Latest news with #MilanoUnica
Fashion Network
2 days ago
- Business
- Fashion Network
Milano Unica trade show records 10% rise in international visitors
The Milano Unica textiles trade show has recorded a 10% increase in international visitors. The show's 41st edition held on July 8-10 in Milan saw rising attendance figures for visitors from most of the markets where Italy exports its textiles, except for visitors from China, down 3.5%, and Korea, down 14%. Visitor numbers from other countries significantly increased, for example from the Netherlands (up 46%), Germany (up 33%), the UK (up 23%), the US (up 16%), France (up 14%) and Japan (up 9.5%). The share of international visitors at the show, which presented the Fall/Winter 2026-27 collections of premium fabrics and accessories for men, women and children, was 45% of the total. The number of exhibitors too was up from last edition, to 735, driven by an 8.7% increase in European exhibitors. 'Almost all the main markets for Italian exports of fabrics and accessories, both in the EU and outside the EU, have responded positively. While the results, which I hope will be positive, will be seen in 2026, the satisfactory attendance figures of foreign buyers, a fact confirmed by the extensive positive feedback I gathered among fellow exhibitors, makes us look to the future with moderate optimism,' said Simone Canclini, president of Milano Unica. 'The exceptional results we have achieved in this edition of the show are the fruit of our team work, (..) and they confirm the strategic role Milano Unica plays in supporting [Italy's] textile and fashion industries, evident also in the partnership with the MarediModa show,' said Massimo Mosiello, managing director of Milano Unica.
Fashion Network
5 days ago
- Business
- Fashion Network
Milano Unica trade show records 10% rise in international visitors
The Milano Unica textiles trade show has recorded a 10% increase in international visitors. The show's 41st edition held on July 8-10 in Milan saw rising attendance figures for visitors from most of the markets where Italy exports its textiles, except for visitors from China, down 3.5%, and Korea, down 14%. Visitor numbers from other countries significantly increased, for example from the Netherlands (up 46%), Germany (up 33%), the UK (up 23%), the US (up 16%), France (up 14%) and Japan (up 9.5%). The share of international visitors at the show, which presented the Fall/Winter 2026-27 collections of premium fabrics and accessories for men, women and children, was 45% of the total. The number of exhibitors too was up from last edition, to 735, driven by an 8.7% increase in European exhibitors. 'Almost all the main markets for Italian exports of fabrics and accessories, both in the EU and outside the EU, have responded positively. While the results, which I hope will be positive, will be seen in 2026, the satisfactory attendance figures of foreign buyers, a fact confirmed by the extensive positive feedback I gathered among fellow exhibitors, makes us look to the future with moderate optimism,' said Simone Canclini, president of Milano Unica. 'The exceptional results we have achieved in this edition of the show are the fruit of our team work, (..) and they confirm the strategic role Milano Unica plays in supporting [Italy's] textile and fashion industries, evident also in the partnership with the MarediModa show,' said Massimo Mosiello, managing director of Milano Unica.
Fashion Network
5 days ago
- Business
- Fashion Network
Milano Unica trade show records 10% rise in international visitors
The Milano Unica textiles trade show has recorded a 10% increase in international visitors. The show's 41st edition held on July 8-10 in Milan saw rising attendance figures for visitors from most of the markets where Italy exports its textiles, except for visitors from China, down 3.5%, and Korea, down 14%. Visitor numbers from other countries significantly increased, for example from the Netherlands (up 46%), Germany (up 33%), the UK (up 23%), the US (up 16%), France (up 14%) and Japan (up 9.5%). The share of international visitors at the show, which presented the Fall/Winter 2026-27 collections of premium fabrics and accessories for men, women and children, was 45% of the total. The number of exhibitors too was up from last edition, to 735, driven by an 8.7% increase in European exhibitors. 'Almost all the main markets for Italian exports of fabrics and accessories, both in the EU and outside the EU, have responded positively. While the results, which I hope will be positive, will be seen in 2026, the satisfactory attendance figures of foreign buyers, a fact confirmed by the extensive positive feedback I gathered among fellow exhibitors, makes us look to the future with moderate optimism,' said Simone Canclini, president of Milano Unica. 'The exceptional results we have achieved in this edition of the show are the fruit of our team work, (..) and they confirm the strategic role Milano Unica plays in supporting [Italy's] textile and fashion industries, evident also in the partnership with the MarediModa show,' said Massimo Mosiello, managing director of Milano Unica.
Yahoo
5 days ago
- Business
- Yahoo
Milano Unica Starts Strong Despite Declining Exports
Milano Unica's 41st edition welcomed 735 exhibitors showcasing Fall/Winter 2026/2027 collections of high-end fabrics and accessories—an 8.7 percent uptick in the Italian textile trade show's European participants year over year. Beyond the increased number of exhibitors, president Simone Canclini highlighted the value that first-time attendees bring to the show floor. More from Sourcing Journal Zalando Drops First Collection with Circ Lyocell Bluezone Organizers Energized by New Format and 'Edu-tainment' Program Bondcote Performance Textiles Acquires Graniteville Specialty Fabrics 'These numbers reflect growing confidence in our trade show and give us renewed responsibilities to support and promote the industry, despite the uncertainties and criticalities of the global economy and the international geopolitical scenario,' Canclini said. 'While data from the economic studies and statistics office of Confindustria Moda indicates that we are not yet out of the tunnel, there is a glimpse of light.' According to that data from the federation of Italian fashion, Made-in-Italy textiles closed 2024 with total sales of 7 billion euros (about $8.2 billion), down 8.8 percent. Exports amounted to 3.8 billion euros (about $4.45 billion), marking a 10.7 percent dip. 'The trends vary significantly by product segment and destination market, particularly the U.S. and China,' Canclini continued. 'The same applies to the divergent trends between the performance of knitted versus woven fabrics.' That said, those glimpses of light could consider the collections on display at Fiera Milano. Here's a handful of collaborations coming straight from the show floor. The Lenzing Group unveiled innovative fiber blends addressing a persistent pain point for circularity: maintaining quality with recycled inputs. Developed in partnership with four Italian manufacturers— spinner Marchi & Fildi, knitter Maglificio Maggia, weaver Destro Fabrics and knitwear manufacturer Madiva—the regenerated cellulosic fiber supplier demonstrated a trio of mechanically-recycled fibers that had consistent, commercially-viable results. Those innovations—Tencel Lyocell LF, Tencel Lyocell LFH and Tencel Lyocell A100—had 'overcome the inherent irregularity and inconsistent quality typically associated with recycled natural fibers,' Lenzing said. 'As brands increasingly commit to incorporating recycled content, they are tirelessly seeking practical solutions that maintain quality standards,' said Carlo Covini, textile accounts manager for Italy and Switzerland at Lenzing. 'By combining the inherent qualities and environmental benefits of our Tencel Lyocell fibers with mechanically recycled cotton, silk and wool, we're bridging the quality gap that has limited recycled content adoption.' The approach leveraged Lenzing's various (and distinct) lyocell fiber variants, including those with micro technology—aka fibers characterized by a titer that is equal to or smaller than 1.0 decitex—to address specific recycled material challenges. 'This isn't just a material innovation,' Covini continued. 'It's a pathway for brands to explore what's possible in circular fashion while delivering on the premium quality consumers expect.' Low-fibrillating Tencel Lyocell LF and Tencel Lyocell LFH fibers 'contribute exceptional softness and processing stability,' while Tencel Lyocell A100 'enables brilliant color uptake and performance,' attributes the company said are of particular value when working with 'inherently inconsistent' recycled fibers. 'This project allows us to take our expertise in mechanical fiber recycling to the next level,' said Alberto Grosso, business development manager at Marchi & Fildi. 'Exploring new potential applications for recycled fibers in collaboration with internationally recognized companies is a unique opportunity for us to expand our yarn offering with varieties tailored to specific market demands.' That approach yielded various applications, too. Results included premium knits combining A100 with recycled silk, wool or cashmere; apparel fabrics blending LF with varying percentages of recycled cotton; and performance constructions incorporating world-first, Cradle to Cradle-certified elastane Roica V5504 alongside Tencel fibers and recycled content. 'We are very happy to be involved by Lenzing in its projects since supply chain projects are always the most successful ones,' said Giovanna Maggia, board director at Maglificio Maggia. 'In this case, the chance to use recycled silk together with Tencel is a great opportunity to mix both sustainability and luxury.' On the topic of luxury, 2025 marks a turning point for the sector, according to Claudia D'Arpizio, senior partner and global head of fashion and luxury at Bain & Company. As new generations seek authenticity and creativity, the central value of the experience is restored. 'Today, luxury must be discreet, genuine and aligned with personal fulfillment rather than ostentation. The segment must also redefine its cultural, generational and geographic relevance,' D'Arpizio said during her keynote. 'By 2030, the market is expected to expand to over 300 million new consumers— half of whom will be from Gen Z and Gen Alpha—who are demanding and values-driven consumers. In a world where turbulence is the new normal, companies must show resilience and long-term vision.' For Asahi Kasei, that was Bemberg: 'a rare fiber that's meant to be lived, not just worn.' Made from refined cotton linter—a pre-consumer material obtained from the manufacturing process of cottonseed oil—that's then dissolved using a proprietary closed-loop process to produce pure, regenerated fiber. The Japanese company unveiled 18 partners for Fall/Winter 2026-2027, 14 of which are attending Milano Unica. That includes Prato-born Alberto Bardazzi, early Fashion Forever Green Pact signatory Brunello, Varese-based Ezio Ghiringhelli and Portugal's Sidónios, among others. Spanning three 'emotional dimensions,' Italian lace manufacturer Iluna Group's season takes place in the heart, in the mind and in the dream. The first chapter is expressed through laces and lace patterns evocative of delicacy and sweetness while 'in the mind' encompasses lace featuring abstract or stylized geometric elements, the Made-in-Italy company said. Lace with starry dust, layered textures and flocked effects round out the final chapter, in the dream. The group also shared eco-updates like 99 percent recycled yarn offered in select laces; stretch laces with Roica EF assist the fabric in hitting up to 80 percent recycled content. 'The continued growth in both quantity and quality of Milano Unica's international role is attributable to the exhibitors' creative and product innovation and the trade show's distinctive nature,' said Massimo Mosiello, Milano Unica's general manager. '[It's] an event created by entrepreneurs, for entrepreneurs, as a collaborative platform to support the excellence of Made-in-Italy and Made-in-Europe fabrics and accessories in the international competition scenario.' Error in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data
Fashion Network
09-07-2025
- Business
- Fashion Network
Bain: Luxury loses 15 million shoppers as China and US falter
The luxury sector entered 2025 on shaky ground, weighed down by rising prices and a slowdown in China. According to Claudia d'Arpizio, senior partner at Bain & Company, the industry recorded a 5% drop in first-quarter performance—a clear sign of lost momentum. She shared her insights during the Milano Unica textile fair, painting a sobering picture of an industry facing mounting global headwinds. 'Regionally, we're seeing momentum build in the Middle East—particularly in Dubai—while Japan has come to a standstill,' d'Arpizio noted. 'But China remains the most pressing concern. The government continues to discourage overt displays of wealth, and with the economy slowing, luxury spending has become increasingly taboo. We're calling this cultural shift 'luxury shame.' That pullback has created a vacuum that India and Southeast Asia are starting to fill, though those markets are more fragmented and harder to scale. In the U.S., conditions remain weak overall, despite some modest signs of recovery in May.' The luxury customer landscape is undergoing a sharp transformation, as rising global prices continue to reshape demand. 'In 2024, sales volumes for high-end goods dropped by 20% to 25%,' said d'Arpizio. 'In response, brands raised their prices—triggering lower production levels and tighter distribution strategies.' The result: the luxury sector lost nearly 15 million customers, out of a global base of around 400 million. 'Brand performance now varies significantly,' she added. 'Consumers no longer view luxury as a single, homogenous category. They're choosing more carefully, prioritizing value and purpose over name alone.' Rebuilding consumer trust has become one of the industry's most urgent challenges. 'There's a widening gap between retail prices and perceived value,' d'Arpizio warned. 'Prices keep climbing, yet we're seeing little in the way of true creative innovation. Luxury once stood for aspiration and forward-thinking design—now, for many, it feels out of reach and out of touch. This is more than a pricing issue; it's a cultural and strategic misstep that brands must confront head-on.' Behind the scenes, pressure is mounting across the supply chain. As brands scale back production and input costs continue to rise, suppliers are being squeezed. 'The situation is worsening,' d'Arpizio said. 'And with China ramping up pride in its domestic manufacturing, we're losing some of our competitive advantage.'
