Latest news with #IFAM
Forbes
01-07-2025
- Business
- Forbes
International Folk Art Market In Santa Fe: Artisan Retail With A Purpose
International Folk Art Market guests in front of the IFAM marquee. © Gabriella Marks; Courtesy of IFAM Look beyond the art. Beyond the dazzling technique and skill. Beyond the individual artist even. Look all the way back to community. See heritage and ancestors. There, visitors to the International Folk Art Market in Santa Fe will find the event's greatest beauty. International Folk Art Market artisans were asked by organizers in 2024 how many people help make their art? How many other people their work supports? Collaborators dwarf independents. Many of the juried artists work with family members. More work in large, community cooperatives. 'Last year, we had 165 artists, and they employed almost 12,000 people, and of those, 83% of them were women,' Stacey Edgar, Executive Director, International Folk Art Market, told That is the impact of folk art around the world. That is what IFAM attendees are supporting when they show up and purchase something. Artists, families, communities. Women. Female entrepreneurs. Buying products direct from the maker or producer, be that at the International Folk Art Market or a local farmer's market, supports families and communities, not multi-national corporations. The same corporations spending millions to employ lawyers to find new ways of avoiding taxes. The same corporations spending millions on lobbyists to bribe the government to reduce environmental regulations so they can save pennies by polluting more and more easily. More millions to bribe politicians to ease child labor requirements. More millions to fight labor unions. More millions to fight worker protections. Buying goods–whether that's food or furniture or clothing–from big, corporate, retail or online stores–the kind that do national advertising, the kind that have franchises in every city in America–does greater damage to the planet and more likely abuses workers and communities than buying direct from the maker. 'Shop small' is a global trend for a reason. Consumers can't shop smaller than buying from the maker, and when they do, as evidenced at the International Folk Art Market, their positive impact can be enormous. International Folk Art Market International Folk Art Market guest with jewelry artist Phoebe Lasoi Salau of Kenya. © Gabriella Marks; Courtesy of IFAM The International Folk Art Market has been honoring the handmade since 2004. The event grew out of Santa Fe's spectacular International Folk Art Museum when a former museum director, a former head of New Mexico's Department of Arts and Culture, and a Santa Fe entrepreneur transplanted from New York with experience in the global textile trade decided to move the art shown inside the museum outside. And invite the makers. And offer it for sale. One thing led to another and while still in partnership, the Museum and the Market are now separate organizations. 'The International Folk Art Market envisions a world that values the dignity and humanity of the handmade, honors timeless cultural traditions, and supports the work of artisans serving as entrepreneurs and catalysts for positive social change,' IFAM's mission statement reads. Can't beat that. Now, every year, roughly 150 artists are selected from more than 700 applicants around the globe to come to Santa Fe and sell their handiwork. IFAM financially supports their travel. Artisans showing and selling products at the 2025 fair hail from almost 60 countries. India and Mexico have the greatest number. Textiles and jewelry are the art forms best represented. Perfect for gift giving. 'Buying a piece of handmade art opens up your curiosity to the creativity that went into that piece. It makes you want to go down that rabbit hole and know a little bit more about the person behind it,' Edgar said. 'You go buy a pair of jeans, you know it was sewn, and unfortunately, that's the disconnect that happens. There's a person behind most things that you are wearing or using even if it was (made) in a factory. There are still lots and lots of human lives that make up that factory, it's just that their faces get taken away. That is what is special about the folk art sector, you are able to connect and hopefully have a better human understanding of that person, their lives, their motivation, their communities, when you learn about their art.' Edgar began her professional life as a social worker, working with families and communities. Service performed by her mother-in-law as part of the United Nations World Food Program in Ethiopia opened Edgar's eyes to the potential of art and craft items to impact communities and for women to help women. 'I thought, 'Wow, I know women who would love to champion these women and provide them a market,'' Edgar remembers. With $2,000 from a personal tax refund, she started Global Girlfriend, a company which grew to generate $2 million in fair trade sales annually. After being acquired by a larger company 17 years later, Edgar earned a PhD and then taught sustainability and social responsibility at the University of Colorado. She had been visiting IFAM since 2008 through Global Girlfriend. Artisan groups she was working with were often invited. 'It's unlike any other experience in the global artisan sector that I had, community art that provides employment,' Edgar explained. 'People get to connect directly with the artists. In this global space, there's a lot of importers like me telling people's story. When (makers) get to come and tell their own story and showcase their own work and demo how it's made, that person-to-person diplomacy is absolutely magical.' In one place, over a three-day weekend in one of America's most beautiful and arty cities, visitors can meet and shop and buy handmade artisan craft items directly from makers who call South Korea and Kazakhstan and Peru and Kenya home. New Mexico, too. In recognition of the city of Santa Fe celebrating its 20th anniversary as the first UNESCO 'Creative City' in America, IFAM organizers have invited New Mexico folk artists to present along with their global colleagues. Indigenous artists and artists descended from New Mexico's Spanish colonizers will show at the fair. 'This is a story of bringing that human touch, the handmade, into a tangible object, and bringing the memory of interacting with this artist, this creator, hearing their inspiration,' Edgar said. Visiting the International Folk Art Market 2025 2024 International Folk Art Market artist cohort enjoying Opening Night Celebration at Railyard Park. © Gabriella Marks; Courtesy of IFAM The International Folk Art Market 2025, the largest folk art market in the world, takes place between July 10 and July 13, 2025, at Santa Fe Railyard Park. In addition to artist tents, IFAM has grown to feature dance performances, talks, artist demonstrations, food vendors, and music performances with global vibes. Artisans are grouped by 'neighborhood' depending on their products and backgrounds. The neighborhoods are: Sustainability, Rooted in Place, Innovation, and Women's Empowerment (the largest). 'Multicolores is a group that takes old T-shirts and upcycles them into the most spectacular, creative rugs. They've been coming for many years.' Edgar said as one example of an artisan in the sustainability category. 'This year, we have a group called Ocean Soul out of Kenya on the coast and they collect flip flops that have washed up in the oceans as tourist waste, mostly, and they reuse them into these colorful sculptures.' Fourteen-hundred volunteers support IFAM's 11-person regular staff in putting on the event. Testament to Santa Fe and New Mexico's love for the arts and creativity. 'You've probably heard New Mexico's nickname, The Land of Enchantment, it's on the driver's license. Artists for years have been coming to Santa Fe, there's a magic in the landscape. There's a magic in the people,' Edgar said. 'It's a really interesting cultural blend of Native Americans and Spanish descendants, it's a real coming together of people, and with that, a coming together of creativity. Such an appreciation for art and making. We have a big maker community.' Santa Fe belongs to a select group of international cities designated as a City of Folk Art and Craft by UNESCO. The group of UNESCO Creative Cities are chosen by application for innovation, investment, and community in a range of arts and creativity. From cooking pots and water containers crafted in clay by Indigenous artists a thousand years ago through today, to contemporary decorative items and intricate jewelry crafted in textiles, metal, and wood, Santa Fe welcomes, strengthens, and grows arts and artists in its community. The galleries, the museums, the festivals and markets. With a population around 100,000, the Santa Fe area punches like a metropolis of 10,000,000 when it comes to arts and culture and creativity. Visitors to this year's International Folk Art Market can simultaneously enjoy SITE Santa Fe's 'International' exhibition with international contemporary art spread across venues around town. The International Folk Art Museum will of course be welcoming market-goers as well. How we spend our money as consumers makes a tremendous impact. On people. On the planet. How we spend our money also makes a statement about our values. What do you value? Communities or corporations? Artists or shareholders? More From Forbes Forbes 7 Reasons To Shop Local And Support Small Businesses By Joseph Lustberg Forbes Design For Freedom Summit Shares Strategies For Removing Modern-Day Slavery From Building And Construction Supply Chain By Chadd Scott Forbes SWAIA Santa Fe Indian Market: The World's Greatest Art Fair By Chadd Scott
Irish Independent
25-05-2025
- Sport
- Irish Independent
Athletics wrap: Efrem Gidey and Mark English claim big wins as Sharlene Mawdsley impresses
The 24-year-old made his decisive move with just over 600m to run and came home clear of his rivals, clocking 27:40:47. Silver went to Valentin Gondouin of France in 27:41.95, who edged Gidey to a bronze medal at the recent European Running Championships in Belgium, with France's Felix Bour third in 27:42:00. Gidey was born in Eritrea but fled the war-torn country in 2016, spending several months at a refugee camp in Calais before arriving in Ireland in March 2017, where he was soon linked up with Clonliffe Harriers, where coaches Joe Cooper and Peter McDermott developed his talent. He made his international debut for Ireland at the European Cross Country Championships in 2019, winning bronze in the U-20 race behind Norwegian star Jakob Ingebrigtsen. Since committing to full-time running over the past year, he has made considerable progress, breaking the Irish records at 10km and the half marathon on the road and over 10,000m on the track, clocking 27:26.95 in California in March. He is targeting the World Championships in Tokyo later this year but was narrowly outside the 27-man qualification quota prior to Saturday's race. Elsewhere, Mark English produced a hugely impressive win at the Sound Running Track Fest in Los Angeles on Saturday night, the five-time European medallist unleashing a devastating kick to win over 800m in 1:44.75, close to his Irish record of 1:44.53. 'I'm really happy with that, I felt really good on that last lap and it's a credit to the work I put in, that my coach put in,' said English, who's been training under Australian coach Justin Rinaldi this year. 'I'm really happy I was that strong for the last 200 metres as you need that strength at the world level. I'm just off a stint of altitude training and it reassures me that that training works, and it also reassures me my training group has been really beneficial.' Andrew Coscoran ran a personal best over 5000m at the same meeting of 13:11.05, which will move him inside the qualification cut-off for the World Championships, with Coscoran eyeing a double in Tokyo over 1500m and 5000m. Sharlene Mawdsley was in action in Zagreb and the Tipperary sprinter turned in a hugely impressive run, finishing second over 400m in 51.14 to take a big step forward from her run in Savona earlier in the week. Ava O'Connor won a silver medal in the 5000m at the NCAA Division IÍ Championships in Colorado, adding to her gold in the 3000m steeplechase, while there was a horde of Irish athletes in action at the IFAM meeting in Brussels on Saturday. The most impressive run came from Conor Kelly, the 17-year-old smashing Chris O'Donnell's Irish U-20 400m record of 46.54 and clocking 46.18 despite the wet conditions. Darragh McElhinney was the quickest of the Irish men in the 5000m, clocking 13:26.48, while Róisín Flanagan clocked a Northern Irish record in the women's 500m of 15:22.00, with Íde Nic Dhomhnaill also impressing with a PB of 15:36.68. Sophie Becker opened her individual season with a 51.69-second clocking for 400m. Nicola Tuthill finished fourth in the hammer throw in Halle, Germany, throwing a best of 69.68m. Meanwhile, Sarah Healy and Cathal Doyle will be in action at the Rabat Diamond League in Morocco this evening, with Doyle making his debut at this level in the 1500m at 7.54pm and Healy racing a strong field over 3000m at 8.07pm.
Yahoo
23-03-2025
- Entertainment
- Yahoo
World Bank veteran takes over as new IFAM board chair
Folk art is evolving, and the International Folk Art Market has a role to play in shaping public understanding of that evolution, according to IFAM's new board chair. Helena Ribe said the annual summer market will remain the organization's focus, but she also wants IFAM to help expand the definition of folk art. For most of its history, Ribe said, folk art has been defined solely by the beauty and quality of the work. But over time, it has assumed a deeper meaning, she said, noting that folk art creators speak for many who have no one else to speak for them. 'It's not just beautiful things on a shelf,' she said, adding that folk art now is a vessel through which an entire way of life or a culture can be conveyed. Ribe said she would like IFAM to enable the artists with whom it works to find their voices and reach a greater audience on a year-round basis, not just during the market, which is scheduled for July 10-13 this year in Santa Fe's Railyard Park. She took over as board chair in January after serving on the board for the two previous years and as a volunteer for the market since its inception. Ribe said she loves the event itself. 'The world comes to Santa Fe for four days — it's exhilarating,' she said. 'The artists feel welcome, and they are very grateful for the interest people show in their crafts.' Ribe, a U.S. citizen who was born in Colombia, has a deep understanding of the richness of many of those cultures. She holds a doctorate from Yale in economics and spent 30 years as an international development economist with the World Bank. It was a career that took her from Asia to Africa to Latin America, allowing her to work with a wide variety of people in their own language and culture, she said. She had many memorable experiences along the way, she said, but what she remembers most is her travels in rural Guatemala and seeing the fundamental goodness of the people there. 'They suffered so much,' Ribe said. 'You would see the parents coming to school with their kids, many of whom were so malnourished. And, yet, they were so eager to learn. And the parents were so eager to be more involved.' Ribe said she had an extremely rewarding experience in Zimbabwe, where she worked to help change the way local governments interact with individual communities by giving residents a greater voice in determining which infrastructure projects to build. Those residents often chose to build water wells, and it was not unusual for the women of a village to take the lead in learning how to maintain them, Ribe said. 'It is an incredibly powerful experience' to see people in such situations take on those kinds of responsibilities, she said. Ribe said she came to love working with people all over the world and learning to navigate cultural differences. Those experiences have positioned her well for the challenges she faces as the IFAM board chair, she said. 'It's very similar in a way,' she said. 'Connecting people and connecting cultures is something I have always enjoyed doing, especially when you're working with a purpose to provide more economic opportunities for people.' As the board chair, Ribe said much of her work will focus on 'the perennial challenge of fundraising,' although she noted the market is doing quite well in that respect. IFAM strives to raise half its revenue through the philanthropic community, she said, and the other half through revenue from the annual market. Ribe said she will work to develop greater sales opportunities for the artists with whom IFAM works while also making inroads with more foundations and potential sponsors. Ribe said she learned during the coronavirus pandemic, when virtual communication became so important, that it had become much easier to stay in touch with people around the world than it was during her career with the World Bank. 'Even the most remote artists in the most remote village have cellphones,' she said. Ribe acknowledged she worries about how tariffs imposed by the Trump administration could affect artists and whether their ability to travel to the market will be impacted. 'I see challenges, and I see opportunities,' she said. 'But I also see the opportunity for the market to demonstrate to people the beauty and value of multiple cultures.'
