Latest news with #S1II
Yahoo
11-07-2025
- Yahoo
Panasonic S1II studio scene: how does the speedy Lumix perform?
When you use DPReview links to buy products, the site may earn a commission. With the release of the S1II, Panasonic became the second company to market a camera with a "Partially Stacked" sensor, which uses more sophisticated readout circuits to get data off the sensor faster than possible with existing BSI designs. (Though not nearly as fast as fully Stacked designs allow.) We've had the chance to put it in front of our studio test scene to see how it performs in terms of image quality and dynamic range. Our test scene is designed to simulate a variety of textures, colors, and detail types you'll encounter in the real world. It also has two illumination modes, full even light and low directional light, to see the effect of different lighting conditions. Image Comparison This widget is not optimized for RSS feed readers. Click here to open it in a new browser window / tab. The S1II performs well at shooting our test scene, providing great image quality. Looking at base ISO Raws, the S1II captures similar levels of detail as the other 24MP full-frame cameras on the market*, though Panasonic's JPEG engine doesn't seem to get rid of quite as much moiré artefacting as Nikon or Canon's. Speaking of that JPEG engine, we've been pleased with Panasonic's colors for a while now, and the S1II is no exception; like the rest of its competition and the company's previous cameras, its colors are solid. At mid ISOs to high ISOs the S1II's noise levels are competitive. Its JPEG engine does an admirable job of reducing noise while still retaining detail. * The S1II's price puts it in competition with much slower, but higher-resolution cameras like the Sony a7CR and Panasonic's own S1RII; if you care more about image quality than speed, that's worth noting. The S1II provides a good amount of dynamic range, giving you room to pull your shadows up without the detail being overwhelmed by noise. However, given the lack of chroma noise visible in our tests, it seems like there may be some noise reduction going on, either in ACR or in-camera. Either way, there's plenty to be squeezed out of the files, with no nasty surprises, though you will see the effects of a little extra read noise if you're shooting at base ISO to maximize dynamic range. Exposure Latitude | ISO Invariance This is still a relatively new sensor, but it seems like Panasonic is getting a lot out of it. The S1II's image quality is very similar to other 24MP full-frame cameras with much slower burst rates and less capable video specs. Speaking of, be sure to stay tuned: tomorrow we'll be taking a look at video stills from the S1II.
Engadget
27-06-2025
- Engadget
The Morning After: Did Panasonic make the best camera for creators?
Panasonic's S1 II is arguably the company's best creator camera, if not the best creator camera, period. That's according to our review from Steve Dent, who really liked a lot of things but especially the 6K RAW video and excellent stabilization. However, at $3,200, it's expensive compared to the competition. Nikon's Z6 III has nearly the same video capabilities, is a better camera for photography and costs at least $600 less. Then there's Panasonic's own $2,500 S1 IIe, which was announced at the same time as the S1 II. It has mostly the same features but uses a non-stacked sensor more prone to rolling. Make sure to check out the full review. — Mat Smith Get Engadget's newsletter delivered direct to your inbox. Subscribe right here! Meta's already got its low-key Ray-Ban-designed smart glasses. Now it's coming for our dads. Or me. Or people somewhere between our ages. These are the Oakley Meta HSTN, apparently pronounced: HOW-stuh. They're made for athletes but will probably be worn by that guy in Costco. (I love Costco, by the way.) Oakleys might seem a jump away from Ray-Ban, but Oakley is owned by EssilorLuxottica, which also owns Ray-Bans. Despite rumors that the Oakley glasses would have a camera embedded in the frame's bridge, these first models keep the lens on the side, with an ultra-wide 12MP camera that can capture footage in 3K, compared to the 1080p resolution of the Ray-Ban iterations. Also, the battery is rated for eight hours on a single charge (double that of the Meta Ray-Bans). Several variants are incoming in lens colorways a little more vivid than typical sunglasses, with red, black, deep-water (blue?) and even some transition lenses. However, the first limited-edition Oakley Meta HSTN has gold accents and black lenses. They cost $499 and go on pre-order July 11. Continue reading. Microsoft has been teasing this for years, but now it's happening. There needs to be some sort of error screen, so later this summer, Microsoft is transitioning to a Black Screen of Death instead. Slimming, but just as frustrating. Continue reading. Prime Day returns July 8 to July 11 this year, marking the first time the shopping event has been more than 48-hours long. Amazon typically has early Prime Day deals in the lead up to the event, and this year we're already seeing some solid discounts on gadgets we like, including AirPods Pro 2 and an array of Amazon hardware. Continue reading.
Engadget
26-06-2025
- Engadget
Panasonic S1 II review: A near-perfect creator's camera if money is no object
After a six-year wait, Panasonic's S1 II is finally here and there's a lot to unpack. As you'd expect from this company, it's creator-centric with up to 5.8K ProRes RAW internal video recording. At the same time, it's Panasonic's fastest full-frame photo camera ever with 70 fps burst speeds and reduced rolling shutter distortion thanks to the new partially stacked 24-megapixel sensor. And with an AI-powered hybrid phase detect system, autofocus is no longer a weak point as it was with the original S1. There is one issue though, and a surprising one for Panasonic: the price. The $3,200 S1 II is similar to Nikon's Z6 III, right down to the partially stacked sensor and internal RAW video. However, the latter is some $700 cheaper and can often be found on sale for even less. Since Panasonic often undercuts rivals, that puts the S1 II in the unusual position of being overpriced next to the competition. After testing it for the last month, I've found that whether it's worth it depends on your priorities. The S1 II is Panasonic's best creator camera thanks to features like 6K RAW video and outstanding stabilization, but it's expensive compared to the competition. $3,200 at Amazon The S1 II shares its excellent body design with the higher-resolution S1R II and the cheaper, non-stacked S1 IIe. It's considerably lighter than the original S1 at 1.76 pounds and much smaller as well, both of which make it less burdensome. It's also easy to hold thanks to the big ridged grip. However, it's more angular and has a harder rubber skin than Canon's rival EOS R6 II, so it's not quite as comfortable over long shooting sessions. The excellent control layout makes the S1 II a breeze to use. It has all the buttons and dials you need and they're well located — particularly the joystick and control dials. There's a dedicated switch for photos, video and slow and quick (S&Q) modes, and each has separate adjustments so you won't mix them up. It also has a dedicated autofocus switch, two video record buttons (top and front), 10 other programmable buttons and a tally light. I rarely needed to search for settings thanks to the logical color-coded tabs and easy-to-use quick menu, both accessible by touch or the joystick. Panasonic also made it simple to program buttons, dials and the quick menu to your personal preferences and it allows you to save them to a memory card as a backup. The S1 II's electronic viewfinder is bright and sharp, matching the Z6 III with a resolution of 5.76 million dots and 0.78x magnification. The rear display not only swivels out but also tilts up and down for overhead or hip-level photography. In comparison, Nikon's Z6 III screen doesn't tilt, so it's not as versatile. As with the S1R II, battery life isn't a strong point here, with only 360 shots on a charge or 320 when using the EVF. To be fair, that matches the Z6 III exactly (and Panasonic's non-stacked S1 II is only slightly better at 380 shots), but Canon's cheaper R6 II has more than twice the battery life at 760 shots. In order to capture RAW video, the S1 II has a CFexpress Type B card slot along with a slower SDXC UHS-II slot. Like the S5 IIx and GH7 (and several Fujifilm models), it also supports high-bandwidth RAW video capture to an SSD via the USB-C port. The S1 II comes with a full-sized HDMI port that supports Blackmagic and ProRes RAW capture. You also get mic and headphone ports, and you can capture 32-bit float audio via the optional XLR2 accessory to reduce the possibility of clipping. Finally, the S1 II has a carbon fiber curtain that comes down to protect the sensor like recent Canon and Sony models. The S1 II can fire bursts at a pedestrian 10 fps in mechanical shutter mode, but supports a superb 70 RAW images per second with the electronic shutter. And if you're worried about skewed images, don't fret. Distortion is minimal in electronic mode thanks to the partially-stacked sensor that has a rapid readout speed of around 12 milliseconds. That's fast enough for sports or wildlife photography, unless the subject moves very rapidly. Pre-burst capture, which starts when you half-press the shutter, is also available at the highest speeds. That lets you save up to 1.5 seconds of photos you might have otherwise missed once you fully press the shutter button. The buffer is a bit small, though, so you can only capture about three seconds (220 shots) at the 70 fps speed. The hybrid phase-detect autofocus is the best of any Panasonic camera I've tested to date. However, it's not yet up to Sony and Canon's standards for speed and accuracy, and falls a bit short of Nikon's Z6 III. If you're shooting a fast-moving subject at the maximum burst rate of 70 fps, you may see more than a few out-of-focus photos. The S1 II supports multiple AI modes — including animals, birds and vehicles — on top of human eye-tracking modes. I had mixed success with those as the camera had trouble locking onto the eyes of some birds and marine mammals I shot at the Vancouver Aquarium. However, it was better with more typical animal subjects like dogs, cats, horses and geese. Panasonic also introduced an AF mode called Urban Sports that improves tracking for breakdancing, skateboarding and parkour. I tested that mode with some skateboarders at the highest burst settings and saw a high percentage (90-plus) of in-focus shots. One area where Panasonic tops its rivals is stabilization. That's been boosted to eight stops (slightly short of the R6 II's eight and a half stops), which allowed me to shoot at shutter speeds down to a half second and still get sharp shots. And as I'll explain shortly, the S1 II is peerless when it comes to video stabilization. I've been impressed with Panasonic's color science of late, finding that it matches Nikon in delivering some of the most color-accurate images of any system. By comparison, Canon's images skew warmer, and I feel that Sony models like the A7 IV lack some accuracy, particularly with blue-green colors. The S1 II delivers pleasing JPEGs with a nice balance between sharpness and noise reduction, though the latter can get overly aggressive at high ISO levels. RAW images offer plenty of detail in light and dark areas of the image, letting you tweak and correct to a fine degree. Keep in mind that using the electronic shutter in burst modes reduces RAW bit depth from 14 to 12. The downside of any stacked sensor is additional noise, and the S1 II is no exception. This is most apparent at higher ISO levels where the camera exhibits a bit more grain than Panasonic's S5, which has the same resolution but isn't stacked. That said, the S1 II has about the same low-light prowess as the Z6 III and beats most fully stacked cameras. The S1 II is Panasonic's best creator camera thanks to features like 6K RAW video and outstanding stabilization, but it's expensive compared to the competition. If the native 24MP resolution isn't enough, the S1 II offers a high-resolution mode that captures eight images with a slightly offset sensor position and composes them into a single 96-megapixel file (either RAW or JPEG). I was able to take sharp images in that mode without the use of a tripod thanks to the S1 II's excellent in-body stabilization system. The S1 II doesn't shoot 8K RAW like the 44MP S1R II due to its lower resolution. However, it does support 5.8K 30 fps ProRes RAW, open gate full sensor video and super slow-mo (4K 120p) — all with far less rolling shutter distortion. Because of that, I think this is a better camera overall for creators. Of course, the S1 II offers 10-bit video in both MP4 and Quicktime formats on top of RAW. Panasonic's V-Log is also on tap to boost dynamic range, and thanks to a recent firmware update, you can pay $200 to get ARRI LogC3 to match that company's pro digital cinema cameras. With that same firmware update, the S1 II now supports 17 frame aspect ratios (up from 10), and enables simultaneous display of up to three frames at once (unlike the LogC3 update, these are free). That will let you shoot open gate, for instance, while seeing how the image will look in both vertical and horizontal aspect ratios. Overall, video quality is outstanding with sharp oversampling, excellent color accuracy and decent dynamic range. The latter can be increased using Panasonic's dynamic range boost option, although that effectively doubles rolling shutter distortion. Without the setting enabled, skew from rolling shutter is only an issue with whip pans or very fast-moving subjects. Video AF is solid, keeping subjects in focus as long as they don't move too quickly. Face, eye, animal, urban sports and vehicle detection work well, though you'll see a bit more accuracy and speed on Canon and Sony's latest models. The S1 II offers better video stabilization than its rivals, though. Optical stabilization provides good results for handheld video, while electronic stabilization (EIS) provides gimbal-like smoothness at the cost of a significant crop. As with other recent Panasonic models, the S1 II also offers 'cropless' EIS that corrects corner distortion when using wide lenses, while also reducing rolling shutter. Thanks to a built-in fan, overheating is rarely an issue with the S1 II. The only time I ever saw a problem was with 5.8K at 60 fps and 5.1K open gate recording, when the camera shut down after 50 minutes and 40 minutes respectively. That's still excellent for a small mirrorless camera. Those limits are eliminated, by the way, if you record to an SSD via the USB-C port. Creators may wonder how the S1 II compares to Nikon's Z6 III. The latter offers more RAW options, with the choice of 5.8K Nikon RAW (N-RAW) at up to 60 fps rather than just 30 fps. Both offer similar video quality as they use the same sensor. The Z6 III has slightly better autofocus, but the S5 II has superior stabilization and handling. Finally, the S1 II has some nice pro features like timecode, waveform monitoring and pro audio. I'd say the S1 II is slightly better for video shooters, but the Z6 III is significantly cheaper. Panasonic's S1 II is a powerful hybrid camera, and if it wasn't so expensive, it would be a no-brainer for creators. However, Nikon's Z6 III has nearly the same video capabilities, is a better camera for photography and costs at least $600 less, so I'm inclined to recommend that model for most users. Another option at a lower price is Panasonic's new $2,500 S1 IIe, which was announced at the same time as the S1 II. It has the same body and mostly the same feature set, but uses the non-stacked sensor from the S5 II, so rolling shutter is more of an issue. If you favor photography, the higher-resolution S1R II is a better option and costs just $100 more. However, if you're a video pro who needs features like time code, ARRI LogC3 and advanced monitoring or audio features, the S1 II is a solid choice. Those folks might want to wait for a sale though.
Yahoo
13-05-2025
- Business
- Yahoo
Panasonic Announces Two New Full-Frame Mirrorless Cameras - LUMIX S1II and LUMIX S1IIE - and New LUMIX S 24-60mm F2.8 Lens
NEWARK, N.J., May 13, 2025 /PRNewswire/ -- Panasonic is pleased to announce the expansion of its renowned LUMIX S Series with the introduction of two new models, the LUMIX S1II and S1IIE. These cameras are designed to offer exceptional photographic and videographic capabilities, characterized by remarkable image quality, dynamic color representation, and significant advancements in video technology. Meticulously crafted for professional photographers and videographers, the LUMIX S1II features a newly developed 24.1MP full-frame partially stacked CMOS image sensor and is powered by an advanced-generation Venus Engine. This synergy enables faster readout speeds and processing, supporting high frame rate recording in formats such as 4K120p and 5.8K 60p. (*1) For superior dynamic range, the Dynamic Range Boost mode delivers up to 15 stops (*2) in V-Log at frame rates below 30p. Photographers can also take advantage of high-speed continuous shooting at up to 70 frames per second (*3) with SH / SH pre-burst shooting up to 1.5 seconds allowing the capture of even the most fleeting moments. Elevating workflow efficiency, the LUMIX S1II enhances creative flexibility and streamlines content production. The highly-acclaimed Open Gate feature now supports additional formats beyond 6K30p–including 5.1K60p–unlocking even more options for creators. An upcoming firmware update will introduce multiple frame marker displays, providing further tools for precise and flexible framing. The LUMIX S1IIE, joins the second-generation S1 series, maintaining the celebrated design and ergonomic excellence of the S1II and S1RII, offering potential for creative exploration. It is equipped with a 24.2MP sensor inspired by the characteristics of the LUMIX S5II, ensuring exceptional image quality tailored for diverse shooting conditions. Incorporating many of the standout features from the S1II, the S1IIE positions itself as a comprehensive tool for creative projects. Notably, it introduces a new Cinemascope video format (2.4:1), available in various frame rates without cropping, up to 60p. Panasonic anticipates the LUMIX S1IIE will become a preferred choice for those seeking upgrades in ergonomic design and refined engineering. With the debut of the LUMIX S1II and S1IIE, Panasonic continues to empower creators within the S1 Series. Both new models are designed to support the pursuit of self-expression through elevated performance and versatility. The LUMIX S1II and S1IIE camera will be available starting late June at valued channel partners. LUMIX S1II Main FeaturesHigh framerate recording and wide dynamic range with a newly developed partially stacked sensor Adopts a newly developed 24.1MP full-frame, partially stacked CMOS image sensor Supports LUMIX's first 5.1K 60p high-speed recording option, along with other high-speed formats such as 4K 120p / 5.8K 60p for enhanced performance. (*1) (*4). Offers LUMIX's first 15 stops of dynamic range video recording (*2) in V-Log at frame rates below 30p. (*4) High-speed continuous shooting, offering up to 70 fps (*3) with the electronic shutter "SH/SH PRE" mode, and an extended continuous shooting "H+ (High Speed Plus)" mode of approximately 10 fps with a mechanical shutter, allowing you to experience post view blackout-free shooting. LUMIX S1IIE Main FeaturesExceptional image quality tailored for diverse shooting conditions Adopts 24.2MP sensor inspired by the performance characteristics of the LUMIX S5II Supports 6K 30p (3:2) open gate video recording Offers 14+ stops of dynamic range video recording in V-Log High-speed continuous shooting, offering burst shooting up to 30 fps with the electronic shutter "SH/SH PRE" mode, and an extended continuous shooting "H+ (High Speed Plus)" mode of approximately 10 fps with a mechanical shutter, allowing you to experience post view blackout-free shooting. LUMIX S1II and S1IIE Common FeaturesEnhanced core performance that unlocks new creative possibilities Redefined real-time recognition Phase Hybrid AF with improved eye and face detection and AI-driven tracking accuracy for people. Addition of the new AF recognition for 'Urban Sports', accurately capturing dynamic movements like breakdancing, skateboarding, and parkour. Enhanced 8.0-stop (*5) in-body image stabilization (B.I.S.) and newly developed cropless E.I.S. video distortion correction, which stabilizes without cropping the angle of view. ARRI LogC3 (*6) (*7) available for the first time for S series by using DMW-SFU3A Software Upgrade Key (sold separately). (*4) Supports 5.8K 30p / C4K 60p Apple ProRes RAW HQ / ProRes RAW internal recording to a CFexpress Type B card. Outstanding reliability and efficiency High-resolution 5.76 million-dot electronic viewfinder (EVF) and a versatile 1.84 million-dot tilt and free-angle monitor and are equipped with a sturdy shutter mechanism rated for up to 400,000 cycles. Operating efficiently at temperatures as low as -10 degrees Celsius. Dual recording media options supporting SD and CFexpress Type B cards. Seamless integration with accessories such as the DMW-BG2 and DMW-XLR2. Apps and software that seamlessly support workflow Compatibility with Capture One, making it work seamlessly with professional studio photography's widely used editing software. Compatibility with enabling smooth progression from shooting to editing, as well as cloud sharing and collaboration. Supports LUMIX Lab, simplifying the transfer, editing, and color personalization of photos and videos for seamless smartphone integration and social media ver.1.5 supports the following feature: HEIF file compatibility Supports LUMIX Flow, which assists with storyboard creation, on-site checks during filming, and automatic data organization after shooting to support the video production ver.1.1 supports the following features: Wireless connection Additional assist features (Wave form monitor / Vectorscope / False color) Mirroring monitor function Capable of setting distinct parameters for photography and videography and seamlessly transfer settings from one camera to another using an SD card, thus ensuring uniform settings across diverse camera models. (*8) *1 Depending on the Rec Quality and Image Area of Video settings, the following crop zoom rates are used for recording:When Image Area of Video is FULL: C4K video (120p/100p): Approx. 1.17x, 4K video (120p/100p): Approx. 1.24x.*2 Dynamic Range Boost ON: 15 stops. Dynamic Range Boost OFF: 14+ stops.*3 When set to Image Priority in SH Burst Shooting mode.*4 As of May 2025, among Panasonic's digital cameras.*5 Center: 8.0-stop; Periphery: 7.0-stop. Based on the CIPA 2024 standard [Yaw/Pitch/Roll direction: focusing distance f=60mm when S-R2060 is used. 5-axis.]*6 Firmware update scheduled for 2025.*7 ARRI LogC3 is a Log gamma developed by ARRI and used in ARRI digital cinema cameras. Please note: ALEXA 35 uses ARRI LogC4. On the LUMIX S1II, ARRI LogC3 can be used for 10bit recording in Creative Video mode.*8 Compatible models as of May 2025: DC-S1RM2, DC-S1M2. DC-S1M2ES •Apple and ProRes are trademarks or registered trademarks of Apple Inc. in the United States and/or other countries.• the logo, and Camera to Cloud are either registered trademarks or trademarks of Adobe in the United States and/or other countries.•Capture One is a registered trademark of Capture One A/S in the EU and other countries.•ARRI is registered trademarks of Arnold & Richter Cine Technik GmbH & Co. Betriebs KG.•Other trademarks and trade names are those of their respective owners.•All functions may not be available depending on the situation.•Design and specifications are subject to change without notice. Panasonic Introduces New Large-Aperture Standard Zoom Lens: LUMIX S 24-60mm F2.8 (S-E2460) Panasonic is pleased to expand its LUMIX lens lineup, with the introduction of the LUMIX S 24-60mm F2.8 (S-E2460), a new large-aperture standard zoom lens bult according to the L-Mount system standard. This new lens features a large F2.8 aperture throughout its versatile zoom range. Its unique compact and lightweight design enhances mobility, making it an ideal choice for dynamic landscape and architectural photography, at the 24mm wide-angle perspective, as well as for capturing beautifully bokeh-rich portraits at 60mm focal length. The Hybrid Zoom feature (*1), extends the zoom range up to 187mm (*2) for both photos and videos. The generous aperture of F2.8 provides high-resolution performance and exquisite bokeh across the zoom range, offering fast shutter speeds and minimizing subject blur even in low-light conditions. Through a carefully optimized lens configuration and a minimized filter diameter, the new lens achieves compactness and a light weight of 544g, with a total length of approximately 99.9mm. It also incorporates a recently developed Dual Phase Linear Moto and advanced optical encoder, resulting in high-speed, high-precision AF performance. Versatility is further boosted by an equipped focus button on the lens barrel, facilitating intuitive shooting and allowing customization of preferred features assigned to the button. For the first time in the S series (*4), the LUMIX S 24-60mm F2.8 lens supports control ring assignment (*5). This added feature enables quick access to key settings such as aperture control and exposure compensation through the use of the focus ring as a customizable control ring. Moreover, it has outstanding video production capabilities, including an advanced optical design and an optimized internal barrel structure that effectively suppress focus breathing. In high-contrast scenes, micro-step aperture control ensures smooth F-stop transitions, preventing abrupt exposure changes. With its wide starting angle at 24mm and broad feature set, it is also an excellent choice for video, offering phenomenal versatility in a single lens. The LUMIX S 24-60mm F2.8 (S-E2460) Lens will be available starting late June at valued channel partners. LUMIX S 24-60mm F2.8 (S-E2460) Main Features 1. A Maximum of F2.8 Large Aperture and High Image Quality Across the Entire Zoom Range Covers focal lengths from wide-angle 24mm to standard 60mm, the lens is suited for various shooting scenarios. Despite being a large aperture zoom lens, it maintains a compact and lightweight profile, weighing approximately 544g (*3). Capable of close-up photography with a minimum focusing distance of 19 cm (*6) and a maximum magnification of 0.3x. (*7) 2. Enhanced Operability to Expand Creative Potential Features the first-ever (*4) focus ring control capability (*5) in the S series lenses. Focus button on the lens barrel to assist intuitive shooting, allowing customization such as Hybrid Zoom (*1). Incorporates newly developed Dual Phase Linear Motor and a new optical encoder for fast and highly accurate AF performance. 3. Optimal Video Functionality for Video Production Effectively suppresses focus breathing, in which the angle of view changes caused by movements in the focus position. In high-contrast scenes, micro-step aperture control enables smooth F-stop transitions, preventing sudden exposure changes. Enables changing focus positions while zooming during manual focus. *1 This function combines optical zoom and crop zoom, allowing you to extend the telephoto range using only the zoom ring without changing the focal length at the wide-end.*2 Compatible with the DC-S1M2, DC-S1M2ES, DC-S5M2X, DC-S5M2 and DC-S9. When using the DC-S1RM2, the maximum focal length is 252mm. The maximum focal length varies depending on the camera model.*3 Lens hood, front cap, rear cap not included.*4 Among interchangeable lenses for LUMIX full-frame mirrorless cameras.*5 Compatible with DC-S1RM2, DC-S1M2 and DC-S1M2ES. A firmware update is required for DC-S1RM2.*6 At focal length 24-30mm*7 At focal length 30mm • L-Mount is a trademark or registered trademark of Leica Camera AG.• Design and specifications are subject to change without notice. Newark, NJ-based Panasonic Corporation of North America is a leading provider of Consumer Lifestyle technologies, as well as innovative Smart Mobility, Sustainable Energy, Immersive Experiences, and Integrated Supply Chain solutions. The company is the principal North American subsidiary of Osaka, Japan-based Panasonic Holdings Corporation. One of Interbrand's Top 100 Best Global Brands of 2024, Panasonic is a leading technology partner and integrator to businesses, government agencies and consumers across the region. Learn more about Panasonic's ideas and innovations at Follow Press Updates for Panasonic LUMIX: Online: Instagram: TikTok: Facebook: View original content to download multimedia: SOURCE Panasonic Corporation of North America Error in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data
Yahoo
13-05-2025
- Business
- Yahoo
Panasonic Announces Two New Full-Frame Mirrorless Cameras - LUMIX S1II and LUMIX S1IIE - and New LUMIX S 24-60mm F2.8 Lens
NEWARK, N.J., May 13, 2025 /PRNewswire/ -- Panasonic is pleased to announce the expansion of its renowned LUMIX S Series with the introduction of two new models, the LUMIX S1II and S1IIE. These cameras are designed to offer exceptional photographic and videographic capabilities, characterized by remarkable image quality, dynamic color representation, and significant advancements in video technology. Meticulously crafted for professional photographers and videographers, the LUMIX S1II features a newly developed 24.1MP full-frame partially stacked CMOS image sensor and is powered by an advanced-generation Venus Engine. This synergy enables faster readout speeds and processing, supporting high frame rate recording in formats such as 4K120p and 5.8K 60p. (*1) For superior dynamic range, the Dynamic Range Boost mode delivers up to 15 stops (*2) in V-Log at frame rates below 30p. Photographers can also take advantage of high-speed continuous shooting at up to 70 frames per second (*3) with SH / SH pre-burst shooting up to 1.5 seconds allowing the capture of even the most fleeting moments. Elevating workflow efficiency, the LUMIX S1II enhances creative flexibility and streamlines content production. The highly-acclaimed Open Gate feature now supports additional formats beyond 6K30p–including 5.1K60p–unlocking even more options for creators. An upcoming firmware update will introduce multiple frame marker displays, providing further tools for precise and flexible framing. The LUMIX S1IIE, joins the second-generation S1 series, maintaining the celebrated design and ergonomic excellence of the S1II and S1RII, offering potential for creative exploration. It is equipped with a 24.2MP sensor inspired by the characteristics of the LUMIX S5II, ensuring exceptional image quality tailored for diverse shooting conditions. Incorporating many of the standout features from the S1II, the S1IIE positions itself as a comprehensive tool for creative projects. Notably, it introduces a new Cinemascope video format (2.4:1), available in various frame rates without cropping, up to 60p. Panasonic anticipates the LUMIX S1IIE will become a preferred choice for those seeking upgrades in ergonomic design and refined engineering. With the debut of the LUMIX S1II and S1IIE, Panasonic continues to empower creators within the S1 Series. Both new models are designed to support the pursuit of self-expression through elevated performance and versatility. The LUMIX S1II and S1IIE camera will be available starting late June at valued channel partners. LUMIX S1II Main FeaturesHigh framerate recording and wide dynamic range with a newly developed partially stacked sensor Adopts a newly developed 24.1MP full-frame, partially stacked CMOS image sensor Supports LUMIX's first 5.1K 60p high-speed recording option, along with other high-speed formats such as 4K 120p / 5.8K 60p for enhanced performance. (*1) (*4). Offers LUMIX's first 15 stops of dynamic range video recording (*2) in V-Log at frame rates below 30p. (*4) High-speed continuous shooting, offering up to 70 fps (*3) with the electronic shutter "SH/SH PRE" mode, and an extended continuous shooting "H+ (High Speed Plus)" mode of approximately 10 fps with a mechanical shutter, allowing you to experience post view blackout-free shooting. LUMIX S1IIE Main FeaturesExceptional image quality tailored for diverse shooting conditions Adopts 24.2MP sensor inspired by the performance characteristics of the LUMIX S5II Supports 6K 30p (3:2) open gate video recording Offers 14+ stops of dynamic range video recording in V-Log High-speed continuous shooting, offering burst shooting up to 30 fps with the electronic shutter "SH/SH PRE" mode, and an extended continuous shooting "H+ (High Speed Plus)" mode of approximately 10 fps with a mechanical shutter, allowing you to experience post view blackout-free shooting. LUMIX S1II and S1IIE Common FeaturesEnhanced core performance that unlocks new creative possibilities Redefined real-time recognition Phase Hybrid AF with improved eye and face detection and AI-driven tracking accuracy for people. Addition of the new AF recognition for 'Urban Sports', accurately capturing dynamic movements like breakdancing, skateboarding, and parkour. Enhanced 8.0-stop (*5) in-body image stabilization (B.I.S.) and newly developed cropless E.I.S. video distortion correction, which stabilizes without cropping the angle of view. ARRI LogC3 (*6) (*7) available for the first time for S series by using DMW-SFU3A Software Upgrade Key (sold separately). (*4) Supports 5.8K 30p / C4K 60p Apple ProRes RAW HQ / ProRes RAW internal recording to a CFexpress Type B card. Outstanding reliability and efficiency High-resolution 5.76 million-dot electronic viewfinder (EVF) and a versatile 1.84 million-dot tilt and free-angle monitor and are equipped with a sturdy shutter mechanism rated for up to 400,000 cycles. Operating efficiently at temperatures as low as -10 degrees Celsius. Dual recording media options supporting SD and CFexpress Type B cards. Seamless integration with accessories such as the DMW-BG2 and DMW-XLR2. Apps and software that seamlessly support workflow Compatibility with Capture One, making it work seamlessly with professional studio photography's widely used editing software. Compatibility with enabling smooth progression from shooting to editing, as well as cloud sharing and collaboration. Supports LUMIX Lab, simplifying the transfer, editing, and color personalization of photos and videos for seamless smartphone integration and social media ver.1.5 supports the following feature: HEIF file compatibility Supports LUMIX Flow, which assists with storyboard creation, on-site checks during filming, and automatic data organization after shooting to support the video production ver.1.1 supports the following features: Wireless connection Additional assist features (Wave form monitor / Vectorscope / False color) Mirroring monitor function Capable of setting distinct parameters for photography and videography and seamlessly transfer settings from one camera to another using an SD card, thus ensuring uniform settings across diverse camera models. (*8) *1 Depending on the Rec Quality and Image Area of Video settings, the following crop zoom rates are used for recording:When Image Area of Video is FULL: C4K video (120p/100p): Approx. 1.17x, 4K video (120p/100p): Approx. 1.24x.*2 Dynamic Range Boost ON: 15 stops. Dynamic Range Boost OFF: 14+ stops.*3 When set to Image Priority in SH Burst Shooting mode.*4 As of May 2025, among Panasonic's digital cameras.*5 Center: 8.0-stop; Periphery: 7.0-stop. Based on the CIPA 2024 standard [Yaw/Pitch/Roll direction: focusing distance f=60mm when S-R2060 is used. 5-axis.]*6 Firmware update scheduled for 2025.*7 ARRI LogC3 is a Log gamma developed by ARRI and used in ARRI digital cinema cameras. Please note: ALEXA 35 uses ARRI LogC4. On the LUMIX S1II, ARRI LogC3 can be used for 10bit recording in Creative Video mode.*8 Compatible models as of May 2025: DC-S1RM2, DC-S1M2. DC-S1M2ES •Apple and ProRes are trademarks or registered trademarks of Apple Inc. in the United States and/or other countries.• the logo, and Camera to Cloud are either registered trademarks or trademarks of Adobe in the United States and/or other countries.•Capture One is a registered trademark of Capture One A/S in the EU and other countries.•ARRI is registered trademarks of Arnold & Richter Cine Technik GmbH & Co. Betriebs KG.•Other trademarks and trade names are those of their respective owners.•All functions may not be available depending on the situation.•Design and specifications are subject to change without notice. Panasonic Introduces New Large-Aperture Standard Zoom Lens: LUMIX S 24-60mm F2.8 (S-E2460) Panasonic is pleased to expand its LUMIX lens lineup, with the introduction of the LUMIX S 24-60mm F2.8 (S-E2460), a new large-aperture standard zoom lens bult according to the L-Mount system standard. This new lens features a large F2.8 aperture throughout its versatile zoom range. Its unique compact and lightweight design enhances mobility, making it an ideal choice for dynamic landscape and architectural photography, at the 24mm wide-angle perspective, as well as for capturing beautifully bokeh-rich portraits at 60mm focal length. The Hybrid Zoom feature (*1), extends the zoom range up to 187mm (*2) for both photos and videos. The generous aperture of F2.8 provides high-resolution performance and exquisite bokeh across the zoom range, offering fast shutter speeds and minimizing subject blur even in low-light conditions. Through a carefully optimized lens configuration and a minimized filter diameter, the new lens achieves compactness and a light weight of 544g, with a total length of approximately 99.9mm. It also incorporates a recently developed Dual Phase Linear Moto and advanced optical encoder, resulting in high-speed, high-precision AF performance. Versatility is further boosted by an equipped focus button on the lens barrel, facilitating intuitive shooting and allowing customization of preferred features assigned to the button. For the first time in the S series (*4), the LUMIX S 24-60mm F2.8 lens supports control ring assignment (*5). This added feature enables quick access to key settings such as aperture control and exposure compensation through the use of the focus ring as a customizable control ring. Moreover, it has outstanding video production capabilities, including an advanced optical design and an optimized internal barrel structure that effectively suppress focus breathing. In high-contrast scenes, micro-step aperture control ensures smooth F-stop transitions, preventing abrupt exposure changes. With its wide starting angle at 24mm and broad feature set, it is also an excellent choice for video, offering phenomenal versatility in a single lens. The LUMIX S 24-60mm F2.8 (S-E2460) Lens will be available starting late June at valued channel partners. LUMIX S 24-60mm F2.8 (S-E2460) Main Features 1. A Maximum of F2.8 Large Aperture and High Image Quality Across the Entire Zoom Range Covers focal lengths from wide-angle 24mm to standard 60mm, the lens is suited for various shooting scenarios. Despite being a large aperture zoom lens, it maintains a compact and lightweight profile, weighing approximately 544g (*3). Capable of close-up photography with a minimum focusing distance of 19 cm (*6) and a maximum magnification of 0.3x. (*7) 2. Enhanced Operability to Expand Creative Potential Features the first-ever (*4) focus ring control capability (*5) in the S series lenses. Focus button on the lens barrel to assist intuitive shooting, allowing customization such as Hybrid Zoom (*1). Incorporates newly developed Dual Phase Linear Motor and a new optical encoder for fast and highly accurate AF performance. 3. Optimal Video Functionality for Video Production Effectively suppresses focus breathing, in which the angle of view changes caused by movements in the focus position. In high-contrast scenes, micro-step aperture control enables smooth F-stop transitions, preventing sudden exposure changes. Enables changing focus positions while zooming during manual focus. *1 This function combines optical zoom and crop zoom, allowing you to extend the telephoto range using only the zoom ring without changing the focal length at the wide-end.*2 Compatible with the DC-S1M2, DC-S1M2ES, DC-S5M2X, DC-S5M2 and DC-S9. When using the DC-S1RM2, the maximum focal length is 252mm. The maximum focal length varies depending on the camera model.*3 Lens hood, front cap, rear cap not included.*4 Among interchangeable lenses for LUMIX full-frame mirrorless cameras.*5 Compatible with DC-S1RM2, DC-S1M2 and DC-S1M2ES. A firmware update is required for DC-S1RM2.*6 At focal length 24-30mm*7 At focal length 30mm • L-Mount is a trademark or registered trademark of Leica Camera AG.• Design and specifications are subject to change without notice. Newark, NJ-based Panasonic Corporation of North America is a leading provider of Consumer Lifestyle technologies, as well as innovative Smart Mobility, Sustainable Energy, Immersive Experiences, and Integrated Supply Chain solutions. The company is the principal North American subsidiary of Osaka, Japan-based Panasonic Holdings Corporation. One of Interbrand's Top 100 Best Global Brands of 2024, Panasonic is a leading technology partner and integrator to businesses, government agencies and consumers across the region. Learn more about Panasonic's ideas and innovations at Follow Press Updates for Panasonic LUMIX: Online: Instagram: TikTok: Facebook: View original content to download multimedia: SOURCE Panasonic Corporation of North America
