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Cultural appropriation or inspiration? Prada gets flak for Kolhapuris on runway
Cultural appropriation or inspiration? Prada gets flak for Kolhapuris on runway

Khaleej Times

time14 hours ago

  • Entertainment
  • Khaleej Times

Cultural appropriation or inspiration? Prada gets flak for Kolhapuris on runway

It's a straightforward comparison‭ ‬—‭ ‬even those outside the fashion world can see the parallels‭. ‬On June 22‭, ‬Prada unveiled its Spring/Summer 2026‭ ‬menswear collection in Milan‭; ‬two days later‭, ‬Louis Vuitton showcased its own in Paris‭. ‬Both featured summer-ready pieces inspired by age-old Indian garments and motifs‭. ‬It's encouraging to see legacy fashion houses looking East for inspiration‭, ‬expanding their design language for a global audience‭. ‬But too often‭, ‬this comes with spun narratives‭ ‬—‭ ‬or worse‭, ‬no narrative at all‭. ‬The key difference between the two‭? ‬Louis Vuitton proudly and respectfully framed its show as an‭ ‬homage to India‭, ‬explicitly labelling its S/S‭ ‬'26‭ ‬offering as‭ ‬'multi-faceted signatures of Indian sartorialism‭ ‬—‭ ‬threading a cross-cultural narrative through a contemporary wardrobe'‭. ‬Meanwhile‭, ‬Miuccia Prada and Raf Simons of Prada lifted the Kolhapuri chappal straight from the town of Kolhapur and rebranded‭ ‬it as‭ ‬'leather one-toe sandals'‭, ‬offering no credit or mention of the centuries-old Indian craft it so clearly borrowed from‭.‬ Pharrell Williams‭, ‬Louis Vuitton's menswear creative director‭, ‬made his influences clear‭. ‬The runway was designed by celebrated Indian architect Bijoy Jain‭, ‬announced boldly across the brand's social channels‭. ‬Music was composed by AR Rahman‭. ‬Front-row seats were filled by Indian stars like Ishaan Khatter‭. ‬The show notes openly acknowledged the collection as a reflection of‭ ‬'the multi-faceted sensibilities of present-day India'‭. ‬'This is acknowledgment‭. ‬This is cultural exchange‭. ‬This is appreciation of heritage‭ ‬—‭ ‬not appropriation‭,‬'‭ ‬says Sujata Assomull‭, ‬launch editor-in-chief of‭ ‬Harper's Bazaar India‭.‬ The issue at hand isn't just about giving credit where it's due‭ ‬—‭ ‬though that‭, ‬too‭, ‬is increasingly non-negotiable in today's hyper-connected digital age‭. ‬The deeper problem lies in a long-standing pattern of discrediting and rebranding by luxury houses‭ ‬—‭ ‬a habit quietly perpetuated for centuries‭. ‬Prada referring to Kolhapuri chappals as‭ ‬'leather one-toe sandals'‭ ‬isn't fashion's first fumble‭. ‬From the Indian dupatta being adapted into the so-called Scandinavian scarf‭, ‬the traditional dhoti to harem pants‭, ‬and the‭ ‬'boho'‭ ‬paisley mango print to rebranded Kashmiri pashmina shawls as mere‭ ‬'cashmere'‭ ‬—‭ ‬these are all examples of Indian cultural staples repackaged and sold by the West with little to no cultural acknowledgment‭. ‬ Inside the Collection Prada's Spring/Summer 2026‭ ‬menswear collection marked a shift in tone‭ ‬—‭ ‬softer‭, ‬more playful‭, ‬and unmistakably relaxed‭. ‬Gone were the sharp business suits‭. ‬In their place‭: ‬pastel-hued trousers‭, ‬athletic-inspired tracksuits‭, ‬and loose shorts cinched with elastic waistbands‭. ‬Light blazers‭, ‬glossy biker jackets‭, ‬and whimsical accessories‭ ‬—‭ ‬raffia bucket hats‭, ‬polished leather bags‭, ‬and colour-blocked backpacks‭ ‬—‭ ‬added a sense of breezy irreverence‭. ‬Footwear followed suit‭, ‬favouring ease over formality‭: ‬flip-flops‭, ‬slender driving shoes‭, ‬and open-toe leather sandals took centre stage‭, ‬replacing traditional dress options‭. ‬A fresh palette of mint‭, ‬lemon‭, ‬and powder‭ ‬blue breathed life into the classic greys‭, ‬making the collection feel contemporary‭, ‬cheerful‭, ‬and unmistakably resort-ready‭.‬ The Origins of the Design Kolhapuri chappals‭ ‬—‭ ‬awarded a Geographical Indication tag in 2019‭ ‬—‭ ‬have been handcrafted for generations across eight districts in Maharashtra and Karnataka‭. ‬Made from sun-dried buffalo hide and‭ ‬assembled entirely by hand‭, ‬they require no synthetic materials or adhesives‭. ‬Each pair is a labour of skill and tradition‭, ‬often taking up to two weeks to complete‭. ‬While Prada hasn't named Kolhapuris explicitly‭, ‬the resemblance is hard to miss‭ ‬—‭ ‬and the omission has sparked renewed debate around cultural appropriation in luxury fashion‭. ‬For some‭, ‬seeing the silhouette on‭ ‬a global runway was a moment of overdue recognition‭. ‬But in the absence of any acknowledgment‭ ‬—‭ ‬no mention of the artisans‭, ‬no nod to the heritage‭ ‬—‭ ‬the gesture risks feeling hollow‭. ‬Inspiration‭, ‬when left uncredited‭, ‬too easily slips into erasure‭.‬ The chatter around the matter‭ ‬ Still‭, ‬its inclusion on the runway has sparked curiosity and intrigue‭. ‬The sandals have been making the rounds online‭, ‬with side‭-‬by-side posts and close-up comparisons drawing attention to their roots‭. ‬For some‭, ‬it's opened the door to deeper questions about visibility and sourcing‭, ‬and what recognition can look like‭. ‬The Kolhapuri chappal‭, ‬a long-standing staple in Indian wardrobes‭, ‬now finds itself in the spotlight‭. ‬So‭, ‬while its silhouette hasn't really changed‭, ‬the audience has‭. ‬We asked Assomull what she thinks of this move‭, ‬or lack of move by Prada‭, ‬and she reminds us‭: ‬'India has always been a source of inspiration for global fashion‭ ‬—‭ ‬and proudly so‭. ‬At one point‭, ‬British shopkeepers would label‭ ‬garments‭ ‬'Made in India'‭ ‬as a mark of craft excellence‭. ‬But history also reminds us how that shifted in the 1800s when Indian textile imports were banned under colonial rule‭. ‬Today‭, ‬brands from Dior and Hermès to Elie Saab and Zuhair Murad regularly turn to India's rich textile traditions‭ ‬—‭ ‬and most Indians take pride in this‭.‬'‭ ‬ ‭ ‬'The problem arises when that inspiration isn't acknowledged‭,‬'‭ ‬she adds‭. ‬ The debate online has left people from all over the world‭, ‬feeling the same way‭. ‬Fashion influencer and local crafts enthusiast‭ ‬Masoom Minawala took to her social media platform to point out‭: ‬'Here's the thing‭, ‬referencing is easy‭. ‬Respecting the roots takes more intention‭. ‬Let's remember‭, ‬inspiration must come with credit‭.‬'‭ ‬ ‭ ‬ The Lesson Luxury brands have had their fair share of messing up‭ ‬—‭ ‬and learning from their mistakes‭. ‬They've seen highs like no other industry‭, ‬and lows like every other one‭. ‬Over the years‭, ‬each of these brands has built a loyal base‭ ‬of clientele‭, ‬and as they continue to reshape themselves‭, ‬a new generation of young consumers keeps joining the fanbase‭. ‬However‭, ‬the legacy of an entire brand can be washed away if mistakes like these happen one too many times‭. ‬ Today's consumers are smart‭ ‬—‭ ‬they're listening‭, ‬watching‭, ‬and making choices that are politically and morally conscious‭. ‬And rightfully so‭. ‬After all these years‭ ‬of chiselling their craft and honing their creative direction‭, ‬a luxury brand should be focusing on giving back to society‭ ‬—‭ ‬not just through CSR strategies‭, ‬but by acknowledging the cultures they've borrowed from‭, ‬and sharing traceability over the paths they've walked‭. ‬ Host of the podcast‭ ‬Fashion Your Seatbelt‭ ‬and a regular on the front row at fashion weeks‭, ‬Jessica Michault says‭: ‬'In today's social media age‭, ‬there's no excuse for brands not to credit the craft or culture they draw from‭ ‬—‭ ‬especially when the inspiration is so clearly rooted in a specific style and region‭. ‬Whether through a press release‭, ‬at the event‭, ‬or in post-show communication‭, ‬acknowledging the origin is the least that should be done‭.‬'

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