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Express Tribune
02-07-2025
- Politics
- Express Tribune
Saving Iran's artefacts
During the Israel-Iran war, the countries traded missile and rocket fire that killed and injured hundreds of civilians and put the region's cultural heritage at risk. How can artefacts and historical sites be protected? As per DW, the Paris-based International Council of Museums (ICOM) had issued an emphatic warning after the first bomb strikes: There was a "growing danger" for museums and their employees. The ICOM, which consists of 8,000 museum professionals worldwide, including members from Israel and Iran, had demanded that both sides adhere to international conventions for the protection of cultural heritage, even in the event of conflict. "However, we can do no more than admonish and warn," the president of the ICOM's German National Committee, Felicia Sternfeld, told DW. Did this appeal have an impact? The news situation on the ground is thin, with only sparse information coming out of Iran in particular, as the government allows hardly any foreign journalists to enter and severely restricts the press. However, one thing seems certain: Contingency plans were activated in both countries at the start of the Israel-Iran conflict. As much as possible, experts worked to secure, remove and relocate cultural assets. It is currently unclear whether there has been any damage. Tehran museum evacuated Iran has a rich cultural heritage. This includes 28 UNESCO World Heritage Sites and about 840 museums, 300 of which are under the administration of the Culture Ministry. "Iran has a well-organised and professional heritage authority," Judith Thomalsky, the head of the Tehran branch of the German Archaeological Institute, said in an interview with Deutschlandfunk radio. Thomalsky's office has been operating from Berlin since 2023, when thousands of Iranians protested the regime and the German Federal Foreign Office withdrew staff from German institutions as a precaution. The Institute itself continues its work on the premises of the German Embassy in Tehran with local staff, and Thomalsky maintains as much contact as possible with her Iranian network. Barbara Helwing, director of the Museum of the Ancient Near East in Berlin and Thomalsky's predecessor from 2000 to 2014, is also an expert on Iran. She told German regional broadcaster RBB that she was in contact with her colleagues at the National Museum until recently; there has been occasional radio silence because the Iranian regime had shut down the Internet. "We know that the museum and its two large buildings near the Foreign Ministry have been emptied," Helwing said. She added that she has seen photos showing empty display cases. Sandbags shield exhibits The Iranian National Museum is not only the oldest but also the most important museum in Iran. Comprising two buildings with three halls each, it houses more than 300,000 archaeological finds from pre-Islamic and Islamic times, including many objects made of stone, ceramics, glass and metals. "In Iran, the relationship with cultural heritage is very close," Helwing said. The country's cultural identity is based on a long history and the awareness that the first real-world empire in history, the ancient Persian Empire (around 550 to 330 BCE), originated in Iran. According to Helwing, all portable museum objects were hastily transported into the cellars. The non-movable artefacts, mainly stone objects, were covered with sandbags to protect them from strikes and flying debris. Unlike in Israel, there are no bunkers in Iran — neither for people nor for valuable art treasures. Protecting archaeological sites that are often located in open areas has proved far more difficult. "You can't really protect them," Helwing said. "You can only hope that they are far enough away from potential targets." Taq-e Bostan in danger? According to the English-language Tehran Times, Taq-e Bostan, an archeological complex from the era of the Sasanian dynasty (224-651 CE) that includes a one-of-a-kind monumental rock relief, faces particular danger. The newspaper reported that the Israeli Air Force bombed a weapons depot just two kilometers away from the complex. The resulting shock waves and vibrations may have damaged the site, Helwing said, though she lacked more precise information. "Iran's Department of Antiquities knows what it needs to do," said Judith Thomalsky, a historian who focuses on prehistoric times and who has spent over 20 years working in Iran. She also believes that it isn't possible to protect open archaeological sites such as the Persepolis complex, the Bisotun inscriptions and Takht-e Soleyman, or "Throne of Solomon," an archaeological site. She told the Berlin daily Tagesspiegel that, though she doesn't believe that cultural assets face an acute threat, it is impossible to know how things may develop. World heritage sites are under formal protection of the international community. The 1954 Hague convention regulates the protection of cultural material in armed conflict, while the 1972 UNESCO World Heritage Convention governs conservation of cultural assets among nations. From July 6-16, the UNESCO World Heritage Committee will be holding its 47th session in Paris. Among other things, experts will discuss potential future UNESCO cultural heritage sites. The session will be livestreamed.
DW
30-06-2025
- Politics
- DW
Middle East's cultural treasures vulnerable to conflicts – DW – 06/30/2025
During the Israel-Iran war, the countries traded missile and rocket fire that killed and injured hundreds of civilians and put the region's cultural heritage at risk. How can artifacts and historical sites be protected? The Paris-based International Council of Museums had issued an emphatic warning after the first bomb strikes: There was a "growing danger" for museums and their employees in Israel and Iran. The ICOM, which consists of 8,000 museum professionals worldwide, including members from Israel and Iran, had demanded that both sides adhere to international conventions for the protection of cultural heritage, even in the event of conflict. "However, we can do no more than admonish and warn," the president of the ICOM's German National Committee, Felicia Sternfeld, told DW. Did this appeal have an impact? The news situation on the ground is thin, with only sparse information coming out of Iran in particular, as it allows hardly any foreign journalists to enter and severely restricts press freedom. However, one thing seems certain: Contingency plans were activated in both countries at the start of the Israel-Iran conflict. As far as possible, experts worked to secure, remove and relocate cultural assets. It is currently unclear whether despite all the warnings there has been any damage. Iran has a rich cultural heritage. This includes 28 UNESCO World Heritage Sites and around 840 museums, 300 of which are under the administration of the Ministry of Culture. "Iran has a well-organized and professional heritage authority," Judith Thomalsky, the head of the Tehran branch of the German Archaeological Institute, said in an interview with Deutschlandfunk radio. Thomalsky's office has been operating from Berlin since 2023, when thousands of Iranians protested the mullah regime and the German Federal Foreign Office withdrew staff from German institutions as a precaution. The Institute itself continues its work on the premises of the German Embassy in Tehran with local staff, and Thomalsky maintains as much contact as possible with her Iranian network. Barbara Helwing, director of the Museum of the Ancient Near East in Berlin and Thomalsky's predecessor from 2000 to 2014, is also an expert on Iran. She told German regional broadcaster RBB that she was in contact with her colleagues at the National Museum until recently; there has been occasional radio silence because the Iranian regime had shut down the Internet. "We know that the museum and its two large buildings near the Foreign Ministry have been emptied," said Helwing, adding that she has seen photos showing empty display cases. The Iranian National Museum is not only the oldest but also the most important museum in Iran. Comprising two buildings with three halls each, it houses more than 300,000 archaeological finds from pre-Islamic [before 7th century CE: Eds.] and Islamic times, including many objects made of stone, ceramics, glass and metals. "In Iran, the relationship with cultural heritage is very close," Helwing said. The country's cultural identity is based on a long history and the awareness that the first real-world empire in history, the ancient Persian Empire (around 550 to 330 BCE), originated in Iran. According to Helwing, all portable museum objects were hastily transported into the cellars. The non-movable artifacts, mainly stone objects, were covered with sandbags to protect them from strikes and flying debris. Unlike in Israel, there are no bunkers in Iran — neither for people nor for valuable art treasures. Protecting archaeological sites that are often located in open areas has proven to be far more difficult: "You can't really protect them," Helwing said, "You can only hope that they are far enough away from potential targets." According to the English-language , Taq-e Bostan, an archeological complex from the era of the Sasanian dynasty (224-651 CE) that includes a one-of-a-kind monumental rock relief, faces particular danger. The newspaper reported that the Israeli Air Force bombed a weapons depot just two kilometers away from the complex. The resulting shock waves and vibrations may have damaged the site, Helwing fears, though she lacked more precise information. "Iran's Department of Antiquities knows what it needs to do," says Judith Thomalsky, a historian who focuses on prehistoric times and who has spent over 20 years working in Iran. She also believes it isn't possible to protect open archeological sites like the Persepolis complex, the Bisotun inscriptions and Takht-e Soleyman, or "Throne of Solomon," an archeological site. She told the Berlin daily that while she doesn't believe cultural assets face an acute threat, it is impossible to know how things may develop. Institutions in Israel, for their part, activated emergency plans following the first Iranian counterattacks. For instance, the Tel Aviv Museum of Art secured its collection of Israeli and international art in underground storage, the French Magazine reported. It is planning to reopen its doors on July 3. It is already possible to visit Jerusalem's Israel Museum again, which with its 500,000 objects is one of the largest in the Middle East. The museum website informs visitors that it is equipped with safe rooms that are located in the museum in case of emergency. Israel is currently home to nine UNESCO World Heritage Sites, including the White City of Tel Aviv, a neighborhood with numerous buildings in the Bauhaus architectural style, the Masada mountaintop fortress and the Old City of Acre. "To our knowledge there has been no damage to archeological artifacts under the management of Israel Antiquities Authority, nor to objects in museums," the authority has stated, as reported by both and . World heritage sites are under formal protection of the international community. The 1954 Hague convention regulates the protection of cultural material in armed conflict, while the 1972 UNESCO World Heritage Convention governs conservation of cultural assets among nations. From July 6-16, the UNESCO World Heritage Committee will be holding its 47th session in Paris. Among other things, experts will discuss potential future UNESCO cultural heritage sites. The session will be live-streamed. The Israel-Iran conflict was not on the agenda as at June 30.
DW
30-06-2025
- Politics
- DW
Who's safeguarding the Middle East's cultural treasures? – DW – 06/30/2025
The recent Israel-Iran conflict saw both countries trading missiles and rockets that not only killed and injured civilians but also put the region's cultural heritage at risk. How can it be protected? The Paris-based International Council of Museums (ICOM) had issued an emphatic warning after the first bomb strikes: There was a "growing danger" for museums and their employees in Israel and Iran. The professional association, which consists of 8,000 museum professionals worldwide including members from Israel and Iran, had demanded that both sides adhere to international conventions for the protection of cultural heritage, even in the event of conflict. "However, we can do no more than admonish and warn," president of the German National Committee, Felicia Sternfeld, told Deutsche Welle. Did this appeal have an impact? The news situation on the ground is thin, with only sparse information coming out of Iran in particular, as it allows hardly any foreign journalists to enter and severely restricts press freedom. However, one thing seems certain: Contingency plans were activated in both countries at the start of the Israel-Iran conflict. As far as possible, experts worked to secure, remove and relocate cultural assets. It is currently unclear whether despite all the warnings there has been any damage. Iran has a rich cultural heritage. This includes 28 UNESCO World Heritage Sites and around 840 museums, 300 of which are under the administration of the Ministry of Culture. "Iran has a well-organized and professional heritage authority," Judith Thomalsky, the head of the Tehran branch of the German Archaeological Institute, said in an interview with Deutschlandfunk radio. Thomalsky's office has been operating from Berlin since 2023, when thousands of Iranians protested the mullah regime and the German Federal Foreign Office withdrew staff from German institutions as a precaution. The Institute itself continues its work on the premises of the German Embassy in Tehran with local staff, and Thomalsky maintains as much contact as possible with her Iranian network. Barbara Helwing, director of the Museum of the Ancient Near East in Berlin and Thomalsky's predecessor from 2000 to 2014, is also an expert on Iran. She told German regional broadcaster RBB that she was in contact with her colleagues at the National Museum until recently; there has been occasional radio silence because the Iranian regime had shut down the Internet. "We know that the museum and its two large buildings near the Foreign Ministry have been emptied," said Helwing, adding that she has seen photos showing empty display cases. The Iranian National Museum is not only the oldest but also the most important museum in Iran. Comprising two buildings with three halls each, it houses more than 300,000 archaeological finds from pre-Islamic [before 7th century CE: Eds.] and Islamic times, including many objects made of stone, ceramics, glass and metals. "In Iran, the relationship with cultural heritage is very close," Helwing said. The country's cultural identity is based on a long history and the awareness that the first real-world empire in history, the ancient Persian Empire (around 550 to 330 BCE), originated in Iran. According to Helwing, all portable museum objects were hastily transported into the cellars. The non-movable artifacts, mainly stone objects, were covered with sandbags to protect them from strikes and flying debris. Unlike in Israel, there are no bunkers in Iran — neither for people nor for valuable art treasures. Protecting archaeological sites that are often located in open areas has proven to be far more difficult: "You can't really protect them," Helwing said, "You can only hope that they are far enough away from potential targets." According to the English-language , Taq-e Bostan, an archeological complex from the era of the Sasanian dynasty (224-651 CE) that includes a one-of-a-kind monumental rock relief, faces particular danger. The newspaper reported that the Israeli Air Force bombed a weapons depot just two kilometers away from the complex. The resulting shock waves and vibrations may have damaged the site, Helwing fears, though she lacked more precise information. "Iran's Department of Antiquities knows what it needs to do," says Judith Thomalsky, a historian who focuses on prehistoric times and who has spent over 20 years working in Iran. She also believes it isn't possible to protect open archeological sites like the Persepolis complex, the Bisotun inscriptions and Takht-e Soleyman, or "Throne of Solomon," an archeological site. She told the Berlin daily that while she doesn't believe cultural assets face an acute threat, it is impossible to know how things may develop. Institutions in Israel, for their part, activated emergency plans following the first Iranian counterattacks. For instance, the Tel Aviv Museum of Art secured its collection of Israeli and international art in underground storage, the French Magazine reported. It is planning to reopen its doors on July 3. It is already possible to visit Jerusalem's Israel Museum again, which with its 500,000 objects is one of the largest in the Middle East. The museum website informs visitors that it is equipped with safe rooms that are located in the museum in case of emergency. Israel is currently home to nine UNESCO World Heritage Sites, including the White City of Tel Aviv, a neighborhood with numerous buildings in the Bauhaus architectural style, the Masada mountaintop fortress and the Old City of Acre. "To our knowledge there has been no damage to archeological artifacts under the management of Israel Antiquities Authority, nor to objects in museums," the authority has stated, as reported by both and . World heritage sites are under formal protection of the international community. The 1954 Hague convention regulates the protection of cultural material in armed conflict, while the 1972 UNESCO World Heritage Convention governs conservation of cultural assets among nations. From July 6-16, the UNESCO World Heritage Committee will be holding its 47th session in Paris. Among other things, experts will discuss potential future UNESCO cultural heritage sites. The session will be live-streamed. The Israel-Iran conflict was not on the agenda as at June 30.
The Sun
24-06-2025
- Politics
- The Sun
Malaysia tightens rules on private museums over controversial content
PETALING JAYA: The Museums Malaysia Department has received a wave of applications to establish private museums – some of which raise red flags over content that conflicts with societal norms and national values. Several applicants, the department noted, have controversial backgrounds and are embroiled in ongoing court cases. 'The department supports and welcomes initiatives that contribute to public education on Malaysia's history, culture and heritage,' it said in a statement to theSun. 'However, the intent and content of any museum proposal must align with national aspirations.' The department disclosed that in some cases, proposed exhibitions featured artefacts or ideologies considered at odds with local sensitivities. Examples include the Propaganda Comic Exhibition in one of the northern states, which featured communist and socialist themes, and the Exhibition of Prophet Muhammad's and Companions' Artefacts held in one of the east coast states from October to November 2020. 'Most of the items claimed to have belonged to Prophet Muhammad and his companions could not be authenticated. 'Museums should not display such items as they risk misleading the public and eroding trust in the institution.' Such concerns have prompted the drafting of the Malaysian Museum Bill. 'The proposed Museum Act is designed to ensure all museums in the country adhere to the International Council of Museums (Icom) Code of Ethics and the Unesco 2015 Recommendation on the Protection and Promotion of Museums and Collections. 'It aims to uphold professional and ethical standards while preventing exhibitions that may compromise social harmony, conflict with national values or disseminate false information.' The department said applications have also been rejected on grounds of religious or racial sensitivities, failure to meet museum standards or lack of professional oversight. 'Content likely to offend religious or ethnic communities will not be approved. 'Other disqualifying factors include unverifiable collections, absence of qualified curators or vague educational objectives.' On the Bugis Museum in Pontian, Johor, which falls under the Pontian Municipal Council, the department said it failed to meet the criteria for official museum recognition. Located at the Sungai Rambah Recreational Park, the institution houses 2,616 artefacts, including over 300 authentic, centuries-old items related to the Bugis community. However, following royal advice, it was reclassified as a gallery. The department added that galleries must also meet regulatory standards. 'They are required to obtain business licences from local authorities, secure premise approval and comply with laws such as the National Heritage Act 2005 (Act 645), Syariah law, and the Entertainment and Places of Entertainment Act where applicable. 'All artefacts must be legally sourced and must not contravene civil or criminal law. Exhibits must not incite hatred, promote obscenity or encourage cult practices. They are subject to enforcement if found to undermine public order or contradict national values.' The department said galleries must also be required to obtain business licences from local authorities, secure premise approval and comply with laws such as the National Heritage Act 2005 (Act 645), Syariah law and the Entertainment and Places of Entertainment Act where applicable. – Syed Azahar Syed Osman/theSun
The Sun
24-06-2025
- Politics
- The Sun
Deterring ‘inappropriate' artefact display applications
PETALING JAYA: The Museums Malaysia Department has received a wave of applications to establish private museums – some of which raise red flags over content that conflicts with societal norms and national values. Several applicants, the department noted, have controversial backgrounds and are embroiled in ongoing court cases. 'The department supports and welcomes initiatives that contribute to public education on Malaysia's history, culture and heritage,' it said in a statement to theSun. 'However, the intent and content of any museum proposal must align with national aspirations.' The department disclosed that in some cases, proposed exhibitions featured artefacts or ideologies considered at odds with local sensitivities. Examples include the Propaganda Comic Exhibition in one of the northern states, which featured communist and socialist themes, and the Exhibition of Prophet Muhammad's and Companions' Artefacts held in one of the east coast states from October to November 2020. 'Most of the items claimed to have belonged to Prophet Muhammad and his companions could not be authenticated. 'Museums should not display such items as they risk misleading the public and eroding trust in the institution.' Such concerns have prompted the drafting of the Malaysian Museum Bill. 'The proposed Museum Act is designed to ensure all museums in the country adhere to the International Council of Museums (Icom) Code of Ethics and the Unesco 2015 Recommendation on the Protection and Promotion of Museums and Collections. 'It aims to uphold professional and ethical standards while preventing exhibitions that may compromise social harmony, conflict with national values or disseminate false information.' The department said applications have also been rejected on grounds of religious or racial sensitivities, failure to meet museum standards or lack of professional oversight. 'Content likely to offend religious or ethnic communities will not be approved. 'Other disqualifying factors include unverifiable collections, absence of qualified curators or vague educational objectives.' On the Bugis Museum in Pontian, Johor, which falls under the Pontian Municipal Council, the department said it failed to meet the criteria for official museum recognition. Located at the Sungai Rambah Recreational Park, the institution houses 2,616 artefacts, including over 300 authentic, centuries-old items related to the Bugis community. However, following royal advice, it was reclassified as a gallery. The department added that galleries must also meet regulatory standards. 'They are required to obtain business licences from local authorities, secure premise approval and comply with laws such as the National Heritage Act 2005 (Act 645), Syariah law, and the Entertainment and Places of Entertainment Act where applicable. 'All artefacts must be legally sourced and must not contravene civil or criminal law. Exhibits must not incite hatred, promote obscenity or encourage cult practices. They are subject to enforcement if found to undermine public order or contradict national values.' The department said galleries must also be required to obtain business licences from local authorities, secure premise approval and comply with laws such as the National Heritage Act 2005 (Act 645), Syariah law and the Entertainment and Places of Entertainment Act where applicable. – Syed Azahar Syed Osman/theSun
