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Los Angeles Times
22-06-2025
- Entertainment
- Los Angeles Times
Good Vibrations: Surf City honors Beach Boy Brian Wilson with paddle out
Brian Wilson wasn't much of a surfer by his own admission, but the legendary musician captured the feeling of Southern California surf culture through his music. His legacy and contribution to the surf community brought about 150 surfers to the north side of the Huntington Beach pier Saturday morning to paddle out in memory of the Beach Boys co-founder who died June 11 at the age of 82. 'The Beach Boys and Brian Wilson had a huge part in establishing what we would call the Southern California beach culture,' said emcee and world champion surfer, Peter 'PT' Townend. A crowd of nearly 400 people gathered on the sand and on the pier overlooking the podium where Townend was joined by Kelly Miller, president and chief executive officer of Visit Huntington Beach and Dean Torrence of Jan and Dean fame, while audio speakers blared classic Beach Boys hits like 1967's 'Good Vibrations.' 'I did not personally know Brian and I did not know the Beach Boys personally but I can tell you that those harmonies, those lyrics and those crafted surf culture songs stirred my soul magically like I am sure it did all of yours,' Miller said to the crowd. The paddle out coincided with International Surfing Day, as well as few other hallmarks highlighted by Miller. 'Ten years ago we did the world's largest surfboard, yesterday was Brian's birthday and this is the first official kick off weekend of summer,' Miller said. In a statement issued June 18 by the Beach Boys, the band stated, 'Brian Wilson wasn't just the heart of the Beach Boys — he was the soul of our sound.' The original band consisted of Wilson, his brothers Carl and Dennis, cousin Mike Love and neighbor Al Jardine. The Beach Boys had numerous hit songs about surf culture, including 'Surfin' Safari' and 'Surfer Girl.' Wilson also co-wrote Jan and Dean's No. 1 hit, 'Surf City' which inspired the city of Huntington Beach's nickname, Surf City U.S.A., which the city trademarked in 1994. At the paddle out, Torrence shared his story of collaborating with Wilson on the hit song. 'Jan (Berry) and I were lucky enough to meet this wonderful songwriter and record producer in the early '60s,' Torrence said. 'We, of course, were looking for material and we said, 'Brian, why don't you write a song for Jan and Dean?' ' Wilson was working on two songs that were contenders for his next single, but they both sounded pretty similar so he was willing to part with one. The songs were 'Surfin' U.S.A' and 'Surf City' and Wilson told Torrence he was leaning toward keeping 'Surfin' U.S.A' 'He said 'If you want the other song, you can finish it, I don't care,' so we took the song,' Torrence recalled. Berry and Torrence finished writing the song and invited Wilson to the studio once they were ready to record. 'He showed up and we did all the vocals and we thought it was pretty damn good,' said Torrence. 'Eight weeks later, it was the No. 1 song in the United States.' Although Wilson's cause of death has not been made public, the late musician was diagnosed with dementia and placed under a conservatorship in 2024. The 2014 film, 'Love & Mercy,' chronicled Wilson's struggles with drug addition and mental health issues. The humanizing biopic was on local Huntington Beach surfer Stacey Rhineer's mind as she carried her board to the water for the paddle out. 'I saw the movie 'Love & Mercy' and that was really special to me,' said Rhineer. 'I have been listening to the Beach Boys a lot ever since, especially Brian Wilson.' Duke Aipa, son of Hawaiian surfer and surfboard shaper Ben Aipa, began the memorial with the ceremonial blowing of the conch shell and kept the good vibrations going by leading the paddle out instruction. 'There is a little bit of a current in the water so the lifeguards are there to assist,' Aipa assured surfers before singing a Hawaiian version of the doxology, a liturgical expression of praise to God. Surfers waded into the choppy waters, guided by Aipa with flowers in hand. The group formed a circle out in the open water before riding waves back to shore. Fans on the sand also honored Wilson. Huntington Beach resident Greg Carcerano said he grew up surfing in Huntington Beach in the 1960's and considers the Beach Boys music an integral part of the surf scene. 'They have always been my favorite band and I have probably seen them in concert 10 or 15 times,' Carcerano said. Wearing a Beach Boys shirt and carrying a portable JBL speaker playing the band's music, Carcerano said he knows Beach Boy enthusiasts like himself will continue to celebrate the music Wilson gave to the world. 'Brian's legacy is that he brought joy and happiness to people through his music,' said Carcerano. 'He is going to be forever in our hearts.'
The Guardian
13-06-2025
- Entertainment
- The Guardian
Endless summer: how Brian Wilson soundtracked California
In July 1963, Jan and Dean's Surf City spent two weeks at number one on the Billboard Hot 100, making it the first surf rock song to top the charts. Co-written by Brian Wilson, the tune describes a halcyon place where there's always a party brewing and the romantic odds are in the narrator's favor – two girls for every boy! In this rock'n'roll era just before the Beatles shook up the US, surf culture had gone mainstream via films (the Annette Funicello-Frankie Avalon vehicle Beach Party) and music (the ferocious guitarist Dick Dale, quirky hits like the Surfaris' Wipe Out). Wilson's own Beach Boys were arguably the driving force behind this movement, having debuted in late 1961 with Surfin', a single that doubled as an early mission statement: 'Surfin' is the only life, the only way for me.' The fresh-faced band members struck wholesome poses in magazine ads, wearing matching plaid shirts while standing in a line clutching a surfboard, as they sang pristine, intricate harmonies that radiated warmth. By summer 1963, the Beach Boys' second album, Surfin' USA, was perched at number four on the album charts. The title track had been a top five hit several months before, thanks to hip-swiveling riffs, references to hip fashion and shout-outs to various California locales (eg, Redondo Beach, La Jolla). For Wilson and the Beach Boys, the Golden state was the place to be for anyone who wanted to be cool. But California wasn't exclusionary: in Surfin' USA, the lyrics note that everybody's there in the water, meaning if you show up, you belong too. Wilson favored bucolic imagery in many of his songs, imagining California as a mythical place full of fancy cars (Little Deuce Coupe; the drag race chronicle Shut Down) with the best-looking women (California Girls) and tastiest surf reports (Catch a Wave). These lyrics captured charming – and innocent – scenes that resembled colorful postcards mailed to the rest of the world: joyriding to the beach, spending the day surfing and dreaming of romance. But Wilson's songs also praised California for its consistency; the state represented a respite from turbulent politics and shifting cultural norms. That's not to say Wilson ignored the outside world. But The Warmth of the Sun, which was written and recorded in the wake of the 1963 assassination of John F Kennedy, doesn't touch on the tragedy; instead, it's a breakup song where the heartbroken protagonist finds a silver lining by turning to sunshine. In dark times, the sun is never far away; it's always guaranteed to rise again or provide comfort. In ways big and small, Wilson established California as a place of possibility, where songs often possessed twinges of melancholy, but never lost their optimism. Surfer Girl nodded to When You Wish Upon a Star from Disney's Pinocchio – a fitting reference for lyrics that wonder wistfully if the titular character will reciprocate a crush – while Wilson associated In My Room with teaching his brothers Carl and Dennis how to harmonize growing up. The title character of Noble Surfer survives oceanic uncertainty and triumphs over nature, a resilient and heroic figure on the water. Perhaps even more, Wilson viewed California as a place of sonic possibility. He produced the Beach Boys' third album, 1963's Surfer Girl, incorporating instrumentation from session icons the Wrecking Crew or flourishes like a trilling harp on Catch a Wave. And his magnum opus, Pet Sounds, while not explicitly about California, built on Phil Spector's lush, Los Angeles-recorded creations and created a blueprint for the kaleidoscopic pop productions, including the Beach Boys' own 1968 LP Friends. Even as Wilson increasingly navigated mental health challenges and struggles with drugs and alcohol, he kept his beachy early days as a touchstone, a nostalgic place he'd revisit in song. Within the dewy California Feelin', written in the early 1970s, he notes: 'Sunlight chased my cares away / The sun dances through the morning sky.' Decades later, he released the solo album That Lucky Old Sun, a 'concept album' that's 'about LA, and life in LA and the different kind of moods of LA. Call it the Heartbeat of LA'. Wilson said. One of the most poignant songs on the album was Southern California, with a chorus that stresses that anything is possible: 'In Southern California / Dreams wake up for you / And when you wake up here / You wake up everywhere.' Fittingly, the lyrics describe an idyllic day: a lazy, sunny day by the ocean capped by a cinematic night that resembles a romantic movie. But in the first verse, Wilson reminisces about something far more personal: hearing Surfin' on the radio, and how that reminded him of singing with his brothers, his dream coming true. Wilson last toured with the Beach Boys in 2012 and retired from the road as a solo act in 2022. And while his musical influence is heard on a global scale – among other things, the Elephant 6 collective from Athens, Georgia, and the New York City punks the Ramones cite the band as an influence – the Beach Boys' sound had an enormous impact closer to home. Think the gauzy California love letters of Best Coast; ambitious pop of Fleetwood Mac; surf-rock of Wavves; and the melodic chamber-pop of the Wondermints, the group that backed Wilson for years. Countless hip-hop artists have sampled the Beach Boys, while Beyoncé interpolated Good Vibrations on Cowboy Carter's Ya Ya, and the French duo Air sampled Do It Again for Remember on Moon Safari. On a broader scale, Wilson's songs have permeated pop culture in comedy and drama films (Happy Feet, Good Morning, Vietnam, The Big Chill) and TV shows (The Bear, WandaVision, Ted Lasso). On a TV show like Full House, Wilson and the Beach Boys became synonymous with an idealized version of sunny California. Fittingly, the Surf City Wilson once wrote about in 1963 now literally exists – Huntington Beach, California, officially became known as Surf City USA in 2006 – and the Beach Boys still tour consistently, keeping Wilson's California chronicles alive. 'Together, we gave the world the American dream of optimism, joy, and a sense of freedom,' the band wrote on Facebook upon Wilson's death. 'Music that made people feel good, made them believe in summer and endless possibilities.'
Yahoo
11-06-2025
- Entertainment
- Yahoo
Brian Wilson, Beach Boys Singer and Master Composer of Seminal Albums Like ‘Pet Sounds' and ‘Smile,' Dies at 82
Brian Wilson, the driving force behind the Beach Boys whose sprawling compositions and studio prowess influenced rock musicians from the Beatles to Radiohead and points between, has died, his family announced Wednesday. He was 82. 'We are heartbroken to announced that our beloved father Brian Wilson has passed away,' the family wrote on his X account, Instagram and website. 'We are at a loss for words right now. Please respect our privacy at this time as our family grieving. We realize that we are sharing our grief with the world. Love & Mercy.' A cause of death was not immediately given. Wilson's imaginative use of the recording studio shifted the paradigm of pop music, as his novel use of effects, string sections, complex harmonies and expansive themes justified the word by which he was universally described: genius. All of it was predicated on Wilson's wizard-level songwriting, which propelled the Beach Boys to worldwide superstardom and cemented their surf- and car-themed songs into enduring history. But beyond sweet high harmonies and summer anthems, Wilson was a pop-culture figure whose influence spanned decades. He credited his well-documented struggles with mental illness as a creative ally, describing how he could hear songs develop in his head as clearly as one might hear them come through the speakers. We are heartbroken to announced that our beloved father Brian Wilson has passed are at a loss for words right respect our privacy at this time as our family realize that we are sharing our grief with the & Mercy — Brian Wilson (@BrianWilsonLive) June 11, 2025 Wilson launched the Beach Boys in 1961 – as the band's songwriter, co-lead vocalist, bassist, keyboardist and producer – and within a few years had written more than two dozen Top 40 hits including 'Surf City,' 'I Get Around,' 'Help Me Rhonda' and 'Good Vibrations.' He suffered a nervous breakdown in 1964 and was forced to drop out of regular concert touring – a turn of events that would give birth to some of the most influential recorded music in history. Turning his full attention to songwriting and studio production, Wilson produced 'Pet Sounds,' among the most celebrated albums in any genre of music history. Desiring to transcend the surf- and car-themed songs that made The Beach Boys famous, Wilson sought to create a cohesive complete work, packing his 1966 vision with unforgettable hits 'Wouldn't it be nice,' 'God Only Knows,' 'Sloop John B' and 'Caroline, No.' The 'concept album' was born, giving inspiration to the Beatles to create 'Sgt. Pepper's Lonely Hearts Club Band' and dozens of similar efforts in the decades to come. More to come … The post Brian Wilson, Beach Boys Singer and Master Composer of Seminal Albums Like 'Pet Sounds' and 'Smile,' Dies at 82 appeared first on TheWrap.
