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Daily Maverick
17-06-2025
- Business
- Daily Maverick
Foreign transfers are now flowing mostly North to South via remittances — World Inequality Lab report
A new study from the World Inequality Lab covers a lot of ground but one of the things that sticks out is that financial transfers are now moving mostly in a North-South direction – because of remittances. This is a striking contrast to the colonial era that defined the 19th century. The World Inequality Lab, a think-tank fronted by the economic historian Thomas Piketty, has produced a new study that looks at the unequal North-South wealth exchange through the prism of global trade flows and balance of payments over the longue durée from 1800 to 2025. Piketty is a prolific author and public intellectual whose work is focused broadly in readable and insightful ways on the history of inequality. Piketty's latest effort is typically trailblazing and is erected from the foundations of a vast new database on global trade flows and the world balance of payments from 1800 to the present. The study, co-authored by Gastón Nievas, covers a lot of ground but one of the many things that stands out is how financial transfers are now moving in a North-South direction – largely because of remittances. This is a striking contrast to the colonial era that defined the 19th century. 'No country or world region has ever received foreign income inflows approaching the magnitude of Europe's in the 19th century,' the study says. This accumulation of foreign wealth to the European colonial powers – an extractive process – had many taps: France imposed a large debt in Haiti in 1825 to compensate former French slave owners for the loss of their property(!), Britain saddled China with a debt from the Opium War, and there were also massive transfers of tax revenues from colonies to the metropolis. 'Today, financial transfers mostly flow from North to South, particularly through private remittances, rather than from South to North, via colonial transfers. For instance, sub-Saharan Africa received very large cumulated net transfer inflows between 1970 and 2025 (the equivalent of +64% of its 2025 GDP), approximately as much as the cumulated foreign income outflows (-55%),' the authors write. So one of the many trends the study has unearthed is that Africa's inflow of financial transfers since 1970 has exceeded its outflows, and this is mostly explained by wage and salary earners from the continent working abroad and sending part of their income home – and in a big way. These findings come against the backdrop of a rising tide of xenophobia and racism in Europe and North America, fuelled on the far right by the 'Great Replacement' conspiracy theory which holds that white folks up North are being 'replaced' by a tsunami of dark-skinned migrants from the South. Of course, there has been significant migration in recent decades from South to North, not least because of the labour market needs in advanced economies with ageing populations. Far-right shrills in the US and France who want to shut down such migration will shut down their own economies in the process. The findings also underscore the importance of remittances to regions such as Africa. For families these can be literal lifelines of income support, and multiplied many, many times they amount to vast inflows of capital which are at odds with perceptions of capital flight. Remittances, of course, can also create a dangerous economic dependency for the countries on the receiving end that can evaporate if the needs of the labour market change or an isolationist regime builds a wall. Lesotho offers an arresting example on this front. As this correspondent has previously reported, during the peak of South Africa's gold production under apartheid – which relied on a ruthlessly exploited pool of migrant, rural labour – remittances from the wages of Basotho working underground here amounted in 1987 to an astonishing 236% of the mountain kingdom's GDP. They now equal 21% of GDP, according to World Bank data – a 'remittance shock' without parallel in modern global economic history. South Africa's mines once employed almost 500,000 foreign workers. That number, according to the last available data, stood at 35,000 in 2022. This explains why so many Basotho are now 'zama zamas' at the bottom of the exploitative and transnational criminal pyramid of illicit gold mining. Lesotho's economy has not developed or industrialised in meaningful ways to provide jobs and domestic economic opportunities for its labour force. Exploited by the legal gold industry in the past, many of its young men are now exploited by the illicit sector in the precious metal. Does that stand as a warning for Africa more widely? Certainly there is a lot of talk these days about industrialisation and the 'beneficiation' of minerals and stuff like that. And remittance inflows to Africa are clearly important and at a scale larger than many have perhaps assumed. Africa notably between 1970 and 2025 had a cumulated trade surplus from primary commodities that equalled close to 200% of its GDP, but a trade deficit in manufactured goods equal to 169% of its GDP. It is surely no bad thing to develop your economy and raise the living standards for most of your population through processes such as industrialisation, and not just as a precaution if the remittance flows are suddenly staunched. But for now, remittances are flowing one way, and that in itself speaks to enduring global disparities in economic opportunity. DM
France 24
05-06-2025
- Politics
- France 24
Prosecutors seek up to four months sentences in Aya Nakamura racist abuse trial
Thirteen people went on trial in France on Wednesday over a "racist" insult targeting Franco-Malian singer Aya Nakamura, who faced criticism from the far right and harassment over her performance at the Paris Olympics opening ceremony. The defendants, linked to extreme-right group Les Natifs (the Natives), are on trial for a stunt in March 2024 -- after reports the superstar singer would perform at the Olympics -- when they unveiled a banner reading: "No way, Aya, this is Paris, not the Bamako market". It was a reference to Mali's capital, where the 30-year-old singer was born, and her hit song "Djadja". Nakamura's performance at the July 2024 opening ceremony sparked a political firestorm among far-right politicians and conservatives, a reaction French President Emmanuel Macron at the time described as "racist" and "shocking". Les Natifs espouses the far-right, white-nationalist "Great Replacement" conspiracy theory, according to which white Europeans are being deliberately supplanted by non-white immigrants. The 13 defendants, aged between 20 and 31, face charges of publicly inciting hatred or violence -- or complicity in such incitement -- on the grounds of ethnicity, nationality, race or religion. Only three appeared in court, while the remaining 10 were represented by their lawyers. Nakamura was not present at the hearing. The defendants, including the spokesman for Les Natifs, Stanislas T., refused to answer questions, reading a statement to justify their actions. "What is at stake today is the issue of freedom of expression and the independence of the judicial system," said the 24-year-old spokesman, denying the group had insulted Nakamura or incited hatred. According to the activist, the aim was to denounce "a political choice that deliberately sought to promote the dissolution of our ancestral culture". Their lawyers, Mathieu Sassi and Pierre-Vincent Lambert, requested the acquittal of their clients, saying Nakamura had been targeted because of her "vulgarity". Prosecutors requested sentences of up to four months of prison. Nakamura responded to the group's stunt on social media at the time, writing: "You can be racist, but you're not deaf... and that's what really bothers you! I'm suddenly the number one topic of debate -- but what do I really owe you? Nothing." 'Shock public opinion' Nakamura is the world's most listened-to Francophone singer, and her performance on one of Paris's fabled bridges, the Pont des Arts, was among the most-watched moments of the opening ceremony. But when reports began circulating in early 2024 that the Mali- born, Paris-raised superstar was going to perform, far-right politicians and groups vehemently criticised the decision. An appearance by Nakamura, who mixes French with Arabic and Malian slang, would "humiliate" the country, far-right leader Marine Le Pen suggested, taking aim at her supposed "vulgarity" and "the fact that she doesn't sing in French". In March 2024, a dozen members of Les Natifs unfurled the banner targeting Nakamura along the River Seine. They posted a picture of the stunt on social media, and far-right outlets amplified the message. Les Natifs, which has 10,000 followers on Instagram and 19,000 on X, has staged other provocative stunts. In March, the group covered portraits of veiled women on display in a church in the northern Paris suburb of Saint-Denis with black sheets. Two people including Stanislas T. were due to appear in court in connection with that case on Thursday. In February, the activists plastered an Air Algerie office in Paris with posters encouraging people with Algerian roots to "re-migrate". The goal for groups like Les Natifs is to "provoke massive reactions and shock public opinion so we have no choice but to talk about them", said Marion Jacquet-Vaillant, an expert on far-right movements in France. Capucine C., 22, who until March 2025 was a "parliamentary assistant" to three far-right National Rally MPs, was among the accused appearing in court. Nakamura's complaint is not the only one stemming from the opening ceremony to head to trial. A French court in May found seven people guilty of bullying Thomas Jolly, the ceremony's artistic director, who is openly gay. Five people are to stand trial in September over similar complaints from Barbara Butch, a French DJ and lesbian activist who starred in a controversial scene during the ceremony.
Japan Today
04-06-2025
- Politics
- Japan Today
13 on trial in France over 'racist' stunt against Olympics singer
By Alain Jean-Robert Thirteen people went on trial in France on Wednesday over a "racist" insult targeting Franco-Malian singer Aya Nakamura, who faced criticism from the far right and harassment over her performance at the Paris Olympics opening ceremony. The defendants, linked to extreme-right group Les Natifs (the Natives), are on trial for a stunt in March 2024 -- after reports the superstar singer would perform at the Olympics -- when they unveiled a banner reading: "No way, Aya, this is Paris, not the Bamako market". It was a reference to Mali's capital, where the 30-year-old singer was born, and her hit song "Djadja". Nakamura's performance at the July 2024 opening ceremony sparked a political firestorm among far-right politicians and conservatives, a reaction French President Emmanuel Macron at the time described as "racist" and "shocking". Les Natifs espouses the far-right, white-nationalist "Great Replacement" conspiracy theory, according to which white Europeans are being deliberately supplanted by non-white immigrants. The 13 defendants, aged between 20 and 31, face charges of publicly inciting hatred or violence -- or complicity in such incitement -- on the grounds of ethnicity, nationality, race or religion. Only three appeared in court, while the remaining 10 were represented by their lawyers. Nakamura was not present at the hearing. The defendants, including the spokesman for Les Natifs, Stanislas T., refused to answer questions, reading a statement to justify their actions. "What is at stake today is the issue of freedom of expression and the independence of the judicial system," said the 24-year-old spokesman, denying the group had insulted Nakamura or incited hatred. According to the activist, the aim was to denounce "a political choice that deliberately sought to promote the dissolution of our ancestral culture". Their lawyers, Mathieu Sassi and Pierre-Vincent Lambert, requested the acquittal of their clients, saying Nakamura had been targeted because of her "vulgarity". Prosecutors requested sentences of up to four months of prison. Nakamura responded to the group's stunt on social media at the time, writing: "You can be racist, but you're not deaf... and that's what really bothers you! I'm suddenly the number one topic of debate -- but what do I really owe you? Nothing." Nakamura is the world's most listened-to Francophone singer, and her performance on one of Paris's fabled bridges, the Pont des Arts, was among the most-watched moments of the opening ceremony. But when reports began circulating in early 2024 that the Mali-born, Paris-raised superstar was going to perform, far-right politicians and groups vehemently criticized the decision. An appearance by Nakamura, who mixes French with Arabic and Malian slang, would "humiliate" the country, far-right leader Marine Le Pen suggested, taking aim at her supposed "vulgarity" and "the fact that she doesn't sing in French". In March 2024, a dozen members of Les Natifs unfurled the banner targeting Nakamura along the River Seine. They posted a picture of the stunt on social media, and far-right outlets amplified the message. Les Natifs, which has 10,000 followers on Instagram and 19,000 on X, has staged other provocative stunts. In March, the group covered portraits of veiled women on display in a church in the northern Paris suburb of Saint-Denis with black sheets. Two people including Stanislas T. were due to appear in court in connection with that case on Thursday. In February, the activists plastered an Air Algerie office in Paris with posters encouraging people with Algerian roots to "re-migrate". The goal for groups like Les Natifs is to "provoke massive reactions and shock public opinion so we have no choice but to talk about them", said Marion Jacquet-Vaillant, an expert on far-right movements in France. Capucine C., 22, who until March 2025 was a "parliamentary assistant" to three far-right National Rally MPs, was among the accused appearing in court. Nakamura's complaint is not the only one stemming from the opening ceremony to head to trial. A French court in May found seven people guilty of bullying Thomas Jolly, the ceremony's artistic director, who is openly gay. Five people are to stand trial in September over similar complaints from Barbara Butch, a French DJ and lesbian activist who starred in a controversial scene during the ceremony. © 2025 AFP
Yahoo
04-06-2025
- Entertainment
- Yahoo
Thirteen on trial in France over 'racist' stunt targeting singer Aya Nakamura
Thirteen people went on trial in Paris on Wednesday over a "racist" insult targeting Franco-Malian singer Aya Nakamura, who faced criticism from the far right and harassment over her performance at the Paris Olympics opening ceremony. The defendants, linked to extreme-right group Les Natifs (the Natives), are on trial for unveiling a banner in March 2024 that read: "No way, Aya, this is Paris, not the Bamako market" -- a reference to Mali's capital, where the singer was born. Nakamura's performance sparked a political firestorm among far-right politicians and conservatives in a reaction French President Emmanuel Macron at the time described as "racist" and "shocking". The 13 defendants, who are aged between 20 and 31, now face charges of publicly inciting hatred or violence -- or complicity in such incitement -- on the grounds of ethnicity, nationality, race, or religion. Only three appeared in court, while the remaining 10 were represented by their lawyers. Les Natifs espouses the far-right, white nationalist so-called "Great Replacement" conspiracy theory, according to which white Europeans are being deliberately supplanted by non-white immigrants. Nakamura responded to the group's stunt on social media at the time, writing: "You can be racist, but you're not deaf... and that's what really bothers you! I'm suddenly the number one topic of debate -- but what do I really owe you? Nothing." Nakamura was neither present at Wednesday's hearing nor represented by a lawyer. - 'Shock public opinion' - The 30-year-old is the world's most listened to Francophone singer, and her July 2024 performance on one of Paris's fabled bridges, the Pont des Arts, was among the most-watched moments of the opening ceremony. But when rumours began circulating in March that the Mali-born and Paris-raised superstar was going to perform, far-right politicians and groups vehemently criticised the decision. An appearance by Nakamura, who mixes French with Arabic and Malian slang, would "humiliate" the country, far-right leader Marine Le Pen suggested, taking aim at her supposed "vulgarity" and "the fact that she doesn't sing in French". Far-right media amplified Les Natifs' banner which they unfurled along the capital's River Seine, another in a series of provocative stunts by the group which it shares with thousands of followers on social media. In March, the group covered portraits of veiled women on display in a church in the Paris suburb of Saint-Denis with black sheets. One of the thirteen defendants set to stand trial on Wednesday, Stanislas T., 24, will also face charges in that case on Thursday. And in February, they plastered an Air Algeria office in Paris with posters reading "Re-migrate 'light' from France to Algeria, for a one-way ticket with no return" written over a single suitcase. The goal for groups like Les Natifs is to "provoke massive reactions and shock public opinion so we have no choice but to talk about them", said Marion Jacquet-Vaillant, an expert on far-right movements in France. Among the defendants are Les Natifs' leader Edouard M., a 28-year-old finance professional, and the group's spokesman, Antoine G., a 27-year-old lawyer. Both were absent from the hearing. Capucine C., 22, who until March 2025 was a "parliamentary assistant" to three far-right National Rally MPs, was in the courtroom on Wednesday. In April, one of Les Natifs' roughly 50 members described the group's identity as "civilisational, European; national, French; and local, Parisian". The so-called fight against the "great replacement" is the "mother of all battles", said Gabriel, 25, who works in finance. In 2024, the UN human rights chief warned that the conspiracy theory is "delusional and deeply racist," and a direct driver of violence. Nakamura's complaint is not the only one stemming from the opening ceremony to head to trial. A French court in May found seven people guilty of bullying Thomas Jolly, the artistic director for the opening ceremony who is openly gay. And five people are to stand trial in September over similar complaints from Barbara Butch, a French DJ and lesbian activist who starred in a controversial scene during the event. aje-abo/ekf/sjw/phz
LeMonde
04-06-2025
- Entertainment
- LeMonde
Thirteen go on trial in France over 'racist' insult targeting singer Aya Nakamura
Thirteen people will appear in a Paris court on Wednesday, June 4, over a "racist" insult targeting French-Malian singer Aya Nakamura, who faced criticism from the far right and harassment over her performance at the Paris Olympics opening ceremony. The defendants, linked to extreme-right group Les Natifs (the Natives), are on trial for unveiling a banner in March 2024 that read: "No way, Aya, this is Paris, not the Bamako market" – a reference to Mali's capital, where the singer was born. Nakamura's performance sparked a political firestorm among far-right politicians and conservatives in a reaction French President Emmanuel Macron at the time described as "racist" and "shocking." The 13 defendants, between 20 and 31-years-old, now face charges of publicly inciting hatred or violence – or complicity in such incitement – on the grounds of ethnicity, nationality, race, or religion. Les Natifs espouses the far-right, white nationalist so-called "Great Replacement" conspiracy theory, according to which white Europeans are being deliberately supplanted by non-white immigrants. Nakamura responded to the group's stunt on social media, writing: "You can be racist, but you're not deaf... and that's what really bothers you! I'm suddenly the number one topic of debate – but what do I really owe you? Nothing." The singer and anti-discrimination NGOs filed complaints with the Paris prosecutor's office over the incident, which was investigated by France's anti-hate crimes organization, OCLCH. 'Shock public opinion' The 30-year-old is the world's most listened to Francophone singer, and her July 2024 performance on one of Paris's fabled bridges, the Pont des Arts, was among the most-watched moments of the opening ceremony. But when rumors began circulating in March that the Mali-born and Paris-raised superstar was going to perform, far-right politicians and groups vehemently criticized the decision. An appearance by Nakamura, who mixes French with Arabic and Malian slang, would "humiliate" the country, far-right leader Marine Le Pen suggested, taking aim at her supposed "vulgarity" and "the fact that she doesn't sing in French." Far-right media amplified Les Natifs' banner which they unfurled along the capital's Seine River, another in a series of provocative stunts by the group which it shares with thousands of followers on social media. In March, the group covered portraits of veiled women on display in a church in the Paris suburb of Saint-Denis with black sheets. One of the 13 defendants set to stand trial on Wednesday, Stanislas T., 24, will also face charges in that case on Thursday. And in February, they plastered an Air Algeria office in Paris with posters reading "Re-migrate 'light' from France to Algeria, for a one-way ticket with no return" written over a single suitcase. Nakamura's complaint is not the only one stemming from last summer's opening ceremony to head to trial. A French court in May found seven people guilty of bullying Thomas Jolly, the artistic director for the opening ceremony who is openly gay. And five people are to stand trial in September over similar complaints from Barbara Butch, a French DJ and lesbian activist who starred in a controversial scene during the event.
