in a wide variety of hues. If you don't want to go bright, a neutral option can still provide a welcome break from black or white trainers – see Stuart Weitzman's pair in the deliciously named 'biscotto' tan suede. Just remember to apply liberal amounts of protector spray before stepping out in the rain. Shopping by Bethan Gwynne
Emirates Woman
14-07-2025
- Entertainment
- Emirates Woman
From Ateliers to Artisans: How luxury brands reinterpret heritage craftsmanship
The intersection of traditional craftsmanship and contemporary luxury fashion has long been a source of creative inspiration for high-end designers. By reimagining heritage techniques through a modern lens, luxury houses not only introduce global audiences to centuries-old artisanal traditions but also ensure their continued relevance in an ever-evolving industry. From intricate Indian embroidery to bold African wax prints, these reinterpretations demonstrate how fashion serves as a bridge between cultures and eras. View this post on Instagram A post shared by Dior Official (@dior) Dior's Ode to South Indian Textiles One of the most striking examples in recent years was Dior's 2023 Mumbai showcase, where Creative Director Maria Grazia Chiuri incorporated Madras checks—a lightweight, handwoven fabric originating from South India—into the brand's signature silhouettes. The collection juxtaposed structured French tailoring with the vibrant, irregular patterns of Madras, creating a dialogue between European haute couture and Indian textile heritage. Presented against the iconic Gateway of India, the show was a celebration of cross-cultural craftsmanship. While the designs were unmistakably Dior, the influence of traditional Indian weaving was undeniable, proving how heritage techniques can elevate modern luxury. Prada's Reinvention of Kohlapuri Craftsmanship View this post on Instagram A post shared by Prada (@prada) Similarly, Prada's Men's 2026 Spring Summer show in Milan collection featured sleek, minimalist slippers inspired by Kohlapuris—a style of hand-stitched leather mojris originating from Maharashtra. The Italian luxury house reworked the traditional design, replacing raw leather with polished finishes and streamlined shapes while retaining the essence of the original craft. The result was a sophisticated hybrid of regional Indian footwear and Prada's contemporary aesthetic. This approach not only introduced Kohlapuri craftsmanship to a global audience but also demonstrated how traditional forms can be adapted for modern luxury. The house, after public commentary, credited the silhouette to India's archival heritage. Louis Vuitton's Fusion of African Wax Prints and Tailoring Beyond Indian influences, Louis Vuitton's 2023 collaboration with designer Grace Wales Bonner showcased the versatility of West African wax prints in high fashion. The collection merged the bold, geometric patterns of African textiles with precise European tailoring, creating a striking contrast that resonated on international runways. By incorporating these prints into structured suits and accessories, the collaboration highlighted the dynamic potential of traditional fabrics in contemporary design. In this collection, she also wanted to pay homage to black icons who found creative freedom in Paris, such as the writer James Baldwin and dancer, singer and actor Josephine Baker. Giambattista Valli's Moroccan Reverie For his Spring 2025 haute couture collection, Giambattista Valli delivered a masterclass in escapism—one that wove together his signature romantic extravagance with subtle nods to his Moroccan heritage. Known for his unapologetically voluminous silhouettes and dreamlike aesthetic, Valli this time anchored his fantasy in personal history, offering a collection that felt both intimately rooted and expansively imaginative. But beyond its visual splendor, the collection carried whispers of North African influence—not in overt motifs, but in its celebration of texture, color, and grandeur. Chanel's Tribute to Scottish Tartan Chanel's Métiers d'Art 2013 collection, showcased in Edinburgh, paid homage to Scottish traditions through the use of tartan, tweed, and Celtic embroidery. Karl Lagerfeld's designs seamlessly integrated these regional elements into Chanel's timeless elegance, proving that heritage craftsmanship can transcend cultural boundaries. The collection not only honored Scottish textile history but also reinforced the brand's commitment to artisanal excellence. These examples illustrate how luxury brands serve as custodians of global craftsmanship, preserving traditional techniques while reinventing them for contemporary audiences. Whether through fabric, embroidery, or silhouette, the reinterpretation of heritage artistry ensures its survival in a rapidly changing industry. By acknowledging and elevating these traditions, fashion houses not only enrich their own creative vocabulary but also foster a deeper appreciation for the artisans behind the craft. – For more on luxury lifestyle, news, fashion and beauty follow Emirates Woman on Facebook and Instagram Images: Supplied & Feature Image: Supplied
Fashion Network
01-07-2025
- Entertainment
- Fashion Network
Deeny's dozen: 12 best menswear collections this season
These are my rankings of the 12 best menswear collections in the runway season that ended on Sunday evening in Paris, listed in chronological order. A season characteried by rampant color, stylish historicism, hybrid fabrics and a battle over the future of tailoring— to deconstruct or not? Enter the renaissance of male refinement. Zegna See catwalk Though this collection was unveiled at the Dubai Opera, it was still easily one of Europe's best arrays of new ideas. Recycled fabrics or hybrid threads; whisper-light deconstruction; and the first of many pajama suits in one-inch-wide vertical stripes in light silk voile. In a word, Alessandro Sartori at his best. Welcome to the lightest of layering. See catwalk Something of a breakout moment for Post Archive Faction (PAF) co-founder Dongjoon Lim, whose meeting of tough chic and street style was revelatory. Stiff dandy pajama suits in putty-hued toweling material; chiffon mesh crepe blazers that felt like light scouring pads; or desert-dry linen shirts presented to huge applause inside Stazione Leopolda. Very much the standout fashion show of Pitti. Dolce & Gabbana See catwalk Expect a long, hot summer in 2026—ideally when wearing the latest from Domenico Dolce and Stefano Gabbana. Stripes, stripes and more stripes, leading to the finale where two scores of hirsute male models marched out in pajama pants, blazers, shorts and suits—all maxi-decorated with crystal, jet and strass. Casualwear chic conquers all. Brioni See catwalk A moment of grace—and extreme levity—at Brioni, presented in a palazzo that once belonged to the Casati family, whose Maria Luisa Casati—artist muse and style icon—inspired one of John Galliano 's greatest shows. From perfectly cut pale shawl-collar silk-linen tuxedos, where adding enzymes reduced the shine, to a beige tuxedo embroidered with real gold thread in tiny designs of Brioni's famed plant in the Abruzzi region, this was the finest example of haute sartorial style. And a thousand miles from AI. Giorgio Armani See catwalk Giorgio missed his signature show due to ill health, and it did lack an edit. But it was still the best selection of the super-deconstructed summer suits made in silk and pajama fabrics. Giorgio's polished Pantelleria panache at its best. Even absent, Armani remains menswear's greatest tailor. Louis Vuitton See catwalk Snakes-and-ladders chic from Pharrell Williams and his best collection so far for Louis Vuitton, staged in a massive fashion and music happening outside the Pompidou Centre. The pay dirt coming in Williams' excellent fresh tailoring: from snappy pop star double-breasted jackets worn with flared trousers, to micro blazers and wide pleated pants—very David Live album cover in Paris. Add 'tailor' to Pharrell's list of professions, after producer, rockstar, dandy and dad. Grace Wales Bonner See catwalk In a season defined by the renaissance of kicky tailoring, Grace Wales Bonner was completely in the zone with her blend of Afro-Caribbean panache meets active sports. Lean suits with ever-so-flared pants and jackets with contrast collars; Crombies accessorized with diamond baobab-flower brooches and berets courtesy of Stephen Jones, and the best eveningwear in menswear. All anchored by some amazing new Y-3 Field shoes. Issey Miyake See catwalk After a far too restrained Homme Plissé collection in Pitti, the house's IM Men 'Dancing Texture' collection, in the soon-to-be-relocated Fondation Cartier, was a real beauty. Performance dance art met adventurous design, fabrics and colour. As design trio Yuki Itakura, Sen Kawahara and Nobutaka Kobayashi showed scale-like motifs echoing across suits, tunics, kimono jackets and draped trench coats—made in hues of acid greens, violet blues and dazzling turquoises. The colour palette of the season and a lesson to cool guys on how to stand out in a crowd. Dries Van Noten See catwalk Very much the noisiest applause of the season was for the menswear debut of Dries Van Noten, where feminine fabrics and hues met fluid menswear tailoring. Revamped and rippling opera coats; double-breasted blazers with noble volumes; pale trenches with crystal-embroidered shoulders; silk tops in Edwardian rugby shirt colors with plissé pajama pants. These were the clothes that the cast most enjoyed being seen in this June. Always a telling sign. Dior See catwalk In the season's biggest debut, Jonathan Anderson at Dior, the Northern Irishman zoned in on the house's DNA—especially womenswear designs by Monsieur Dior himself—to create a powerful, pathbreaking fashion statement. Like Monsieur's famed Bar Jacket whipped up in Donegal tweed. Or Monsieur's Autumn 1948 multi-fold Delft dress made in silk faille that morphed into multi-leaf white denim cargo shorts. Or Christian's Autumn 1952 dimpled moiré coat, La Cigale, that became undulating men's greatcoats. Turning Dior's DNA upside down for the 21st century—and about time too. Craig Green See catwalk The most fertile imagination in menswear, Craig Green helped close out the season with a show that was simply sensational. Riffing through materials, epochs, cultural references and diverse artistic moods, Green developed a Beatles-inspired psychedelic fantasy that lesser talents can only dream of even imagining. While his multi-tagged and tied opening straightjackets were the season's best—and boldest—look. Taakk See catwalk Takuya Morikawa of Taakk staged the final official show of Paris menswear—and talk about a sweet F-finale. Morikawa wants men to be sophisticated next summer, with all manner of innovative dyeing processes and silhouette-enhancing details. Elegant light coats were given volume through multiple sculptural embroideries, made in ribbons drawn from the same fabric as the garment. Dévoré technique coupled with foam printing processes created indistinct fusions of printed motifs, embroidery and gradient effects. Surface chic at its best.
Fashion Network
01-07-2025
- Entertainment
- Fashion Network
Deeny's dozen: 12 best menswear collections this season
These are my rankings of the 12 best menswear collections in the runway season that ended on Sunday evening in Paris, listed in chronological order. A season characterized by rampant color, stylish historicism, hybrid fabrics and a battle over the future of tailoring— to deconstruct or not? Enter the renaissance of male refinement. Zegna See catwalk Though this collection was unveiled at the Dubai Opera, it was still easily one of Europe's best arrays of new ideas. Recycled fabrics or hybrid threads; whisper-light deconstruction; and the first of many pajama suits in one-inch-wide vertical stripes in light silk voile. In a word, Alessandro Sartori at his best. Welcome to the lightest of layering. See catwalk Something of a breakout moment for Post Archive Faction (PAF) co-founder Dongjoon Lim, whose meeting of tough chic and street style was revelatory. Stiff dandy pajama suits in putty-hued toweling material; chiffon mesh crepe blazers that felt like light scouring pads; or desert-dry linen shirts presented to huge applause inside Stazione Leopolda. Very much the standout fashion show of Pitti. Dolce & Gabbana See catwalk Expect a long, hot summer in 2026—ideally when wearing the latest from Domenico Dolce and Stefano Gabbana. Stripes, stripes and more stripes, leading to the finale where two scores of hirsute male models marched out in pajama pants, blazers, shorts and suits—all maxi-decorated with crystal, jet and strass. Casualwear chic conquers all. Brioni See catwalk A moment of grace—and extreme levity—at Brioni, presented in a palazzo that once belonged to the Casati family, whose Maria Luisa Casati—artist muse and style icon—inspired one of John Galliano 's greatest shows. From perfectly cut pale shawl-collar silk-linen tuxedos, where adding enzymes reduced the shine, to a beige tuxedo embroidered with real gold thread in tiny designs of Brioni's famed plant in the Abruzzi region, this was the finest example of haute sartorial style. And a thousand miles from AI. Giorgio Armani See catwalk Giorgio missed his signature show due to ill health, and it did lack an edit. But it was still the best selection of the super-deconstructed summer suits made in silk and pajama fabrics. Giorgio's polished Pantelleria panache at its best. Even absent, Armani remains menswear's greatest tailor. Louis Vuitton See catwalk Snakes-and-ladders chic from Pharrell Williams and his best collection so far for Louis Vuitton, staged in a massive fashion and music happening outside the Pompidou Center. The pay dirt coming in Williams' excellent fresh tailoring: from snappy pop star double-breasted jackets worn with flared trousers, to micro blazers and wide pleated pants—very David Live album cover in Paris. Add 'tailor' to Pharrell's list of professions, after producer, rockstar, dandy and dad. Grace Wales Bonner See catwalk In a season defined by the renaissance of kicky tailoring, Grace Wales Bonner was completely in the zone with her blend of Afro-Caribbean panache meets active sports. Lean suits with ever-so-flared pants and jackets with contrast collars; Crombies accessorized with diamond baobab-flower brooches and berets courtesy of Stephen Jones, and the best eveningwear in menswear. All anchored by some amazing new Y-3 Field shoes. Issey Miyake See catwalk After a far too restrained Homme Plissé collection in Pitti, the house's IM Men 'Dancing Texture' collection, in the soon-to-be-relocated Fondation Cartier, was a real beauty. Performance dance art met adventurous design, fabrics and color. As design trio Yuki Itakura, Sen Kawahara and Nobutaka Kobayashi showed scale-like motifs echoing across suits, tunics, kimono jackets and draped trench coats—made in hues of acid greens, violet blues and dazzling turquoises. The color palette of the season and a lesson to cool guys on how to stand out in a crowd. Dries Van Noten See catwalk Very much the noisiest applause of the season was for the menswear debut of Dries Van Noten, where feminine fabrics and hues met fluid menswear tailoring. Revamped and rippling opera coats; double-breasted blazers with noble volumes; pale trenches with crystal-embroidered shoulders; silk tops in Edwardian rugby shirt colors with plissé pajama pants. These were the clothes that the cast most enjoyed being seen in this June. Always a telling sign. Dior See catwalk In the season's biggest debut, Jonathan Anderson at Dior, the Northern Irishman zoned in on the house's DNA—especially womenswear designs by Monsieur Dior himself—to create a powerful, pathbreaking fashion statement. Like Monsieur's famed Bar Jacket whipped up in Donegal tweed. Or Monsieur's Autumn 1948 multi-fold Delft dress made in silk faille that morphed into multi-leaf white denim cargo shorts. Or Christian's Autumn 1952 dimpled moiré coat, La Cigale, that became undulating men's greatcoats. Turning Dior's DNA upside down for the 21st century—and about time too. Craig Green See catwalk The most fertile imagination in menswear, Craig Green helped close out the season with a show that was simply sensational. Riffing through materials, epochs, cultural references and diverse artistic moods, Green developed a Beatles-inspired psychedelic fantasy that lesser talents can only dream of even imagining. While his multi-tagged and tied opening straightjackets were the season's best—and boldest—look. Taakk See catwalk Takuya Morikawa of Taakk staged the final official show of Paris menswear—and talk about a sweet F-finale. Morikawa wants men to be sophisticated next summer, with all manner of innovative dyeing processes and silhouette-enhancing details. Elegant light coats were given volume through multiple sculptural embroideries, made in ribbons drawn from the same fabric as the garment. Dévoré technique coupled with foam printing processes created indistinct fusions of printed motifs, embroidery and gradient effects. Surface chic at its best.
Fashion Network
01-07-2025
- Entertainment
- Fashion Network
Deeny's dozen: 12 best menswear collections this season
These are my rankings of the 12 best menswear collections in the runway season that ended on Sunday evening in Paris, listed in chronological order. A season characterized by rampant color, stylish historicism, hybrid fabrics and a battle over the future of tailoring— to deconstruct or not? Enter the renaissance of male refinement. Zegna See catwalk Though this collection was unveiled at the Dubai Opera, it was still easily one of Europe's best arrays of new ideas. Recycled fabrics or hybrid threads; whisper-light deconstruction; and the first of many pajama suits in one-inch-wide vertical stripes in light silk voile. In a word, Alessandro Sartori at his best. Welcome to the lightest of layering. Post Archive Faction (PAF) See catwalk Something of a breakout moment for Post Archive Faction (PAF) co-founder Dongjoon Lim, whose meeting of tough chic and street style was revelatory. Stiff dandy pajama suits in putty-hued toweling material; chiffon mesh crepe blazers that felt like light scouring pads; or desert-dry linen shirts presented to huge applause inside Stazione Leopolda. Very much the standout fashion show of Pitti. Dolce & Gabbana See catwalk Expect a long, hot summer in 2026—ideally when wearing the latest from Domenico Dolce and Stefano Gabbana. Stripes, stripes and more stripes, leading to the finale where two scores of hirsute male models marched out in pajama pants, blazers, shorts and suits—all maxi-decorated with crystal, jet and strass. Casualwear chic conquers all. Brioni See catwalk A moment of grace—and extreme levity—at Brioni, presented in a palazzo that once belonged to the Casati family, whose Maria Luisa Casati—artist muse and style icon—inspired one of John Galliano 's greatest shows. From perfectly cut pale shawl-collar silk-linen tuxedos, where adding enzymes reduced the shine, to a beige tuxedo embroidered with real gold thread in tiny designs of Brioni's famed plant in the Abruzzi region, this was the finest example of haute sartorial style. And a thousand miles from AI. Giorgio Armani See catwalk Giorgio missed his signature show due to ill health, and it did lack an edit. But it was still the best selection of the super-deconstructed summer suits made in silk and pajama fabrics. Giorgio's polished Pantelleria panache at its best. Even absent, Armani remains menswear's greatest tailor. Louis Vuitton See catwalk Snakes-and-ladders chic from Pharrell Williams and his best collection so far for Louis Vuitton, staged in a massive fashion and music happening outside the Pompidou Center. The pay dirt coming in Williams' excellent fresh tailoring: from snappy pop star double-breasted jackets worn with flared trousers, to micro blazers and wide pleated pants—very David Live album cover in Paris. Add 'tailor' to Pharrell's list of professions, after producer, rockstar, dandy and dad. Grace Wales Bonner See catwalk In a season defined by the renaissance of kicky tailoring, Grace Wales Bonner was completely in the zone with her blend of Afro-Caribbean panache meets active sports. Lean suits with ever-so-flared pants and jackets with contrast collars; Crombies accessorized with diamond baobab-flower brooches and berets courtesy of Stephen Jones, and the best eveningwear in menswear. All anchored by some amazing new Y-3 Field shoes. Issey Miyake See catwalk After a far too restrained Homme Plissé collection in Pitti, the house's IM Men 'Dancing Texture' collection, in the soon-to-be-relocated Fondation Cartier, was a real beauty. Performance dance art met adventurous design, fabrics and color. As design trio Yuki Itakura, Sen Kawahara and Nobutaka Kobayashi showed scale-like motifs echoing across suits, tunics, kimono jackets and draped trench coats—made in hues of acid greens, violet blues and dazzling turquoises. The color palette of the season and a lesson to cool guys on how to stand out in a crowd. Dries Van Noten See catwalk Very much the noisiest applause of the season was for the menswear debut of Dries Van Noten, where feminine fabrics and hues met fluid menswear tailoring. Revamped and rippling opera coats; double-breasted blazers with noble volumes; pale trenches with crystal-embroidered shoulders; silk tops in Edwardian rugby shirt colors with plissé pajama pants. These were the clothes that the cast most enjoyed being seen in this June. Always a telling sign. Dior See catwalk In the season's biggest debut, Jonathan Anderson at Dior, the Northern Irishman zoned in on the house's DNA—especially womenswear designs by Monsieur Dior himself—to create a powerful, pathbreaking fashion statement. Like Monsieur's famed Bar Jacket whipped up in Donegal tweed. Or Monsieur's Autumn 1948 multi-fold Delft dress made in silk faille that morphed into multi-leaf white denim cargo shorts. Or Christian's Autumn 1952 dimpled moiré coat, La Cigale, that became undulating men's greatcoats. Turning Dior's DNA upside down for the 21st century—and about time too. Craig Green See catwalk The most fertile imagination in menswear, Craig Green helped close out the season with a show that was simply sensational. Riffing through materials, epochs, cultural references and diverse artistic moods, Green developed a Beatles-inspired psychedelic fantasy that lesser talents can only dream of even imagining. While his multi-tagged and tied opening straightjackets were the season's best—and boldest—look. Taakk See catwalk Takuya Morikawa of Taakk staged the final official show of Paris menswear—and talk about a sweet F-finale. Morikawa wants men to be sophisticated next summer, with all manner of innovative dyeing processes and silhouette-enhancing details. Elegant light coats were given volume through multiple sculptural embroideries, made in ribbons drawn from the same fabric as the garment. Dévoré technique coupled with foam printing processes created indistinct fusions of printed motifs, embroidery and gradient effects. Surface chic at its best.
