Latest news with #HumPaanch
Time of India
5 days ago
- Entertainment
- Time of India
When stories heal: How queer cinema is rewriting real-life narratives
Queer cinema For Aryan, a clinical psychologist in Reema Kagti's docu-series In Transit, the awareness that he's a trans-man came from watching the popular TV show Hum Paanch (1995-2006). For him, Kajal bhai was the first indication that a woman could identify as a man. "I am so grateful to whoever thought of that character because otherwise, I would not have got that confidence that this is possible," he says. This quiet moment is a powerful reminder of how films and television can reflect and reshape the world we live in. Queer representation in Indian cinema has come a long way, echoing the shifts in public perception, raising awareness, and the growing assertion of LGBTQIA+ identities. From being reduced to the butt of jokes to finally being heard, Indian cinema's journey toward queer representation is not just creative progress - it's a lifeline for many. 'Negative portrayals have reduced' 'What has definitely changed is that negative portrayals have reduced. A film like Dostana would face major backlash today,' says queer digital content creator Prarthana Prasad. 'Positive portrayals are just beginning.' by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like 21st Century Skills Start with Confident Communication Planet Spark Learn More Undo Films such as Ek Ladki Ko Dekha Toh Aisa Laga, Kaathal: The Core, and Aligarh have moved away from mockery and stereotypes, offering layered characters and sensitive storytelling. OTT platforms, in particular, have played a pivotal role. Jyothika-Mammootty's Kaathal: The Core placed LGBTQ+ narratives front and centre. 'Ek Ladki Ko... made a difference to a lot of people's lives," says its writer and trans-woman Ghazal Dhaliwal. "There was an Indo-American girl whose father hadn't spoken to her for eight years after she came out to him. He watched the film and reconnected with her. That message made it all worthwhile." Kalki Koechlin received a similar response for her film Margarita with a Straw, which portrayed a bisexual woman with cerebral palsy. "So many people I know came after the screening and told us how they brought their mum or their dad and explained that they were queer," she said in an interview. 'Cinema is a great tool to begin the dialogue' 'If you show a 16-year-old struggling with their sexuality, or a queer character who becomes a famous painter or Prime Minister — that could be the one reason they don't kill themselves. Cinema has that power,' says Vidur Sethi, who uses they/them pronouns and plays the lead in Onir's recent gay love story Pine Cone. Beyond emotional resonance, films can also serve as conversation starters at home. Prarthana Prasad adds, 'A few queer people told me they used films as a way to start a conversation with their parents. It's a great tool to begin that dialogue.' Filmmaker Sridhar Rangayan echoes this, recalling the impact of his 2019 film Evening Shadows, which follows a young man coming out to his mother in rural India. 'That became a sort of guidebook for mothers to understand their child,' he says. 'We received thousands of messages from across India, and also across the world, from both parents and LGBTQ+ children about how the film helped them navigate their coming out journeys. ' A still from Made In Heaven. Zoya Akhtar and Reema Kagti's Made in Heaven drove home the message that there is nothing wrong in being gay. In one of the most powerful moments, the gay protagonist, Karan's landlord is confronted by his daughter, Mitali, who finds out he installed a spy camera in Karan's bedroom. Standing up for Karan, she tells her father, 'It's normal. There's nothing disgusting about being gay.' Representation also gains strength when backed by nuanced performances. Nilakshi Roy, a member of the queer parent group Sweekar: The Rainbow Parents, points to Konkona Sensharma in Geeli Puchhi and Mammootty in Kaathal: The Core as standout examples. 'It was done in a restrained, mature, magnificent way - the way such stories deserve to be told. A powerful, dignified portrayal. It's not just about the story being mainstream, but about a mainstream actor playing a queer role. That, too, is a very positive thing.' Let alone whether it's good or bad to be gay or lesbian—at least now people know the concept exists. That itself is a positive change. -Prarthana Prasad Since the landmark 2018 Supreme Court verdict that decriminalised homosexuality by reading down Section 377 of the Indian Penal Code, there has been a rise in queer stories in Indian cinema and streaming platforms. Films like Ek Ladki Ko Dekha Toh Aisa Laga (2019), Shubh Mangal Zyada Saavdhan (2020), Chandigarh Kare Aashiqui (2021), and Badhaai Do (2022) have placed LGBTQ+ narratives front and centre. The shift has been even more visible on OTT platforms. Shows like Made in Heaven, Mismatched, The Royals, Class, and Modern Love Mumbai have included complex, emotionally layered queer characters. 'We need more space behind the camera' Queer digital content creator Prarthana Prasad shares, 'A few queer people told me they used films as a way to start a conversation with their parents. It's a great tool to begin that dialogue.' Vidur notes, "More and more queer people are coming into films," and that space is being created bit by bit, though "there's a long way to go." While queer actors like Ivanka Das (Bombay Begums), Trinetra Haldar (Made In Heaven), Lauren Robinson (Mismatched), and Sushant Divgikar are redefining what it means to be 'seen' on screen, there are also dedicated efforts to amplify queer voices behind the camera. Meaningful change requires looking behind the screen Monika Shergill, Vice-President, Content, Netflix India 'Meaningful change also requires looking behind the screen,' says Monika Shergill, Vice-President, Content, Netflix India. "When queer stories are told—whether at the centre or woven into the backdrop of a larger world—they begin to mirror the diversity of real life. That resonance has an effect: it prompts reflection, starts conversations, and over time, helps shift how people perceive one another," she adds. QueerFrames, launched in 2023 by The Queer Muslim Project with support from the Netflix Fund for Creative Equity, is one of the few dedicated creative incubators for queer storytellers across South Asia. Monika Shergill, Vice-President, Content, Netflix Shergill, Vice-President, Content, Netflix India believes "authentic stories come from authentic spaces." 'Initiatives like Queer Frames, our screenwriting lab for underrepresented queer storytellers, and Voices of Tomorrow, which brings LGBTQIA+ talent into India's dubbing and voice landscape, are part of that effort. We believe authentic stories come from authentic spaces,' adds Monika. 'Let queer people tell their own stories' As queer characters begin to find space in Indian cinema, a growing call within the community is for space to be extended behind the scenes - where stories are conceived, written, and crafted. Representation alone isn't enough, many believe. 'They should let queer people tell their own stories,' says Prasad. 'Representation is there, but it needs to get better.' Sushant Divgikar, actor and drag performer, points out that it's not just about who we see on screen, but who is shaping what we see. "You need more queer directors, producers, writers, cinematographers who understand the intricacies in detail.' Sushant Divgikar says, "A trans person should be allowed to play a man, woman, trans, a tree, a sofa. Anything. An actor is an actor." Casting, too, is often limiting, and Sushant challenges this mindset with a characteristic clarity, 'A trans person should be allowed to play a man, woman, trans, a tree, a sofa. Anything. An actor is an actor.' The consensus is clear: visibility must come with agency. Only then can queer stories truly reflect the complexity and dignity of the lives they aim to portray. Queer stories have just begun to shine-please let the rainbows rise and glow - Sridhar Rangayan, queer filmmaker & activist 'A lot of queer storytelling is still about pain and trauma' As queer narratives find more space on Indian screens, people from the community are asking: why are most of these stories still steeped in pain? 'If you always show the most sad and difficult sides of queer life, it might be realistic—but not inspiring,' says Prarthana. 'We need to move beyond just coming-out stories and tortured love angles.' Actor Vidur Sethi plays the lead role in Onir's Pine Cone. Vidur Sethi agrees. They want to see queer characters being celebrated not for their pain, but for their potential. 'I don't want to only see trauma. I want to see a queer person be intelligent, successful, have a career, and juggle personal life—just like any other human.' Sushant Divgikar is even more direct, "Please stop with all these love stories. Let's see stories where a trans person becomes an inspector, a doctor, a lawyer. That's what we need—empowering stories.'
India.com
25-06-2025
- Entertainment
- India.com
Hum Paanch Fame Actress Vandana Pathak Set For Her TV Comeback: All You Need To Know
New Delhi: In a society where relationships are often shaped by tradition and societal norms, where age, financial status, and social standing play pivotal roles, Zee TV is set to challenge conventions with its latest fiction show, Tumm Se Tumm Tak. The channel, known for its progressive storytelling and emotionally resonant narratives, introduces an unconventional love story that dares to ask: can love transcend societal expectations? At the heart of Tumm Se Tumm Tak lies the striking connection between two individuals from vastly different worlds, Anu, a spirited 19-year-old from a humble background, and Aryavardhan, a 46-year-old disciplined, self-made business tycoon. Their evolving bond pushes against traditional barriers, raising questions about love, age differences, and acceptance in modern India. Niharika Chouksey and Sharad Kelkar take on the lead roles of Anu and Aryavardhan, bringing emotional depth and authenticity to the layered narrative. Adding further gravitas to the series is the much-anticipated return of veteran actor Vandana Pathak, who joins the cast after a five-year break from television. She will portray Gayatri Devi, a graceful yet strong-willed matriarch devoted to her family and especially to Aryavardhan's happiness. Reflecting on her return, Vandana Pathak shared, "Zee TV feels like an extension of my home and heart — it's where my journey on television began with Hum Paanch nearly three decades ago. That show gave me not just recognition, but also memories that have stayed with me even today. Coming back to the same channel after all these years of my acting journey feels deeply emotional. In fact, before a five-year hiatus from television, my last show was on Zee Tv!! So for me to come back after five years, I was waiting for something meaningful, and Tumm Se Tumm Tak felt just right. The story is beautiful, layered, and full of heart, and the character of Gayatri Devi spoke to me the moment I read about her. I see her strength, her grace, her quiet power, and I feel privileged to bring her to life. I'm truly looking forward to stepping onto the sets, reconnecting with the audience, and creating something special once again. I just hope the viewers welcome me back with the same warmth and love they've given me throughout my career, it means everything to me." Also Read | 'We Stand United...' Diljit Dosanjh Starrer 'Sardaar Ji 3' Makers Issue Statement Amid The Ongoing Pakistani Actress Hania Aamir Casting Controversy Produced by Studio LSD Pvt Ltd, Tumm Se Tumm Tak promises an emotional rollercoaster filled with romance, inner turmoil, and the weight of societal judgment. As Anu and Aryavardhan navigate their extraordinary journey, the show will explore whether love can truly rise above convention.
India.com
25-06-2025
- Entertainment
- India.com
Unconventional Love Story Tumm Se Tumm Tak Set To Premiere On Television
New Delhi: In a society where relationships are often shaped by tradition and societal norms, where age, financial status, and social standing play pivotal roles, Zee TV is set to challenge conventions with its latest fiction show, Tumm Se Tumm Tak. The channel, known for its progressive storytelling and emotionally resonant narratives, introduces an unconventional love story that dares to ask: can love transcend societal expectations? At the heart of Tumm Se Tumm Tak lies the striking connection between two individuals from vastly different worlds, Anu, a spirited 19-year-old from a humble background, and Aryavardhan, a 46-year-old disciplined, self-made business tycoon. Their evolving bond pushes against traditional barriers, raising questions about love, age differences, and acceptance in modern India. Niharika Chouksey and Sharad Kelkar take on the lead roles of Anu and Aryavardhan, bringing emotional depth and authenticity to the layered narrative. Adding further gravitas to the series is the much-anticipated return of veteran actor Vandana Pathak, who joins the cast after a five-year break from television. She will portray Gayatri Devi, a graceful yet strong-willed matriarch devoted to her family and especially to Aryavardhan's happiness. Reflecting on her return, Vandana Pathak shared, "Zee TV feels like an extension of my home and heart — it's where my journey on television began with Hum Paanch nearly three decades ago. That show gave me not just recognition, but also memories that have stayed with me even today. Coming back to the same channel after all these years of my acting journey feels deeply emotional. In fact, before a five-year hiatus from television, my last show was on Zee Tv!! So for me to come back after five years, I was waiting for something meaningful, and Tumm Se Tumm Tak felt just right. The story is beautiful, layered, and full of heart, and the character of Gayatri Devi spoke to me the moment I read about her. I see her strength, her grace, her quiet power, and I feel privileged to bring her to life. I'm truly looking forward to stepping onto the sets, reconnecting with the audience, and creating something special once again. I just hope the viewers welcome me back with the same warmth and love they've given me throughout my career, it means everything to me." Also Read | 'We Stand United...' Diljit Dosanjh Starrer 'Sardaar Ji 3' Makers Issue Statement Amid The Ongoing Pakistani Actress Hania Aamir Casting Controversy Produced by Studio LSD Pvt Ltd, Tumm Se Tumm Tak promises an emotional rollercoaster filled with romance, inner turmoil, and the weight of societal judgment. As Anu and Aryavardhan navigate their extraordinary journey, the show will explore whether love can truly rise above convention.
Time of India
18-06-2025
- Entertainment
- Time of India
There's still so much left to explore as an actor: Ashok Saraf
Ashok Saraf, celebrated for his versatile roles, recently received the Padma Shri. He dedicated the award to his family and audience. Saraf reminisces about his 54-year career. He emphasizes the importance of comedy in Marathi cinema. Saraf credits his wife, Nivedita Joshi Saraf, for her unwavering support throughout his journey in the film industry. Veteran actor Ashok Saraf has brought to life many memorable characters over five decades of his illustrious career. Known for his impeccable comic timing as well as roles with emotional depth, the Hum Paanch and Ashi Hi Banwa Banwi actor was recently honoured with the prestigious Padma Shri , an honour he dedicated to his family and audience. At 78, Saraf is as excited as ever for new challenges, diverse roles, and yet-to-be explored stories. In a chat with us, he reflects on his journey in showbiz, his approach towards his characters, and more. 'Every appreciation is close to my heart' Speaking about receiving one of the highest civilian honours, Saraf shares, 'Every appreciation that I have received has been very close to my heart. What makes this one so special is that it recognises my work across films, theatre and television. My years of hard work and dedication have been acknowledged. It's a huge thing for me, and I am overwhelmed.' Turning nostalgic, he adds, 'I started off 54 years ago and I am fortunate to be working even today. Memories from my journey came rushing back while accepting the honour.' 'I don't give much importance to the length of the role' For the actor, who has played leading as well as supporting roles and cameos, it has never been about screen time or the length of a role. 'I don't give much importance to that aspect. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Buy Brass Idols - Handmade Brass Statues for Home & Gifting Luxeartisanship Buy Now Undo I see how that character contributes to the story,' he says, and elaborates, 'Take Singham for instance. It was just a couple of scenes that I had in the film. But imagine the kind of impact it had. So, it's about how well you justify the part you are given. ' The Shentimental actor adds, 'Once the camera rolls, I surrender completely to the role. However, there have been times when I have offered suggestions and made spontaneous additions whenever I felt it was important to refine my character during the shoot.' 'I could work consistently because of Nivedita' He credits the unwavering support of his wife Nivedita Joshi Saraf for his remarkable journey in showbiz. 'If she had not been by my side, I wouldn't have made it till here,' he said, adding, 'She manages both her work and home so efficiently. As a husband I feel so proud to see that. It is because of her that I have been able to work consistently all these years,' he says. 'Filmmakers must offer more comedy films ' Having acted in over 250 films in his career, Saraf is often remembered for his roles in comedy films. 'I feel the Marathi audience loves to stay happy. Our audience has a wonderful sense of humour, and the industry has produced many cult comedies in the past. Today, filmmakers are pushing the envelope in all aspects, be it with the stories they handle or even the technical finesse. But I feel they must offer the viewers more comedy films,' says Saraf, who has acted in several hit comedies like Ashi Hi Banwa Banwi, Shejari Shejari, Gammat Jammat and Navra Mazha Navsacha. About his work, the actor adds, 'I feel I've only scratched the surface with the characters I have played. There is so much left for me to explore as an actor.'
India.com
13-06-2025
- Entertainment
- India.com
Meet actress who became chain smoker for a role, has been married for 13 years but still doesn't have a child due to...,her name is...
In an industry where timelines are tight and expectations are tighter, few dare to rewrite the script. But Vidya Balan has always lived between the lines—breaking stereotypes, dodging questions, and smiling through whispers. At 46, the powerhouse performer behind films like The Dirty Picture and Kahaani stands at an intersection most women in the public eye can't avoid: fame versus family, career versus children. And Vidya's answer? She didn't choose. She simply continued walking. Since tying the knot with producer Siddharth Roy Kapur in 2012, every public appearance has come with an invisible question mark: 'When's the good news?' The glances, the gossip, the gaze—it all lingered. And with every loose-fitting kurta or off-angled photo, rumours swirled like monsoon winds. Was that a baby bump… or just lunch? Vidya, never one to mince words, shut it down with signature candour: 'That's just my stomach. Not every bulge is a baby bump.' The statement was bold. The silence that followed—bolder. For years, she dodged intrusive curiosity with grace. But recently, she addressed the elephant in the room with an unflinching admission— motherhood never called her . It wasn't a delay. It wasn't circumstance. It was a choice. In a culture where a woman's worth is still too often measured by milestones—marriage, motherhood, then maybe success—Vidya flipped the sequence. Her journey from Hum Paanch to Bhool Bhulaiyaa 3 , across 40+ films and a net worth reportedly above Rs 150 crore, has been powered by singular vision and unapologetic clarity. Still, the world wonders. The smiles, the silences, the absence of a cradle in the frame—do they mask something deeper, or simply reflect a woman completely in control of her own story? Vidya's stance may not fit the traditional narrative, but it speaks volumes. She isn't waiting for a biological clock to set her deadline. Her legacy, already in motion, is not tied to a child, but to a body of work that continues to challenge what it means to be a woman in Indian cinema. Known for her acting prowess in the films Parineeta and Kahaani, and has a net worth of Rs 136 crore reportedly. And maybe, just maybe, that's the real 'good news'.
